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Best Famous Values Poems

Here is a collection of the all-time best famous Values poems. This is a select list of the best famous Values poetry. Reading, writing, and enjoying famous Values poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of values poems.

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Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize.
2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
3 Ever upon this stage, Is acted God’s calm, annual drama, Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching, light-hung roof of clouds—the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands, and all the growths and products.
4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.
) 5 When late I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying.
But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded; No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6 (Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; —How elate I stood and watch’d you, where, starting off, you march’d! Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d!) 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Ah, the dead to me mar not—they fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed; Nor in winter or summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me.
8 I saw the day, the return of the Heroes; (Yet the Heroes never surpass’d, shall never return; Them, that day, I saw not.
) I saw the interminable Corps—I saw the processions of armies, I saw them approaching, defiling by, with divisions, Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field.
9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear.
Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars.
10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of full-yielding; The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me; I see the true arenas of my race—or first, or last, Man’s innocent and strong arenas.
I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons.
11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products.
Busy the far, the sunlit panorama; Prairie, orchard, and yellow grain of the North, Cotton and rice of the South, and Louisianian cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass.
12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.
) 13 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.


Written by Howard Nemerov | Create an image from this poem

Lion and Honeycomb

 He didn't want to do it with skill,
He'd had enough of skill.
If he never saw Another villanelle, it would be too soon; And the same went for sonnets.
If it had been Hard work learning to rime, it would be much Harder learning not to.
The time came He had to ask himself, what did he want? What did he want when he began That idiot fiddling with the sounds of things.
He asked himself, poor moron, because he had Nobody else to ask.
The others went right on Talking about form, talking about myth And the (so help us) need for a modern idiom; The verseballs among them kept counting syllables.
So there he was, this forty-year-old teen-ager Dreaming preposterous mergers and divisions Of vowels like water, consonants like rock (While everybody kept discussing values And the need for values), for words that would Enter the silence and be there as a light.
So much coffee and so many cigarettes Gone down the drain, gone up in smoke, Just for the sake of getting something right Once in a while, something that could stand On its own flat feet to keep out windy time And the worm, something that might simply be, Not as the monument in the smoky rain Grimly endures, but that would be Only a moment's inviolable presence, The moment before disaster, before the storm, In its peculiar silence, an integer Fixed in the middle of the fall of things, Perfected and casual as to a child's eye Soap bubbles are, and skipping stones.
Written by Howard Nemerov | Create an image from this poem

Learning by Doing

 They're taking down a tree at the front door,
The power saw is snarling at some nerves,
Whining at others.
Now and then it grunts, And sawdust falls like snow or a drift of seeds.
Rotten, they tell us, at the fork, and one Big wind would bring it down.
So what they do They do, as usual, to do us good.
Whatever cannot carry its own weight Has got to go, and so on; you expect To hear them talking next about survival And the values of a free society.
For in the explanations people give On these occasions there is generally some Mean-spirited moral point, and everyone Privately wonders if his neighbors plan To saw him up before he falls on them.
Maybe a hundred years in sun and shower Dismantled in a morning and let down Out of itself a finger at a time And then an arm, and so down to the trunk, Until there's nothing left to hold on to Or snub the splintery holding rope around, And where those big green divagations were So loftily with shadows interleaved The absent-minded blue rains in on us.
Now that they've got it sectioned on the ground It looks as though somebody made a plain Error in diagnosis, for the wood Looks sweet and sound throughout.
You couldn't know, Of course, until you took it down.
That's what Experts are for, and these experts stand round The giant pieces of tree as though expecting An instruction booklet from the factory Before they try to put it back together.
Anyhow, there it isn't, on the ground.
Next come the tractor and the crowbar crew To extirpate what's left and fill the grave.
Maybe tomorrow grass seed will be sown.
There's some mean-spirited moral point in that As well: you learn to bury your mistakes, Though for a while at dusk the darkening air Will be with many shadows interleaved, And pierced with a bewilderment of birds.
Written by Emily Dickinson | Create an image from this poem

The look of thee what is it like

 The look of thee, what is it like
Hast thou a hand or Foot
Or Mansion of Identity
And what is thy Pursuit?

Thy fellows are they realms or Themes
Hast thou Delight or Fear
Or Longing -- and is that for us
Or values more severe?

Let change transfuse all other Traits
Enact all other Blame
But deign this least certificate --
That thou shalt be the same.
Written by Yevgeny Yevtushenko | Create an image from this poem

Epistle to Neruda

 Superb,
 Like a seasoned lion,
Neruda buys bread in the shop.
He asks for it to be wrapped in paper And solemly puts it under his arm: "Let someone at least think that at some time I bought a book…" Waving his hand in farewell, like a Roman rather dreamily royal, in the air scented with mollusks, oysters, rice, he walks with the bread through Valparaiso.
He says: " Eugenio, look! You see-- over there, among the puddles and garbage, standing up under the red lamps stands Bilbao-with the soul of a poet -- in bronze.
Bilbao was a tramp and a rebel.
Originally they set up the monument, fenced off by a chain, with due pomp, right in the center, although the poet had lived in the slums.
Then there was some minor overthrow or other, and the poet was thrown out, beyond the gates.
Sweating, they removed the pedestal to a filthy little red-light district.
And the poet stood, as the sailor's adopted brother, against a background you might call native to him.
Our Bilbao loved cracking jokes.
He would say: 'On this best of possible planets there are prostitutes and politutes -- as I'm a poet, I prefer the former.
'" And Neruda comments, with a hint of slyness: "A poet is beyond the rise and fall of values.
It's not hard to remove us from the center, but the spot where they set us down becomes the center!" I remember that noon, Pablo, as I tune my transistor at night, ny the window, now, when a wicked war with the people of Chile brings back the smell of Spain.
Playing about at a new overthrow, politutes in generals' uniforms wanted, whichever way they could, to hustle your poetry out of sight.
But today I see Neruda-- he's always right in the center and, not faltering, he carries his poetry to the people as simply and calmly as a loaf of bread.
Many poets follow false paths, but if the poet is with the people to the bitter end, like a conscience- then nothing can possibly overthrow poetry.
1973 Translated by Arthur Boyars amd Simon Franklin


Written by Spike Milligan | Create an image from this poem

Values 67

 Pass by citizen
don't look left or right
Keep those drip dry eyes straight ahead
A tree? Chop it down- it's a danger
to lightning!
Pansies calling for water,
Let 'em die- ***** bastards-
Seek comfort in the scarlet, labour
saving plastic rose
Fresh with the frangrance of Daz!
Sunday! Pray citizen;
Pray no rain will fall
On your newly polished
Four wheeled
God

Envoi

Beauty is in the eye of the beholder
Get it out with Optrex
Written by Robert Frost | Create an image from this poem

The Code

 There were three in the meadow by the brook 
Gathering up windrows, piling cocks of hay, 
With an eye always lifted toward the west 
Where an irregular sun-bordered cloud 
Darkly advanced with a perpetual dagger 
Flickering across its bosom.
Suddenly One helper, thrusting pitchfork in the ground, Marched himself off the field and home.
One stayed.
The town-bred farmer failed to understand.
"What is there wrong?" "Something you just now said.
" "What did I say?" "About our taking pains.
" "To cock the hay?--because it's going to shower? I said that more than half an hour ago.
I said it to myself as much as you.
" "You didn't know.
But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.
James would take time, of course, to chew it over Before he acted: he's just got round to act.
" "He is a fool if that's the way he takes me.
" "Don't let it bother you.
You've found out something.
The hand that knows his business won't be told To do work better or faster--those two things.
I'm as particular as anyone: Most likely I'd have served you just the same.
But I know you don't understand our ways.
You were just talking what was in your mind, What was in all our minds, and you weren't hinting.
Tell you a story of what happened once: I was up here in Salem at a man's Named Sanders with a gang of four or five Doing the haying.
No one liked the boss.
He was one of the kind sports call a spider, All wiry arms and legs that spread out wavy From a humped body nigh as big's a biscuit.
But work! that man could work, especially If by so doing he could get more work Out of his hired help.
I'm not denying He was hard on himself.
I couldn't find That he kept any hours--not for himself.
Daylight and lantern-light were one to him: I've heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn't lead he'd get behind And drive, the way you can, you know, in mowing-- Keep at their heels and threaten to mow their legs off.
I'd seen about enough of his bulling tricks (We call that bulling).
I'd been watching him.
So when he paired off with me in the hayfield To load the load, thinks I, Look out for trouble.
I built the load and topped it off; old Sanders Combed it down with a rake and says, 'O.
K.
' Everything went well till we reached the barn With a big catch to empty in a bay.
You understand that meant the easy job For the man up on top of throwing down The hay and rolling it off wholesale, Where on a mow it would have been slow lifting.
You wouldn't think a fellow'd need much urging Under these circumstances, would you now? But the old fool seizes his fork in both hands, And looking up bewhiskered out of the pit, Shouts like an army captain, 'Let her come!' Thinks I, D'ye mean it? 'What was that you said?' I asked out loud, so's there'd be no mistake, 'Did you say, Let her come?' 'Yes, let her come.
' He said it over, but he said it softer.
Never you say a thing like that to a man, Not if he values what he is.
God, I'd as soon Murdered him as left out his middle name.
I'd built the load and knew right where to find it.
Two or three forkfuls I picked lightly round for Like meditating, and then I just dug in And dumped the rackful on him in ten lots.
I looked over the side once in the dust And caught sight of him treading-water-like, Keeping his head above.
'Damn ye,' I says, 'That gets ye!' He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping hayseed from my neck, And sort of waiting to be asked about it, One of the boys sings out, 'Where's the old man?' 'I left him in the barn under the hay.
If ye want him, ye can go and dig him out.
' They realized from the way I swobbed my neck More than was needed something must be up.
They headed for the barn; I stayed where I was.
They told me afterward.
First they forked hay, A lot of it, out into the barn floor.
Nothing! They listened for him.
Not a rustle.
I guess they thought I'd spiked him in the temple Before I buried him, or I couldn't have managed.
They excavated more.
'Go keep his wife Out of the barn.
' Someone looked in a window, And curse me if he wasn't in the kitchen Slumped way down in a chair, with both his feet Stuck in the oven, the hottest day that summer.
He looked so clean disgusted from behind There was no one that dared to stir him up, Or let him know that he was being looked at.
Apparently I hadn't buried him (I may have knocked him down); but my just trying To bury him had hurt his dignity.
He had gone to the house so's not to meet me.
He kept away from us all afternoon.
We tended to his hay.
We saw him out After a while picking peas in his garden: He couldn't keep away from doing something.
" "Weren't you relieved to find he wasn't dead?" "No! and yet I don't know--it's hard to say.
I went about to kill him fair enough.
" "You took an awkward way.
Did he discharge you?" "Discharge me? No! He knew I did just right.
"
Written by Amy Lowell | Create an image from this poem

An Aquarium

 Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver -- gold --
Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles, Swallowing them, Fish.
Blue shadows against silver-saffron water, The light rippling over them In steel-bright tremors.
Outspread translucent fins Flute, fold, and relapse; The threaded light prints through them on the pebbles In scarcely tarnished twinklings.
Curving of spotted spines, Slow up-shifts, Lazy convolutions: Then a sudden swift straightening And darting below: Oblique grey shadows Athwart a pale casement.
Roped and curled, Green man-eating eels Slumber in undulate rhythms, With crests laid horizontal on their backs.
Barred fish, Striped fish, Uneven disks of fish, Slip, slide, whirl, turn, And never touch.
Metallic blue fish, With fins wide and yellow and swaying Like Oriental fans, Hold the sun in their bellies And glow with light: Blue brilliance cut by black bars.
An oblong pane of straw-coloured shimmer, Across it, in a tangent, A smear of rose, black, silver.
Short twists and upstartings, Rose-black, in a setting of bubbles: Sunshine playing between red and black flowers On a blue and gold lawn.
Shadows and polished surfaces, Facets of mauve and purple, A constant modulation of values.
Shaft-shaped, With green bead eyes; Thick-nosed, Heliotrope-coloured; Swift spots of chrysolite and coral; In the midst of green, pearl, amethyst irradiations.
Outside, A willow-tree flickers With little white jerks, And long blue waves Rise steadily beyond the outer islands.
Written by Rudyard Kipling | Create an image from this poem

One Viceroy Resigns

 So here's your Empire.
No more wine, then? Good.
We'll clear the Aides and khitmatgars away.
(You'll know that fat old fellow with the knife -- He keeps the Name Book, talks in English too, And almost thinks himself the Government.
) O Youth, Youth, Youth! Forgive me, you're so young.
Forty from sixty -- twenty years of work And power to back the working.
Ay def mi! You want to know, you want to see, to touch, And, by your lights, to act.
It's natural.
I wonder can I help you.
Let me try.
You saw -- what did you see from Bombay east? Enough to frighten any one but me? Neat that! It frightened Me in Eighty-Four! You shouldn't take a man from Canada And bid him smoke in powder-magazines; Nor with a Reputation such as -- Bah! That ghost has haunted me for twenty years, My Reputation now full blown -- Your fault -- Yours, with your stories of the strife at Home, Who's up, who's down, who leads and who is led -- One reads so much, one hears so little here.
Well, now's your turn of exile.
I go back To Rome and leisure.
All roads lead to Rome, Or books -- the refuge of the destitute.
When you .
.
.
that brings me back to India.
See! Start clear.
I couldn't.
Egypt served my turn.
You'll never plumb the Oriental mind, And if you did it isn't worth the toil.
Think of a sleek French priest in Canada; Divide by twenty half-breeds.
Multiply By twice the Sphinx's silence.
There's your East, And you're as wise as ever.
So am I.
Accept on trust and work in darkness, strike At venture, stumble forward, make your mark, (It's chalk on granite), then thank God no flame Leaps from the rock to shrivel mark and man.
I'm clear -- my mark is made.
Three months of drought Had ruined much.
It rained and washed away The specks that might have gathered on my Name.
I took a country twice the size of France, And shuttered up one doorway in the North.
I stand by those.
You'll find that both will pay, I pledged my Name on both -- they're yours to-night.
Hold to them -- they hold fame enough for two.
I'm old, but I shall live till Burma pays.
Men there -- not German traders -- Crsthw-te knows -- You'll find it in my papers.
For the North Guns always -- quietly -- but always guns.
You've seen your Council? Yes, they'll try to rule, And prize their Reputations.
Have you met A grim lay-reader with a taste for coins, And faith in Sin most men withhold from God? He's gone to England.
R-p-n knew his grip And kicked.
A Council always has its H-pes.
They look for nothing from the West but Death Or Bath or Bournemouth.
Here's their ground.
They fight Until the middle classes take them back, One of ten millions plus a C.
S.
I.
Or drop in harness.
Legion of the Lost? Not altogether -- earnest, narrow men, But chiefly earnest, and they'll do your work, And end by writing letters to the Times, (Shall I write letters, answering H-nt-r -- fawn With R-p-n on the Yorkshire grocers? Ugh!) They have their Reputations.
Look to one -- I work with him -- the smallest of them all, White-haired, red-faced, who sat the plunging horse Out in the garden.
He's your right-hand man, And dreams of tilting W-ls-y from the throne, But while he dreams gives work we cannot buy; He has his Reputation -- wants the Lords By way of Frontier Roads.
Meantime, I think, He values very much the hand that falls Upon his shoulder at the Council table -- Hates cats and knows his business; which is yours.
Your business! twice a hundered million souls.
Your business! I could tell you what I did Some nights of Eighty-Five, at Simla, worth A Kingdom's ransom.
When a big ship drives, God knows to what new reef the man at the whee! Prays with the passengers.
They lose their lives, Or rescued go their way; but he's no man To take his trick at the wheel again -- that's worse Than drowning.
Well, a galled Mashobra mule (You'll see Mashobra) passed me on the Mall, And I was -- some fool's wife and ducked and bowed To show the others I would stop and speak.
Then the mule fell -- three galls, a hund-breadth each, Behind the withers.
Mrs.
Whatsisname Leers at the mule and me by turns, thweet thoul! "How could they make him carry such a load!" I saw -- it isn't often I dream dreams -- More than the mule that minute -- smoke and flame From Simla to the haze below.
That's weak.
You're younger.
You'll dream dreams before you've done.
You've youth, that's one -- good workmen -- that means two Fair chances in your favor.
Fate's the third.
I know what I did.
Do you ask me, "Preach"? I answer by my past or else go back To platitudes of rule -- or take you thus In confidence and say: "You know the trick: You've governed Canada.
You know.
You know!" And all the while commend you to Fate's hand (Here at the top on loses sight o' God), Commend you, then, to something more than you -- The Other People's blunders and .
.
.
that's all.
I'd agonize to serve you if I could.
It's incommunicable, like the cast That drops the tackle with the gut adry.
Too much -- too little -- there's your salmon lost! And so I tell you nothing --with you luck, And wonder -- how I wonder! -- for your sake And triumph for my own.
You're young, you're young, You hold to half a hundred Shibboleths.
I'm old.
I followed Power to the last, Gave her my best, and Power followed Me.
It's worth it -- on my sould I'm speaking plain, Here by the claret glasses! -- worth it all.
I gave -- no matter what I gave -- I win.
I know I win.
Mine's work, good work that lives! A country twice the size of France -- the North Safeguarded.
That's my record: sink the rest And better if you can.
The Rains may serve, Rupees may rise -- three pence will give you Fame -- It's rash to hope for sixpence -- If they rise Get guns, more guns, and lift the salt-tax.
Oh! I told you what the Congress meant or thought? I'll answer nothing.
Half a year will prove The full extent of time and thought you'll spare To Congress.
Ask a Lady Doctor once How little Begums see the light -- deduce Thence how the True Reformer's child is born.
It's interesting, curious .
.
.
and vile.
I told the Turk he was a gentlman.
I told the Russian that his Tartar veins Bled pure Parisian ichor; and he purred.
The Congress doesn't purr.
I think it swears.
You're young -- you'll swear to ere you've reached the end.
The End! God help you, if there be a God.
(There must be one to startle Gl-dst-ne's soul In that new land where all the wires are cut.
And Cr-ss snores anthems on the asphodel.
) God help you! And I'd help you if I could, But that's beyond me.
Yes, your speech was crude.
Sound claret after olives -- yours and mine; But Medoc slips into vin ordinaire.
(I'll drink my first at Genoa to your health.
) Raise it to Hock.
You'll never catch my style.
And, after all, the middle-classes grip The middle-class -- for Brompton talk Earl's Court.
Perhaps you're right.
I'll see you in the Times -- A quarter-column of eye-searing print, A leader once a quarter -- then a war; The Strand abellow through the fog: "Defeat!" "'Orrible slaughter!" While you lie awake And wonder.
Oh, you'll wonder ere you're free! I wonder now.
The four years slide away So fast, so fast, and leave me here alone.
R-y, C-lv-n, L-l, R-b-rts, B-ck, the rest, Princes and Powers of Darkness troops and trains, (I cannot sleep in trains), land piled on land, Whitewash and weariness, red rockets, dust, White snows that mocked me, palaces -- with draughts, And W-stl-nd with the drafts he couldn't pay, Poor W-ls-n reading his obituary.
Before he died, and H-pe, the man with bones, And A-tch-s-n a dripping mackintosh At Council in the Rains, his grating "Sirrr" Half drowned by H-nt-r's silky: "Bat my lahnd.
" Hunterian always: M-rsh-l spinning plates Or standing on his head; the Rent Bill's roar, A hundred thousand speeches, must red cloth, And Smiths thrice happy if I call them Jones, (I can't remember half their names) or reined My pony on the Mall to greet their wives.
More trains, more troops, more dust, and then all's done.
Four years, and I forget.
If I forget How will they bear me in their minds? The North Safeguarded -- nearly (R-b-rts knows the rest), A country twice the size of France annexed.
That stays at least.
The rest may pass -- may pass -- Your heritage -- and I can teach you nought.
"High trust," "vast honor," "interests twice as vast," "Due reverence to your Council" -- keep to those.
I envy you the twenty years you've gained, But not the five to follow.
What's that? One? Two! -- Surely not so late.
Good-night.
Don't dream.
Written by Johann Wolfgang von Goethe | Create an image from this poem

DISTICHS

 CHORDS are touch'd by Apollo,--the death-laden 
bow, too, he bendeth;

While he the shepherdess charms, Python he lays 
in the dust.
WHAT is merciful censure? To make thy faults appear smaller? May be to veil them? No, no! O'er them to raise thee on high! DEMOCRATIC food soon cloys on the multitude's stomach; But I'll wager, ere long, other thou'lt give them instead.
WHAT in France has pass'd by, the Germans continue to practise, For the proudest of men flatters the people and fawns.
WHO is the happiest of men? He who values the merits of others, And in their pleasure takes joy, even as though 'twere his own.
NOT in the morning alone, not only at mid-day he charmeth; Even at setting, the sun is still the same glorious planet.

Book: Reflection on the Important Things