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Best Famous Time Poems

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Written by George (Lord) Byron | Create an image from this poem

The Dream

 I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power— 
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed Perchance in sleep—for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour.
II I saw two beings in the hues of youth Standing upon a hill, a gentle hill, Green and of mild declivity, the last As 'twere the cape of a long ridge of such, Save that there was no sea to lave its base, But a most living landscape, and the wave Of woods and corn-fields, and the abodes of men Scattered at intervals, and wreathing smoke Arising from such rustic roofs: the hill Was crowned with a peculiar diadem Of trees, in circular array, so fixed, Not by the sport of nature, but of man: These two, a maiden and a youth, were there Gazing—the one on all that was beneath Fair as herself—but the boy gazed on her; And both were young, and one was beautiful: And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge, The maid was on the eve of womanhood; The boy had fewer summers, but his heart Had far outgrown his years, and to his eye There was but one beloved face on earth, And that was shining on him; he had looked Upon it till it could not pass away; He had no breath, no being, but in hers: She was his voice; he did not speak to her, But trembled on her words; she was his sight, For his eye followed hers, and saw with hers, Which coloured all his objects;—he had ceased To live within himself: she was his life, The ocean to the river of his thoughts, Which terminated all; upon a tone, A touch of hers, his blood would ebb and flow, And his cheek change tempestuously—his heart Unknowing of its cause of agony.
But she in these fond feelings had no share: Her sighs were not for him; to her he was Even as a brother—but no more; 'twas much, For brotherless she was, save in the name Her infant friendship had bestowed on him; Herself the solitary scion left Of a time-honoured race.
—It was a name Which pleased him, and yet pleased him not—and why? Time taught him a deep answer—when she loved Another; even now she loved another, And on the summit of that hill she stood Looking afar if yet her lover's steed Kept pace with her expectancy, and flew.
III A change came o'er the spirit of my dream.
There was an ancient mansion, and before Its walls there was a steed caparisoned: Within an antique Oratory stood The Boy of whom I spake;—he was alone, And pale, and pacing to and fro: anon He sate him down, and seized a pen, and traced Words which I could not guess of; then he leaned His bowed head on his hands and shook, as 'twere With a convulsion—then rose again, And with his teeth and quivering hands did tear What he had written, but he shed no tears.
And he did calm himself, and fix his brow Into a kind of quiet: as he paused, The Lady of his love re-entered there; She was serene and smiling then, and yet She knew she was by him beloved; she knew— For quickly comes such knowledge—that his heart Was darkened with her shadow, and she saw That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp He took her hand; a moment o'er his face A tablet of unutterable thoughts Was traced, and then it faded, as it came; He dropped the hand he held, and with slow steps Retired, but not as bidding her adieu, For they did part with mutual smiles; he passed From out the massy gate of that old Hall, And mounting on his steed he went his way; And ne'er repassed that hoary threshold more.
IV A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds Of fiery climes he made himself a home, And his Soul drank their sunbeams; he was girt With strange and dusky aspects; he was not Himself like what he had been; on the sea And on the shore he was a wanderer; There was a mass of many images Crowded like waves upon me, but he was A part of all; and in the last he lay Reposing from the noontide sultriness, Couched among fallen columns, in the shade Of ruined walls that had survived the names Of those who reared them; by his sleeping side Stood camels grazing, and some goodly steeds Were fastened near a fountain; and a man, Glad in a flowing garb, did watch the while, While many of his tribe slumbered around: And they were canopied by the blue sky, So cloudless, clear, and purely beautiful, That God alone was to be seen in heaven.
V A change came o'er the spirit of my dream.
The Lady of his love was wed with One Who did not love her better: in her home, A thousand leagues from his,—her native home, She dwelt, begirt with growing Infancy, Daughters and sons of Beauty,—but behold! Upon her face there was a tint of grief, The settled shadow of an inward strife, And an unquiet drooping of the eye, As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved, And he who had so loved her was not there To trouble with bad hopes, or evil wish, Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not, Nor given him cause to deem himself beloved, Nor could he be a part of that which preyed Upon her mind—a spectre of the past.
VI A change came o'er the spirit of my dream.
The Wanderer was returned.
—I saw him stand Before an altar—with a gentle bride; Her face was fair, but was not that which made The Starlight of his Boyhood;—as he stood Even at the altar, o'er his brow there came The selfsame aspect and the quivering shock That in the antique Oratory shook His bosom in its solitude; and then— As in that hour—a moment o'er his face The tablet of unutterable thoughts Was traced—and then it faded as it came, And he stood calm and quiet, and he spoke The fitting vows, but heard not his own words, And all things reeled around him; he could see Not that which was, nor that which should have been— But the old mansion, and the accustomed hall, And the remembered chambers, and the place, The day, the hour, the sunshine, and the shade, All things pertaining to that place and hour, And her who was his destiny, came back And thrust themselves between him and the light; What business had they there at such a time? VII A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed, As by the sickness of the soul; her mind Had wandered from its dwelling, and her eyes, They had not their own lustre, but the look Which is not of the earth; she was become The queen of a fantastic realm; her thoughts Were combinations of disjointed things; And forms impalpable and unperceived Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise Have a far deeper madness, and the glance Of melancholy is a fearful gift; What is it but the telescope of truth? Which strips the distance of its fantasies, And brings life near in utter nakedness, Making the cold reality too real! VIII A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore, The beings which surrounded him were gone, Or were at war with him; he was a mark For blight and desolation, compassed round With Hatred and Contention; Pain was mixed In all which was served up to him, until, Like to the Pontic monarch of old days, He fed on poisons, and they had no power, But were a kind of nutriment; he lived Through that which had been death to many men, And made him friends of mountains; with the stars And the quick Spirit of the Universe He held his dialogues: and they did teach To him the magic of their mysteries; To him the book of Night was opened wide, And voices from the deep abyss revealed A marvel and a secret.
—Be it so.
IX My dream is past; it had no further change.
It was of a strange order, that the doom Of these two creatures should be thus traced out Almost like a reality—the one To end in madness—both in misery.
Written by William Shakespeare | Create an image from this poem

All the Worlds a Stage

 All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages.
At first, the infant, Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school.
And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow.
Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth.
And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part.
The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.
Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
Written by Emily Dickinson | Create an image from this poem

I had no time to hate because

I had no time to hate, because
The grave would hinder me,
And life was not so ample I
Could finish enmity.
Nor had I time to love, but since Some industry must be, The little toil of love, I thought, Was large enough for me.
Written by Edna St Vincent Millay | Create an image from this poem

Ode To Silence

 Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar, I come from temples where her altars are, From groves that bear her name, Noisy with stricken victims now and sacrificial flame, And cymbals struck on high and strident faces Obstreperous in her praise They neither love nor know, A goddess of gone days, Departed long ago, Abandoning the invaded shrines and fanes Of her old sanctuary, A deity obscure and legendary, Of whom there now remains, For sages to decipher and priests to garble, Only and for a little while her letters wedged in marble, Which even now, behold, the friendly mumbling rain erases, And the inarticulate snow, Leaving at last of her least signs and traces None whatsoever, nor whither she is vanished from these places.
"She will love well," I said, "If love be of that heart inhabiter, The flowers of the dead; The red anemone that with no sound Moves in the wind, and from another wound That sprang, the heavily-sweet blue hyacinth, That blossoms underground, And sallow poppies, will be dear to her.
And will not Silence know In the black shade of what obsidian steep Stiffens the white narcissus numb with sleep? (Seed which Demeter's daughter bore from home, Uptorn by desperate fingers long ago, Reluctant even as she, Undone Persephone, And even as she set out again to grow In twilight, in perdition's lean and inauspicious loam).
She will love well," I said, "The flowers of the dead; Where dark Persephone the winter round, Uncomforted for home, uncomforted, Lacking a sunny southern slope in northern Sicily, With sullen pupils focussed on a dream, Stares on the stagnant stream That moats the unequivocable battlements of Hell, There, there will she be found, She that is Beauty veiled from men and Music in a swound.
" "I long for Silence as they long for breath Whose helpless nostrils drink the bitter sea; What thing can be So stout, what so redoubtable, in Death What fury, what considerable rage, if only she, Upon whose icy breast, Unquestioned, uncaressed, One time I lay, And whom always I lack, Even to this day, Being by no means from that frigid bosom weaned away, If only she therewith be given me back?" I sought her down that dolorous labyrinth, Wherein no shaft of sunlight ever fell, And in among the bloodless everywhere I sought her, but the air, Breathed many times and spent, Was fretful with a whispering discontent, And questioning me, importuning me to tell Some slightest tidings of the light of day they know no more, Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door, And harked a moment, holding up my hand,—and for a space A hush was on them, while they watched my face; And then they fell a-whispering as before; So that I smiled at them and left them, seeing she was not there.
I sought her, too, Among the upper gods, although I knew She was not like to be where feasting is, Nor near to Heaven's lord, Being a thing abhorred And shunned of him, although a child of his, (Not yours, not yours; to you she owes not breath, Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place And later learn, too late, how all the while, With her still face, She had been standing there and seen me pass, without a smile, I sought her even to the sagging board whereat The stout immortals sat; But such a laughter shook the mighty hall No one could hear me say: Had she been seen upon the Hill that day? And no one knew at all How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull Between the mountains and the mountainous sea, I know not where, but which a dream diurnal Paints on my lids a moment till the hull Be lifted from the kernel And Slumber fed to me.
Your foot-print is not there, Mnemosene, Though it would seem a ruined place and after Your lichenous heart, being full Of broken columns, caryatides Thrown to the earth and fallen forward on their jointless knees, And urns funereal altered into dust Minuter than the ashes of the dead, And Psyche's lamp out of the earth up-thrust, Dripping itself in marble wax on what was once the bed Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall, And the wide crannies quicken with bright weeds; There dumbly like a worm all day the still white orchid feeds; But never an echo of your daughters' laughter Is there, nor any sign of you at all Swells fungous from the rotten bough, grey mother of Pieria! Only her shadow once upon a stone I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill, You chatterers, you noisy crew! She is not anywhere! I sought her in deep Hell; And through the world as well; I thought of Heaven and I sought her there; Above nor under ground Is Silence to be found, That was the very warp and woof of you, Lovely before your songs began and after they were through! Oh, say if on this hill Somewhere your sister's body lies in death, So I may follow there, and make a wreath Of my locked hands, that on her quiet breast Shall lie till age has withered them! (Ah, sweetly from the rest I see Turn and consider me Compassionate Euterpe!) "There is a gate beyond the gate of Death, Beyond the gate of everlasting Life, Beyond the gates of Heaven and Hell," she saith, "Whereon but to believe is horror! Whereon to meditate engendereth Even in deathless spirits such as I A tumult in the breath, A chilling of the inexhaustible blood Even in my veins that never will be dry, And in the austere, divine monotony That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek; And seek her not elsewhere.
Hell is a thoroughfare For pilgrims,—Herakles, And he that loved Euridice too well, Have walked therein; and many more than these; And witnessed the desire and the despair Of souls that passed reluctantly and sicken for the air; You, too, have entered Hell, And issued thence; but thence whereof I speak None has returned;—for thither fury brings Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.
" Oh, radiant Song! Oh, gracious Memory! Be long upon this height I shall not climb again! I know the way you mean,—the little night, And the long empty day,—never to see Again the angry light, Or hear the hungry noises cry my brain! Ah, but she, Your other sister and my other soul, She shall again be mine; And I shall drink her from a silver bowl, A chilly thin green wine, Not bitter to the taste, Not sweet, Not of your press, oh, restless, clamorous nine,— To foam beneath the frantic hoofs of mirth— But savoring faintly of the acid earth, And trod by pensive feet From perfect clusters ripened without haste Out of the urgent heat In some clear glimmering vaulted twilight under the odorous vine .
Lift up your lyres! Sing on! But as for me, I seek your sister whither she is gone.
Written by John Keats | Create an image from this poem

Ode to a Nightingale

MY heart aches, and a drowsy numbness pains 
My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 
One minute past, and Lethe-wards had sunk: 
'Tis not through envy of thy happy lot, 5 
But being too happy in thine happiness, 
That thou, light-wing¨¨d Dryad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease.
10 O for a draught of vintage! that hath been Cool'd a long age in the deep-delv¨¨d earth, Tasting of Flora and the country-green, Dance, and Proven?al song, and sunburnt mirth! O for a beaker full of the warm South! 15 Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stain¨¨d mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: 20 Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last grey hairs, 25 Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs; Where beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
30 Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, 35 And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways.
40 I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalm¨¨d darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; 45 White hawthorn, and the pastoral eglantine; Fast-fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves.
50 Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mus¨¨d rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, 55 To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain¡ª To thy high requiem become a sod.
60 Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path 65 Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
70 Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75 Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:¡ªdo I wake or sleep? 80
Written by Pablo Neruda | Create an image from this poem

Always

 I am not jealous
of what came before me.
Come with a man on your shoulders, come with a hundred men in your hair, come with a thousand men between your breasts and your feet, come like a river full of drowned men which flows down to the wild sea, to the eternal surf, to Time! Bring them all to where I am waiting for you; we shall always be alone, we shall always be you and I alone on earth to start our life!
Written by Langston Hughes | Create an image from this poem

Mother to Son

 Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it, And splinters, And boards torn up, And places with no carpet on the floor— Bare.
But all the time I'se been a-climbin' on, And reachin' landin's, And turnin' corners, And sometimes goin' in the dark Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now— For I'se still goin', honey, I'se still climbin', And life for me ain't been no crystal stair.
Written by Matsuo Basho | Create an image from this poem

From time to time

From time to time
The clouds give rest
To the moon-beholders.
Written by Edgar Allan Poe | Create an image from this poem

The City In the Sea

Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West 
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours.
Around by lifting winds forgot Resignedly beneath the sky The melancholy waters lie.
No rays from the holy heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently- Gleams up the pinnacles far and free- Up domes- up spires- up kingly halls- Up fanes- up Babylon-like walls- Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers- Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol the violet and the vine.
Resignedly beneath the sky The melancholy waters lie.
So blend the turrets and shadows there That all seem pendulous in air While from a proud tower in the town Death looks gigantically down.
There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol's diamond eye- Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl alas! Along that wilderness of glass- No swellings tell that winds may be Upon some far-off happier sea- No heavings hint that winds have been On seas less hideously serene.
But lo a stir is in the air! The wave- there is a movement there! As if the towers had thrust aside In slightly sinking the dull tide- As if their tops had feebly given A void within the filmy Heaven.
The waves have now a redder glow- The hours are breathing faint and low- And when amid no earthly moans Down down that town shall settle hence Hell rising from a thousand thrones Shall do it reverence.
Written by Gary Soto | Create an image from this poem

Oranges

The first time I walked
With a girl, I was twelve,
Cold, and weighted down
With two oranges in my jacket.
December.
Frost cracking Beneath my steps, my breath Before me, then gone, As I walked toward Her house, the one whose Porch light burned yellow Night and day, in any weather.
A dog barked at me, until She came out pulling At her gloves, face bright With rouge.
I smiled, Touched her shoulder, and led Her down the street, across A used car lot and a line Of newly planted trees, Until we were breathing Before a drugstore.
We Entered, the tiny bell Bringing a saleslady Down a narrow aisle of goods.
I turned to the candies Tiered like bleachers, And asked what she wanted - Light in her eyes, a smile Starting at the corners Of her mouth.
I fingered A nickle in my pocket, And when she lifted a chocolate That cost a dime, I didn't say anything.
I took the nickle from My pocket, then an orange, And set them quietly on The counter.
When I looked up, The lady's eyes met mine, And held them, knowing Very well what it was all About.
Outside, A few cars hissing past, Fog hanging like old Coats between the trees.
I took my girl's hand In mine for two blocks, Then released it to let Her unwrap the chocolate.
I peeled my orange That was so bright against The gray of December That, from some distance, Someone might have thought I was making a fire in my hands.
Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
II Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And an in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells,bells, Bells, bells, bells- To the rhyming and the chiming of the bells! III Hear the loud alarum bells- Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now- now to sit or never, By the side of the pale-faced moon.
Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells- Of the bells- Of the bells, bells, bells,bells, Bells, bells, bells- In the clamor and the clangor of the bells! IV Hear the tolling of the bells- Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan.
And the people- ah, the people- They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone- They are neither man nor woman- They are neither brute nor human- They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells- Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells- Of the bells, bells, bells- To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells- Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells- To the moaning and the groaning of the bells.
Written by Robert Frost | Create an image from this poem

Mending Wall

Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs.
The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there.
I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls We have to use a spell to make them balance: "Stay where you are until our backs are turned!" We wear our fingers rough with handling them.
Oh, just another kind of outdoor game, One on a side.
It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard.
My apple trees will never get across And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbors.
" Spring is the mischief in me, and I wonder If I could put a notion in his head: "Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense.
Something there is that doesn't love a wall, That wants it down.
" I could say "Elves" to him, But it's not elves exactly, and I'd rather He said it for himself.
I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me, Not of woods only and the shade of trees.
He will not go behind his father's saying, And he likes having thought of it so well He says again, "Good fences make good neighbors.
"
Written by Maya Angelou | Create an image from this poem

Passing Time

Your skin like dawn
Mine like musk

One paints the beginning
of a certain end.
The other, the end of a sure beginning.
Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
.
.
at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
.
.
.
Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
.
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"
Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness, Eyes of my Soul, seeing perfection, Natural life of me, faithfully praising things; Corroborating forever the triumph of things.
Illustrious every one! Illustrious what we name space—sphere of unnumber’d spirits; Illustrious the mystery of motion, in all beings, even the tiniest insect; Illustrious the attribute of speech—the senses—the body; Illustrious the passing light! Illustrious the pale reflection on the new moon in the western sky! Illustrious whatever I see, or hear, or touch, to the last.
Good in all, In the satisfaction and aplomb of animals, In the annual return of the seasons, In the hilarity of youth, In the strength and flush of manhood, In the grandeur and exquisiteness of old age, In the superb vistas of Death.
Wonderful to depart; Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak! to walk! to seize something by the hand! To prepare for sleep, for bed—to look on my rose-color’d flesh; To be conscious of my body, so satisfied, so large; To be this incredible God I am; To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself! How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead! How the earth darts on and on! and how the sun, moon, stars, dart on and on! How the water sports and sings! (Surely it is alive!) How the trees rise and stand up—with strong trunks—with branches and leaves! (Surely there is something more in each of the tree—some living Soul.
) O amazement of things! even the least particle! O spirituality of things! O strain musical, flowing through ages and continents—now reaching me and America! I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting, I too throb to the brain and beauty of the earth, and of all the growths of the earth, I too have felt the resistless call of myself.
As I sail’d down the Mississippi, As I wander’d over the prairies, As I have lived—As I have look’d through my windows, my eyes, As I went forth in the morning—As I beheld the light breaking in the east; As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; As I roam’d the streets of inland Chicago—whatever streets I have roam’d; Or cities, or silent woods, or peace, or even amid the sights of war; Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old, I sing the endless finales of things; I say Nature continues—Glory continues; I praise with electric voice; For I do not see one imperfection in the universe; And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come, I still warble under you, if none else does, unmitigated adoration.