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Best Famous Tear Poems

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Written by George (Lord) Byron | Create an image from this poem

The Dream

 I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power— 
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed Perchance in sleep—for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour.
II I saw two beings in the hues of youth Standing upon a hill, a gentle hill, Green and of mild declivity, the last As 'twere the cape of a long ridge of such, Save that there was no sea to lave its base, But a most living landscape, and the wave Of woods and corn-fields, and the abodes of men Scattered at intervals, and wreathing smoke Arising from such rustic roofs: the hill Was crowned with a peculiar diadem Of trees, in circular array, so fixed, Not by the sport of nature, but of man: These two, a maiden and a youth, were there Gazing—the one on all that was beneath Fair as herself—but the boy gazed on her; And both were young, and one was beautiful: And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge, The maid was on the eve of womanhood; The boy had fewer summers, but his heart Had far outgrown his years, and to his eye There was but one beloved face on earth, And that was shining on him; he had looked Upon it till it could not pass away; He had no breath, no being, but in hers: She was his voice; he did not speak to her, But trembled on her words; she was his sight, For his eye followed hers, and saw with hers, Which coloured all his objects;—he had ceased To live within himself: she was his life, The ocean to the river of his thoughts, Which terminated all; upon a tone, A touch of hers, his blood would ebb and flow, And his cheek change tempestuously—his heart Unknowing of its cause of agony.
But she in these fond feelings had no share: Her sighs were not for him; to her he was Even as a brother—but no more; 'twas much, For brotherless she was, save in the name Her infant friendship had bestowed on him; Herself the solitary scion left Of a time-honoured race.
—It was a name Which pleased him, and yet pleased him not—and why? Time taught him a deep answer—when she loved Another; even now she loved another, And on the summit of that hill she stood Looking afar if yet her lover's steed Kept pace with her expectancy, and flew.
III A change came o'er the spirit of my dream.
There was an ancient mansion, and before Its walls there was a steed caparisoned: Within an antique Oratory stood The Boy of whom I spake;—he was alone, And pale, and pacing to and fro: anon He sate him down, and seized a pen, and traced Words which I could not guess of; then he leaned His bowed head on his hands and shook, as 'twere With a convulsion—then rose again, And with his teeth and quivering hands did tear What he had written, but he shed no tears.
And he did calm himself, and fix his brow Into a kind of quiet: as he paused, The Lady of his love re-entered there; She was serene and smiling then, and yet She knew she was by him beloved; she knew— For quickly comes such knowledge—that his heart Was darkened with her shadow, and she saw That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp He took her hand; a moment o'er his face A tablet of unutterable thoughts Was traced, and then it faded, as it came; He dropped the hand he held, and with slow steps Retired, but not as bidding her adieu, For they did part with mutual smiles; he passed From out the massy gate of that old Hall, And mounting on his steed he went his way; And ne'er repassed that hoary threshold more.
IV A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds Of fiery climes he made himself a home, And his Soul drank their sunbeams; he was girt With strange and dusky aspects; he was not Himself like what he had been; on the sea And on the shore he was a wanderer; There was a mass of many images Crowded like waves upon me, but he was A part of all; and in the last he lay Reposing from the noontide sultriness, Couched among fallen columns, in the shade Of ruined walls that had survived the names Of those who reared them; by his sleeping side Stood camels grazing, and some goodly steeds Were fastened near a fountain; and a man, Glad in a flowing garb, did watch the while, While many of his tribe slumbered around: And they were canopied by the blue sky, So cloudless, clear, and purely beautiful, That God alone was to be seen in heaven.
V A change came o'er the spirit of my dream.
The Lady of his love was wed with One Who did not love her better: in her home, A thousand leagues from his,—her native home, She dwelt, begirt with growing Infancy, Daughters and sons of Beauty,—but behold! Upon her face there was a tint of grief, The settled shadow of an inward strife, And an unquiet drooping of the eye, As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved, And he who had so loved her was not there To trouble with bad hopes, or evil wish, Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not, Nor given him cause to deem himself beloved, Nor could he be a part of that which preyed Upon her mind—a spectre of the past.
VI A change came o'er the spirit of my dream.
The Wanderer was returned.
—I saw him stand Before an altar—with a gentle bride; Her face was fair, but was not that which made The Starlight of his Boyhood;—as he stood Even at the altar, o'er his brow there came The selfsame aspect and the quivering shock That in the antique Oratory shook His bosom in its solitude; and then— As in that hour—a moment o'er his face The tablet of unutterable thoughts Was traced—and then it faded as it came, And he stood calm and quiet, and he spoke The fitting vows, but heard not his own words, And all things reeled around him; he could see Not that which was, nor that which should have been— But the old mansion, and the accustomed hall, And the remembered chambers, and the place, The day, the hour, the sunshine, and the shade, All things pertaining to that place and hour, And her who was his destiny, came back And thrust themselves between him and the light; What business had they there at such a time? VII A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed, As by the sickness of the soul; her mind Had wandered from its dwelling, and her eyes, They had not their own lustre, but the look Which is not of the earth; she was become The queen of a fantastic realm; her thoughts Were combinations of disjointed things; And forms impalpable and unperceived Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise Have a far deeper madness, and the glance Of melancholy is a fearful gift; What is it but the telescope of truth? Which strips the distance of its fantasies, And brings life near in utter nakedness, Making the cold reality too real! VIII A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore, The beings which surrounded him were gone, Or were at war with him; he was a mark For blight and desolation, compassed round With Hatred and Contention; Pain was mixed In all which was served up to him, until, Like to the Pontic monarch of old days, He fed on poisons, and they had no power, But were a kind of nutriment; he lived Through that which had been death to many men, And made him friends of mountains; with the stars And the quick Spirit of the Universe He held his dialogues: and they did teach To him the magic of their mysteries; To him the book of Night was opened wide, And voices from the deep abyss revealed A marvel and a secret.
—Be it so.
IX My dream is past; it had no further change.
It was of a strange order, that the doom Of these two creatures should be thus traced out Almost like a reality—the one To end in madness—both in misery.


Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
.
.
at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
.
.
.
Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
.
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"
Written by Ralph Waldo Emerson | Create an image from this poem

Ode to Beauty

 EXULTING BEAUTY,­phantom of an hour, 
Whose magic spells enchain the heart, 
Ah ! what avails thy fascinating pow'r, 
Thy thrilling smile, thy witching art ? 
Thy lip, where balmy nectar glows; 
Thy cheek, where round the damask rose 
A thousand nameless Graces move, 
Thy mildly speaking azure eyes, 
Thy golden hair, where cunning Love 
In many a mazy ringlet lies? 
Soon as thy radiant form is seen, 
Thy native blush, thy timid mien, 
Thy hour is past ! thy charms are vain! 
ILL-NATURE haunts thee with her sallow train, 
Mean JEALOUSY deceives thy list'ning ear, 
And SLANDER stains thy cheek with many a bitter tear.
In calm retirement form'd to dwell, NATURE, thy handmaid fair and kind, For thee, a beauteous garland twin'd; The vale-nurs'd Lily's downcast bell Thy modest mien display'd, The snow-drop, April's meekest child, With myrtle blossoms undefil'd, Thy mild and spotless mind pourtray'd; Dear blushing maid, of cottage birth, 'Twas thine, o'er dewy meads to stray, While sparkling health, and frolic mirth Led on thy laughing Day.
Lur'd by the babbling tongue of FAME, Too soon, insidious FLATT'RY came; Flush'd VANITY her footsteps led, To charm thee from thy blest repose, While Fashion twin'd about thy head A wreath of wounding woes; See Dissipation smoothly glide, Cold Apathy, and puny Pride, Capricious Fortune, dull, and blind, O'er splendid Folly throws her veil, While Envy's meagre tribe assail Thy gentle form, and spotless mind.
Their spells prevail! no more those eyes Shoot undulating fires; On thy wan cheek, the young rose dies, Thy lip's deep tint expires; Dark Melancholy chills thy mind; Thy silent tear reveals thy woe; TIME strews with thorns thy mazy way, Where'er thy giddy footsteps stray, Thy thoughtless heart is doom'd to find An unrelenting foe.
'Tis thus, the infant Forest flow'r Bespangled o'er with glitt'ring dew, At breezy morn's refreshing hour, Glows with pure tints of varying hue, Beneath an aged oak's wide spreading shade, Where no rude winds, or beating storms invade.
Transplanted from its lonely bed, No more it scatters perfumes round, No more it rears its gentle head, Or brightly paints the mossy ground; For ah! the beauteous bud, too soon, Scorch'd by the burning eye of day; Shrinks from the sultry glare of noon, Droops its enamell'd brow, and blushing, dies away.
Written by William Cowper | Create an image from this poem

The Castaway

 Obscurest night involv'd the sky,
Th' Atlantic billows roar'd,
When such a destin'd wretch as I,
Wash'd headlong from on board,
Of friends, of hope, of all bereft,
His floating home for ever left.
No braver chief could Albion boast Than he with whom he went, Nor ever ship left Albion's coast, With warmer wishes sent.
He lov'd them both, but both in vain, Nor him beheld, nor her again.
Not long beneath the whelming brine, Expert to swim, he lay; Nor soon he felt his strength decline, Or courage die away; But wag'd with death a lasting strife, Supported by despair of life.
He shouted: nor his friends had fail'd To check the vessel's course, But so the furious blast prevail'd, That, pitiless perforce, They left their outcast mate behind, And scudded still before the wind.
Some succour yet they could afford; And, such as storms allow, The cask, the coop, the floated cord, Delay'd not to bestow.
But he (they knew) nor ship, nor shore, Whate'er they gave, should visit more.
Nor, cruel as it seem'd, could he Their haste himself condemn, Aware that flight, in such a sea, Alone could rescue them; Yet bitter felt it still to die Deserted, and his friends so nigh.
He long survives, who lives an hour In ocean, self-upheld; And so long he, with unspent pow'r, His destiny repell'd; And ever, as the minutes flew, Entreated help, or cried--Adieu! At length, his transient respite past, His comrades, who before Had heard his voice in ev'ry blast, Could catch the sound no more.
For then, by toil subdued, he drank The stifling wave, and then he sank.
No poet wept him: but the page Of narrative sincere; That tells his name, his worth, his age, Is wet with Anson's tear.
And tears by bards or heroes shed Alike immortalize the dead.
I therefore purpose not, or dream, Descanting on his fate, To give the melancholy theme A more enduring date: But misery still delights to trace Its semblance in another's case.
No voice divine the storm allay'd, No light propitious shone; When, snatch'd from all effectual aid, We perish'd, each alone: But I beneath a rougher sea, And whelm'd in deeper gulfs than he.
Written by Lewis Carroll | Create an image from this poem

The Walrus and the Carpenter

The sun was shining on the sea,
   Shining with all his might;
He did his very best to make
   The billows smooth and bright—
And this was odd, because it was
   The middle of the night.
The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done— "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry.
You could not see a cloud, because No cloud was in the sky; No birds were flying overhead— There were no birds to fly.
The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand.
"If this were only cleared away," They said, "it would be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear.
"O Oysters, come and walk with us!" The Walrus did beseech.
"A pleasant walk, a pleasant talk, Along the briny beach; We cannot do with more than four, To give a hand to each.
" The eldest Oyster looked at him, But never a word he said; The eldest Oyster winked his eye, And shook his heavy head— Meaning to say he did not choose To leave the oyster-bed.
But four young Oysters hurried up, All eager for the treat; Their coats were brushed, their faces washed, Their shoes were clean and neat— And this was odd, because, you know, They hadn't any feet.
Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more— All hopping through the frothy waves, And scrambling to the shore.
The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low; And all the little Oysters stood And waited in a row.
"The time has come," the Walrus said, "To talk of many things: Of shoes—and ships—and sealing-wax— And cabbages—and kings— And why the sea is boiling hot— And whether pigs have wings.
" "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said, "Is what we chiefly need; Pepper and vinegar besides Are very good indeed— Now if you're ready, Oysters dear, We can begin to feed.
" "But not on us!" the Oysters cried, Turning a little blue.
"After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said, "Do you admire the view?" "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice.
I wish you were not quite so deaf— I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said; "I deeply sympathize.
" With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes.
"O Oysters," said the Carpenter, "You've had a pleasant run! Shall we be trotting home again?" But answer came there none— And this was scarcely odd, because They'd eaten every one.


Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew.
First, in green apparel dancing, The young Spring smiled with angel grace; Rosy summer next advancing, Rushed into her sire's embrace:- Her blue-haired sire, who bade her keep For ever nearest to his smile, On Calpe's olive-shaded steep, On India's citron-covered isles: More remote and buxom-brown, The Queen of vintage bowed before his throne, A rich pomegranate gemmed her gown, A ripe sheaf bound her zone.
But howling Winter fled afar, To hills that prop the polar star, And lives on deer-borne car to ride With barren darkness at his side, Round the shore where loud Lofoden Whirls to death the roaring whale, Round the hall where runic Odin Howls his war-song to the gale; Save when adown the ravaged globe He travels on his native storm, Deflowering Nature's grassy robe, And trampling on her faded form:- Till light's returning lord assume The shaft the drives him to his polar field, Of power to pierce his raven plume And crystal-covered shield.
Oh, sire of storms! whose savage ear The Lapland drum delights to hear, When frenzy with her blood-shot eye Implores thy dreadful deity, Archangel! power of desolation! Fast descending as thou art, Say, hath mortal invocation Spells to touch thy stony heart? Then, sullen Winter, hear my prayer, And gently rule the ruined year; Nor chill the wanders bosom bare, Nor freeze the wretch's falling tear;- To shuddering Want's unmantled bed Thy horror-breathing agues cease to lead, And gently on the orphan head Of innocence descend.
- But chiefly spare, O king of clouds! The sailor on his airy shrouds; When wrecks and beacons strew the steep, And specters walk along the deep.
Milder yet thy snowy breezes Pour on yonder tented shores, Where the Rhine's broad billow freezes, Or the Dark-brown Danube roars.
Oh, winds of winter! List ye there To many a deep and dying groan; Or start, ye demons of the midnight air, At shrieks and thunders louder than your own.
Alas! Even unhallowed breath May spare the victim fallen low; But man will ask no truce of death,- No bounds to human woe.
Written by Sylvia Plath | Create an image from this poem

A Life

 Touch it: it won't shrink like an eyeball,
This egg-shaped bailiwick, clear as a tear.
Here's yesterday, last year --- Palm-spear and lily distinct as flora in the vast Windless threadwork of a tapestry.
Flick the glass with your fingernail: It will ping like a Chinese chime in the slightest air stir Though nobody in there looks up or bothers to answer.
The inhabitants are light as cork, Every one of them permanently busy.
At their feet, the sea waves bow in single file.
Never trespassing in bad temper: Stalling in midair, Short-reined, pawing like paradeground horses.
Overhead, the clouds sit tasseled and fancy As Victorian cushions.
This family Of valentine faces might please a collector: They ring true, like good china.
Elsewhere the landscape is more frank.
The light falls without letup, blindingly.
A woman is dragging her shadow in a circle About a bald hospital saucer.
It resembles the moon, or a sheet of blank paper And appears to have suffered a sort of private blitzkrieg.
She lives quietly With no attachments, like a foetus in a bottle, The obsolete house, the sea, flattened to a picture She has one too many dimensions to enter.
Grief and anger, exorcised, Leave her alone now.
The future is a grey seagull Tattling in its cat-voice of departure.
Age and terror, like nurses, attend her, And a drowned man, complaining of the great cold, Crawls up out of the sea.
Written by John Davidson | Create an image from this poem

A Ballad of Hell

 'A letter from my love to-day!
Oh, unexpected, dear appeal!'
She struck a happy tear away,
And broke the crimson seal.
'My love, there is no help on earth, No help in heaven; the dead-man's bell Must toll our wedding; our first hearth Must be the well-paved floor of hell.
' The colour died from out her face, Her eyes like ghostly candles shone; She cast dread looks about the place, Then clenched her teeth and read right on.
'I may not pass the prison door; Here must I rot from day to day, Unless I wed whom I abhor, My cousin, Blanche of Valencay.
'At midnight with my dagger keen, I'll take my life; it must be so.
Meet me in hell to-night, my queen, For weal and woe.
' She laughed although her face was wan, She girded on her golden belt, She took her jewelled ivory fan, And at her glowing missal knelt.
Then rose, 'And am I mad?' she said: She broke her fan, her belt untied; With leather girt herself instead, And stuck a dagger at her side.
She waited, shuddering in her room, Till sleep had fallen on all the house.
She never flinched; she faced her doom: They two must sin to keep their vows.
Then out into the night she went, And, stooping, crept by hedge and tree; Her rose-bush flung a snare of scent, And caught a happy memory.
She fell, and lay a minute's space; She tore the sward in her distress; The dewy grass refreshed her face; She rose and ran with lifted dress.
She started like a morn-caught ghost Once when the moon came out and stood To watch; the naked road she crossed, And dived into the murmuring wood.
The branches snatched her streaming cloak; A live thing shrieked; she made no stay! She hurried to the trysting-oak— Right well she knew the way.
Without a pause she bared her breast, And drove her dagger home and fell, And lay like one that takes her rest, And died and wakened up in hell.
She bathed her spirit in the flame, And near the centre took her post; From all sides to her ears there came The dreary anguish of the lost.
The devil started at her side, Comely, and tall, and black as jet.
'I am young Malespina's bride; Has he come hither yet?' 'My poppet, welcome to your bed.
' 'Is Malespina here?' 'Not he! To-morrow he must wed His cousin Blanche, my dear!' 'You lie, he died with me to-night.
' 'Not he! it was a plot' .
.
.
'You lie.
' 'My dear, I never lie outright.
' 'We died at midnight, he and I.
' The devil went.
Without a groan She, gathered up in one fierce prayer, Took root in hell's midst all alone, And waited for him there.
She dared to make herself at home Amidst the wail, the uneasy stir.
The blood-stained flame that filled the dome, Scentless and silent, shrouded her.
How long she stayed I cannot tell; But when she felt his perfidy, She marched across the floor of hell; And all the damned stood up to see.
The devil stopped her at the brink: She shook him off; she cried, 'Away!' 'My dear, you have gone mad, I think.
' 'I was betrayed: I will not stay.
' Across the weltering deep she ran; A stranger thing was never seen: The damned stood silent to a man; They saw the great gulf set between.
To her it seemed a meadow fair; And flowers sprang up about her feet She entered heaven; she climbed the stair And knelt down at the mercy-seat.
Seraphs and saints with one great voice Welcomed that soul that knew not fear.
Amazed to find it could rejoice, Hell raised a hoarse, half-human cheer.
Written by William Blake | Create an image from this poem

Auguries Of Innocence

 To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage Puts all heaven in a rage.
A dove-house filled with doves and pigeons Shudders hell through all its regions.
A dog starved at his master's gate Predicts the ruin of the state.
A horse misused upon the road Calls to heaven for human blood.
Each outcry of the hunted hare A fibre from the brain does tear.
A skylark wounded in the wing, A cherubim does cease to sing.
The game-cock clipped and armed for fight Does the rising sun affright.
Every wolf's and lion's howl Raises from hell a human soul.
The wild deer wandering here and there Keeps the human soul from care.
The lamb misused breeds public strife, And yet forgives the butcher's knife.
The bat that flits at close of eve Has left the brain that won't believe.
The owl that calls upon the night Speaks the unbeliever's fright.
He who shall hurt the little wren Shall never be beloved by men.
He who the ox to wrath has moved Shall never be by woman loved.
The wanton boy that kills the fly Shall feel the spider's enmity.
He who torments the chafer's sprite Weaves a bower in endless night.
The caterpillar on the leaf Repeats to thee thy mother's grief.
Kill not the moth nor butterfly, For the Last Judgment draweth nigh.
He who shall train the horse to war Shall never pass the polar bar.
The beggar's dog and widow's cat, Feed them, and thou wilt grow fat.
The gnat that sings his summer's song Poison gets from Slander's tongue.
The poison of the snake and newt Is the sweat of Envy's foot.
The poison of the honey-bee Is the artist's jealousy.
The prince's robes and beggar's rags Are toadstools on the miser's bags.
A truth that's told with bad intent Beats all the lies you can invent.
It is right it should be so: Man was made for joy and woe; And when this we rightly know Through the world we safely go.
Joy and woe are woven fine, A clothing for the soul divine.
Under every grief and pine Runs a joy with silken twine.
The babe is more than swaddling bands, Throughout all these human lands; Tools were made and born were hands, Every farmer understands.
Every tear from every eye Becomes a babe in eternity; This is caught by females bright And returned to its own delight.
The bleat, the bark, bellow, and roar Are waves that beat on heaven's shore.
The babe that weeps the rod beneath Writes Revenge! in realms of death.
The beggar's rags fluttering in air Does to rags the heavens tear.
The soldier armed with sword and gun Palsied strikes the summer's sun.
The poor man's farthing is worth more Than all the gold on Afric's shore.
One mite wrung from the labourer's hands Shall buy and sell the miser's lands, Or if protected from on high Does that whole nation sell and buy.
He who mocks the infant's faith Shall be mocked in age and death.
He who shall teach the child to doubt The rotting grave shall ne'er get out.
He who respects the infant's faith Triumphs over hell and death.
The child's toys and the old man's reasons Are the fruits of the two seasons.
The questioner who sits so sly Shall never know how to reply.
He who replies to words of doubt Doth put the light of knowledge out.
The strongest poison ever known Came from Caesar's laurel crown.
Nought can deform the human race Like to the armour's iron brace.
When gold and gems adorn the plough To peaceful arts shall Envy bow.
A riddle or the cricket's cry Is to doubt a fit reply.
The emmet's inch and eagle's mile Make lame philosophy to smile.
He who doubts from what he sees Will ne'er believe, do what you please.
If the sun and moon should doubt, They'd immediately go out.
To be in a passion you good may do, But no good if a passion is in you.
The whore and gambler, by the state Licensed, build that nation's fate.
The harlot's cry from street to street Shall weave old England's winding sheet.
The winner's shout, the loser's curse, Dance before dead England's hearse.
Every night and every morn Some to misery are born.
Every morn and every night Some are born to sweet delight.
Some are born to sweet delight, Some are born to endless night.
We are led to believe a lie When we see not through the eye Which was born in a night to perish in a night, When the soul slept in beams of light.
God appears, and God is light To those poor souls who dwell in night, But does a human form display To those who dwell in realms of day.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Envy

 Deep in th' abyss where frantic horror bides, 
In thickest mists of vapours fell,
Where wily Serpents hissing glare
And the dark Demon of Revenge resides,
At midnight's murky hour
Thy origin began: 
Rapacious MALICE was thy sire;
Thy Dam the sullen witch, Despair;
Thy Nurse, insatiate Ire.
The FATES conspir'd their ills to twine, About thy heart's infected shrine; They gave thee each disastrous spell, Each desolating pow'r, To blast the fairest hopes of man.
Soon as thy fatal birth was known, From her unhallow'd throne With ghastly smile pale Hecate sprung; Thy hideous form the Sorc'ress press'd With kindred fondness to her breast; Her haggard eye Short forth a ray of transient joy, Whilst thro' th' infernal shades exulting clamours rung.
Above thy fellow fiends thy tyrant hand Grasp'd with resistless force supreme command: The dread terrific crowd Before thy iron sceptre bow'd.
Now, seated in thy ebon cave, Around thy throne relentless furies rave: A wreath of ever-wounding thorn Thy scowling brows encompass round, Thy heart by knawing Vultures torn, Thy meagre limbs with deathless scorpions bound.
Thy black associates, torpid IGNORANCE, And pining JEALOUSY­with eye askance, With savage rapture execute thy will, And strew the paths of life with every torturing ill Nor can the sainted dead escape thy rage; Thy vengeance haunts the silent grave, Thy taunts insult the ashes of the brave; While proud AMBITION weeps thy rancour to assuage.
The laurels round the POET's bust, Twin'd by the liberal hand of Taste, By thy malignant grasp defac'd, Fade to their native dust: Thy ever-watchful eye no labour tires, Beneath thy venom'd touch the angel TRUTH expires.
When in thy petrifying car Thy scaly dragons waft thy form, Then, swifter, deadlier far Than the keen lightning's lance, That wings its way across the yelling storm, Thy barbed shafts fly whizzing round, While every with'ring glance Inflicts a cureless wound.
Thy giant arm with pond'rous blow Hurls genius from her glorious height, Bends the fair front of Virtue low, And meanly pilfers every pure delight.
Thy hollow voice the sense appalls, Thy vigilance the mind enthralls; Rest hast thou none,­by night, by day, Thy jealous ardour seeks for prey­ Nought can restrain thy swift career; Thy smile derides the suff'rer's wrongs; Thy tongue the sland'rers tale prolongs; Thy thirst imbibes the victim's tear; Thy breast recoils from friendship's flame; Sick'ning thou hear'st the trump of Fame; Worth gives to thee, the direst pang; The Lover's rapture wounds thy heart, The proudest efforts of prolific art Shrink from thy poisonous fang.
In vain the Sculptor's lab'ring hand Calls fine proportion from the Parian stone; In vain the Minstrel's chords command The soft vibrations of seraphic tone; For swift thy violating arm Tears from perfection ev'ry charm; Nor rosy YOUTH, nor BEAUTY's smiles Thy unrelenting rage beguiles, Thy breath contaminates the fairest name, And binds the guiltless brow with ever-blist'ring shame.

Book: Shattered Sighs