Best Famous science Poems
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The Tables Turned
An Evening Scene on the Same Subject
Up! up! my Friend, and quit your books;
Or surely you'll grow double:
Up! up! my Friend, and clear your looks;
Why all this toil and trouble?
The sun, above the mountain's head,
A freshening lustre mellow
Through all the long green fields has spread,
His first sweet evening yellow.
Books! 'tis a dull and endless strife:
Come, hear the woodland linnet,
How sweet his music! on my life,
There's more of wisdom in it.
And hark! how blithe the throstle sings!
He, too, is no mean preacher:
Come forth into the light of things,
Let Nature be your Teacher.
She has a world of ready wealth,
Our minds and hearts to bless—
Spontaneous wisdom breathed by health,
Truth breathed by cheerfulness.
One impulse from a vernal wood
May teach you more of man,
Of moral evil and of good,
Than all the sages can.
Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:—
We murder to dissect.
Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.
|
A light exists in spring
A light exists in spring
Not present on the year
At any other period.
When March is scarcely here
A color stands abroad
On solitary hills
That science cannot overtake,
But human nature feels.
It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.
Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:
A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.
|
O sweet spontaneous
O sweet spontaneous
earth how often have
the
doting
fingers of
prurient philosophers pinched
and
poked
thee
has the naughty thumb
of science prodded
thy
beauty .how
often have religions taken
thee upon their scraggy knees
squeezing and
buffeting thee that thou mightest conceive
gods
(but
true
to the incomparable
couch of death thy
rhythmic
lover
thou answerest
them only with
spring)
|
The Deserted Garden
I MIND me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanish'd quite; 5
And wheresoe'er had struck the spade,
The greenest grasses Nature laid,
To sanctify her right.
I call'd the place my wilderness,
For no one enter'd there but I. 10
The sheep look'd in, the grass to espy,
And pass'd it ne'ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out, 15
But not a happy child.
Adventurous joy it was for me!
I crept beneath the boughs, and found
A circle smooth of mossy ground
Beneath a poplar-tree. 20
Old garden rose-trees hedged it in,
Bedropt with roses waxen-white,
Well satisfied with dew and light,
And careless to be seen.
Long years ago, it might befall, 25
When all the garden flowers were trim,
The grave old gardener prided him
On these the most of all.
Some Lady, stately overmuch,
Here moving with a silken noise, 30
Has blush'd beside them at the voice
That liken'd her to such.
Or these, to make a diadem,
She often may have pluck'd and twined;
Half-smiling as it came to mind, 35
That few would look at them.
O, little thought that Lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
And silk was changed for shroud!¡ª 40
Nor thought that gardener (full of scorns
For men unlearn'd and simple phrase)
A child would bring it all its praise,
By creeping through the thorns!
To me upon my low moss seat, 45
Though never a dream the roses sent
Of science or love's compliment,
I ween they smelt as sweet.
It did not move my grief to see
The trace of human step departed: 50
Because the garden was deserted,
The blither place for me!
Friends, blame me not! a narrow ken
Hath childhood 'twixt the sun and sward:
We draw the moral afterward¡ª 55
We feel the gladness then.
And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
Upon the other side. 60
Nor he nor I did e'er incline
To peck or pluck the blossoms white:¡ª
How should I know but that they might
Lead lives as glad as mine?
To make my hermit-home complete, 65
I brought clear water from the spring
Praised in its own low murmuring,
And cresses glossy wet.
And so, I thought, my likeness grew
(Without the melancholy tale) 70
To 'gentle hermit of the dale,'
And Angelina too.
For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees, 75
And then I shut the book.
If I shut this wherein I write,
I hear no more the wind athwart
Those trees, nor feel that childish heart
Delighting in delight. 80
My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.
Another thrush may there rehearse 85
The madrigals which sweetest are;
No more for me!¡ªmyself afar
Do sing a sadder verse.
Ah me! ah me! when erst I lay
In that child's-nest so greenly wrought, 90
I laugh'd unto myself and thought,
'The time will pass away.'
And still I laugh'd, and did not fear
But that, whene'er was pass'd away
The childish time, some happier play 95
My womanhood would cheer.
I knew the time would pass away;
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray! 100
The time is past: and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose,¡ª
When wiser, meeker thoughts are given, 105
And I have learnt to lift my face,
Reminded how earth's greenest place
The colour draws from heaven,¡ª
It something saith for earthly pain,
But more for heavenly promise free, 110
That I who was, would shrink to be
That happy child again.
|
Hospital Window
At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building's silver fins
tapering delicately needletopped, Empire State's
taller antenna filmed milky lit amid blocks
black and white apartmenting veil'd sky over Manhattan,
offices new built dark glassed in blueish heaven--The East
50's & 60's covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers' blue domed medical arbor--
Geodesic science at the waters edge--Cars running up
East River Drive, & parked at N.Y. Hospital's oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms. Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances're
spotted five floors above E 59th St under grey painted bridge
trestles. Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge's skeined dim in modern mists--
Pipes sticking up to sky nine smokestacks huge visible--
U.N. Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache. Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed--from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release
>from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind. A seagull passes alone wings
spread silent over roofs.
- May 20, 1975 Mayaguez Crisis
|
Essay on Man
The First Epistle
Awake, my ST. JOHN!(1) leave all meaner things
To low ambition, and the pride of Kings.
Let us (since Life can little more supply
Than just to look about us and to die)
Expatiate(2) free o'er all this scene of Man;
A mighty maze! but not without a plan;
A Wild, where weeds and flow'rs promiscuous shoot,
Or Garden, tempting with forbidden fruit.
Together let us beat this ample field,
Try what the open, what the covert yield;
The latent tracts(3), the giddy heights explore
Of all who blindly creep, or sightless soar;
Eye Nature's walks, shoot Folly as it flies,
And catch the Manners living as they rise;
Laugh where we must, be candid where we can;
But vindicate(4) the ways of God to Man.
1. Say first, of God above, or Man below,
What can we reason, but from what we know?
Of Man what see we, but his station here,
From which to reason, or to which refer?
Thro' worlds unnumber'd tho' the God be known,
'Tis ours to trace him only in our own.
He, who thro' vast immensity can pierce,
See worlds on worlds compose one universe,
Observe how system into system runs,
What other planets circle other suns,
What vary'd being peoples ev'ry star,
May tell why Heav'n has made us as we are.
But of this frame the bearings, and the ties,
The strong connections, nice dependencies,
Gradations just, has thy pervading soul
Look'd thro'? or can a part contain the whole?
Is the great chain, that draws all to agree,
And drawn supports, upheld by God, or thee?
II. Presumptuous Man! the reason wouldst thou find,
Why form'd so weak, so little, and so blind!
First, if thou canst, the harder reason guess,
Why form'd no weaker, blinder, and no less!
Ask of thy mother earth, why oaks are made
Taller or stronger than the weeds they shade?
Or ask of yonder argent fields(5) above,
Why JOVE'S Satellites are less than JOVE?(6)
Of Systems possible, if 'tis confest
That Wisdom infinite must form the best,
Where all must full or not coherent be,
And all that rises, rise in due degree;
Then, in the scale of reas'ning life, 'tis plain
There must be, somewhere, such rank as Man;
And all the question (wrangle e'er so long)
Is only this, if God has plac'd him wrong?
Respecting Man, whatever wrong we call,
Nay, must be right, as relative to all.
In human works, tho' labour'd on with pain,
A thousand movements scarce one purpose gain;
In God's, one single can its end produce;
Yet serves to second too some other use.
So Man, who here seems principal alone,
Perhaps acts second to some sphere unknown,
Touches some wheel, or verges to some goal;
'Tis but a part we see, and not a whole.
When the proud steed shall know why Man restrains
His fiery course, or drives him o'er the plains;
When the dull Ox, why now he breaks the clod,
Is now a victim, and now Egypt's God:(7)
Then shall Man's pride and dullness comprehend
His actions', passions', being's, use and end;
Why doing, suff'ring, check'd, impell'd; and why
This hour a slave, the next a deity.
Then say not Man's imperfect, Heav'n in fault;
Say rather, Man's as perfect as he ought;
His knowledge measur'd to his state and place,
His time a moment, and a point his space.
If to be perfect in a certain sphere,
What matter, soon or late, or here or there?
The blest today is as completely so,
As who began a thousand years ago.
III. Heav'n from all creatures hides the book of Fate,
All but the page prescrib'd, their present state;
From brutes what men, from men what spirits know:
Or who could suffer Being here below?
The lamb thy riot dooms to bleed to-day,
Had he thy Reason, would he skip and play?
Pleas'd to the last, he crops the flow'ry food,
And licks the hand just rais'd to shed his blood.
Oh blindness to the future! kindly giv'n,
That each may fill the circle mark'd by Heav'n;
Who sees with equal eye, as God of all,
A hero perish, or a sparrow fall,
Atoms or systems into ruin hurl'd,
And now a bubble burst, and now a world.
Hope humbly then; with trembling pinions soar;
Wait the great teacher Death, and God adore!
What future bliss, he gives not thee to know,
But gives that Hope to be thy blessing now.
Hope springs eternal in the human breast:
Man never Is, but always To be blest:
The soul, uneasy and confin'd from home,
Rests and expatiates in a life to come.
Lo! the poor Indian, whose untutor'd mind
Sees God in clouds, or hears him in the wind;
His soul proud Science never taught to stray
Far as the solar walk, or milky way;
Yet simple Nature to his hope has giv'n,
Behind the cloud-topt hill, an humbler heav'n;
Some safer world in depth of woods embrac'd,
Some happier island in the watry waste,
Where slaves once more their native land behold,
No fiends torment, no Christians thirst for gold!
To Be, contents his natural desire,
He asks no Angel's wing, no Seraph's(8) fire;
But thinks, admitted to that equal sky,
His faithful dog shall bear him company.
IV. Go, wiser thou! and in thy scale of sense
Weigh thy Opinion against Providence;
Call Imperfection what thou fancy'st such,
Say, here he gives too little, there too much;
Destroy all creatures for thy sport or gust,(9)
Yet cry, If Man's unhappy, God's unjust;
If Man alone ingross not Heav'n's high care,
Alone made perfect here, immortal there:
Snatch from his hand the balance(10) and the rod,
Re-judge his justice, be the GOD of GOD!
In Pride, in reas'ning Pride, our error lies;
All quit their sphere, and rush into the skies.
Pride still is aiming at the blest abodes,
Men would be Angels, Angels would be Gods.
Aspiring to be Gods, if Angels fell,
Aspiring to be Angels, Men rebel;
And who but wishes to invert the laws
Of ORDER, sins against th' Eternal Cause.
V. Ask for what end the heav'nly bodies shine,
Earth for whose use? Pride answers, "Tis for mine:
For me kind Nature wakes her genial pow'r,
Suckles each herb, and spreads out ev'ry flow'r;
Annual for me, the grape, the rose renew
The juice nectareous, and the balmy dew;
For me, the mine a thousand treasures brings;
For me, health gushes from a thousand springs;
Seas roll to waft me, suns to light me rise;
My foot-stool earth, my canopy the skies."
But errs not Nature from this gracious end,
From burning suns when livid deaths descend,
When earthquakes swallow, or when tempests sweep
Towns to one grave, whole nations to the deep?
"No ('tis reply'd) the first Almighty Cause
Acts not by partial, but by gen'ral laws;
Th' exceptions few; some change since all began,
And what created perfect?" -- Why then Man?
If the great end be human Happiness,
Then Nature deviates; and can Man do less?
As much that end a constant course requires
Of show'rs and sun-shine, as of Man's desires;
As much eternal springs and cloudless skies,
As Men for ever temp'rate, calm, and wise.
If plagues or earthquakes break not Heav'n's design,
Why then a Borgia,(11) or a Catiline?(12)
Who knows but he, whose hand the light'ning forms,
Who heaves old Ocean, and who wings the storms,
Pours fierce Ambition in a Caesar's(13) mind,
Or turns young Ammon(14) loose to scourge mankind?
From pride, from pride, our very reas'ning springs;
Account for moral as for nat'ral things:
Why charge we Heav'n in those, in these acquit?
In both, to reason right is to submit.
Better for Us, perhaps, it might appear,
Were there all harmony, all virtue here;
That never air or ocean felt the wind;
That never passion discompos'd the mind:
But ALL subsists by elemental strife;
and Passions are the elements of Life.
The gen'ral ORDER, since the whole began,
Is kept in Nature, and is kept in Man.
VI. What would this Man? Now upward will he soar,
And little less than Angel,(15) would be more;
Now looking downwards, just as griev'd appears
To want the strength of bulls, the fur of bears.
Made for his use all creatures if he call,
Say what their use, had he the pow'rs of all?
Nature to these, without profusion kind,
The proper organs, proper pow'rs assign'd;
Each seeming want compensated of course,
Here with degrees of swiftness, there of force;
All in exact proportion to the state;
Nothing to add, and nothing to abate.
Each beast, each insect, happy in its own;
Is Heav'n unkind to Man, and Man alone?
Shall he alone, whom rational we call,
Be pleas'd with nothing, if not bless'd with all?
The bliss of Man (could Pride that blessing find)
Is not to act or think beyond mankind;
No pow'rs of body or of soul to share,
But what his nature and his state can bear.
Why has not Man a microscopic eye?
For this plain reason, Man is not a Fly.
Say what the use, were finer optics giv'n,
T' inspect a mite,(16) not comprehend the heav'n?
Or touch, if tremblingly alive all o'er,
To smart and agonize at ev'ry pore?
Or quick effluvia(17) darting thro' the brain,
Die of a rose in aromatic pain?
If nature thunder'd in his op'ning ears,
And stunn'd him with the music of the spheres,
How would he wish that Heav'n had left him still
The whisp'ring Zephyr,(18) and the purling rill?(19)
Who finds not Providence all good and wise,
Alike in what it gives, and what denies?
VII. Far as Creation's ample range extends,
The scale of sensual, mental pow'rs ascends:
Mark how it mounts, to Man's imperial race,
From the green myriads in the people grass:
What modes of sight betwixt each wide extreme,
The mole's dim curtain, and the lynx's beam:
Of smell, the headlong lioness between,
And hound sagacious(20) on the tainted(21) green:
Of hearing, from the life that fills the flood,(22)
To that which warbles thro' the vernal(23) wood:
The spider's touch, how exquisitely fine!
Feels at each thread, and lives along the line:
In the nice bee, what sense so subtly true
From pois'nous herbs extracts the healing dew:(24)
How Instinct varies in the grov'ling swine,
Compar'd, half-reas'ning elephant, with thine:
'Twixt that, and Reason, what a nice barrier;
For ever sep'rate, yet for ever near!
Remembrance and Reflection how ally'd;
What thin partitions Sense from Thought divide:
And Middle natures,(25) how they long to join,
Yet never pass th' insuperable line!
Without this just gradation, could they be
Subjected these to those, or all to thee?
The pow'rs of all subdu'd by thee alone,
Is not thy Reason all these pow'rs in one?
VIII. See, thro' this air, this ocean, and this earth,
All matter quick, and bursting into birth.
Above, how high progressive life may go!
Around, how wide! how deep extend below!
Vast chain of being, which from God began,
Natures ethereal,(26) human, angel, man
Beast, bird, fish, insect! what no eye can see,
No glass can reach! from Infinite to thee,
From thee to Nothing! -- On superior pow'rs
Were we to press, inferior might on ours:
Or in the full creation leave a void,
Where, one step broken, the great scale's destoy'd:
From Nature's chain whatever link you strike,
Tenth or ten thousandth, breaks the chain alike.
And if each system in gradation roll,
Alike essential to th' amazing whole;
The least confusion but in one, not all
That system only, but the whole must fall.
Let Earth unbalanc'd from her orbit fly,
Planets and Suns run lawless thro' the sky,
Let ruling Angels from their spheres be hurl'd,
Being on being wreck'd, and world on world,
Heav'n's whole foundations to their centre nod,
And Nature tremble to the throne of God:
All this dread ORDER break -- for whom? for thee?
Vile worm! -- oh, Madness, Pride, Impiety!
IX. What if the foot, ordain'd the dust to tread,
Or hand to toil, aspir'd to be the head?
What if the head, the eye, or ear repin'd(27)
To serve mere engines to the ruling Mind?
Just as absurd, to mourn the tasks or pains
The great directing MIND of ALL ordains.
All are but parts of one stupendous whole,
Whose body, Nature is, and God the soul;
That, chang'd thro' all, and yet in all the same,
Great in the earth, as in th' ethereal frame,
Warms in the sun, refreshes in the breeze,
Glows in the stars, and blossoms in the trees,
Lives thro' all life, extends thro' all extent,
Spreads undivided, operates unspent,
Breathes in our soul, informs our mortal parts,
As full, as perfect, in a hair as heart;
As full, as perfect, in vile Man that mourns,
As the rapt Seraph that adores and burns;
To him no high, no low, no great, no small;
He fills, he bounds, connects, and equals all.
X. Cease then, nor ORDER Imperfection name:
Our proper bliss depends on what we blame.
Know thy own point: This kind, this due degree
Of blindness, weakness, Heav'n bestows on thee.
Submit -- In this, or any other sphere,
Secure to be as blest as thou canst bear:
Safe in the hand of one disposing Pow'r,
Or in the natal, or the mortal hour.
All Nature is but Art, unknown to thee;
All Chance, Direction, which thou canst not see;
All Discord, Harmony, not understood;
All partial Evil, universal Good:
And, spite of Pride, in erring Reason's spite,
One truth is clear, "Whatever IS, is RIGHT."
Argument of the Second Epistle:
Of the Nature and State of Man, with respect to Himself, as an Individual. The business of Man not to pry into God, but
to study himself.
Know then thyself, presume not God to scan;
The proper study of Mankind is Man.
Plac'd on this isthmus of a middle state,(28)
A being darkly wise, and rudely great:
With too much knowledge for the Sceptic side,
With too much weakness for the Stoic's pride,
He hangs between; in doubt to act, or rest,
In doubt to deem himself a God, or Beast;
In doubt his Mind or Body to prefer,
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little, or too much:
Chaos of Thought and Passion, all confus'd;
Still by himself abus'd, or disabus'd;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of Truth, in endless Error hurl'd:
The glory, jest, and riddle of the world!
ENDNOTES:
1[His friend, Henry St. John, Lord Bolingbroke]
2[to wander]
3[hidden areas]
4[explain or defend]
5[silvery fields, i.e., the heavens]
6[the planet Jupiter]
7[ancient Egyptians sometimes worshipped oxen]
8[the highest level of angels]
9[pleasure]
10[the balance used to weigh justice]
11[Caesar Borgia (1476-1507) who used any cruelty to achieve his ends]
12[Lucious Sergius Catilina (108-62 B.C.) who was a traitor to Rome]
13[Julius Caesar (100-44 B.C.) who was thought to be overly ambitious Roman]
14[Alexander the Great (356-323 B.C.)]
15[Psalm 8:5--"Thou hast made him [man] a little lower than the angels...."]
16[small insect]
17[vapors which were believed to pass odors to the brain]
18[the West Wind]
19[stream]
20[able to pick up a scent]
21[having the odor of an animal]
22[ocean]
23[green]
24[honey was thought to have medicinal properties]
25[Animals slightly below humans on the chain of being]
26[heavenly]
27[complained]
28[i.e., on the chain of being between angels and animals]
|
On A Distant View Of Harrow
Ye scenes of my childhood, whose lov'd recollection
Embitters the present, compar'd with the past;
Where science first dawn'd on the powers of reflection,
And friendships were form'd, too romantic to last;
Where fancy, yet, joys to retrace the resemblance
Of comrades, in friendship and mischief allied;
How welcome to me your ne'er fading remembrance,
Which rests in the bosom, though hope is deny'd!
Again I revisit the hills where we sported,
The streams where we swam, and the fields where we fought;
The school where, loud warn'd by the bell, we resorted,
To pore o'er the precepts by Pedagogues taught.
Again I behold where for hours I have ponder'd,
As reclining, at eve, on yon tombstone I lay;
Or round the steep brow of the churchyard I wander'd,
To catch the last gleam of the sun's setting ray.
I once more view the room, with spectators surrounded,
Where, as Zanga, I trod on Alonzo o'erthrown;
While, to swell my young pride, such applauses resounded,
I fancied that Mossop himself was outshone.
Or, as Lear, I pour'd forth the deep imprecation,
By my daughters, of kingdom and reason depriv'd;
Till, fir'd by loud plaudits and self-adulation,
I regarded myself as a Garrick reviv'd.
Ye dreams of my boyhood, how much I regret you!
Unfaded your memory dwells in my breast;
Though sad and deserted, I ne'er can forget you:
Your pleasures may still be in fancy possest.
To Ida full oft may remembrance restore me,
While Fate shall the shades of the future unroll!
Since Darkness o'ershadows the prospect before me,
More dear is the beam of the past to my soul!
But if, through the course of the years which await me,
Some new scene of pleasure should open to view,
I will say, while with rapture the thought shall elate me,
Oh! such were the days which my infancy knew.
|
The Whale
The Whale is found in seas and oceans,
Indulging there in fishlike motions,
But Science shows that Whales are mammals,
Like Jersey cows, and goats, and camels.
When undisturbed, the Whale will browse
Like camels, goats, and Jersey cows,
On food that satisfies its tongue,
Thus making milk to feed its young.
Asking no costly hay and oats,
Like camels, Jersey cows, and goats,
The Whale, prolific milk producer,
Should be our cheapest lactic juicer.
Our milk should all come from the sea,
But who, I ask, would want to be—
And here the proposition fails—
The milkmaid to a herd of Whales?
|
The Miller's Tale
THE PROLOGUE.
When that the Knight had thus his tale told
In all the rout was neither young nor old,
That he not said it was a noble story,
And worthy to be *drawen to memory*; *recorded*
And *namely the gentles* every one. *especially the gentlefolk*
Our Host then laugh'd and swore, "So may I gon,* *prosper
This goes aright; *unbuckled is the mail;* *the budget is opened*
Let see now who shall tell another tale:
For truely this game is well begun.
Now telleth ye, Sir Monk, if that ye conne*, *know
Somewhat, to quiten* with the Knighte's tale." *match
The Miller that fordrunken was all pale,
So that unnethes* upon his horse he sat, *with difficulty
He would avalen* neither hood nor hat, *uncover
Nor abide* no man for his courtesy, *give way to
But in Pilate's voice<1> he gan to cry,
And swore by armes, and by blood, and bones,
"I can a noble tale for the nones* *occasion,
With which I will now quite* the Knighte's tale." *match
Our Host saw well how drunk he was of ale,
And said; "Robin, abide, my leve* brother, *dear
Some better man shall tell us first another:
Abide, and let us worke thriftily."
By Godde's soul," quoth he, "that will not I,
For I will speak, or elles go my way!"
Our Host answer'd; "*Tell on a devil way*; *devil take you!*
Thou art a fool; thy wit is overcome."
"Now hearken," quoth the Miller, "all and some:
But first I make a protestatioun.
That I am drunk, I know it by my soun':
And therefore if that I misspeak or say,
*Wite it* the ale of Southwark, I you pray: *blame it on*<2>
For I will tell a legend and a life
Both of a carpenter and of his wife,
How that a clerk hath *set the wrighte's cap*." *fooled the carpenter*
The Reeve answer'd and saide, "*Stint thy clap*, *hold your tongue*
Let be thy lewed drunken harlotry.
It is a sin, and eke a great folly
To apeiren* any man, or him defame, *injure
And eke to bringe wives in evil name.
Thou may'st enough of other thinges sayn."
This drunken Miller spake full soon again,
And saide, "Leve brother Osewold,
Who hath no wife, he is no cuckold.
But I say not therefore that thou art one;
There be full goode wives many one.
Why art thou angry with my tale now?
I have a wife, pardie, as well as thou,
Yet *n'old I*, for the oxen in my plough, *I would not*
Taken upon me more than enough,
To deemen* of myself that I am one; *judge
I will believe well that I am none.
An husband should not be inquisitive
Of Godde's privity, nor of his wife.
So he may finde Godde's foison* there, *treasure
Of the remnant needeth not to enquere."
What should I more say, but that this Millere
He would his wordes for no man forbear,
But told his churlish* tale in his mannere; *boorish, rude
Me thinketh, that I shall rehearse it here.
And therefore every gentle wight I pray,
For Godde's love to deem not that I say
Of evil intent, but that I must rehearse
Their tales all, be they better or worse,
Or elles falsen* some of my mattere. *falsify
And therefore whoso list it not to hear,
Turn o'er the leaf, and choose another tale;
For he shall find enough, both great and smale,
Of storial* thing that toucheth gentiless, *historical, true
And eke morality and holiness.
Blame not me, if that ye choose amiss.
The Miller is a churl, ye know well this,
So was the Reeve, with many other mo',
And harlotry* they tolde bothe two. *ribald tales
*Avise you* now, and put me out of blame; *be warned*
And eke men should not make earnest of game*. *jest, fun
Notes to the Prologue to the Miller's Tale
1. Pilate, an unpopular personage in the mystery-plays of the
middle ages, was probably represented as having a gruff, harsh
voice.
2. Wite: blame; in Scotland, "to bear the wyte," is to bear the
blame.
THE TALE.
Whilom there was dwelling in Oxenford
A riche gnof*, that *guestes held to board*, *miser *took in boarders*
And of his craft he was a carpenter.
With him there was dwelling a poor scholer,
Had learned art, but all his fantasy
Was turned for to learn astrology.
He coude* a certain of conclusions *knew
To deeme* by interrogations, *determine
If that men asked him in certain hours,
When that men should have drought or elles show'rs:
Or if men asked him what shoulde fall
Of everything, I may not reckon all.
This clerk was called Hendy* Nicholas; *gentle, handsome
Of derne* love he knew and of solace; *secret, earnest
And therewith he was sly and full privy,
And like a maiden meek for to see.
A chamber had he in that hostelry
Alone, withouten any company,
Full *fetisly y-dight* with herbes swoot*, *neatly decorated*
And he himself was sweet as is the root *sweet
Of liquorice, or any setewall*. *valerian
His Almagest,<1> and bookes great and small,
His astrolabe,<2> belonging to his art,
His augrim stones,<3> layed fair apart
On shelves couched* at his bedde's head, *laid, set
His press y-cover'd with a falding* red. *coarse cloth
And all above there lay a gay psalt'ry
On which he made at nightes melody,
So sweetely, that all the chamber rang:
And Angelus ad virginem<4> he sang.
And after that he sung the kinge's note;
Full often blessed was his merry throat.
And thus this sweete clerk his time spent
After *his friendes finding and his rent.* *Attending to his friends,
and providing for the
cost of his lodging*
This carpenter had wedded new a wife,
Which that he loved more than his life:
Of eighteen year, I guess, she was of age.
Jealous he was, and held her narr'w in cage,
For she was wild and young, and he was old,
And deemed himself belike* a cuckold. *perhaps
He knew not Cato,<5> for his wit was rude,
That bade a man wed his similitude.
Men shoulde wedden after their estate,
For youth and eld* are often at debate. *age
But since that he was fallen in the snare,
He must endure (as other folk) his care.
Fair was this younge wife, and therewithal
As any weasel her body gent* and small. *slim, neat
A seint* she weared, barred all of silk, *girdle
A barm-cloth* eke as white as morning milk *apron<6>
Upon her lendes*, full of many a gore**. *loins **plait
White was her smock*, and broider'd all before, *robe or gown
And eke behind, on her collar about
Of coal-black silk, within and eke without.
The tapes of her white volupere* *head-kerchief <7>
Were of the same suit of her collere;
Her fillet broad of silk, and set full high:
And sickerly* she had a likerous** eye. *certainly **lascivious
Full small y-pulled were her browes two,
And they were bent*, and black as any sloe. *arched
She was well more *blissful on to see* *pleasant to look upon*
Than is the newe perjenete* tree; *young pear-tree
And softer than the wool is of a wether.
And by her girdle hung a purse of leather,
Tassel'd with silk, and *pearled with latoun*. *set with brass pearls*
In all this world to seeken up and down
There is no man so wise, that coude thenche* *fancy, think of
So gay a popelot*, or such a wench. *puppet <8>
Full brighter was the shining of her hue,
Than in the Tower the noble* forged new. *a gold coin <9>
But of her song, it was as loud and yern*, *lively <10>
As any swallow chittering on a bern*. *barn
Thereto* she coulde skip, and *make a game* *also *romp*
As any kid or calf following his dame.
Her mouth was sweet as braket,<11> or as methe* *mead
Or hoard of apples, laid in hay or heath.
Wincing* she was as is a jolly colt, *skittish
Long as a mast, and upright as a bolt.
A brooch she bare upon her low collere,
As broad as is the boss of a bucklere.
Her shoon were laced on her legges high;
She was a primerole,* a piggesnie <12>, *primrose
For any lord t' have ligging* in his bed, *lying
Or yet for any good yeoman to wed.
Now, sir, and eft* sir, so befell the case, *again
That on a day this Hendy Nicholas
Fell with this younge wife to rage* and play, *toy, play the rogue
While that her husband was at Oseney,<13>
As clerkes be full subtle and full quaint.
And privily he caught her by the queint,* *cunt
And said; "Y-wis,* but if I have my will, *assuredly
For *derne love of thee, leman, I spill."* *for earnest love of thee
And helde her fast by the haunche bones, my mistress, I perish*
And saide "Leman, love me well at once,
Or I will dien, all so God me save."
And she sprang as a colt doth in the trave<14>:
And with her head she writhed fast away,
And said; "I will not kiss thee, by my fay*. *faith
Why let be," quoth she, "let be, Nicholas,
Or I will cry out harow and alas!<15>
Do away your handes, for your courtesy."
This Nicholas gan mercy for to cry,
And spake so fair, and proffer'd him so fast,
That she her love him granted at the last,
And swore her oath by Saint Thomas of Kent,
That she would be at his commandement,
When that she may her leisure well espy.
"My husband is so full of jealousy,
That but* ye waite well, and be privy, *unless
I wot right well I am but dead," quoth she.
"Ye muste be full derne* as in this case." *secret
"Nay, thereof care thee nought," quoth Nicholas:
"A clerk had *litherly beset his while*, *ill spent his time*
*But if* he could a carpenter beguile." *unless
And thus they were accorded and y-sworn
To wait a time, as I have said beforn.
When Nicholas had done thus every deal*, *whit
And thwacked her about the lendes* well, *loins
He kiss'd her sweet, and taketh his psalt'ry
And playeth fast, and maketh melody.
Then fell it thus, that to the parish church,
Of Christe's owen workes for to wirch*, *work
This good wife went upon a holy day;
Her forehead shone as bright as any day,
So was it washen, when she left her werk.
Now was there of that church a parish clerk,
The which that was y-cleped Absolon.
Curl'd was his hair, and as the gold it shone,
And strutted* as a fanne large and broad; *stretched
Full straight and even lay his jolly shode*. *head of hair
His rode* was red, his eyen grey as goose, *complexion
With Paule's windows carven on his shoes <16>
In hosen red he went full fetisly*. *daintily, neatly
Y-clad he was full small and properly,
All in a kirtle* of a light waget*; *girdle **sky blue
Full fair and thicke be the pointes set,
And thereupon he had a gay surplice,
As white as is the blossom on the rise*. *twig <17>
A merry child he was, so God me save;
Well could he letten blood, and clip, and shave,
And make a charter of land, and a quittance.
In twenty manners could he trip and dance,
After the school of Oxenforde tho*,<18> *then
And with his legges caste to and fro;
And playen songes on a small ribible*; *fiddle
Thereto he sung sometimes a loud quinible* *treble
And as well could he play on a gitern.* *guitar
In all the town was brewhouse nor tavern,
That he not visited with his solas*, *mirth, sport
There as that any *garnard tapstere* was. *licentious barmaid*
But sooth to say he was somedeal squaimous* *squeamish
Of farting, and of speeche dangerous.
This Absolon, that jolly was and gay,
Went with a censer on the holy day,
Censing* the wives of the parish fast; *burning incense for
And many a lovely look he on them cast,
And namely* on this carpenter's wife: *especially
To look on her him thought a merry life.
She was so proper, and sweet, and likerous.
I dare well say, if she had been a mouse,
And he a cat, he would *her hent anon*. *have soon caught her*
This parish clerk, this jolly Absolon,
Hath in his hearte such a love-longing!
That of no wife took he none offering;
For courtesy he said he woulde none.
The moon at night full clear and brighte shone,
And Absolon his gitern hath y-taken,
For paramours he thoughte for to waken,
And forth he went, jolif* and amorous, *joyous
Till he came to the carpentere's house,
A little after the cock had y-crow,
And *dressed him* under a shot window <19>, *stationed himself.*
That was upon the carpentere's wall.
He singeth in his voice gentle and small;
"Now, dear lady, if thy will be,
I pray that ye will rue* on me;" *take pity
Full well accordant to his giterning.
This carpenter awoke, and heard him sing,
And spake unto his wife, and said anon,
What Alison, hear'st thou not Absolon,
That chanteth thus under our bower* wall?" *chamber
And she answer'd her husband therewithal;
"Yes, God wot, John, I hear him every deal."
This passeth forth; what will ye bet* than well? *better
From day to day this jolly Absolon
So wooeth her, that him is woebegone.
He waketh all the night, and all the day,
To comb his lockes broad, and make him gay.
He wooeth her *by means and by brocage*, *by presents and by agents*
And swore he woulde be her owen page.
He singeth brokking* as a nightingale. *quavering
He sent her piment <20>, mead, and spiced ale,
And wafers* piping hot out of the glede**: *cakes **coals
And, for she was of town, he proffer'd meed.<21>
For some folk will be wonnen for richess,
And some for strokes, and some with gentiless.
Sometimes, to show his lightness and mast'ry,
He playeth Herod <22> on a scaffold high.
But what availeth him as in this case?
So loveth she the Hendy Nicholas,
That Absolon may *blow the bucke's horn*: *"go whistle"*
He had for all his labour but a scorn.
And thus she maketh Absolon her ape,
And all his earnest turneth to a jape*. *jest
Full sooth is this proverb, it is no lie;
Men say right thus alway; the nighe sly
Maketh oft time the far lief to be loth. <23>
For though that Absolon be wood* or wroth *mad
Because that he far was from her sight,
This nigh Nicholas stood still in his light.
Now bear thee well, thou Hendy Nicholas,
For Absolon may wail and sing "Alas!"
And so befell, that on a Saturday
This carpenter was gone to Oseney,
And Hendy Nicholas and Alison
Accorded were to this conclusion,
That Nicholas shall *shape him a wile* *devise a stratagem*
The silly jealous husband to beguile;
And if so were the game went aright,
She shoulde sleepen in his arms all night;
For this was her desire and his also.
And right anon, withoute wordes mo',
This Nicholas no longer would he tarry,
But doth full soft unto his chamber carry
Both meat and drinke for a day or tway.
And to her husband bade her for to say,
If that he asked after Nicholas,
She shoulde say, "She wist* not where he was; *knew
Of all the day she saw him not with eye;
She trowed* he was in some malady, *believed
For no cry that her maiden could him call
He would answer, for nought that might befall."
Thus passed forth all thilke* Saturday, *that
That Nicholas still in his chamber lay,
And ate, and slept, and didde what him list
Till Sunday, that* the sunne went to rest. *when
This silly carpenter *had great marvaill* *wondered greatly*
Of Nicholas, or what thing might him ail,
And said; "I am adrad*, by Saint Thomas! *afraid, in dread
It standeth not aright with Nicholas:
*God shielde* that he died suddenly. *heaven forbid!*
This world is now full fickle sickerly*. *certainly
I saw to-day a corpse y-borne to chirch,
That now on Monday last I saw him wirch*. *work
"Go up," quod he unto his knave*, "anon; *servant.
Clepe* at his door, or knocke with a stone: *call
Look how it is, and tell me boldely."
This knave went him up full sturdily,
And, at the chamber door while that he stood,
He cried and knocked as that he were wood:* *mad
"What how? what do ye, Master Nicholay?
How may ye sleepen all the longe day?"
But all for nought, he hearde not a word.
An hole he found full low upon the board,
Where as the cat was wont in for to creep,
And at that hole he looked in full deep,
And at the last he had of him a sight.
This Nicholas sat ever gaping upright,
As he had kyked* on the newe moon. *looked <24>
Adown he went, and told his master soon,
In what array he saw this ilke* man. *same
This carpenter to *blissen him* began, *bless, cross himself*
And said: "Now help us, Sainte Frideswide.<25>
A man wot* little what shall him betide. *knows
This man is fall'n with his astronomy
Into some woodness* or some agony. *madness
I thought aye well how that it shoulde be.
Men should know nought of Godde's privity*. *secrets
Yea, blessed be alway a lewed* man, *unlearned
That *nought but only his believe can*. *knows no more
So far'd another clerk with astronomy: than his "credo."*
He walked in the fieldes for to *pry
Upon* the starres, what there should befall, *keep watch on*
Till he was in a marle pit y-fall.<26>
He saw not that. But yet, by Saint Thomas!
*Me rueth sore of* Hendy Nicholas: *I am very sorry for*
He shall be *rated of* his studying, *chidden for*
If that I may, by Jesus, heaven's king!
Get me a staff, that I may underspore* *lever up
While that thou, Robin, heavest off the door:
He shall out of his studying, as I guess."
And to the chamber door he gan him dress* *apply himself.
His knave was a strong carl for the nonce,
And by the hasp he heav'd it off at once;
Into the floor the door fell down anon.
This Nicholas sat aye as still as stone,
And ever he gap'd upward into the air.
The carpenter ween'd* he were in despair, *thought
And hent* him by the shoulders mightily, *caught
And shook him hard, and cried spitously;* *angrily
"What, Nicholas? what how, man? look adown:
Awake, and think on Christe's passioun.
I crouche thee<27> from elves, and from wights*. *witches
Therewith the night-spell said he anon rights*, *properly
On the four halves* of the house about, *corners
And on the threshold of the door without.
"Lord Jesus Christ, and Sainte Benedight,
Blesse this house from every wicked wight,
From the night mare, the white Pater-noster;
Where wonnest* thou now, Sainte Peter's sister?" *dwellest
And at the last this Hendy Nicholas
Gan for to sigh full sore, and said; "Alas!
Shall all time world be lost eftsoones* now?" *forthwith
This carpenter answer'd; "What sayest thou?
What? think on God, as we do, men that swink.*" *labour
This Nicholas answer'd; "Fetch me a drink;
And after will I speak in privity
Of certain thing that toucheth thee and me:
I will tell it no other man certain."
This carpenter went down, and came again,
And brought of mighty ale a large quart;
And when that each of them had drunk his part,
This Nicholas his chamber door fast shet*, *shut
And down the carpenter by him he set,
And saide; "John, mine host full lief* and dear, *loved
Thou shalt upon thy truthe swear me here,
That to no wight thou shalt my counsel wray*: *betray
For it is Christes counsel that I say,
And if thou tell it man, thou art forlore:* *lost<28>
For this vengeance thou shalt have therefor,
That if thou wraye* me, thou shalt be wood**." *betray **mad
"Nay, Christ forbid it for his holy blood!"
Quoth then this silly man; "I am no blab,* *talker
Nor, though I say it, am I *lief to gab*. *fond of speech*
Say what thou wilt, I shall it never tell
To child or wife, by him that harried Hell." <29>
"Now, John," quoth Nicholas, "I will not lie,
I have y-found in my astrology,
As I have looked in the moone bright,
That now on Monday next, at quarter night,
Shall fall a rain, and that so wild and wood*, *mad
That never half so great was Noe's flood.
This world," he said, "in less than half an hour
Shall all be dreint*, so hideous is the shower: *drowned
Thus shall mankinde drench*, and lose their life." *drown
This carpenter answer'd; "Alas, my wife!
And shall she drench? alas, mine Alisoun!"
For sorrow of this he fell almost adown,
And said; "Is there no remedy in this case?"
"Why, yes, for God," quoth Hendy Nicholas;
"If thou wilt worken after *lore and rede*; *learning and advice*
Thou may'st not worken after thine own head.
For thus saith Solomon, that was full true:
Work all by counsel, and thou shalt not rue*. *repent
And if thou worke wilt by good counseil,
I undertake, withoute mast or sail,
Yet shall I save her, and thee, and me.
Hast thou not heard how saved was Noe,
When that our Lord had warned him beforn,
That all the world with water *should be lorn*?" *should perish*
"Yes," quoth this carpenter," *full yore ago*." *long since*
"Hast thou not heard," quoth Nicholas, "also
The sorrow of Noe, with his fellowship,
That he had ere he got his wife to ship?<30>
*Him had been lever, I dare well undertake,
At thilke time, than all his wethers black,
That she had had a ship herself alone.* *see note <31>
And therefore know'st thou what is best to be done?
This asketh haste, and of an hasty thing
Men may not preach or make tarrying.
Anon go get us fast into this inn* *house
A kneading trough, or else a kemelin*, *brewing-tub
For each of us; but look that they be large,
In whiche we may swim* as in a barge: *float
And have therein vitaille suffisant
But for one day; fie on the remenant;
The water shall aslake* and go away *slacken, abate
Aboute prime* upon the nexte day. *early morning
But Robin may not know of this, thy knave*, *servant
Nor eke thy maiden Gill I may not save:
Ask me not why: for though thou aske me
I will not telle Godde's privity.
Sufficeth thee, *but if thy wit be mad*, *unless thou be
To have as great a grace as Noe had; out of thy wits*
Thy wife shall I well saven out of doubt.
Go now thy way, and speed thee hereabout.
But when thou hast for her, and thee, and me,
Y-gotten us these kneading tubbes three,
Then shalt thou hang them in the roof full high,
So that no man our purveyance* espy: *foresight, providence
And when thou hast done thus as I have said,
And hast our vitaille fair in them y-laid,
And eke an axe to smite the cord in two
When that the water comes, that we may go,
And break an hole on high upon the gable
Into the garden-ward, over the stable,
That we may freely passe forth our way,
When that the greate shower is gone away.
Then shalt thou swim as merry, I undertake,
As doth the white duck after her drake:
Then will I clepe,* 'How, Alison? How, John? *call
Be merry: for the flood will pass anon.'
And thou wilt say, 'Hail, Master Nicholay,
Good-morrow, I see thee well, for it is day.'
And then shall we be lordes all our life
Of all the world, as Noe and his wife.
But of one thing I warne thee full right,
Be well advised, on that ilke* night, *same
When we be enter'd into shippe's board,
That none of us not speak a single word,
Nor clepe nor cry, but be in his prayere,
For that is Godde's owen heste* dear. *command
Thy wife and thou must hangen far atween*, *asunder
For that betwixte you shall be no sin,
No more in looking than there shall in deed.
This ordinance is said: go, God thee speed
To-morrow night, when men be all asleep,
Into our kneading tubbes will we creep,
And sitte there, abiding Godde's grace.
Go now thy way, I have no longer space
To make of this no longer sermoning:
Men say thus: Send the wise, and say nothing:
Thou art so wise, it needeth thee nought teach.
Go, save our lives, and that I thee beseech."
This silly carpenter went forth his way,
Full oft he said, "Alas! and Well-a-day!,'
And to his wife he told his privity,
And she was ware, and better knew than he
What all this *quainte cast was for to say*. *strange contrivance
But natheless she fear'd as she would dey, meant*
And said: "Alas! go forth thy way anon.
Help us to scape, or we be dead each one.
I am thy true and very wedded wife;
Go, deare spouse, and help to save our life."
Lo, what a great thing is affection!
Men may die of imagination,
So deeply may impression be take.
This silly carpenter begins to quake:
He thinketh verily that he may see
This newe flood come weltering as the sea
To drenchen* Alison, his honey dear. *drown
He weepeth, waileth, maketh *sorry cheer*; *dismal countenance*
He sigheth, with full many a sorry sough.* *groan
He go'th, and getteth him a kneading trough,
And after that a tub, and a kemelin,
And privily he sent them to his inn:
And hung them in the roof full privily.
With his own hand then made he ladders three,
To climbe by *the ranges and the stalks* *the rungs and the uprights*
Unto the tubbes hanging in the balks*; *beams
And victualed them, kemelin, trough, and tub,
With bread and cheese, and good ale in a jub*, *jug
Sufficing right enough as for a day.
But ere that he had made all this array,
He sent his knave*, and eke his wench** also, *servant **maid
Upon his need* to London for to go. *business
And on the Monday, when it drew to night,
He shut his door withoute candle light,
And dressed* every thing as it should be. *prepared
And shortly up they climbed all the three.
They satte stille well *a furlong way*. *the time it would take
"Now, Pater noster, clum,"<32> said Nicholay, to walk a furlong*
And "clum," quoth John; and "clum," said Alison:
This carpenter said his devotion,
And still he sat and bidded his prayere,
Awaking on the rain, if he it hear.
The deade sleep, for weary business,
Fell on this carpenter, right as I guess,
About the curfew-time,<33> or little more,
For *travail of his ghost* he groaned sore, *anguish of spirit*
*And eft he routed, for his head mislay.* *and then he snored,
Adown the ladder stalked Nicholay; for his head lay awry*
And Alison full soft adown she sped.
Withoute wordes more they went to bed,
*There as* the carpenter was wont to lie: *where*
There was the revel, and the melody.
And thus lay Alison and Nicholas,
In business of mirth and in solace,
Until the bell of laudes* gan to ring, *morning service, at 3.a.m.
And friars in the chancel went to sing.
This parish clerk, this amorous Absolon,
That is for love alway so woebegone,
Upon the Monday was at Oseney
With company, him to disport and play;
And asked upon cas* a cloisterer** *occasion **monk
Full privily after John the carpenter;
And he drew him apart out of the church,
And said, "I n'ot;* I saw him not here wirch** *know not **work
Since Saturday; I trow that he be went
For timber, where our abbot hath him sent.
And dwellen at the Grange a day or two:
For he is wont for timber for to go,
Or else he is at his own house certain.
Where that he be, I cannot *soothly sayn.*" *say certainly*
This Absolon full jolly was and light,
And thought, "Now is the time to wake all night,
For sickerly* I saw him not stirring *certainly
About his door, since day began to spring.
So may I thrive, but I shall at cock crow
Full privily go knock at his window,
That stands full low upon his bower* wall: *chamber
To Alison then will I tellen all
My love-longing; for I shall not miss
That at the leaste way I shall her kiss.
Some manner comfort shall I have, parfay*, *by my faith
My mouth hath itched all this livelong day:
That is a sign of kissing at the least.
All night I mette* eke I was at a feast. *dreamt
Therefore I will go sleep an hour or tway,
And all the night then will I wake and play."
When that the first cock crowed had, anon
Up rose this jolly lover Absolon,
And him arrayed gay, *at point devise.* *with exact care*
But first he chewed grains<34> and liquorice,
To smelle sweet, ere he had combed his hair.
Under his tongue a true love <35> he bare,
For thereby thought he to be gracious.
Then came he to the carpentere's house,
And still he stood under the shot window;
Unto his breast it raught*, it was so low; *reached
And soft he coughed with a semisoun'.* *low tone
"What do ye, honeycomb, sweet Alisoun?
My faire bird, my sweet cinamome*, *cinnamon, sweet spice
Awaken, leman* mine, and speak to me. *mistress
Full little thinke ye upon my woe,
That for your love I sweat *there as* I go. *wherever
No wonder is that I do swelt* and sweat. *faint
I mourn as doth a lamb after the teat
Y-wis*, leman, I have such love-longing, *certainly
That like a turtle* true is my mourning. *turtle-dove
I may not eat, no more than a maid."
"Go from the window, thou jack fool," she said:
"As help me God, it will not be, 'come ba* me.' *kiss
I love another, else I were to blame",
Well better than thee, by Jesus, Absolon.
Go forth thy way, or I will cast a stone;
And let me sleep; *a twenty devil way*. *twenty devils take ye!*
"Alas!" quoth Absolon, "and well away!
That true love ever was so ill beset:
Then kiss me, since that it may be no bet*, *better
For Jesus' love, and for the love of me."
"Wilt thou then go thy way therewith?" , quoth she.
"Yea, certes, leman," quoth this Absolon.
"Then make thee ready," quoth she, "I come anon."
[And unto Nicholas she said *full still*: *in a low voice*
"Now peace, and thou shalt laugh anon thy fill."]<36>
This Absolon down set him on his knees,
And said; "I am a lord at all degrees:
For after this I hope there cometh more;
Leman, thy grace, and, sweete bird, thine ore.*" *favour
The window she undid, and that in haste.
"Have done," quoth she, "come off, and speed thee fast,
Lest that our neighebours should thee espy."
Then Absolon gan wipe his mouth full dry.
Dark was the night as pitch or as the coal,
And at the window she put out her hole,
And Absolon him fell ne bet ne werse,
But with his mouth he kiss'd her naked erse
Full savourly. When he was ware of this,
Aback he start, and thought it was amiss;
For well he wist a woman hath no beard.
He felt a thing all rough, and long y-hair'd,
And saide; "Fy, alas! what have I do?"
"Te he!" quoth she, and clapt the window to;
And Absolon went forth at sorry pace.
"A beard, a beard," said Hendy Nicholas;
"By God's corpus, this game went fair and well."
This silly Absolon heard every deal*, *word
And on his lip he gan for anger bite;
And to himself he said, "I shall thee quite*. *requite, be even with
Who rubbeth now, who frotteth* now his lips *rubs
With dust, with sand, with straw, with cloth, with chips,
But Absolon? that saith full oft, "Alas!
My soul betake I unto Sathanas,
But me were lever* than all this town," quoth he *rather
I this despite awroken* for to be. *revenged
Alas! alas! that I have been y-blent*." *deceived
His hote love is cold, and all y-quent.* *quenched
For from that time that he had kiss'd her erse,
Of paramours he *sette not a kers,* *cared not a rush*
For he was healed of his malady;
Full often paramours he gan defy,
And weep as doth a child that hath been beat.
A softe pace he went over the street
Unto a smith, men callen Dan* Gerveis, *master
That in his forge smithed plough-harness;
He sharped share and culter busily.
This Absolon knocked all easily,
And said; "Undo, Gerveis, and that anon."
"What, who art thou?" "It is I, Absolon."
"What? Absolon, what? Christe's sweete tree*, *cross
Why rise so rath*? hey! Benedicite, *early
What aileth you? some gay girl,<37> God it wote,
Hath brought you thus upon the viretote:<38>
By Saint Neot, ye wot well what I mean."
This Absolon he raughte* not a bean *recked, cared
Of all his play; no word again he gaf*, *spoke
For he had more tow on his distaff<39>
Than Gerveis knew, and saide; "Friend so dear,
That hote culter in the chimney here
Lend it to me, I have therewith to don*: *do
I will it bring again to thee full soon."
Gerveis answered; "Certes, were it gold,
Or in a poke* nobles all untold, *purse
Thou shouldst it have, as I am a true smith.
Hey! Christe's foot, what will ye do therewith?"
"Thereof," quoth Absolon, "be as be may;
I shall well tell it thee another day:"
And caught the culter by the colde stele*. *handle
Full soft out at the door he gan to steal,
And went unto the carpentere's wall
He coughed first, and knocked therewithal
Upon the window, light as he did ere*. *before <40>
This Alison answered; "Who is there
That knocketh so? I warrant him a thief."
"Nay, nay," quoth he, "God wot, my sweete lefe*, *love
I am thine Absolon, my own darling.
Of gold," quoth he, "I have thee brought a ring,
My mother gave it me, so God me save!
Full fine it is, and thereto well y-grave*: *engraved
This will I give to thee, if thou me kiss."
Now Nicholas was risen up to piss,
And thought he would *amenden all the jape*; *improve the joke*
He shoulde kiss his erse ere that he scape:
And up the window did he hastily,
And out his erse he put full privily
Over the buttock, to the haunche bone.
And therewith spake this clerk, this Absolon,
"Speak, sweete bird, I know not where thou art."
This Nicholas anon let fly a fart,
As great as it had been a thunder dent*; *peal, clap
That with the stroke he was well nigh y-blent*; *blinded
But he was ready with his iron hot,
And Nicholas amid the erse he smote.
Off went the skin an handbreadth all about.
The hote culter burned so his tout*, *breech
That for the smart he weened* he would die; *thought
As he were wood*, for woe he gan to cry, *mad
"Help! water, water, help for Godde's heart!"
This carpenter out of his slumber start,
And heard one cry "Water," as he were wood*, *mad
And thought, "Alas! now cometh Noe's flood."
He sat him up withoute wordes mo'
And with his axe he smote the cord in two;
And down went all; he found neither to sell
Nor bread nor ale, till he came to the sell*, *threshold <41>
Upon the floor, and there in swoon he lay.
Up started Alison and Nicholay,
And cried out an "harow!" <15> in the street.
The neighbours alle, bothe small and great
In ranne, for to gauren* on this man, *stare
That yet in swoone lay, both pale and wan:
For with the fall he broken had his arm.
But stand he must unto his owen harm,
For when he spake, he was anon borne down
With Hendy Nicholas and Alisoun.
They told to every man that he was wood*; *mad
He was aghaste* so of Noe's flood, *afraid
Through phantasy, that of his vanity
He had y-bought him kneading-tubbes three,
And had them hanged in the roof above;
And that he prayed them for Godde's love
To sitten in the roof for company.
The folk gan laughen at his phantasy.
Into the roof they kyken* and they gape, *peep, look.
And turned all his harm into a jape*. *jest
For whatsoe'er this carpenter answer'd,
It was for nought, no man his reason heard.
With oathes great he was so sworn adown,
That he was holden wood in all the town.
For every clerk anon right held with other;
They said, "The man was wood, my leve* brother;" *dear
And every wight gan laughen at his strife.
Thus swived* was the carpentere's wife, *enjoyed
For all his keeping* and his jealousy; *care
And Absolon hath kiss'd her nether eye;
And Nicholas is scalded in the tout.
This tale is done, and God save all the rout*. *company
Notes to the Miller's Tale
1. Almagest: The book of Ptolemy the astronomer, which
formed the canon of astrological science in the middle ages.
2. Astrolabe: "Astrelagour," "astrelabore"; a mathematical
instrument for taking the altitude of the sun or stars.
3. "Augrim" is a corruption of algorithm, the Arabian term for
numeration; "augrim stones," therefore were probably marked
with numerals, and used as counters.
4. Angelus ad virginem: The Angel's salutation to Mary; Luke i.
28. It was the "Ave Maria" of the Catholic Church service.
5. Cato: Though Chaucer may have referred to the famous
Censor, more probably the reference is merely to the "Moral
Distichs," which go under his name, though written after his
time; and in a supplement to which the quoted passage may be
found.
6. Barm-cloth: apron; from Anglo-Saxon "barme," bosom or
lap.
7. Volupere: Head-gear, kerchief; from French, "envelopper,"
to wrap up.
8. Popelet: Puppet; but chiefly; young wench.
9. Noble: nobles were gold coins of especial purity and
brightness; "Ex auro nobilissimi, unde nobilis vocatus," (made
from the noblest (purest) gold, and therefore called nobles) says
Vossius.
10. Yern: Shrill, lively; German, "gern," willingly, cheerfully.
11. Braket: bragget, a sweet drink made of honey, spices, &c.
In some parts of the country, a drink made from honeycomb,
after the honey is extracted, is still called "bragwort."
12. Piggesnie: a fond term, like "my duck;" from Anglo-Saxon,
"piga," a young maid; but Tyrwhitt associates it with the Latin,
"ocellus," little eye, a fondling term, and suggests that the "pigs-
eye," which is very small, was applied in the same sense.
Davenport and Butler both use the word pigsnie, the first for
"darling," the second literally for "eye;" and Bishop Gardner,
"On True Obedience," in his address to the reader, says: "How
softly she was wont to chirpe him under the chin, and kiss him;
how prettily she could talk to him (how doth my sweet heart,
what saith now pig's-eye)."
13. Oseney: A once well-known abbey near Oxford.
14. Trave: travis; a frame in which unruly horses were shod.
15. Harow and Alas: Haro! was an old Norman cry for redress
or aid. The "Clameur de Haro" was lately raised, under peculiar
circumstances, as the prelude to a legal protest, in Jersey.
16. His shoes were ornamented like the windows of St. Paul's,
especially like the old rose-window.
17. Rise: Twig, bush; German, "Reis," a twig; "Reisig," a copse.
18. Chaucer satirises the dancing of Oxford as he did the French
of Stratford at Bow.
19. Shot window: A projecting or bow window, whence it was
possible shoot at any one approaching the door.
20. Piment: A drink made with wine, honey, and spices.
21. Because she was town-bred, he offered wealth, or money
reward, for her love.
22. Parish-clerks, like Absolon, had leading parts in the
mysteries or religious plays; Herod was one of these parts,
which may have been an object of competition among the
amateurs of the period.
23 ."The nighe sly maketh oft time the far lief to be loth": a
proverb; the cunning one near at hand oft makes the loving one
afar off to be odious.
24. Kyked: Looked; "keek" is still used in some parts in the
sense of "peep."
25. Saint Frideswide was the patroness of a considerable priory
at Oxford, and held there in high repute.
26. Plato, in his "Theatetus," tells this story of Thales; but
it has since appeared in many other forms.
27. Crouche: protect by signing the sign of the cross.
28. Forlore: lost; german, "verloren."
29. Him that harried Hell: Christ who wasted or subdued hell: in
the middle ages, some very active exploits against the prince of
darkness and his powers were ascribed by the monkish tale-
tellers to the saviour after he had "descended into hell."
30. According to the old mysteries, Noah's wife refused to
come into the ark, and bade her husband row forth and get him
a new wife, because he was leaving her gossips in the town to
drown. Shem and his brothers got her shipped by main force;
and Noah, coming forward to welcome her, was greeted with a
box on the ear.
31. "Him had been lever, I dare well undertake,
At thilke time, than all his wethers black,
That she had had a ship herself alone."
i.e.
"At that time he would have given all his black wethers, if she
had had an ark to herself."
32. "Clum," like "mum," a note of silence; but otherwise
explained as the humming sound made in repeating prayers;
from the Anglo-Saxon, "clumian," to mutter, speak in an under-
tone, keep silence.
33. Curfew-time: Eight in the evening, when, by the law of
William the Conqueror, all people were, on ringing of a bell, to
extinguish fire and candle, and go to rest; hence the word
curfew, from French, "couvre-feu," cover-fire.
34. Absolon chewed grains: these were grains of Paris, or
Paradise; a favourite spice.
35. Under his tongue a true love he bare: some sweet herb;
another reading, however, is "a true love-knot," which may
have been of the nature of a charm.
36. The two lines within brackets are not in most of the
editions: they are taken from Urry; whether he supplied them or
not, they serve the purpose of a necessary explanation.
37. Gay girl: As applied to a young woman of light manners,
this euphemistic phrase has enjoyed a wonderful vitality.
38. Viretote: Urry reads "meritote," and explains it from
Spelman as a game in which children made themselves giddy by
whirling on ropes. In French, "virer" means to turn; and the
explanation may, therefore, suit either reading. In modern slang
parlance, Gerveis would probably have said, "on the rampage,"
or "on the swing" -- not very far from Spelman's rendering.
39. He had more tow on his distaff: a proverbial saying: he was
playing a deeper game, had more serious business on hand.
40. Ere: before; German, "eher."
41. Sell: sill of the door, threshold; French, "seuil," Latin,
"solum," the ground.
|
THE ROAD TO HAWORTH MOOR
for Brenda Williams
The dawn cracked with ice, with fire grumbling in the grate,
With ire in the homes we had left, but still somehow
We made a nook in the crooked corner of Hall Ings,
A Wordsworthian dream with sheep nibbling by every crumbling
Dry-stone wall, smoke inching from the chimney pot beside the
Turning lane, the packhorse road with every stone intact that bound
The corner tight then up and off to Thurstonland, past the weathered
Walls of the abandoned quarry, beyond Ings Farm where Rover ran
His furious challenge to our call.
We had little, so little it might have been nothing at all
The few hundred books we’d brought and furniture bought
At auction in the town, left-overs knocked down to the few pounds
We had between us, dumped outside the red front door by the
Carrier’s cart; stared at by neighbours constantly grimacing
Though the grimy nets of the weavers’ cottage windows, baffled
As to who we were and how and why we’d come there.
I never gave it a thought (perhaps I should have) but with
The sense of ‘poet’ in my soul, a book to read and one
To write, night walks in the valley’s hyaline air through
Brambled woods and on down tracks we trekked along
Until the sharp sneck of dawn drew us back to the
One-up one-down cottage on the lumbering hill.
Was it folly, chance or madness, another’s or our own,
Drove us from Leeds, our native home, past shadows
Darker than death itself upon the bedroom wall
At Rawdon in the bungalow by the cross-roads where we met?
Three decades on and yet I cannot say for sure the destiny
That made us meet was dark or light, some sound or sight
‘Beyond our mortal vision’, some immaterial infinity,
A double helix on the heels of both that made my south
Your north and jerked the compass till we knew
Not day from night nor wrong from right.
Only a week ago you took me to the house you came from
Thirty years before. Together we stood as strangers in a room
Filled with plastic saccharine furniture, vinyl gloss, cabinets
Of china dogs and photographs of a departed wife and child.
All that remained of your family was a hidden coat of red paint
Beneath the kitchen windowsill and on a faded page the number for
Your long-gone neighbour, Lilly Clarke, ninety if she lives at all,
The memory of a lilac tree, the Anderson shelter hidden by the fence,
And the incomer’s invitation to call again and then and then...
We were wrong from the beginning, you always said, wrong
To be together, wrong to go away or perhaps, as Hobsbaum said,
‘It was the place’s fault. If we’d made it to Haworth as we
Dreamed, standing on the moor top, the heather muffling your tears,
The wind sighing its threnody, crying its cradle-song, whispering
Promises of its care to come, its breath caressing the very stones
We sat on, lost beyond the ken of any guide, beyond the signatures
Of time and place, beyond, beyond...
II
There is no clock can measure what we both passed through,
The darker griefs that soon began to haunt your fragile sleep,
The echoes of nightmare flights through empty streets that soon
Began to creep behind the wainscot of those tiny rooms, the rat
That took them up and ran to hide and haunt us, encountered
At the cellar-head or heard beneath the boards. The sad rat-catcher’s
Nod and shaking head, as if he knew more than the pair of us
What lay ahead. Like Charlotte’s your hair lay in dark ringlets
On the pillow while I lay stunned and terrified and lost.
From then till now, two children grew, two fathers died;
One mad, one sad, but both alone. Together or apart our lives
Have changed beyond repair, the text altered and the cover bare
But still the same story more or less, echoing down hospital corridors,
Left in faded waiting rooms and lost like our children.
Cyril Williams, gravedigger at Killingbeck, buried among
The graves his own hands dug, lay beside your mother,
‘In death as in life together,’ - what parody lies hidden
Beneath the marble chips of the unmarked grave?
Where is the cross of weathered wood and stapled names?
The thirty roses that you left had withered on the stem,
The weeds had spread and spread and you yourself
Were paler than the dead.
There may be little time or time enough for ills
We have to bear for others with our own. Madness
Seems our calling, yours and mine, speaking a tongue
Where words are symbols, signs and symptoms, pointers
To a buried past, clues to an untold murder.
Those nightmares came to haunt us and teach us and take us
To that room in Stainmore Place, your mother’s ghost
At Banquo’s feast, the guest that never could
Be laid to rest.
III
One stifling July day thirty years on we returned to Honley
Where the hamlet snagged on the hillside, fattened now and hollow
And grown grey with money and success: one cottage joined on
To the next, the common land fenced off, the nearby chapel
Turned to a desirable residence, the tombstones garden ornaments,
The heart of Hall Ings Mill crumpled under mechanical hammers
And reeled before our eyes, dust rising to powder the wings
Of passing butterflies. We watched the white-glazed inner walls
Sink in shame to shattered heaps of stone and shards of nothingness.
I never thought it would be the experience it was-
How could anything be more banal than a visit to Oakes?
Twenty two Georgian semis from the sixties, brass coach-lamps
By glass front doors, irreproachable gardens,
The estate lodge’s great oak doors opening to vistas
Of street on street, the fields and cows gone.
We peered through the polished windows at the hearth
We’d sat around, our hearts numb, all hope gone; but then
A quiet came we had not felt for years, a lens of silence
Enclosed us, a single leaf fell at my feet.
IV
The rat we tried to frighten, trap or poison, saw us off instead;
It seemed as if it grew beneath our very skins and circled
With our blood and hammered at our heads and leered from specks
Of fluff beneath the bed. The wainscot was the worst, it seemed
No whitewashed wall was free from cavities that wound behind
And joined another maze of runs that opened to the boards of yet
Another floor, until the tiny house had grown to one great rat-run
Vaster than the universe, where that single rodent gnawed and slithered
To unsettle finally our fragile peace.
I did not want to go. You did. I could not stay alone. It was
The whispers said and never ceased, ‘the beginning of the end’.
Now, thirty odd years on, I do not know at all, no certainty is certain,
No narrative, however neat, is sure. I know how listlessly we tried
Again in Leeds, a tiny flat with the white telephone that never rang
Next to the Christian Science Church my sad grandmother trekked to with
Her cancer-ridden spine. It was doomed from the start. The previous
Tenants had ended in divorce. If the certain salesman and his gleaming
Bride had failed to make it, how could we? Our moves from Huddersfield
And back became more frantic and our peace more fragile.
You always felt lonely in the countryside, while I longed in Leeds
For open vistas cloud-masses over the blue chain of hills, the silence
Of the lanes, the sheep bells and the endless walks. Was I in flight..?
You had to ask but then as now I had no answer; but it’s the way I was,
Hating the clutter of the city, man en masse. I thought I needed a mate
For a Platonic cave, a companion for the Martello tower in Dublin Bay,
Whatever it was I never wanted you to go but go you did to stay.
The one became the two again, you shed your ring, we had our son to share.
I read instead of writing, psycho-analysis became a faith of sorts,
A pastime then a passion I kept on with even when my muse returned
Demanding me in dreams. Our children grew, then you wrote, too, by candle
In the dark or by the breath of the midnight sea on Brighton beach.
You made the rat return so I could face it, retracing childhood’s
Nightmare footsteps while you recalled the terror of countless
Nights and days until I understood the meaning of our parted ways.
V
If only we could go back to the cottage on the hill at Honley
Where the road sweeps gently under the bridge where trains never ran
Our voices still echoing round the cavernous walls the smooth moss clings to
And we are beyond the reach of the driving rain.
There is always the odd cottage no one can be bothered with where the lorries roar
But when you look behind a random stream gurgles by an overgrown track
With a gully of pebbles and an overhanging rock,
The door still hangs on that rusty latch; your thumb might still
Make it yield, not in the sturm und drang of adolescence but in
The quieter intimacies of shared grief.
The hills have not moved nor the clouds altered the stance of their lazy azure
Nor has the watery Pennine sun gone in before the swallows gather.
Perhaps I have lost that jouissance-and who would not given the tornadoes,
Undivined and undeserved that seized our lives in their burning fury,
Leaving us awake in a world of dark horizons and troubled days,
Our memory a cave of broken shards.
One death came when a brother and a mother gathered so that a father
Might die opportunely and without succour in a hill-top hospital,
Lonely as a scarecrow and inaccessible on the moorland midnight,
Beyond the reach of all but death standing at the bed-head.
Similarly your own father blundering ‘into the Selby Road, high on morphine’
Could but end in the same way.
These griefs were only too normal, as was my mother’s death you wrote of
With such sad eloquence as you shared my vigil: nothing could be added
To your lines.
And of it all and of what I cannot speak?
The silence in Gethsemane
The breaking of bread
The communion when the wine I drank
Made your cradle Catholic soul
Fret at my insouciance.
VI
1
Waking early I felt my sixty years
The winters of childhood slipping and sliding
In my tired imagination, the icicles on the kitchen window,
The ashes scattered over paths in patches of grey and black.
We have so much to comprehend, too much for any mortal,
The madness of youth, so fierce, so compulsive,
The cocktails of alcohol and drugs, the quarrels with knives and guns
Entered into as lightly as love was once with us.
Our generation awaits the taste of death
With none of the anticipated solace,
No children’s children visiting in spite of the spare room
Stacked with toys, with shelves of dusty books, Baum’s ‘Magical Land of Oz’
Its spine laid bare, Mombi the witch, Dorothy and Toto
Gathered forlornly round the saw-horse, the scarlet and crimson
Of their Edwardian rig slightly ridiculous, the Gothic typeface
Evoking sepia prints of my father at five in a pinafore or seven
In a sailor-suit feeding the Sunday birds, my grandmother
Framed in a trellis of mignonette, the aroma fragrant still,
The violet stock lingering and re-kindling our first garden
The autumn we moved in, the rampant blossoms cager in the soil
Of my father’s first sowing.
2
For us there was no garden, the cottage at Hall lngs
Had only a paved yard, with tufts of grass and lichen
The whole country round an abundance of hedges and ditches
Where dog-roses blossomed, meadows of cow-parsley, stiles to field paths,
The weathered sign ‘To Thurstonland’ we followed with hand-in-hand innocence,
Returning at sunset, our hands full of violets.
3
The garden at Oakes stayed barren, thc bare soil cumbered with builder’s waste,
Resisting our listless endeavours. The jobbing gardener stirred Paraquat,
Muttering under his breath as he sheltered in the garage from the sudden rain.
He left the seeding to another day, left it too late to sow, grumbled
As he turfed it the day after our move with Brenda alone,
Scrubbing the boards. She saw him scowl as he punched the limp turf
With his calloused hands, demanding payment, angry at her innocence.
4
Brudenell Road had no garden to speak of,
A couple of feet at the front with a broken wall
And the back bare and hard from children’s play,
The privet was matted with shards of glass, worn tennis balls and broken toys,
So tattered I cut it back to the wall, I sat on the top step and read,
Watching the children play in the sand I’d trundled in barrow loads
From the builder’s yard, a make-do sandpit which drew the whole street,
West Indian, English and Asian built temples together. Our sandalled
Bearded neighbour was the first to complain, his teacher wife beside him,
The next-door French widow supporting, “So numerous the children, n’est ce pas?”
Meaning “Don’t encourage the Pakis, there are too many already.”
Like thunder the row erupted, a streetful of shouting, my voice the loudest,
The yesses had it, the children remained, our last real garden.
VI1
in memory of Emily Bronte
I
Besieged, beaten and bruised
I had proved my oracle lied
There was no peace in poetry and flight.
Yet as I sat and watched the night
Gather in the shallows of heather
I remembered the steep stone streets,
The ginnels of my childhood,
The walls of Roman York.
On this last June day, hidden by a haze of walls,
I found a cottage so overgrown I had to part a mass of green
To touch the door, the window-panes opaque with dirt, sills choked with
books,
A rusted letter-box, cracked lintel, lichened roof-slates caving in,
A ‘Sold’ board hammered firmly into place.
2
There was no solace in the parsonage, no solace there at all,
The staff found it odd, my wanting to park my heavy bag and trudge
From room to room. The couch Emily died on, so shabby and so faded,
Patrick’s hat and sticks like stage props, Mrs. Gaskell’s escritoire
So thoroughly bourgeois, Charlotte’s crinoline evoking ‘Ooh’ and ‘Aah’.
I sat outside the tourist shop, watching the families pass,
Still reeling from the news of our son’s loss,
His life-in-death and death-in-life.
The crowds gone, the shops closed
I browsed over rock and lichen,
O sleeper in the earth
Would that you might listen.
3
Would that you waken and tell me
Why young girls’ beauty no longer moves me?
Their innocent glances as they leap-frog or hand-stand
With such jouissance takes hold of me no more.
I watched a troupe of Keighley girls
Pass through a turnstile on their way
To clubs in Leeds last night.
One wore a veil tacked round with sequins
Like scruples on the hem: there is no beauty like that girl’s
Who’s naked feet touched heaven in their swirls.
Note: I use the word ‘scruples’ in its old sense i.e.a weight of 20 grains.
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