Famous Long Fishing Poems

Famous Long Fishing Poems. Long Fishing Poetry by Famous Poets. A collection of the all-time best Fishing long poems

See also: Long Member Poems

 Preethee stand still awhile, and view this tree
Renown'd and honour'd for antiquitie
By all the neighbour twiggs; for such are all
The trees adjoyning, bee they nere so tall,
Comparde to this: if here Jacke Maypole stood
All men would sweare 'twere but a fishing rodde.
Mark but the gyant trunk, which when you see
You see how many woods and groves there bee
Compris'd within one elme. The hardy stocke
Is knotted like a clubb, and who dares mocke
His strength by shaking it? Each brawny limbe
Could pose the centaure Monychus, or him
That wav'de a hundred hands ere hee could wield
That sturdy waight, whose large extent might shield
A poore man's tenement. Greate Ceres' oake
Which Erisichthon feld, could not provoke
Halfe so much hunger for his punishment
As hewing this would doe by consequent.


Nothing but age could tame it: Age came on,
And loe a lingering consumption
Devour'd the entralls, where an hollow cave
Without the workman's helpe beganne to have
The figure of a Tent: a pretty cell
Where grand Silenus might not scorne to dwell,
And owles might feare to harbour, though they brought
Minerva's warrant for to bear them out
In this their bold attempt. Looke down into
The twisted curles, the wreathing to and fro
Contrived by nature: where you may descry
How hall and parlour, how...
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 1)

Sleeping birds, lead me,
soft birds, be me

inside this black room,
back of the white moon.

In the dark night
sight frightens me.


2)

Who is it nuzzles there
with furred, round headed stare?

Who, perched on the skin,
body's float, is holding on?

What other one stares still,
plays still, on and on?


3)

Stand upright, prehensile,
squat, determined,

small guardians of the painful
outside coming in --

in stuck in vials with needles,
bleeding life in, particular, heedless.


4)

Matrix of world
upon a turtle's broad back,

carried on like that,
eggs as pearls,

flesh and blood and bone
all borne along.


5)

I'll tell you what you want,
to say a word, 

to know the letters in yourself,
a skin falls off,

a big eared head appears,
an eye and mouth.


6)

Under watery here,
under breath, under duress,

understand a pain
has threaded a needle with a little man --

gone fishing. 
And fish appear.


7)

If small were big,
if then were now,

if here were there,
if find were found,

if mind were all there was,
would the animals still save us?


8)

A head was put
upon the shelf got took


by animal's hand and stuck
upon a vacant corpse

who, blurred, could nonetheless
not ever be the quietly standing bird it watched.


9)

Not lost,
not better or worse,

much must of necessity depend on resources,
the pipes and bags brought with us

inside, all the sacks
and how and to what they are or were attached.


10)

Everybody's child 
walks...
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After the torchlight red on sweaty faces
  After the frosty silence in the gardens
  After the agony in stony places
  The shouting and the crying
  Prison and palace and reverberation
  Of thunder of spring over distant mountains
  He who was living is now dead
  We who were living are now dying
  With a little patience                                                  330

  Here is no water but only rock
  Rock and no water and the sandy road
  The road winding above among the mountains
  Which are mountains of rock without water
  If there were water we should stop and drink
  Amongst the rock one cannot stop or think
  Sweat is dry and feet are in the sand
  If there were only water amongst the rock
  Dead mountain mouth of carious teeth that cannot spit
  Here one can neither stand...
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 The mountain held the town as in a shadow 
I saw so much before I slept there once: 
I noticed that I missed stars in the west, 
Where its black body cut into the sky. 
Near me it seemed: I felt it like a wall 
Behind which I was sheltered from a wind. 
And yet between the town and it I found, 
When I walked forth at dawn to see new things, 
Were fields, a river, and beyond, more fields. 
The river at the time was fallen away, 
And made a widespread brawl on cobble-stones; 
But the signs showed what it had done in spring; 
Good grass-land gullied out, and in the grass 
Ridges of sand, and driftwood stripped of bark. 
I crossed the river and swung round the mountain. 
And there I met a man who moved so slow 
With white-faced oxen in a heavy cart, 
It seemed no hand to stop him altogether. 
"What town is this?" I asked. 
"This? Lunenburg." 
Then I was wrong: the town of my sojourn, 
Beyond the bridge, was not that of the mountain, 
But only felt at night its shadowy presence. 
"Where is your village? Very far from here?" 
"There is...
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 A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day
That the village of Louisburg was thrown into a wild state or dismay, 

And the villagers flew to the beach in a state of wild uproar
And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory,
And they found that the bottom of the boat was gory;
Then their hearts were seized with sudden dread,
when they discovered that two of the men were dead. 

And the two survivors were exhausted from exposure, hunger, and cold,
Which used the spectators to shudder when them they did behold;
And with hunger the poor men couldn't stand on their feet,
They felt so weakly on their legs for want of meat. 

They were carried to a boarding-house without delay,
But those that were looking on were stricken with dismay,
When the remains of James and Angus McDonald were found in the boat,
Likewise three pieces or flesh in a pool or blood afloat. 

Angus McDonald's right arm was missing from the elbow,
and the throat...
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 I have been reading Pomfret's "Choice" this spring, 
A pretty kind of--sort of--kind of thing, 
Not much a verse, and poem none at all, 
Yet, as they say, extremely natural. 
And yet I know not. There's an art in pies, 
In raising crusts as well as galleries; 
And he's the poet, more or less, who knows 
The charm that hallows the least truth from prose, 
And dresses it in its mild singing clothes. 
Not oaks alone are trees, nor roses flowers; 
Much humble wealth makes rich this world of ours. 
Nature from some sweet energy throws up 
Alike the pine-mount and the buttercup; 
And truth she makes so precious, that to paint 
Either, shall shrine an artist like a saint, 
And bring him in his turn the crowds that press 
Round Guido's saints or Titian's goddesses. 

Our trivial poet hit upon a theme 
Which all men love, an old, sweet household dream:-- 
Pray, reader, what is yours?--I know full well 
What sort of home should grace my garden-bell,-- 
No tall, half-furnish'd, gloomy, shivering house, 
That worst of mountains labouring with a mouse; 
Nor should I choose to fill a tawdry niche in 
A Grecian temple, opening to a kitchen....
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 The blast from Freedom's Northern hills, upon its Southern way,
Bears greeting to Virginia from Massachusetts Bay:
No word of haughty challenging, nor battle bugle's peal,
Nor steady tread of marching files, nor clang of horsemen's steel,

No trains of deep-mouthed cannon along our highways go;
Around our silent arsenals untrodden lies the snow;
And to the land-breeze of our ports, upon their errands far,
A thousand sails of commerce swell, but none are spread for war.

We hear thy threats, Virginia! thy stormy words and high
Swell harshly on the Southern winds which melt along our sky;
Yet not one brown, hard hand foregoes its honest labor here,
No hewer of our mountain oaks suspends his axe in fear.

Wild are the waves which lash the reefs along St. George's bank;
Cold on the shores of Labrador the fog lies white and dank;
Through storm, and wave, and blinding mist, stout are the hearts which man
The fishing-smacks of Marblehead, the sea-boats of Cape Ann.

The cold north light and wintry sun glare on their icy forms,
Bent grimly o'er their straining lines or wrestling with the storms;
Free as the winds they drive before, rough as the waves they roam,
They laugh to scorn the slaver's threat against their rocky home.

What means the Old Dominion? Hath...
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 call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the 
depression era.
there wasn't any money but there was
plenty of rain.
it wouldn't rain for just a night or
a day,
it would RAIN for 7 days and 7
nights
and in Los Angeles the storm drains
weren't built to carry off taht much
water
and the rain came down THICK and 
MEAN and
STEADY
and you HEARD it banging against
the roofs and into the ground
waterfalls of it came down
from roofs
and there was HAIL
big ROCKS OF ICE
bombing
exploding smashing into things
and the rain 
just wouldn't
STOP
and all the roofs leaked-
dishpans,
cooking pots
were placed all about;
they dripped loudly
and had to be emptied
again and
again.
the rain came up over the street curbings,
across the lawns, climbed up the steps and
entered the houses.
there were mops and bathroom towels,
and the rain often came up through the 
toilets:bubbling, brown, crazy,whirling,
and all the old cars stood in the streets,
cars that had problems starting on a 
sunny day,
and the jobless men stood
looking out the windows
at the old machines dying
like living things out there.
the jobless men,
failures in a failing time
were imprisoned in their houses with their
wives and children
and their
pets.
the pets refused to go out
and left their waste in 
strange places.
the jobless men...
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 Two good friends had Hiawatha, 
Singled out from all the others, 
Bound to him in closest union, 
And to whom he gave the right hand 
Of his heart, in joy and sorrow; 
Chibiabos, the musician,
And the very strong man, Kwasind.
Straight between them ran the pathway, 
Never grew the grass upon it; 
Singing birds, that utter falsehoods, 
Story-tellers, mischief-makers, 
Found no eager ear to listen, 
Could not breed ill-will between them, 
For they kept each other's counsel, 
Spake with naked hearts together, 
Pondering much and much contriving 
How the tribes of men might prosper.
Most beloved by Hiawatha 
Was the gentle Chibiabos, 
He the best of all musicians, 
He the sweetest of all singers. 
Beautiful and childlike was he, 
Brave as man is, soft as woman, 
Pliant as a wand of willow, 
Stately as a deer with antlers.
When he sang, the village listened; 
All the warriors gathered round him, 
All the women came to hear him; 
Now he stirred their souls to passion, 
Now he melted them to pity.
From the hollow reeds he fashioned 
Flutes so musical and mellow, 
That the brook, the Sebowisha, 
Ceased to murmur in the woodland, 
That the wood-birds ceased from singing, 
And the squirrel, Adjidaumo, 
Ceased...
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 Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's 
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of 
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run....
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  The river's tent is broken: the last fingers of leaf
  Clutch and sink into the wet bank. The wind
  Crosses the brown land, unheard. The nymphs are departed.
  Sweet Thames, run softly, till I end my song.
  The river bears no empty bottles, sandwich papers,
  Silk handkerchiefs, cardboard boxes, cigarette ends
  Or other testimony of summer nights. The nymphs are departed.
  And their friends, the loitering heirs of city directors;               180
  Departed, have left no addresses.

  Line 161 ALRIGHT. This spelling occurs also in
  the Hogarth Press edition— Editor.

  By the waters of Leman I sat down and wept . . .
  Sweet Thames, run softly till I end my song,
  Sweet Thames, run softly, for I speak not loud or long.
  But at my back in a cold blast I hear
  The rattle of the bones, and chuckle spread from ear to ear.
  A rat crept softly through the vegetation
  Dragging its slimy belly on the bank
  While I was fishing in the dull canal
...
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 To drive Paul out of any lumber camp
All that was needed was to say to him,
"How is the wife, Paul?"--and he'd disappear.
Some said it was because be bad no wife,
And hated to be twitted on the subject;
Others because he'd come within a day
Or so of having one, and then been Jilted;
Others because he'd had one once, a good one,
Who'd run away with someone else and left him;
And others still because he had one now
He only had to be reminded of--
He was all duty to her in a minute:
He had to run right off to look her up,
As if to say, "That's so, how is my wife?
I hope she isn't getting into mischief."
No one was anxious to get rid of Paul.
He'd been the hero of the mountain camps
Ever since, just to show them, he bad slipped
The bark of a whole tamarack off whole
As clean as boys do off a willow twig
To make a willow whistle on a Sunday
April by subsiding meadow brooks.
They seemed to ask him just to see him go,
"How is the wife, Paul?" and he always went.
He never stopped to murder anyone
Who asked the question. He just disappeared--
Nobody knew in what direction,
Although it wasn't usually long
Before they beard...
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 A dear old couple my grandparents were, 
And kind to all dumb things; they saw in Heaven 
The lamb that Jesus petted when a child; 
Their faith was never draped by Doubt: to them 
Death was a rainbow in Eternity, 
That promised everlasting brightness soon. 
An old seafaring man was he; a rough 
Old man, but kind; and hairy, like the nut 
Full of sweet milk. All day on shore he watched 
The winds for sailors' wives, and told what ships 
Enjoyed fair weather, and what ships had storms; 
He watched the sky, and he could tell for sure 
What afternoons would follow stormy morns, 
If quiet nights would end wild afternoons. 
He leapt away from scandal with a roar, 
And if a whisper still possessed his mind, 
He walked about and cursed it for a plague. 
He took offence at Heaven when beggars passed, 
And sternly called them back to give them help. 
In this old captain's house I lived, and things 
That house contained were in ships' cabins once: 
Sea-shells and charts and pebbles, model ships; 
Green weeds, dried fishes stuffed, and coral stalks; 
Old wooden trunks with handles of spliced rope, 
With copper saucers full of...
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 Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.
So disasters come not singly;
But as if they watched and waited,
Scanning one another's motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.
Now, o'er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.
Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.
One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.
On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like...
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 Forth upon the Gitche Gumee, 
On the shining Big-Sea-Water, 
With his fishing-line of cedar, 
Of the twisted bark of cedar, 
Forth to catch the sturgeon Nahma, 
Mishe-Nahma, King of Fishes, 
In his birch canoe exulting 
All alone went Hiawatha.
Through the clear, transparent water 
He could see the fishes swimming 
Far down in the depths below him; 
See the yellow perch, the Sahwa, 
Like a sunbeam in the water,
See the Shawgashee, the craw-fish, 
Like a spider on the bottom, 
On the white and sandy bottom.
At the stern sat Hiawatha, 
With his fishing-line of cedar; 
In his plumes the breeze of morning 
Played as in the hemlock branches; 
On the bows, with tail erected, 
Sat the squirrel, Adjidaumo; 
In his fur the breeze of morning 
Played as in the prairie grasses.
On the white sand of the bottom 
Lay the monster Mishe-Nahma, 
Lay the sturgeon, King of Fishes; 
Through his gills he breathed the water, 
With his fins he fanned and winnowed, 
With his tail he swept the sand-floor.
There he lay in all his armor; 
On each side a shield to guard him, 
Plates of bone upon his forehead, 
Down his sides and back and shoulders
Plates of bone with spines projecting 
Painted...
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