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Best Famous True Love Poems

Here is a collection of the all-time best famous True Love poems. This is a select list of the best famous True Love poetry. Reading, writing, and enjoying famous True Love poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of true love poems.

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Written by William Butler Yeats | Create an image from this poem

Her Anxiety

 Earth in beauty dressed
Awaits returning spring.
All true love must die, Alter at the best Into some lesser thing.
Prove that I lie.
Such body lovers have, Such exacting breath, That they touch or sigh.
Every touch they give, Love is nearer death.
Prove that I lie.


Written by Henry Van Dyke | Create an image from this poem

Gratitude

 "Do you give thanks for this? -- or that?" 
No, God be thanked
I am not grateful
In that cold, calculating way, with blessing ranked
As one, two, three, and four, -- that would be hateful.
I only know that every day brings good above" My poor deserving; I only feel that, in the road of Life, true Love Is leading me along and never swerving.
Whatever gifts and mercies in my lot may fall, I would not measure As worth a certain price in praise, or great or small; But take and use them all with simple pleasure.
For when we gladly eat our daily bread, we bless The Hand that feeds us; And when we tread the road of Life in cheerfulness, Our very heart-beats praise the Love that leads us.
Written by Henry David Thoreau | Create an image from this poem

Inspiration

 Whate'er we leave to God, God does, 
And blesses us; 
The work we choose should be our own, 
God leaves alone.
If with light head erect I sing, Though all the Muses lend their force, From my poor love of anything, The verse is weak and shallow as its source.
But if with bended neck I grope Listening behind me for my wit, With faith superior to hope, More anxious to keep back than forward it; Making my soul accomplice there Unto the flame my heart hath lit, Then will the verse forever wear-- Time cannot bend the line which God hath writ.
Always the general show of things Floats in review before my mind, And such true love and reverence brings, That sometimes I forget that I am blind.
But now there comes unsought, unseen, Some clear divine electuary, And I, who had but sensual been, Grow sensible, and as God is, am wary.
I hearing get, who had but ears, And sight, who had but eyes before, I moments live, who lived but years, And truth discern, who knew but learning's lore.
I hear beyond the range of sound, I see beyond the range of sight, New earths and skies and seas around, And in my day the sun doth pale his light.
A clear and ancient harmony Pierces my soul through all its din, As through its utmost melody-- Farther behind than they, farther within.
More swift its bolt than lightning is, Its voice than thunder is more loud, It doth expand my privacies To all, and leave me single in the crowd.
It speaks with such authority, With so serene and lofty tone, That idle Time runs gadding by, And leaves me with Eternity alone.
Now chiefly is my natal hour, And only now my prime of life; Of manhood's strength it is the flower, 'Tis peace's end and war's beginning strife.
It comes in summer's broadest noon, By a grey wall or some chance place, Unseasoning Time, insulting June, And vexing day with its presuming face.
Such fragrance round my couch it makes, More rich than are Arabian drugs, That my soul scents its life and wakes The body up beneath its perfumed rugs.
Such is the Muse, the heavenly maid, The star that guides our mortal course, Which shows where life's true kernel's laid, Its wheat's fine flour, and its undying force.
She with one breath attunes the spheres, And also my poor human heart, With one impulse propels the years Around, and gives my throbbing pulse its start.
I will not doubt for evermore, Nor falter from a steadfast faith, For thought the system be turned o'er, God takes not back the word which once He saith.
I will not doubt the love untold Which not my worth nor want has bought, Which wooed me young, and woos me old, And to this evening hath me brought.
My memory I'll educate To know the one historic truth, Remembering to the latest date The only true and sole immortal youth.
Be but thy inspiration given, No matter through what danger sought, I'll fathom hell or climb to heaven, And yet esteem that cheap which love has bought.
___________________ Fame cannot tempt the bard Who's famous with his God, Nor laurel him reward Who has his Maker's nod.
Written by Galway Kinnell | Create an image from this poem

from Flying Home

3 
As this plane dragged 
its track of used ozone half the world long 
thrusts some four hundred of us 
toward places where actual known people 
live and may wait, 
we diminish down in our seats, 
disappeared into novels of lives clearer than ours, 
and yet we do not forget for a moment 
the life down there, the doorway each will soon enter: 
where I will meet her again 
and know her again, 
dark radiance with, and then mostly without, the stars.
Very likely she has always understood what I have slowly learned, and which only now, after being away, almost as far away as one can get on this globe, almost as far as thoughts can carry - yet still in her presence, still surrounded not so much by reminders of her as by things she had already reminded me of, shadows of her cast forward and waiting - can I try to express: that love is hard, that while many good things are easy, true love is not, because love is first of all a power, its own power, which continually must make its way forward, from night into day, from transcending union always forward into difficult day.
And as the plane descends, it comes to me in the space where tears stream down across the stars, tears fallen on the actual earth where their shining is what we call spirit, that once the lover recognizes the other, knows for the first time what is most to be valued in another, from then on, love is very much like courage, perhaps it is courage, and even perhaps only courage.
Squashed out of old selves, smearing the darkness of expectation across experience, all of us little thinkers it brings home having similar thoughts of landing to the imponderable world, the transoceanic airliner, resting its huge weight down, comes in almost lightly, to where with sudden, tiny, white puffs and long, black, rubberish smears all its tires know the home ground.
Written by Mary Darby Robinson | Create an image from this poem

The ***** Girl

 I.
Dark was the dawn, and o'er the deep The boist'rous whirlwinds blew; The Sea-bird wheel'd its circling sweep, And all was drear to view-- When on the beach that binds the western shore The love-lorn ZELMA stood, list'ning the tempest's roar.
II.
Her eager Eyes beheld the main, While on her DRACO dear She madly call'd, but call'd in vain, No sound could DRACO hear, Save the shrill yelling of the fateful blast, While ev'ry Seaman's heart, quick shudder'd as it past.
III.
White were the billows, wide display'd The clouds were black and low; The Bittern shriek'd, a gliding shade Seem'd o'er the waves to go ! The livid flash illum'd the clam'rous main, While ZELMA pour'd, unmark'd, her melancholy strain.
IV.
"Be still!" she cried, "loud tempest cease! "O ! spare the gallant souls: "The thunder rolls--the winds increase-- "The Sea, like mountains, rolls! "While, from the deck, the storm worn victims leap, "And o'er their struggling limbs, the furious billows sweep.
V.
"O! barb'rous Pow'r! relentless Fate! "Does Heav'n's high will decree "That some should sleep on beds of state,-- "Some, in the roaring Sea ? "Some, nurs'd in splendour, deal Oppression's blow, "While worth and DRACO pine--in Slavery and woe! VI.
"Yon Vessel oft has plough'd the main "With human traffic fraught; "Its cargo,--our dark Sons of pain-- "For worldly treasure bought ! "What had they done?--O Nature tell me why-- "Is taunting scorn the lot, of thy dark progeny? VII.
"Thou gav'st, in thy caprice, the Soul "Peculiarly enshrin'd; "Nor from the ebon Casket stole "The Jewel of the mind! "Then wherefore let the suff'ring *****'s breast "Bow to his fellow, MAN, in brighter colours drest.
VIII.
"Is it the dim and glossy hue "That marks him for despair?-- "While men with blood their hands embrue, "And mock the wretch's pray'r? "Shall guiltless Slaves the Scourge of tyrants feel, "And, e'en before their GOD ! unheard, unpitied kneel.
IX.
"Could the proud rulers of the land "Our Sable race behold; "Some bow'd by torture's Giant hand "And others, basely sold ! "Then would they pity Slaves, and cry, with shame, "Whate'er their TINTS may be, their SOULS are still the same! X.
"Why seek to mock the Ethiop's face? "Why goad our hapless kind? "Can features alienate the race-- "Is there no kindred mind? "Does not the cheek which vaunts the roseate hue "Oft blush for crimes, that Ethiops never knew? XI.
"Behold ! the angry waves conspire "To check the barb'rous toil! "While wounded Nature's vengeful ire-- "Roars, round this trembling Isle! "And hark ! her voice re-echoes in the wind-- "Man was not form'd by Heav'n, to trample on his kind! XII.
"Torn from my Mother's aching breast, "My Tyrant sought my love-- "But, in the Grave shall ZELMA rest, "E'er she will faithless prove-- "No DRACO!--Thy companion I will be "To that celestial realm, where Negros shall be free! XIII.
"The Tyrant WHITE MAN taught my mind-- "The letter'd page to trace;-- "He taught me in the Soul to find "No tint, as in the face: "He bade my Reason, blossom like the tree-- "But fond affection gave, the ripen'd fruits to thee.
XIV.
"With jealous rage he mark'd my love "He sent thee far away;-- "And prison'd in the plantain grove-- "Poor ZELMA pass'd the day-- "But ere the moon rose high above the main, "ZELMA, and Love contriv'd, to break the Tyrant's chain.
XV.
"Swift, o'er the plain of burning Sand "My course I bent to thee; "And soon I reach'd the billowy strand "Which bounds the stormy Sea.
-- "DRACO! my Love! Oh yet, thy ZELMA'S soul "Springs ardently to thee,--impatient of controul.
XVI.
"Again the lightning flashes white-- "The rattling cords among! "Now, by the transient vivid light, "I mark the frantic throng! "Now up the tatter'd shrouds my DRACO flies-- While o'er the plunging prow, the curling billows rise.
XVII.
"The topmast falls--three shackled slaves-- "Cling to the Vessel's side! "Now lost amid the madd'ning waves-- "Now on the mast they ride-- "See ! on the forecastle my DRACO stands "And now he waves his chain, now clasps his bleeding hands.
XVIII.
"Why, cruel WHITE-MAN! when away "My sable Love was torn, "Why did you let poor ZELMA stay, On Afric's sands to mourn? "No ! ZELMA is not left, for she will prove "In the deep troubled main, her fond--her faithful LOVE.
" XIX.
The lab'ring Ship was now a wreck, The shrouds were flutt'ring wide! The rudder gone, the lofty deck Was rock'd from side to side-- Poor ZELMA'S eyes now dropp'd their last big tear, While, from her tawny cheek, the blood recoil'd with fear.
XX.
Now frantic, on the sands she roam'd, Now shrieking stop'd to view Where high the liquid mountains foam'd, Around the exhausted crew-- 'Till, from the deck, her DRACO'S well known form Sprung mid the yawning waves, and buffetted the Storm.
XXI.
Long, on the swelling surge sustain'd Brave DRACO sought the shore, Watch'd the dark Maid, but ne'er complain'd, Then sunk, to gaze no more! Poor ZELMA saw him buried by the wave-- And, with her heart's true Love, plung'd in a wat'ry grave.


Written by Helen Hunt Jackson | Create an image from this poem

New Years Morning

 Only a night from old to new! 
Only a night, and so much wrought! 
The Old Year's heart all weary grew, 
But said: The New Year rest has brought.
" The Old Year's hopes its heart laid down, As in a grave; but trusting, said: "The blossoms of the New Year's crown Bloom from the ashes of the dead.
" The Old Year's heart was full of greed; With selfishness it longed and ached, And cried: "I have not half I need.
My thirst is bitter and unslaked.
But to the New Year's generous hand All gifts in plenty shall return; True love it shall understand; By all y failures it shall learn.
I have been reckless; it shall be Quiet and calm and pure of life.
I was a slave; it shall go free, And find sweet pace where I leave strife.
" Only a night from old to new! Never a night such changes brought.
The Old Year had its work to do; No New Year miracles are wrought.
Always a night from old to new! Night and the healing balm of sleep! Each morn is New Year's morn come true, Morn of a festival to keep.
All nights are sacred nights to make Confession and resolve and prayer; All days are sacred days to wake New gladness in the sunny air.
Only a night from old to new; Only a sleep from night to morn.
The new is but the old coem true; Each sunrise sees a new year born.
Written by Robert Graves | Create an image from this poem

Symptoms of Love

 Love is universal migraine,
A bright stain on the vision
Blotting out reason.
Symptoms of true love Are leanness, jealousy, Laggard dawns; Are omens and nightmares - Listening for a knock, Waiting for a sign: For a touch of her fingers In a darkened room, For a searching look.
Take courage, lover! Could you endure such pain At any hand but hers?
Written by Robert Penn Warren | Create an image from this poem

True Love

 In silence the heart raves.
It utters words Meaningless, that never had A meaning.
I was ten, skinny, red-headed, Freckled.
In a big black Buick, Driven by a big grown boy, with a necktie, she sat In front of the drugstore, sipping something Through a straw.
There is nothing like Beauty.
It stops your heart.
It Thickens your blood.
It stops your breath.
It Makes you feel dirty.
You need a hot bath.
I leaned against a telephone pole, and watched.
I thought I would die if she saw me.
How could I exist in the same world with that brightness? Two years later she smiled at me.
She Named my name.
I thought I would wake up dead.
Her grown brothers walked with the bent-knee Swagger of horsemen.
They were slick-faced.
Told jokes in the barbershop.
Did no work.
Their father was what is called a drunkard.
Whatever he was he stayed on the third floor Of the big white farmhouse under the maples for twenty-five years.
He never came down.
They brought everything up to him.
I did not know what a mortgage was.
His wife was a good, Christian woman, and prayed.
When the daughter got married, the old man came down wearing An old tail coat, the pleated shirt yellowing.
The sons propped him.
I saw the wedding.
There were Engraved invitations, it was so fashionable.
I thought I would cry.
I lay in bed that night And wondered if she would cry when something was done to her.
The mortgage was foreclosed.
That last word was whispered.
She never came back.
The family Sort of drifted off.
Nobody wears shiny boots like that now.
But I know she is beautiful forever, and lives In a beautiful house, far away.
She called my name once.
I didn't even know she knew it.
Written by Edna St Vincent Millay | Create an image from this poem

Invocation To The Muses

 Read by the poet at The Public Ceremonial of The Naional Institute 
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.
Great Muse, that from this hall absent for long Hast never been, Great Muse of Song, Colossal Muse of mighty Melody, Vocal Calliope, With thine august and contrapuntal brow And thy vast throat builded for Harmony, For the strict monumental pure design, And the melodic line: Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style— Words obsolete, words obsolescent, It is that for a little while The heart must, oh indeed must from this angry and out-rageous present Itself withdraw Into some past in which most crooked Evil, Although quite certainly conceived and born, was not as yet the Law.
Archaic, or obsolescent at the least, Be thy grave speaking and the careful words of thy clear song, For the time wrongs us, and the words most common to our speech today Salute and welcome to the feast Conspicuous Evil— or against him all day long Cry out, telling of ugly deeds and most uncommon wrong.
Be thou tonight with all beneath these rafters—be with me But oh, be more with those who are not free.
Who, herded into prison camps all shame must suffer and all outrage see.
Where music is not played nor sung, Though the great voice be there, no sound from the dry throat across the thickened tongue Comes forth; nor has he heart for it.
Beauty in all things—no, we cannot hope for that; but some place set apart for it.
Here it may dwell; And with your aid, Melpomene And all thy sister-muses (for ye are, I think, daughters of Memory) Within the tortured mind as well.
Reaped are those fields with dragon's-teeth so lately sown; Many the heaped men dying there - so close, hip touches thigh; yet each man dies alone.
Music, what overtone For the soft ultimate sigh or the unheeded groan Hast thou—to make death decent, where men slip Down blood to death, no service of grieved heart or ritual lip Transferring what was recently a man and still is warm— Transferring his obedient limbs into the shallow grave where not again a friend shall greet him, Nor hatred do him harm .
.
.
Nor true love run to meet him? In the last hours of him who lies untended On a cold field at night, and sees the hard bright stars Above his upturned face, and says aloud "How strange .
.
.
my life is ended.
"— If in the past he loved great music much, and knew it well, Let not his lapsing mind be teased by well-beloved but ill- remembered bars — Let the full symphony across the blood-soaked field By him be heard, most pure in every part, The lonely horror of whose painful death is thus repealed, Who dies with quiet tears upon his upturned face, making to glow with softness the hard stars.
And bring to those who knew great poetry well Page after page that they have loved but have not learned by heart! We who in comfort to well-lighted shelves Can turn for all the poets ever wrote, Beseech you: Bear to those Who love high art no less than we ourselves, Those who lie wounded, those who in prison cast Strive to recall, to ease them, some great ode, and every stanza save the last.
Recall—oh, in the dark, restore them The unremembered lines; make bright the page before them! Page after page present to these, In prison concentrated, watched by barbs of bayonet and wire, Give ye to them their hearts' intense desire— The words of Shelley, Virgil, Sophocles.
And thou, O lovely and not sad, Euterpe, be thou in this hall tonight! Bid us remember all we ever had Of sweet and gay delight— We who are free, But cannot quite be glad, Thinking of huge, abrupt disaster brought Upon so many of our kind Who treasure as do we the vivid look on the unfrightened face, The careless happy stride from place to place, And the unbounded regions of untrammelled thought Open as interstellar space To the exploring and excited mind.
O Muses, O immortal Nine!— Or do ye languish? Can ye die? Must all go under?— How shall we heal without your help a world By these wild horses torn asunder? How shall we build anew? — How start again? How cure, how even moderate this pain Without you, and you strong? And if ye sleep, then waken! And if ye sicken and do plan to die, Do not that now! Hear us, in what sharp need we cry! For we have help nowhere If not in you! Pity can much, and so a mighty mind, but cannot all things do!— By you forsaken, We shall be scattered, we shall be overtaken! Oh, come! Renew in us the ancient wonder, The grace of life, its courage, and its joy! Weave us those garlands nothing can destroy! Come! with your radiant eyes! — with your throats of thunder!
Written by Sir Walter Scott | Create an image from this poem

The Truth of Woman

 Woman's faith, and woman's trust -
Write the characters in the dust;
Stamp them on the running stream,
Print them on the moon's pale beam,
And each evanescent letter
Shall be clearer, firmer, better,
And more permanent, I ween,
Than the thing those letters mean.
I have strain'd the spider's thread 'Gainst the promise of a maid; I have weigh'd a grain of sand 'Gainst her plight of heart and hand; I told my true love of the token, How her faith proved light, and her word was broken: Again her word and truth she plight, And I believed them again ere night.

Book: Shattered Sighs