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Best Famous Tomato Poems

Here is a collection of the all-time best famous Tomato poems. This is a select list of the best famous Tomato poetry. Reading, writing, and enjoying famous Tomato poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tomato poems.

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Written by Pablo Neruda | Create an image from this poem

Ode To Tomatoes

 The street
filled with tomatoes,
midday,
summer,
light is
halved
like
a
tomato,
its juice
runs
through the streets.
In December, unabated, the tomato invades the kitchen, it enters at lunchtime, takes its ease on countertops, among glasses, butter dishes, blue saltcellars.
It sheds its own light, benign majesty.
Unfortunately, we must murder it: the knife sinks into living flesh, red viscera a cool sun, profound, inexhaustible, populates the salads of Chile, happily, it is wed to the clear onion, and to celebrate the union we pour oil, essential child of the olive, onto its halved hemispheres, pepper adds its fragrance, salt, its magnetism; it is the wedding of the day, parsley hoists its flag, potatoes bubble vigorously, the aroma of the roast knocks at the door, it's time! come on! and, on the table, at the midpoint of summer, the tomato, star of earth, recurrent and fertile star, displays its convolutions, its canals, its remarkable amplitude and abundance, no pit, no husk, no leaves or thorns, the tomato offers its gift of fiery color and cool completeness.


Written by Jack Prelutsky | Create an image from this poem

Bleezers Ice Cream

 I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
there are flavors in my freezer
you have never seen before,
twenty-eight divine creations
too delicious to resist,
why not do yourself a favor,
try the flavors on my list:

COCOA MOCHA MACARONI
TAPIOCA SMOKED BALONEY
CHECKERBERRY CHEDDAR CHEW
CHICKEN CHERRY HONEYDEW
TUTTI-FRUTTI STEWED TOMATO
TUNA TACO BAKED POTATO
LOBSTER LITCHI LIMA BEAN
MOZZARELLA MANGOSTEEN
ALMOND HAM MERINGUE SALAMI
YAM ANCHOVY PRUNE PASTRAMI
SASSAFRAS SOUVLAKI HASH
SUKIYAKI SUCCOTASH
BUTTER BRICKLE PEPPER PICKLE
POMEGRANATE PUMPERNICKEL
PEACH PIMENTO PIZZA PLUM
PEANUT PUMPKIN BUBBLEGUM
BROCCOLI BANANA BLUSTER
CHOCOLATE CHOP SUEY CLUSTER
AVOCADO BRUSSELS SPROUT
PERIWINKLE SAUERKRAUT
COTTON CANDY CARROT CUSTARD
CAULIFLOWER COLA MUSTARD
ONION DUMPLING DOUBLE DIP
TURNIP TRUFFLE TRIPLE FLIP
GARLIC GUMBO GRAVY GUAVA
LENTIL LEMON LIVER LAVA
ORANGE OLIVE BAGEL BEET
WATERMELON WAFFLE WHEAT

I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
taste a flavor from my freezer,
you will surely ask for more.
Written by Erica Jong | Create an image from this poem

The Poem Cat

 Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.
Sometimes the poem darts away like a coy lover who is afraid of being possessed, of feeling too much, of losing his essential loneliness-which he calls freedom.
Sometimes the poem can't requite the poet's passion.
The poem is a dance between poet & poem, but sometimes the poem just won't dance and lurks on the sidelines tapping its feet- iambs, trochees- out of step with the music of your mariachi band.
If the poem won't come, I say: sneak up on it.
Pretend you don't care.
Sit in your chair reading Shakespeare, Neruda, immortal Emily and let yourself flow into their music.
Go to the kitchen and start peeling onions for homemade sugo.
Before you know it, the poem will be crying as your ripe tomatoes bubble away with inspiration.
When the whole house is filled with the tender tomato aroma, start kneading the pasta.
As you rock over the damp sensuous dough, making it bend to your will, as you make love to this manna of flour and water, the poem will get hungry and come just like a cat coming home when you least expect her.
Written by Pablo Neruda | Create an image from this poem

Ode To Conger Chowder

 In the storm-tossed
Chilean
sea
lives the rosy conger,
giant eel
of snowy flesh.
And in Chilean stewpots, along the coast, was born the chowder, thick and succulent, a boon to man.
You bring the conger, skinned, to the kitchen (its mottled skin slips off like a glove, leaving the grape of the sea exposed to the world), naked, the tender eel glistens, prepared to serve our appetites.
Now you take garlic, first, caress that precious ivory, smell its irate fragrance, then blend the minced garlic with onion and tomato until the onion is the color of gold.
Meanwhile steam our regal ocean prawns, and when they are tender, when the savor is set in a sauce combining the liquors of the ocean and the clear water released from the light of the onion, then you add the eel that it may be immersed in glory, that it may steep in the oils of the pot, shrink and be saturated.
Now all that remains is to drop a dollop of cream into the concoction, a heavy rose, then slowly deliver the treasure to the flame, until in the chowder are warmed the essences of Chile, and to the table come, newly wed, the savors of land and sea, that in this dish you may know heaven.
Written by John Betjeman | Create an image from this poem

Sun and Fun

 I walked into the night-club in the morning; 
There was kummel on the handle of the door.
The ashtrays were unemptied.
The cleaning unattempted, And a squashed tomato sandwich on the floor.
I pulled aside the thick magenta curtains -So Regency, so Regency, my dear – And a host of little spiders Ran a race across the ciders To a box of baby ‘pollies by the beer.
Oh sun upon the summer-going by-pass Where ev’rything is speeding to the sea, And wonder beyond wonder That here where lorries thunder The sun should ever percolate to me.
When Boris used to call in his Sedanca, When Teddy took me down to his estate When my nose excited passion, When my clothes were in the fashion, When my beaux were never cross if I was late, There was sun enough for lazing upon beaches, There was fun enough for far into the night.
But I’m dying now and done for, What on earth was all the fun for? For I’m old and ill and terrified and tight.


Written by Louise Gluck | Create an image from this poem

Vespers

 In your extended absence, you permit me
use of earth, anticipating
some return on investment.
I must report failure in my assignment, principally regarding the tomato plants.
I think I should not be encouraged to grow tomatoes.
Or, if I am, you should withhold the heavy rains, the cold nights that come so often here, while other regions get twelve weeks of summer.
All this belongs to you: on the other hand, I planted the seeds, I watched the first shoots like wings tearing the soil, and it was my heart broken by the blight, the black spot so quickly multiplying in the rows.
I doubt you have a heart, in our understanding of that term.
You who do not discriminate between the dead and the living, who are, in consequence, immune to foreshadowing, you may not know how much terror we bear, the spotted leaf, the red leaves of the maple falling even in August, in early darkness: I am responsible for these vines.
Written by David Lehman | Create an image from this poem

Examples (August 27)

 The last Campbell's tomato soup can 
of the twentieth century is going to 
the Andy Warhol Museum in Pittsburgh 
That is an example of a sentence 
Another is this from a CEO in Fortune 
"You die in either case, but this way you get 
to do it proactively," where the adverb 
makes the sentence I'm walking amid 
the tourists on Bleecker Street the riffraff 
the students with backpacks the bums and 
a good old-fashioned New York feeling 
hits me from head to toe a misanthropic snarl 
the urge to kick a stranger in the pants, 
and if you don't smoke you feel as if you do
Written by Philip Levine | Create an image from this poem

The Whole Soul

 Is it long as a noodle 
or fat as an egg? Is it 
lumpy like a potato or 
ringed like an oak or an 
onion and like the onion 
the same as you go toward 
the core? That would be 
suitable, for is it not 
the human core and the rest 
meant either to keep it 
warm or cold depending 
on the season or just who 
you're talking to, the rest 
a means of getting it from 
one place to another, for it 
must go on two legs down 
the stairs and out the front 
door, it must greet the sun 
with a sigh of pleasure as 
it stands on the front porch 
considering the day's agenda.
Whether to go straight ahead passing through the ranch houses of the rich, living rooms panelled with a veneer of fake Philippine mahogany and bedrooms with ermined floors and tangled seas of silk sheets, through adobe walls and secret gardens of sweet corn and marijuana until it crosses several sets of tracks, four freeways, and a mountain range and faces a great ocean each drop of which is known and like no other, each with its own particular tang, one suitable to bring forth the flavor of a noodle, still another when dried on an open palm, sparkling and tiny, just right for a bite of ripe tomato or to incite a heavy tongue that dragged across a brow could utter the awful words, "Oh, my love!" and mean them.
The more one considers the more puzzling become these shapes.
I stare out at the Pacific and wonder -- noodle, onion, lump, double yolked egg on two legs, a star as perfect as salt -- and my own shape a compound of so many lengths, lumps, and flat palms.
And while I'm here at the shore I bow to take a few handfuls of water which run between my fingers, those poor noodles good for holding nothing for long, and I speak in a tongue hungering for salt and water without salt, I give a shape to the air going out and the air coming in, and the sea winds scatter it like so many burning crystals settling on the evening ocean.
Written by Walt Whitman | Create an image from this poem

I will Take an Egg Out of the Robin's Nest

 I WILL take an egg out of the robin’s nest in the orchard, 
I will take a branch of gooseberries from the old bush in the garden, and go and preach to
 the
 world; 
You shall see I will not meet a single heretic or scorner, 
You shall see how I stump clergymen, and confound them, 
You shall see me showing a scarlet tomato, and a white pebble from the beach.
5
Written by Bob Hicok | Create an image from this poem

Sudden Movements

 My father's head has become a mystery to him.
We finally have something in common.
When he moves his head his eyes get big as roses filled with the commotion of spring.
Not long ago he was a man who had tomato soup for lunch and dusted with the earnestness of a gun fight.
Now he's a man who sits at the table trying to breathe in tiny bites.
When they told him his spinal column is closing, I thought of all the branches he's cut with loppers and piled and burned in the fall, the pinch of the blades on the green and vital pulp.
Surgeons can fuse vertebrae, a welders art, and scrape the ring through which the soul-wires flow as a dentist would clean your teeth.
And still it could happen, one turn of his head toward a hummingbird, wings keeping that brittle life afloat, working hard against the fall, and he might freeze in that pose of astonishment, a man estranged from the neck down, who can only share with his body the silence he's pawned on his children as love.

Book: Shattered Sighs