Carl Sandburg Short Poems
Famous Short Carl Sandburg Poems. Short poetry by famous poet Carl Sandburg. A collection of the all-time best Carl Sandburg short poems
by
Carl Sandburg
I ASKED the professors who teach the meaning of life to tell
me what is happiness.
And I went to famous executives who boss the work of
thousands of men.
They all shook their heads and gave me a smile as though
I was trying to fool with them
And then one Sunday afternoon I wandered out along
the Desplaines river
And I saw a crowd of Hungarians under the trees with
their women and children
and a keg of beer and an
accordion.
by
Carl Sandburg
Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.
Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves,
Love, with little hands,
Comes and touches you
With a thousand memories,
And asks you
Beautiful, unanswerable questions.
by
Carl Sandburg
They offer you many things,
I a few.
Moonlight on the play of fountains at night
With water sparkling a drowsy monotone,
Bare-shouldered, smiling women and talk
And a cross-play of loves and adulteries
And a fear of death and a remembering of regrets:
All this they offer you.
I come with:
salt and bread
a terrible job of work
and tireless war;
Come and have now:
hunger.
danger
and hate.
by
Carl Sandburg
I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.
by
Carl Sandburg
NOW the stone house on the lake front is finished and the
workmen are beginning the fence.
The palings are made of iron bars with steel points that
can stab the life out of any man who falls on them.
As a fence, it is a masterpiece, and will shut off the rabble
and all vagabonds and hungry men and all wandering
children looking for a place to play.
Passing through the bars and over the steel points will go
nothing except Death and the Rain and To-morrow.
by
Carl Sandburg
THE fog comes
on little cat feet.
It sits looking
over harbor and city
on silent haunches
and then moves on.
by
Carl Sandburg
WHITE MOON comes in on a baby face.
The shafts across her bed are flimmering.
Out on the land White Moon shines,
Shines and glimmers against gnarled shadows,
All silver to slow twisted shadows
Falling across the long road that runs from the house.
Keep a little of your beauty
And some of your flimmering silver
For her by the window to-night
Where you come in, White Moon.
by
Carl Sandburg
I CRIED over beautiful things knowing no beautiful thing lasts.
The field of cornflower yellow is a scarf at the neck of the copper sunburned woman, the mother of the year, the taker of seeds.
The northwest wind comes and the yellow is torn full of holes, new beautiful things come in the first spit of snow on the northwest wind, and the old things go, not one lasts.
by
Carl Sandburg
SMASH down the cities.
Knock the walls to pieces.
Break the factories and cathedrals, warehouses
and homes
Into loose piles of stone and lumber and black
burnt wood:
You are the soldiers and we command you.
Build up the cities.
Set up the walls again.
Put together once more the factories and cathedrals,
warehouses and homes
Into buildings for life and labor:
You are workmen and citizens all: We
command you.
by
Carl Sandburg
THEY are crying salt tears
Over the beautiful beloved body
Of Inez Milholland,
Because they are glad she lived,
Because she loved open-armed,
Throwing love for a cheap thing
Belonging to everybody—
Cheap as sunlight,
And morning air.
by
Carl Sandburg
YOUR western heads here cast on money,
You are the two that fade away together,
Partners in the mist.
Lunging buffalo shoulder,
Lean Indian face,
We who come after where you are gone
Salute your forms on the new nickel.
You are
To us:
The past.
Runners
On the prairie:
Good-by.
by
Carl Sandburg
WHY shall I keep the old name?
What is a name anywhere anyway?
A name is a cheap thing all fathers and mothers leave
each child:
A job is a job and I want to live, so
Why does God Almighty or anybody else care whether
I take a new name to go by?
by
Carl Sandburg
ALL day long in fog and wind,
The waves have flung their beating crests
Against the palisades of adamant.
My boy, he went to sea, long and long ago,
Curls of brown were slipping underneath his cap,
He looked at me from blue and steely eyes;
Natty, straight and true, he stepped away,
My boy, he went to sea.
All day long in fog and wind,
The waves have flung their beating crests
Against the palisades of adamant.
by
Carl Sandburg
RED barns and red heifers spot the green
grass circles around Omaha—the farmers
haul tanks of cream and wagon loads of cheese.
Shale hogbacks across the river at Council
Bluffs—and shanties hang by an eyelash to
the hill slants back around Omaha.
A span of steel ties up the kin of Iowa and
Nebraska across the yellow, big-hoofed Missouri River.
Omaha, the roughneck, feeds armies,
Eats and swears from a dirty face.
Omaha works to get the world a breakfast.
by
Carl Sandburg
THE owl-car clatters along, dogged by the echo
From building and battered paving-stone.
The headlight scoffs at the mist,
And fixes its yellow rays in the cold slow rain;
Against a pane I press my forehead
And drowsily look on the walls and sidewalks.
The headlight finds the way
And life is gone from the wet and the welter--
Only an old woman, bloated, disheveled and bleared.
Far-wandered waif of other days,
Huddles for sleep in a doorway,
Homeless.
by
Carl Sandburg
I SHALL never forget you, Broadway
Your golden and calling lights.
I'll remember you long,
Tall-walled river of rush and play.
Hearts that know you hate you
And lips that have given you laughter
Have gone to their ashes of life and its roses,
Cursing the dreams that were lost
In the dust of your harsh and trampled stones.
by
Carl Sandburg
THE SEA rocks have a green moss.
The pine rocks have red berries.
I have memories of you.
Speak to me of how you miss me.
Tell me the hours go long and slow.
Speak to me of the drag on your heart,
The iron drag of the long days.
I know hours empty as a beggar’s tin cup on a rainy day, empty as a soldier’s sleeve with an arm lost.
Speak to me …
by
Carl Sandburg
Close-mouthed you sat five thousand years and never
let out a whisper.
Processions came by, marchers, asking questions you
answered with grey eyes never blinking, shut lips
never talking.
Not one croak of anything you know has come from your
cat crouch of ages.
I am one of those who know all you know and I keep my
questions: I know the answers you hold.
by
Carl Sandburg
You came from the Aztecs
With a copper on your fore-arms
Tawnier than a sunset
Saying good-by to an even river.
And I said, you remember,
Those fore-arms of yours
Were finer than bronzes
And you were glad.
It was tears
And a path west
and a home-going
when I asked
Why there were scars of worn gold
Where a man's ring was fixed once
On your third finger.
And I call you
To come back
before the days are longer.
by
Carl Sandburg
Sling me under the sea.
Pack me down in the salt and wet.
No farmer's plow shall touch my bones.
No Hamlet hold my jaws and speak
How jokes are gone and empty is my mouth.
Long, green-eyed scavengers shall pick my eyes,
Purple fish play hide-and-seek,
And I shall be song of thunder, crash of sea,
Down on the floors of salt and wet.
Sling me .
.
.
under the sea.
by
Carl Sandburg
I THOUGHT of killing myself because I am only a bricklayer and you a woman who loves the man who runs a drug store.
I don’t care like I used to; I lay bricks straighter than I used to and I sing slower handling the trowel afternoons.