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Best Famous Sun Poems

Here is a collection of the all-time best famous Sun poems. This is a select list of the best famous Sun poetry. Reading, writing, and enjoying famous Sun poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sun poems.

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Written by Robert Burns | |

A Red Red Rose

O, my Luve's like a red, red rose,
That's newly sprung in June.
O, my Luve's like a melodie That's sweetly play'd in tune.
As fair as thou, my bonnie lass, So deep in luve am I; And I will love thee still, my dear, Till a' the seas gang dry.
Till a' the seas gang dry, my dear, And the rocks melt wi' the sun: I will love thess till, my dear, While the sands o' life shall run: And fare thee well, my only luve! And fare thee weel, a while! And I will come again, my luve, Tho' it ware ten thousand mile.


Written by Christina Rossetti | |

A Daughter of Eve

A fool I was to sleep at noon,
  And wake when night is chilly
Beneath the comfortless cold moon;
A fool to pluck my rose too soon,
  A fool to snap my lily.
My garden-plot I have not kept; Faded and all-forsaken, I weep as I have never wept: Oh it was summer when I slept, It's winter now I waken.
Talk what you please of future spring And sun-warm'd sweet to-morrow:— Stripp'd bare of hope and everything, No more to laugh, no more to sing, I sit alone with sorrow.


Written by Emily Dickinson | |

Because I could not stop for Death

Because I could not stop for Death-- 
He kindly stopped for me-- 
The Carriage held but just Ourselves-- 
And Immortality.
We slowly drove--He knew no haste And I had put away My labor and my leisure too, For His Civility-- We passed the School, where Children strove At Recess--in the Ring-- We passed the Fields of Gazing Grain-- We passed the Setting Sun-- Or rather--He passed us-- The Dews drew quivering and chill-- For only Gossamer, my Gown-- My Tippet--only Tulle-- We paused before a House that seemed A Swelling of the Ground-- The Roof was scarcely visible-- The Cornice--in the Ground-- Since then--'tis Centuries--and yet Feels shorter than the Day I first surmised the Horses' Heads Were toward Eternity--


More great poems below...

Written by Edward Estlin (E E) Cummings | |

i carry your heart with me

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)  


Written by Elizabeth Barrett Browning | |

How Do I Love Thee?

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace.
I love thee to the level of every day's Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise.
I love with a passion put to use In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose With my lost saints, I love thee with the breath, Smiles, tears, of all my life! and, if God choose, I shall but love thee better after death.


Written by Fleda Brown | |

I Write My Mother a Poem

Sometimes I feel her easing further into her grave, 
resigned, as always, and I have to come to her rescue.
Like now, when I have so much else to do.
Not that she'd want a poem.
She would have been proud, of course, of all its mystery, involving her, but scared a little.
Her eyes would have filled with tears.
It always comes to that, I don't know why I bother.
One gesture and she's gone down a well of raw feeling, and I'm left alone again.
I avert my eyes, to keep from scaring her.
On her dresser is one of those old glass bottles of Jergen's Lotion with the black label, a little round bottle of Mum deodorant, a white plastic tray with Avon necklaces and earrings, pennies, paper clips, and a large black coat button.
I appear to be very interested in these objects, even interested in the sun through the blinds.
It falls across her face, and not, as she changes the bed.
She would rather have clean sheets than my poem, but as long as I don't bother her, she's glad to know I care.
She's talked my father into taking a drive later, stopping for an A & W root beer.
She is dreaming of foam on the glass, the tray propped on the car window.
And trees, farmhouses, the expanse of the world as seen from inside the car.
It is no use to try to get her out to watch airplanes take off, or walk a trail, or hear this poem and offer anything more than "Isn't that sweet!" Right now bombs are exploding in Kosovo, students shot in Colorado, and my mother is wearing a root beer mustache.
Her eyes are unfocused, everything's root beer.
I write root beer, root beer, to make her happy.
from Breathing In, Breathing Out, Anhinga Press, 2002 © 2000, Fleda Brown (first published in The Southern Review, 36 [2000])


Written by Robert Frost | |

Mending Wall

Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs.
The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there.
I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls We have to use a spell to make them balance: "Stay where you are until our backs are turned!" We wear our fingers rough with handling them.
Oh, just another kind of outdoor game, One on a side.
It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard.
My apple trees will never get across And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbors.
" Spring is the mischief in me, and I wonder If I could put a notion in his head: "Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense.
Something there is that doesn't love a wall, That wants it down.
" I could say "Elves" to him, But it's not elves exactly, and I'd rather He said it for himself.
I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me, Not of woods only and the shade of trees.
He will not go behind his father's saying, And he likes having thought of it so well He says again, "Good fences make good neighbors.
"


Written by George Herbert | |

Man

          My God, I heard this day
That none doth build a stately habitation,
     But he that means to dwell therein.
What house more stately hath there been, Or can be, than is Man? to whose creation All things are in decay.
For Man is every thing, And more: he is a tree, yet bears more fruit; A beast, yet is or should be more: Reason and speech we only bring.
Parrots may thank us, if they are not mute, They go upon the score.
Man is all symmetry, Full of proportions, one limb to another, And all to all the world besides: Each part may call the furthest, brother; For head with foot hath private amity, And both with moons and tides.
Nothing hath got so far, But man hath caught and kept it, as his prey.
His eyes dismount the highest star: He is in little all the sphere.
Herbs gladly cure our flesh, because that they Find their acquaintance there.
For us the winds do blow, The earth doth rest, heaven move, and fountains flow.
Nothing we see but means our good, As our delight or as our treasure: The whole is either our cupboard of food, Or cabinet of pleasure.
The stars have us to bed; Night draws the curtain, which the sun withdraws; Music and light attend our head.
All things unto our flesh are kind In their descent and being; to our mind In their ascent and cause.
Each thing is full of duty: Waters united are our navigation; Distinguishèd, our habitation; Below, our drink; above, our meat; Both are our cleanliness.
Hath one such beauty? Then how are all things neat? More servants wait on Man Than he'll take notice of: in every path He treads down that which doth befriend him When sickness makes him pale and wan.
O mighty love! Man is one world, and hath Another to attend him.
Since then, my God, thou hast So brave a palace built, O dwell in it That it may dwell with thee at last! Till then, afford us so much wit, That, as the world serves us, we may serve thee, And both thy servants be.


Written by William Wordsworth | |

The Tables Turned

An Evening Scene on the Same Subject

Up! up! my Friend, and quit your books;
Or surely you'll grow double:
Up! up! my Friend, and clear your looks;
Why all this toil and trouble?

The sun, above the mountain's head,
A freshening lustre mellow
Through all the long green fields has spread,
His first sweet evening yellow.
Books! 'tis a dull and endless strife: Come, hear the woodland linnet, How sweet his music! on my life, There's more of wisdom in it.
And hark! how blithe the throstle sings! He, too, is no mean preacher: Come forth into the light of things, Let Nature be your Teacher.
She has a world of ready wealth, Our minds and hearts to bless— Spontaneous wisdom breathed by health, Truth breathed by cheerfulness.
One impulse from a vernal wood May teach you more of man, Of moral evil and of good, Than all the sages can.
Sweet is the lore which Nature brings; Our meddling intellect Mis-shapes the beauteous forms of things:— We murder to dissect.
Enough of Science and of Art; Close up those barren leaves; Come forth, and bring with you a heart That watches and receives.


Written by | |

Sympathy

I know what the caged bird feels, alas!
   When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
   When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!

I know why the caged bird beats his wing
   Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
   And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!

I know why the caged bird sings, ah me,
   When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
   But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!


Written by Andrew Marvell | |

To His Coy Mistress

  Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down, and think which way To walk, and pass our long love's day.
Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain.
I would Love you ten years before the Flood, And you should, if you please, refuse Till the conversion of the Jews.
My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart.
For, lady, you deserve this state, Nor would I love at lower rate.
But at my back I always hear Time's wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity.
Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honor turn to dust, And into ashes all my lust: The grave's a fine and private place, But none, I think, do there embrace.
Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power.
Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.


Written by Thomas Hardy | |

Hap

If but some vengeful god would call to me
From up the sky, and laugh:  "Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love's loss is my hate's profiting!"

Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so.
How arrives it joy lies slain, And why unblooms the best hope ever sown? —Crass Casualty obstructs the sun and rain, And dicing Time for gladness casts a moan.
.
.
.
These purblind Doomsters had as readily strown Blisses about my pilgrimage as pain.


Written by Maya Angelou | |

Phenomenal Woman

Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies.
I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips.
I'm a woman Phenomenally.
Phenomenal woman, That's me.
I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees.
Then they swarm around me, A hive of honey bees.
I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet.
I'm a woman Phenomenally.
Phenomenal woman, That's me.
Men themselves have wondered What they see in me.
They try so much But they can't touch My inner mystery.
When I try to show them They say they still can't see.
I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style.
I'm a woman Phenomenally.
Phenomenal woman, That's me.
Now you understand Just why my head's not bowed.
I don't shout or jump about Or have to talk real loud.
When you see me passing It ought to make you proud.
I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally.
Phenomenal woman, That's me.


Written by Maya Angelou | |

I Know Why The Caged Bird Sings

The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.
But a bird that stalks down his narrow cage can seldom see through his bars of rage his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with fearful trill of the things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom The free bird thinks of another breeze and the trade winds soft through the sighing trees and the fat worms waiting on a dawn-bright lawn and he names the sky his own.
But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream his wings are clipped and his feet are tied so he opens his throat to sing The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom.


Written by Sir Walter Raleigh | |

A Farewell to False Love

Farewell false love, the oracle of lies, 
A mortal foe and enemy to rest, 
An envious boy, from whom all cares arise, 
A bastard vile, a beast with rage possessed, 
A way of error, a temple full of treason, 
In all effects contrary unto reason.
A poisoned serpent covered all with flowers, Mother of sighs, and murderer of repose, A sea of sorrows whence are drawn such showers As moisture lend to every grief that grows; A school of guile, a net of deep deceit, A gilded hook that holds a poisoned bait.
A fortress foiled, which reason did defend, A siren song, a fever of the mind, A maze wherein affection finds no end, A raging cloud that runs before the wind, A substance like the shadow of the sun, A goal of grief for which the wisest run.
A quenchless fire, a nurse of trembling fear, A path that leads to peril and mishap, A true retreat of sorrow and despair, An idle boy that sleeps in pleasure's lap, A deep mistrust of that which certain seems, A hope of that which reason doubtful deems.
Sith* then thy trains my younger years betrayed, [since] And for my faith ingratitude I find; And sith repentance hath my wrongs bewrayed*, [revealed] Whose course was ever contrary to kind*: [nature] False love, desire, and beauty frail, adieu.
Dead is the root whence all these fancies grew.