Alexander Pushkin |
Children running into izba,
Calling father, dripping sweat:
"Daddy, daddy! come -- there is a
Deadman caught inside our net.
"Fancy, fancy fabrication.
Grumbled off their weary Pa,
"Have these imps imagination!
Deadman, really! ya-ha-ha.
the court may come to bother -
What'll I say before the judge?
Hey you brats, go have your mother
Bring my coat; I better trudge.
Show me, where?" -- "Right there, Dad, farther!"
On the sand where netting ropes
Lay spread out, the peasant father
Saw the veritable corpse.
Badly mangled, ugly, frightening,
Blue and swollen on each side.
Has he fished in storm and lightning,
Or committed suicide?
Could this be a careless drunkard,
Or a mermaid-seeking monk,
Or a merchandizer, conquered
By some bandits, robbed and sunk?
To the peasant, what's it matter!
Quick: he grabs the dead man's hair,
Drags his body to the water,
Looks around: nobody's there:
relieved of the concern he
Shoves his paddle at a loss,
While the stiff resumes his journey
Down the stream for grave and cross.
Long the dead man as one living
Rocked on waves amid the foam.
Surly as he watched him leaving,
Soon our peasant headed home.
"Come you pups! let's go, don't scatter.
Each of you will get his bun.
But remember: just you chatter --
And I'll whip you, every one.
Dark and stormy it was turning.
High the river ran in gloom.
Now the torch has finished burning
In the peasant's smoky room.
Kids asleep, the wife aslumber,
He lies listening to the rain.
Bang! he hears a sudden comer
Knocking on the window-pane.
" -- "Let me in there, master!"
"Damn, you found the time to roam!
Well, what is it, your disaster?
Let you in? It's dark at home,
Dark and crowded.
What a pest you are!
Where'd I put you in my cot.
Slowly, with a lazy gesture,
He lifts up the pane and - what?
Through the clouds, the moon was showing.
Well? the naked man was there,
Down his hair the water flowing,
Wide his eyes, unmoved the stare;
Numb the dreadful-looking body,
Arms were hanging feeble, thin;
Crabs and cancers, black and bloody,
Sucked into the swollen skin.
As the peasant slammed the shutter
(Recognized his visitant)
Horror-struck he could but mutter
"Blast you!" and began to pant.
He was shuddering, awful chaos
All night through stirred in his brain,
While the knocking shook the house
By the gates and at the pane.
People tell a dreadful rumor:
Every year the peasant, say,
Waiting in the worst of humor
For his visitor that day;
As the rainstorm is increasing,
Nightfall brings a hurricane -
And the drowned man knocks, unceasing,
By the gates and at the pane.
Translated by: Genia Gurarie, 11/95
Copyright retained by Genia Gurarie.
For permission to reproduce, write personally to the translator.
Allen Ginsberg |
When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
Patrick's Cathedral, St.
Mark's Church, the largest synagogue in
First, there's family, brother, nephews, spry aged Edith stepmother
96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
in-law blonde Connie, five nephews, stepbrothers & sisters
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche,
there Sakyong Mipham, Dalai Lama alert, chance visiting
America, Satchitananda Swami
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche,
Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau
Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each
other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
day retreat --"
"I played music on subway platforms, I'm straight but loved him he
"I felt more love from him at 19 than ever from anyone"
"We'd lie under covers gossip, read my poetry, hug & kiss belly to belly
arms round each other"
"I'd always get into his bed with underwear on & by morning my
skivvies would be on the floor"
"Japanese, always wanted take it up my bum with a master"
"We'd talk all night about Kerouac & Cassady sit Buddhalike then
sleep in his captain's bed.
"He seemed to need so much affection, a shame not to make him happy"
"I was lonely never in bed nude with anyone before, he was so gentle my
shuddered when he traced his finger along my abdomen nipple to hips-- "
"All I did was lay back eyes closed, he'd bring me to come with mouth
& fingers along my waist"
"He gave great head"
So there be gossip from loves of 1948, ghost of Neal Cassady commin-
gling with flesh and youthful blood of 1997
and surprise -- "You too? But I thought you were straight!"
"I am but Ginsberg an exception, for some reason he pleased me.
"I forgot whether I was straight gay queer or funny, was myself, tender
and affectionate to be kissed on the top of my head,
my forehead throat heart & solar plexus, mid-belly.
on my prick,
tickled with his tongue my behind"
"I loved the way he'd recite 'But at my back allways hear/ time's winged
chariot hurrying near,' heads together, eye to eye, on a
Among lovers one handsome youth straggling the rear
"I studied his poetry class, 17 year-old kid, ran some errands to his
seduced me didn't want to, made me come, went home, never saw him
again never wanted to.
"He couldn't get it up but loved me," "A clean old man.
" "He made
sure I came first"
This the crowd most surprised proud at ceremonial place of honor--
Then poets & musicians -- college boys' grunge bands -- age-old rock
star Beatles, faithful guitar accompanists, gay classical con-
ductors, unknown high Jazz music composers, funky trum-
peters, bowed bass & french horn black geniuses, folksinger
fiddlers with dobro tamborine harmonica mandolin auto-
harp pennywhistles & kazoos
Next, artist Italian romantic realists schooled in mystic 60's India,
Late fauve Tuscan painter-poets, Classic draftsman Massa-
chusets surreal jackanapes with continental wives, poverty
sketchbook gesso oil watercolor masters from American
Then highschool teachers, lonely Irish librarians, delicate biblio-
philes, sex liberation troops nay armies, ladies of either sex
"I met him dozens of times he never remembered my name I loved
him anyway, true artist"
"Nervous breakdown after menopause, his poetry humor saved me
from suicide hospitals"
"Charmant, genius with modest manners, washed sink, dishes my
studio guest a week in Budapest"
Thousands of readers, "Howl changed my life in Libertyville Illinois"
"I saw him read Montclair State Teachers College decided be a poet-- "
"He turned me on, I started with garage rock sang my songs in Kansas
"Kaddish made me weep for myself & father alive in Nevada City"
"Father Death comforted me when my sister died Boston l982"
"I read what he said in a newsmagazine, blew my mind, realized
others like me out there"
Deaf & Dumb bards with hand signing quick brilliant gestures
Then Journalists, editors's secretaries, agents, portraitists & photo-
graphy aficionados, rock critics, cultured laborors, cultural
historians come to witness the historic funeral
Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-
hunters, distinguished paparazzi, intelligent gawkers
Everyone knew they were part of 'History" except the deceased
who never knew exactly what was happening even when I was alive
February 22, 1997
Emanuel Xavier |
knows the condom wrapped penetration
of strangers and lovers, deep inside
only a tear away from risk
knows bare minimum t-cell level counts,
replacing intoxicating cocktails
with jagged little pills
knows how to avoid a cure thanks to war
how to keep pharmaceutical corporations
and doctors in business
knows the weight loss desired
knows the fearless meaning of a friends genuine kiss or hug
converts non-believers to religion
values the support of luminaries
smiles at the solidarity
of single red ribbons
knows to dim the lights
to elude detection
how to shame someone into hiding
from the rest of the world
to be grateful for the gift of clothing
to remain silent, holding back the anger and frustration
knows that time on earth
is limited for all of us
that using lemons to make lemonade is better than drinking the Kool-Aid
but no matter how much you drink
you are always left dehydrated
knows working extensive hours
to pay hospital bills,
the choice of survival
or taking pleasure in what is left of life
knows the solid white walls
you want to crash through
and tear down
the thoughts of suicide
in the back of your head
knows the prosperous could be doing more with their wealth
and that everyone still thinks it is a deserving fate- for gays,
drug addicts, prostitutes,
and the unfortunate children of such
born into a merciless world of posh handbags and designer jewelry
knows how to be used as another percentage to profit politicians
knows it doesn’t only affect humans
but animals too, without bias
-providing fodder for art and something to be left behind
if there is a God
he has disregarded our prayers
left his angels behind to journey along with us
-none of us knowing exactly
where we are headed
G K Chesterton |
The gallows in my garden, people say,
Is new and neat and adequately tall;
I tie the noose on in a knowing way
As one that knots his necktie for a ball;
But just as all the neighbours—on the wall—
Are drawing a long breath to shout "Hurray!"
The strangest whim has seized me.
I think I will not hang myself to-day.
To-morrow is the time I get my pay—
My uncle's sword is hanging in the hall—
I see a little cloud all pink and grey—
Perhaps the rector's mother will not call— I fancy that I heard from Mr.
That mushrooms could be cooked another way—
I never read the works of Juvenal—
I think I will not hang myself to-day.
The world will have another washing-day;
The decadents decay; the pedants pall;
Wells has found that children play,
And Bernard Shaw discovered that they squall,
Rationalists are growing rational—
And through thick woods one finds a stream astray
So secret that the very sky seems small—
I think I will not hang myself to-day.
Prince, I can hear the trumpet of Germinal,
The tumbrils toiling up the terrible way;
Even to-day your royal head may fall,
I think I will not hang myself to-day
Anne Sexton |
"You speak to me of narcissism but I reply that it is
a matter of my life" - Artaud
"At this time let me somehow bequeath all the leftovers
to my daughters and their daughters" - Anonymous
despite the worms talking to
the mare's hoof in the field;
despite the season of young girls
dropping their blood;
to drop myself quickly
into an old room.
Better (someone said)
not to be born
and far better
not to be born twice
where the boardinghouse,
each year a bedroom,
I will have to sink with hundreds of others
on a dumbwaiter into hell.
I will be a light thing.
I will enter death
like someone's lost optical lens.
Life is half enlarged.
The fish and owls are fierce today.
Life tilts backward and forward.
Even the wasps cannot find my eyes.
eyes that were immediate once.
Eyes that have been truly awake,
eyes that told the whole story—
poor dumb animals.
Eyes that were pierced,
little nail heads,
light blue gunshots.
And once with
a mouth like a cup,
clay colored or blood colored,
open like the breakwater
for the lost ocean
and open like the noose
for the first head.
Once upon a time
my hunger was for Jesus.
O my hunger! My hunger!
Before he grew old
he rode calmly into Jerusalem
in search of death.
do not ask for understanding
and yet I hope everyone else
will turn their heads when an unrehearsed fish jumps
on the surface of Echo Lake;
its bass note turned up loud,
hurts some building in Boston,
when the truly beautiful lie together.
I think of this, surely,
and would think of it far longer
if I were not… if I were not
at that old fire.
I could admit
that I am only a coward
crying me me me
and not mention the little gnats, the moths,
forced by circumstance
to suck on the electric bulb.
But surely you know that everyone has a death,
his own death,
waiting for him.
So I will go now
without old age or disease,
wildly but accurately,
knowing my best route,
carried by that toy donkey I rode all these years,
never asking, “Where are we going?”
We were riding (if I'd only known)
please do not think
that I visualize guitars playing
or my father arching his bone.
I do not even expect my mother's mouth.
I know that I have died before—
once in November, once in June.
How strange to choose June again,
so concrete with its green breasts and bellies.
Of course guitars will not play!
The snakes will certainly not notice.
New York City will not mind.
At night the bats will beat on the trees,
knowing it all,
seeing what they sensed all day.
Anne Sexton |
I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go queer,
flapping in the winter rain.
falling flat and washed.
And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.
I, who chose two times
to kill myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head.
Ugly angels spoke to me.
I heard them say, was mine.
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.
Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
You ask me where they go I say today believed
in itself, or else it fell.
Today, my small child, Joyce,
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place.
You did not know my voice
when I came back to call.
All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.
They sent me letters with news
of you and I made moccasins that I would never use.
When I grew well enough to tolerate
myself, I lived with my mother, the witches said.
But I didn't leave.
I had my portrait
Part way back from Bedlam
I came to my mother's house in Gloucester,
And this is how I came
to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could.
She had my portrait
I lived like an angry guest,
like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care.
I had my portrait
There was a church where I grew up
with its white cupboards where they locked us up,
row by row, like puritans or shipmates
My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven.
They had my portrait
All that summer sprinklers arched
over the seaside grass.
We talked of drought
while the salt-parched
field grew sweet again.
To help time pass
I tried to mow the lawn
and in the morning I had my portrait done,
holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit
and a postcard of Motif number one,
as if it were normal
to be a mother and be gone.
They hung my portrait in the chill
north light, matching
me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching,
as if death transferred,
as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me
and said I gave her cancer.
They carved her sweet hills out
and still I couldn't answer.
That winter she came
part way back
from her sterile suite
of doctors, the seasick
cruise of the X-ray,
the cells' arithmetic
the fat arm, the prognosis poor, I heard
During the sea blizzards
she had here
own portrait painted.
A cave of mirror
placed on the south wall;
matching smile, matching contour.
And you resembled me; unacquainted
with my face, you wore it.
But you were mine
I wintered in Boston,
nothing sweet to spare
with witches at my side.
I missed your babyhood,
tried a second suicide,
tried the sealed hotel a second year.
On April Fool you fooled me.
We laughed and this
I checked out for the last time
on the first of May;
graduate of the mental cases,
with my analysts's okay,
my complete book of rhymes,
my typewriter and my suitcases.
All that summer I learned life
back into my own
seven rooms, visited the swan boats,
the market, answered the phone,
served cocktails as a wife
should, made love among my petticoats
and August tan.
And you came each
But I lie.
You seldom came.
I just pretended
you, small piglet, butterfly
girl with jelly bean cheeks,
disobedient three, my splendid
And I had to learn
why I would rather
die than love, how your innocence
would hurt and how I gather
guilt like a young intern
his symptons, his certain evidence.
That October day we went
to Gloucester the red hills
reminded me of the dry red fur fox
coat I played in as a child; stock still
like a bear or a tent,
like a great cave laughing or a red fur fox.
We drove past the hatchery,
the hut that sells bait,
past Pigeon Cove, past the Yacht Club, past Squall's
Hill, to the house that waits
still, on the top of the sea,
and two portraits hung on the opposite walls.
In north light, my smile is held in place,
the shadow marks my bone.
What could I have been dreaming as I sat there,
all of me waiting in the eyes, the zone
of the smile, the young face,
the foxes' snare.
In south light, her smile is held in place,
her cheeks wilting like a dry
orchid; my mocking mirror, my overthrown
love, my first image.
She eyes me from that face
that stony head of death
I had outgrown.
The artist caught us at the turning;
we smiled in our canvas home
before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
I rot on the wall, my own
And this was the cave of the mirror,
that double woman who stares
at herself, as if she were petrified
in time -- two ladies sitting in umber chairs.
You kissed your grandmother
and she cried.
I could not get you back
except for weekends.
each time, clutching the picture of a rabbit
that I had sent you.
For the last time I unpack
We touch from habit.
The first visit you asked my name.
Now you will stay for good.
I will forget
how we bumped away from each other like marionettes
It wasn't the same
as love, letting weekends contain
You scrape your knee.
You learn my name,
wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again,
somewhere in greater Boston, dying.
I remember we named you Joyce
so we could call you Joy.
You came like an awkward guest
that first time, all wrapped and moist
and strange at my heavy breast.
I needed you.
I didn't want a boy,
only a girl, a small milky mouse
of a girl, already loved, already loud in the house
We named you Joy.
I, who was never quite sure
about being a girl, needed another
life, another image to remind me.
And this was my worst guilt; you could not cure
or soothe it.
I made you to find me.
Edna St Vincent Millay |
"Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,—
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go.
Nor threat, nor easy vow
Of tardy kindness can avail thee now
With me, whence fear and faith alike are flown;
Lonely I came, and I depart alone,
And know not where nor unto whom I go;
But that thou canst not follow me I know.
Thus I to Life, and ceased; but through my brain
My thought ran still, until I spake again:
"Ah, but I go not as I came,—no trace
Is mine to bear away of that old grace
I brought! I have been heated in thy fires,
Bent by thy hands, fashioned to thy desires,
Thy mark is on me! I am not the same
Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed
Is wakeful for alarm,—oh, shame to thee,
For the ill change that thou hast wrought in me,
Who laugh no more nor lift my throat to sing
Ah, Life, I would have been a pleasant thing
To have about the house when I was grown
If thou hadst left my little joys alone!
I asked of thee no favor save this one:
That thou wouldst leave me playing in the sun!
And this thou didst deny, calling my name
Insistently, until I rose and came.
I saw the sun no more.
—It were not well
So long on these unpleasant thoughts to dwell,
Need I arise to-morrow and renew
Again my hated tasks, but I am through
With all things save my thoughts and this one night,
So that in truth I seem already quite
Free,and remote from thee,—I feel no haste
And no reluctance to depart; I taste
Merely, with thoughtful mien, an unknown draught,
That in a little while I shall have quaffed.
Thus I to Life, and ceased, and slightly smiled,
Looking at nothing; and my thin dreams filed
Before me one by one till once again
I set new words unto an old refrain:
"Treasures thou hast that never have been mine!
Warm lights in many a secret chamber shine
Of thy gaunt house, and gusts of song have blown
Like blossoms out to me that sat alone!
And I have waited well for thee to show
If any share were mine,—and now I go
Nothing I leave, and if I naught attain
I shall but come into mine own again!"
Thus I to Life, and ceased, and spake no more,
But turning, straightway, sought a certain door
In the rear wall.
Heavy it was, and low
And dark,—a way by which none e'er would go
That other exit had, and never knock
Was heard thereat,—bearing a curious lock
Some chance had shown me fashioned faultily,
Whereof Life held content the useless key,
And great coarse hinges, thick and rough with rust,
Whose sudden voice across a silence must,
I knew, be harsh and horrible to hear,—
A strange door, ugly like a dwarf.
I came I felt upon my feet the chill
Of acid wind creeping across the sill.
So stood longtime, till over me at last
Came weariness, and all things other passed
To make it room; the still night drifted deep
Like snow about me, and I longed for sleep.
But, suddenly, marking the morning hour,
Bayed the deep-throated bell within the tower!
Startled, I raised my head,—and with a shout
Laid hold upon the latch,—and was without.
* * * *
Ah, long-forgotten, well-remembered road,
Leading me back unto my old abode,
My father's house! There in the night I came,
And found them feasting, and all things the same
As they had been before.
A splendour hung
Upon the walls, and such sweet songs were sung
As, echoing out of very long ago,
Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame
On the unlovely garb in which I came;
Then straightway at my hesitancy mocked:
"It is my father's house!" I said and knocked;
And the door opened.
To the shining crowd
Tattered and dark I entered, like a cloud,
Seeing no face but his; to him I crept,
And "Father!" I cried, and clasped his knees, and wept.
* * * *
Ah, days of joy that followed! All alone
I wandered through the house.
My own, my own,
My own to touch, my own to taste and smell,
All I had lacked so long and loved so well!
None shook me out of sleep, nor hushed my song,
Nor called me in from the sunlight all day long.
I know not when the wonder came to me
Of what my father's business might be,
And whither fared and on what errands bent
The tall and gracious messengers he sent.
Yet one day with no song from dawn till night
Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third
Asked them if I might go,—but no one heard.
Then, sick with longing, I arose at last
And went unto my father,—in that vast
Chamber wherein he for so many years
Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play
The harp that thou didst give me, and all day
I sit in idleness, while to and fro
About me thy serene, grave servants go;
And I am weary of my lonely ease.
Better a perilous journey overseas
Away from thee, than this, the life I lead,
To sit all day in the sunshine like a weed
That grows to naught,—I love thee more than they
Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task
To dignify my days,—'tis all I ask
Forever, but forever, this denied,
"Child," my father's voice replied,
"All things thy fancy hath desired of me
Thou hast received.
I have prepared for thee
Within my house a spacious chamber, where
Are delicate things to handle and to wear,
And all these things are thine.
Dost thou love song?
My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand
Open as fields to thee on every hand.
And all thy days this word shall hold the same:
No pleasure shalt thou lack that thou shalt name.
But as for tasks—" he smiled, and shook his head;
"Thou hadst thy task, and laidst it by," he said.
Jackie Kay |
I always wanted to give birth
Do that incredible natural thing
That women do-I nearly broke down
When I heard we couldn't
And then my man said to me
Well there's always adoption
(we didn't have test tubes and the rest
then) and well even in the early sixties there was something
Scandalous about adopting
Telling the world your secret failure
Bringing up an alien child
Who knew what it would turn out to be?
But I wanted a baby badly
Didn't need to come from my womb
Or his seed for me to love it
And I had sisters who looked just like me
Didn't need carbon copy features
Blueprints for generations
It was my baby a baby a baby I wanted
So I watched my child grow
Always the first to hear her in the night
All this umbilical knot business is
Nonsense-the men can afford deeper sleeps
I listened to hear her talk
And when she did I heard my voice under hers
And now some of her mannerisms
Crack me up
All them stories could have really had me
Believing unless you are breast fed
You'll never be close and the rest
My daughter's warmth spills over me
Leaves a gap
When she's gone
I think of her mother.
She remembers how I read her
All those newspaper and magazine
Cuttings about adoption
She says her head's an encyclopedia
Of sob stories: the ones that were never
Told and committed suicide on their wedding nights
I always believed in the telling anyhow
You can't keep something like that secret
I wanted her to think of her other mother
Out there thinking that child I had will be
Eight today nine today all the way up to
God knows when.
I told my daughter;
I bet your mother's never missed your birthday
How could she
Now when people say ah but
It's not like having your own child though is it
I say of course it is what else is it
She's my child I have brought her up
Told her stories wept at losses
Laughed at her pleasures she is mine.
Well maybe that is why I don't
Like all this talk about her being black
I brought her up as my own
As I would any other child
Colour matters to the nuttters
But she says my daughter says
It matters to her.
I suppose there would have been things
I couldn't have understood with any child
We knew she was coloured
They told us they had no babies at first
And I chanced to say it didn't matter
What colour it was and then they
Said oh well are you sure in that case
We have a baby for you
To think she wasn't even thought of as a baby!
My baby my baby.
Lisa Zaran |
love is believable
in every moment of exhaustion
in every heartbroken home
in every dark spirit,
the meaning unfolds.
in every night that sings
in every suicide
i carry deep inside my head.
in every lonely smile
that plays across my lips.
love is believable i tell you,
in every scrap of history,
in every sheen of want.
what can be wrong
that some days i have a tough time
and in each chamber of my heart
Copyright © Lisa Zaran, 2006
Robert William Service |
I've often wondered why
Old chaps who choose to die
In evil passes,
Before themselves they slay,
Take off their glasses?
As I strolled by the Castle cliff
An oldish chap I set my eyes on,
Who stood so singularly stiff
And stark against the blue horizon;
A poet fashioning a sonnet,
I thought - how rapt he labours on it!
And then I blinked and stood astare,
And questioned at my sight condition,
For I was seeing empty air -
He must have been an apparition.
Amazed I gazed .
no one was there:
My sanity roused my suspicion.
I strode to where I saw him stand
So solitary in the sun -
Nothing! just empty sew and land,
no smallest sign of anyone.
While down below I heard the roar
Of waves, five hundred feet or more.
I had been drinking, I confess;
There was confusion in my brain,
And I was feeling more or less
The fumes of overnight champagne.
So standing on that dizzy shelf:
"You saw no one," I told myself.
"No need to call the local law,
For after all its not your business.
You just imagined what you saw .
Then I was seized with sudden dizziness:
For at my feet, beyond denying,
A pair of spectacles were lying.
And so I simply let them lie,
And sped from that accursed spot.
No lover of the police am I,
And sooner would be drunk than not.
"I'll scram," said I, "and leave the locals
To find and trace them dam bi-focals.
Robert Graves |
Call it a good marriage -
For no one ever questioned
Her warmth, his masculinity,
Their interlocking views;
Except one stray graphologist
Who frowned in speculation
At her h's and her s's,
His p's and w's.
Though few would still subscribe
To the monogamic axiom
That strife below the hip-bones
Need not estrange the heart,
Call it a good marriage:
More drew those two together,
Despite a lack of children,
Than pulled them apart.
Call it a good marriage:
They never fought in public,
They acted circumspectly
And faced the world with pride;
Thus the hazards of their love-bed
Were none of our damned business -
Till as jurymen we sat on
Two deaths by suicide.
Charles Bukowski |
the lady has me temporarily off the bottle
and now the pecker stands up
however, things change overnight--
instead of listening to Shostakovich and
Mozart through a smeared haze of smoke
the nights change, new
we drive to Baskin-Robbins,
Rocky Road, Bubble Gum, Apricot Ice, Strawberry
Cheesecake, Chocolate Mint.
we park outside and look at icecream
a very healthy and satisfied people,
nary a potential suicide in sight
(they probably even vote)
and I tell her
"what if the boys saw me go in there? suppose they
find out I'm going in for a walnut peach sundae?"
"come on, chicken," she laughs and we go in
and stand with the icecream people.
none of them are cursing or threatening
there seem to be no hangovers or
I am alarmed at the placid and calm wave
that flows about.
I feel like a leper in a
we finally get our sundaes and
sit in the car and eat them.
I must admit they are quite good.
a curious new
(all my friends tell me I am looking
"you're looking good, man, we thought you
were going to die there for a while.
--those 4,500 dark nights, the jails, the
and later that night
there is use for the pecker, use for
love, and it is glorious,
long and true,
and afterwards we speak of easy things;
our heads by the open window with the moonlight
looking through, we sleep in each other's
the icecream people make me feel good,
inside and out.
Sylvia Plath |
The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering --
As if you never existed, as if I came
God-fathered into the world from my mother's belly:
Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything
When I wormed back under my mother's heart.
Small as a doll in my dress of innocence
I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all
Enlisted in a cramped necropolis
your speckled stone skewed by an iron fence.
In this charity ward, this poorhouse, where the dead
Crowd foot to foot, head to head, no flower
Breaks the soil.
This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir
In the basket of plastic evergreens they put
At the headstone next to yours, nor does it rot,
Although the rains dissolve a bloody dye:
The ersatz petals drip, and they drip red.
Another kind of redness bothers me:
The day your slack sail drank my sister's breath
The flat sea purpled like that evil cloth
My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry
A scorpion stung its head, an ill-starred thing;
My mother dreamed you face down in the sea.
The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone
My mother said: you died like any man.
How shall I age into that state of mind?
I am the ghost of an infamous suicide,
My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at
Your gate, father -- your hound-bitch, daughter, friend.
It was my love that did us both to death.
Charles Bukowski |
I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’ all right,
go ahead, enter their lives, I’ not jealous
because we’ never met.
we got close once in
New Orleans, one half block, but never met, never
so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame –– not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD.
we know God is dead, they’ told
us, but listening to you I wasn’ sure.
it was the upper case.
you were one of the
best female poets and I told the publishers,
editors, “ her, print her, she’ mad but she’
there’ no lie in her fire.
” I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of.
I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn’ happen.
your letters got sadder.
your lovers betrayed you.
kid, I wrote back, all
it didn’ help.
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you.
I wrote back but never
a friend wrote me of your suicide
3 or 4 months after it happened.
if I had met you
I would probably have been unfair to you or you
it was best like this.
Anne Sexton |
Because there was no other place
to flee to,
I came back to the scene of the disordered senses,
came back last night at midnight,
arriving in the thick June night
without luggage or defenses,
giving up my car keys and my cash,
keeping only a pack of Salem cigarettes
the way a child holds on to a toy.
I signed myself in where a stranger
puts the inked-in X's—
for this is a mental hospital,
not a child's game.
Today an intern knocks my knees,
testing for reflexes.
Once I would have winked and begged for dope.
Today I am terribly patient.
Today crows play black-jack
on the stethoscope.
Everyone has left me
except my muse,
that good nurse.
She stays in my hand,
a mild white mouse.
The curtains, lazy and delicate,
billow and flutter and drop
like the Victorian skirts
of my two maiden aunts
who kept an antique shop.
Hornets have been sent.
They cluster like floral arrangements on the screen.
Hornets, dragging their thin stingers,
hover outside, all knowing,
hissing: the hornet knows.
I heard it as a child
but what was it that he meant?
The hornet knows!
What happened to Jack and Doc and Reggy?
Who remembers what lurks in the heart of man?
What did The Green Hornet mean, he knows?
Or have I got it wrong?
Is it The Shadow who had seen
me from my bedside radio?
Now it's Dinn, Dinn, Dinn!
while the ladies in the next room argue
and pick their teeth.
Upstairs a girl curls like a snail;
in another room someone tries to eat a shoe;
meanwhile an adolescent pads up and down
the hall in his white tennis socks.
A new doctor makes rounds
advertising tranquilizers, insulin, or shock
to the uninitiated.
Six years of such small preoccupations!
Six years of shuttling in and out of this place!
O my hunger! My hunger!
I could have gone around the world twice
or had new children - all boys.
It was a long trip with little days in it
and no new places.
it's the same old crowd,
the same ruined scene.
The alcoholic arrives with his gold culbs.
The suicide arrives with extra pills sewn
into the lining of her dress.
The permanent guests have done nothing new.
Their faces are still small
like babies with jaundice.
they carried out my mother,
wrapped like somebody's doll, in sheets,
bandaged her jaw and stuffed up her holes.
My father, too.
He went out on the rotten blood
he used up on other women in the Middle West.
He went out, a cured old alcoholic
on crooked feet and useless hands.
He went out calling for his father
who died all by himself long ago -
that fat banker who got locked up,
his genes suspened like dollars,
wrapped up in his secret,
tied up securely in a straitjacket.
But you, my doctor, my enthusiast,
were better than Christ;
you promised me another world
to tell me who
I spent most of my time,
damned and in trance—that little hut,
that naked blue-veined place,
my eyes shut on the confusing office,
eyes circling into my childhood,
eyes newly cut.
Years of hints
strung out—a serialized case history—
thirty-three years of the same dull incest
that sustained us both.
You, my bachelor analyst,
who sat on Marlborough Street,
sharing your office with your mother
and giving up cigarettes each New Year,
were the new God,
the manager of the Gideon Bible.
I was your third-grader
with a blue star on my forehead.
In trance I could be any age,
voice, gesture—all turned backward
like a drugstore clock.
Awake, I memorized dreams.
Dreams came into the ring
like third string fighters,
each one a bad bet
who might win
because there was no other.
I stared at them,
concentrating on the abyss
the way one looks down into a rock quarry,
uncountable miles down,
my hands swinging down like hooks
to pull dreams up out of their cage.
O my hunger! My hunger!
Once, outside your office,
I collapsed in the old-fashioned swoon
between the illegally parked cars.
I threw myself down,
pretending dead for eight hours.
I thought I had died
into a snowstorm.
Above my head
chains cracked along like teeth
digging their way through the snowy street.
I lay there
like an overcoat
that someone had thrown away.
You carried me back in,
with help of the red-haired secretary
who was built like a lifeguard.
were lost in the snowbank
as if I planned never to walk again.
That was the winter
that my mother died,
half mad on morphine,
blown up, at last,
like a pregnant pig.
I was her dreamy evil eye.
I carried a knife in my pocketbook—
my husband's good L.
Bean hunting knife.
I wasn't sure if I should slash a tire
or scrape the guts out of some dream.
You taught me
to believe in dreams;
thus I was the dredger.
I held them like an old woman with arthritic fingers,
carefully straining the water out—
sweet dark playthings,
and above all, mysterious
until they grew mournful and weak.
O my hunger! My hunger!
I was the one
who opened the warm eyelid
like a surgeon
and brought forth young girls
to grunt like fish.
I told you,
but I was lying—
that the kife was for my mother .
and then I delivered her.
The curtains flutter out
and slump against the bars.
They are my two thin ladies
named Blanche and Rose.
The grounds outside
are pruned like an estate at Newport.
Far off, in the field,
something yellow grows.
Was it last month or last year
that the ambulance ran like a hearse
with its siren blowing on suicide—
Dinn, dinn, dinn!—
a noon whistle that kept insisting on life
all the way through the traffic lights?
I have come back
but disorder is not what it was.
I have lost the trick of it!
The innocence of it!
That fellow-patient in his stovepipe hat
with his fiery joke, his manic smile—
even he seems blurred, small and pale.
I have come back,
fastened to the wall like a bathroom plunger,
held like a prisoner
who was so poor
he fell in love with jail.
I stand at this old window
complaining of the soup,
examining the grounds,
allowing myself the wasted life.
Soon I will raise my face for a white flag,
and when God enters the fort,
I won't spit or gag on his finger.
I will eat it like a white flower.
Is this the old trick, the wasting away,
the skull that waits for its dose
of electric power?
This is madness
but a kind of hunger.
What good are my questions
in this hierarchy of death
where the earth and the stones go
Dinn! Dinn! Dinn!
It is hardly a feast.
It is my stomach that makes me suffer.
Turn, my hungers!
For once make a deliberate decision.
There are brains that rot here
like black bananas.
Hearts have grown as flat as dinner plates.
flee on your donkey,
flee this sad hotel,
ride out on some hairy beast,
gallop backward pressing
your buttocks to his withers,
sit to his clumsy gait somehow.
any old way you please!
In this place everyone talks to his own mouth.
That's what it means to be crazy.
Those I loved best died of it—
the fool's disease.