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Best Famous Political Poems

Here is a collection of the all-time best famous Political poems. This is a select list of the best famous Political poetry. Reading, writing, and enjoying famous Political poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of political poems.

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Written by Margaret Atwood | |

The City Planners

 Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or shatter of glass; nothing more abrupt than the rational whine of a power mower cutting a straight swath in the discouraged grass.
But though the driveways neatly sidestep hysteria by being even, the roofs all display the same slant of avoidance to the hot sky, certain things: the smell of spilled oil a faint sickness lingering in the garages, a splash of paint on brick surprising as a bruise, a plastic hose poised in a vicious coil; even the too-fixed stare of the wide windows give momentary access to the landscape behind or under the future cracks in the plaster when the houses, capsized, will slide obliquely into the clay seas, gradual as glaciers that right now nobody notices.
That is where the City Planners with the insane faces of political conspirators are scattered over unsurveyed territories, concealed from each other, each in his own private blizzard; guessing directions, they sketch transitory lines rigid as wooden borders on a wall in the white vanishing air tracing the panic of suburb order in a bland madness of snows


Written by Ehsan Sehgal | |

Political leader

To become a political leader it is essential to be an expert liar.
Ehsan Sehgal.


Written by Friedrich von Schiller | |

Political Precept

 All that thou doest is right; but, friend, don't carry this precept
On too far,--be content, all that is right to effect.
It is enough to true zeal, if what is existing be perfect; False zeal always would find finished perfection at once.


More great poems below...

Written by James Tate | |

Dream On

 Some people go their whole lives
without ever writing a single poem.
Extraordinary people who don't hesitate to cut somebody's heart or skull open.
They go to baseball games with the greatest of ease.
and play a few rounds of golf as if it were nothing.
These same people stroll into a church as if that were a natural part of life.
Investing money is second nature to them.
They contribute to political campaigns that have absolutely no poetry in them and promise none for the future.
They sit around the dinner table at night and pretend as though nothing is missing.
Their children get caught shoplifting at the mall and no one admits that it is poetry they are missing.
The family dog howls all night, lonely and starving for more poetry in his life.
Why is it so difficult for them to see that, without poetry, their lives are effluvial.
Sure, they have their banquets, their celebrations, croquet, fox hunts, their sea shores and sunsets, their cocktails on the balcony, dog races, and all that kissing and hugging, and don't forget the good deeds, the charity work, nursing the baby squirrels all through the night, filling the birdfeeders all winter, helping the stranger change her tire.
Still, there's that disagreeable exhalation from decaying matter, subtle but everpresent.
They walk around erect like champions.
They are smooth-spoken and witty.
When alone, rare occasion, they stare into the mirror for hours, bewildered.
There was something they meant to say, but didn't: "And if we put the statue of the rhinoceros next to the tweezers, and walk around the room three times, learn to yodel, shave our heads, call our ancestors back from the dead--" poetrywise it's still a bust, bankrupt.
You haven't scribbled a syllable of it.
You're a nowhere man misfiring the very essence of your life, flustering nothing from nothing and back again.
The hereafter may not last all that long.
Radiant childhood sweetheart, secret code of everlasting joy and sorrow, fanciful pen strokes beneath the eyelids: all day, all night meditation, knot of hope, kernel of desire, pure ordinariness of life seeking, through poetry, a benediction or a bed to lie down on, to connect, reveal, explore, to imbue meaning on the day's extravagant labor.
And yet it's cruel to expect too much.
It's a rare species of bird that refuses to be categorized.
Its song is barely audible.
It is like a dragonfly in a dream-- here, then there, then here again, low-flying amber-wing darting upward then out of sight.
And the dream has a pain in its heart the wonders of which are manifold, or so the story is told.


Written by Edward Taylor | |

Dream On

 Some people go their whole lives
without ever writing a single poem.
Extraordinary people who don't hesitate to cut somebody's heart or skull open.
They go to baseball games with the greatest of ease.
and play a few rounds of golf as if it were nothing.
These same people stroll into a church as if that were a natural part of life.
Investing money is second nature to them.
They contribute to political campaigns that have absolutely no poetry in them and promise none for the future.
They sit around the dinner table at night and pretend as though nothing is missing.
Their children get caught shoplifting at the mall and no one admits that it is poetry they are missing.
The family dog howls all night, lonely and starving for more poetry in his life.
Why is it so difficult for them to see that, without poetry, their lives are effluvial.
Sure, they have their banquets, their celebrations, croquet, fox hunts, their sea shores and sunsets, their cocktails on the balcony, dog races, and all that kissing and hugging, and don't forget the good deeds, the charity work, nursing the baby squirrels all through the night, filling the birdfeeders all winter, helping the stranger change her tire.
Still, there's that disagreeable exhalation from decaying matter, subtle but everpresent.
They walk around erect like champions.
They are smooth-spoken and witty.
When alone, rare occasion, they stare into the mirror for hours, bewildered.
There was something they meant to say, but didn't: "And if we put the statue of the rhinoceros next to the tweezers, and walk around the room three times, learn to yodel, shave our heads, call our ancestors back from the dead--" poetrywise it's still a bust, bankrupt.
You haven't scribbled a syllable of it.
You're a nowhere man misfiring the very essence of your life, flustering nothing from nothing and back again.
The hereafter may not last all that long.
Radiant childhood sweetheart, secret code of everlasting joy and sorrow, fanciful pen strokes beneath the eyelids: all day, all night meditation, knot of hope, kernel of desire, pure ordinariness of life seeking, through poetry, a benediction or a bed to lie down on, to connect, reveal, explore, to imbue meaning on the day's extravagant labor.
And yet it's cruel to expect too much.
It's a rare species of bird that refuses to be categorized.
Its song is barely audible.
It is like a dragonfly in a dream-- here, then there, then here again, low-flying amber-wing darting upward then out of sight.
And the dream has a pain in its heart the wonders of which are manifold, or so the story is told.


Written by Adrienne Rich | |

For the Record

 The clouds and the stars didn't wage this war
the brooks gave no information
if the mountain spewed stones of fire into the river
it was not taking sides
the raindrop faintly swaying under the leaf
had no political opinions

and if here or there a house
filled with backed-up raw sewage
or poisoned those who lived there
with slow fumes, over years
the houses were not at war
nor did the tinned-up buildings

intend to refuse shelter
to homeless old women and roaming children
they had no policy to keep them roaming
or dying, no, the cities were not the problem
the bridges were non-partisan
the freeways burned, but not with hatred

Even the miles of barbed-wire
stretched around crouching temporary huts
designed to keep the unwanted
at a safe distance, out of sight
even the boards that had to absorb
year upon year, so many human sounds

so many depths of vomit, tears
slow-soaking blood
had not offered themselves for this
The trees didn't volunteer to be cut into boards
nor the thorns for tearing flesh
Look around at all of it

and ask whose signature 
is stamped on the orders, traced
in the corner of the building plans
Ask where the illiterate, big-bellied
women were, the drunks and crazies,
the ones you fear most of all: ask where you were.


Written by Edgar Lee Masters | |

Plymouth Rock Joe

 Why are you running so fast hither and thither
Chasing midges or butterflies?
Some of you are standing solemnly scratching for grubs;
Some of you are waiting for corn to be scattered.
This is life, is it? Cock-a-doodle-do! Very well, Thomas Rhodes, You are cock of the walk, no doubt.
But here comes Elliott Hawkins, Gluck, Gluck, Gluck, attracting political followers.
Quah! quah! quah! why so poetical, Minerva, This gray morning? Kittie -- quah -- quah! for shame, Lucius Atherton, The raucous squawk you evoked from the throat Of Aner Clute will be taken up later By Mrs.
Benjamin Pantier as a cry Of votes for women: Ka dook -- dook! What inspiration has come to you, Margaret Fuller Slack? And why does your gooseberry eye Flit so liquidly, Tennessee Claflin Shope? Are you trying to fathom the esotericism of an egg? Your voice is very metallic this morning, Hortense Robbins -- Almost like a guinea hen's! Quah! That was a guttural sigh, Isaiah Beethoven; Did you see the shadow of the hawk, Or did you step upon the drumsticks Which the cook threw out this morning? Be chivalric, heroic, or aspiring, Metaphysical, religious, or rebellious, You shall never get out of the barnyard Except by way of over the fence Mixed with potato peelings and such into the trough!


Written by Edgar Lee Masters | |

Elsa Wertman

 I was a peasant girl from Germany,
Blue-eyed, rosy, happy and strong.
And the first place I worked was at Thomas Greene's.
On a summer's day when she was away He stole into the kitchen and took me Right in his arms and kissed me on my throat, I turning my head.
Then neither of us Seemed to know what happened.
And I cried for what would become of me.
And cried and cried as my secret began to show.
One day Mrs.
Greene said she understood, And would make no trouble for me, And, being childless, would adopt it.
(He had given her a farm to be still.
) So she hid in the house and sent out rumors, As if it were going to happen to her.
And all went well and the child was born -- They were so kind to me.
Later I married Gus Wertman, and years passed.
But -- at political rallies when sitters-by thought I was crying At the eloquence of Hamilton Greene -- That was not it.
No! I wanted to say: That's my son! That's my son!


Written by Andrew Barton Paterson | |

The Incantation

 Scene: Federal Political Arena 
A darkened cave.
In the middle, a cauldron, boiling.
Enter the three witches.
1ST WITCH: Thrice hath the Federal Jackass brayed.
2ND WITCH: Once the Bruce-Smith War-horse neighed.
3RD WITCH: So Georgie comes, 'tis time, 'tis time, Around the cauldron to chant our rhyme.
1ST WITCH: In the cauldron boil and bake Fillet of a tariff snake, Home-made flannels -- mostly cotton, Apples full of moths, and rotten, Lamb that perished in the drought, Starving stock from "furthest out", Drops of sweat from cultivators, Sweating to feed legislators.
Grime from a white stoker's nob, Toiling at a nigger's job.
Thus the great Australian Nation, Seeks political salvation.
ALL: Double, double, toil and trouble, Fire burn, and cauldron bubble.
2ND WITCH: Heel-taps from the threepenny bars, Ash from Socialist cigars.
Leathern tongue of boozer curst With the great Australian thirst, Two-up gambler keeping dark, Loafer sleeping in the park -- Drop them in to prove the sequel, All men are born free and equal.
ALL: Double, double, toil and trouble, Fire burn, and cauldron bubble.
3RD WITCH:Lung of Labour agitator, Gall of Isaacs turning traitor; Spleen that Kingston has revealed, Sawdust stuffing out of Neild; Mix them up, and then combine With duplicity of Lyne, Alfred Deakin's gift of gab, Mix the gruel thick and slab.
ALL: Double, double, toil and trouble, Heav'n help Australia in her trouble.
HECATE: Oh, well done, I commend your pains, And everyone shall share i' the gains, And now about the cauldron sing, Enchanting all that you put in.
Round about the cauldron go, In the People's rights we'll throw, Cool it with an Employer's blood, Then the charm stands firm and good, And thus with chaos in possession, Ring in the coming Fed'ral Session.


Written by Andrew Barton Paterson | |

Now Listen to Me and Ill Tell You My Views

 Now listen to me and I'll tell you my views concerning the African war, 
And the man who upholds any different views, the same is a ritten Pro-Boer! 
(Though I'm getting a little bit doubtful myself, as it drags on week after week: 
But it's better not ask any questions at all -- let us silence all doubts with a shriek!) 
And first let us shriek the unstinted abuse that the Tory Press prefer -- 
De Wet is a madman, and Steyn is a liar, and Kruger a pitiful cur! 
(Though I think if Oom Paul -- as old as he is -- were to walk down the Strand with his gun, 
A lot of these heroes would hide in the sewers or take to their heels and run! 
For Paul he has fought like a man in his day, but now that he's feeble and weak 
And tired, and lonely, and old and grey, of course it's quite safe to shriek!) 

And next let us join in the bloodthirsty shriek, Hooray for Lord Kitchener's "bag"! 
For the fireman's torch and the hangman's cord -- they are hung on the English Flag! 
In the front of our brave old army! Whoop! the farmhouse blazes bright.
And the women weep and their children die -- how dare they presume to fight! For none of them dress in a uniform, the same as by rights they ought.
They're fighting in rags and in naked feet, like Wallace's Scotchmen fought! (And they clothe themselves from our captured troops -- and they're catching them every week; And they don't hand them -- and the shame is ours, but we cover the shame with a shriek!) And, lastly, we'll shriek the political shriek as we sit in the dark and doubt; Where the Birmingham Judas led us in, and there's no one to lead us out.
And Rosebery -- whom we depended upon! Would only the Oracle speak! "You go to the Grocers," says he, "for your laws!" By Heavens! it's time to shriek!


Written by Andrew Barton Paterson | |

Typographical

 The Editor wrote his political screed 
In ink that was fainter and fainter; 
He rose to the call of his country's need, 
And in spiderish characters wrote with speed, 
A column on "Cutting the Painter".
The "reader" sat in his high-backed chair, For literals he was a hunter; But he stared aghast at the column long Of the editorial hot and strong, For the comp.
inspired by some sense of wrong Had headed it "Gutting the Punter".


Written by Robert Louis Stevenson | |

The Old Chimaeras. Old Recipts

 THE old Chimaeras, old receipts
For making "happy land,"
The old political beliefs
Swam close before my hand.
The grand old communistic myths In a middle state of grace, Quite dead, but not yet gone to Hell, And walking for a space, Quite dead, and looking it, and yet All eagerness to show The Social-Contract forgeries By Chatterton - Rousseau - A hundred such as these I tried, And hundreds after that, I fitted Social Theories As one would fit a hat! Full many a marsh-fire lured me on, I reached at many a star, I reached and grasped them and behold - The stump of a cigar! All through the sultry sweltering day The sweat ran down my brow, The still plains heard my distant strokes That have been silenced now.
This way and that, now up, now down, I hailed full many a blow.
Alas! beneath my weary arm The thicket seemed to grow.
I take the lesson, wipe my brow And throw my axe aside, And, sorely wearied, I go home In the tranquil eventide.
And soon the rising moon, that lights The eve of my defeat, Shall see me sitting as of yore By my old master's feet.


Written by James Wright | |

As I Step Over A Puddle At The End Of Winter I Think Of An Ancient Chinese Governor

 And how can I, born in evil days
And fresh from failure, ask a kindness of Fate?

 -- Written A.
D.
819 Po Chu-i, balding old politician, What's the use? I think of you, Uneasily entering the gorges of the Yang-Tze, When you were being towed up the rapids Toward some political job or other In the city of Chungshou.
You made it, I guess, By dark.
But it is 1960, it is almost spring again, And the tall rocks of Minneapolis Build me my own black twilight Of bamboo ropes and waters.
Where is Yuan Chen, the friend you loved? Where is the sea, that once solved the whole loneliness Of the Midwest?Where is Minneapolis? I can see nothing But the great terrible oak tree darkening with winter.
Did you find the city of isolated men beyond mountains? Or have you been holding the end of a frayed rope For a thousand years?


Written by Bob Kaufman | |

On

 On yardbird corners of embryonic hopes, drowned in a heroin tear.
On yardbird corners of parkerflights to sound filled pockets in space.
On neuro-corners of striped brains & desperate electro-surgeons.
On alcohol corners of pointless discussion & historical hangovers.
On television corners of cornflakes & rockwells impotent America.
On university corners of tailored intellect & greek letter openers.
On military corners of megathon deaths & universal anesthesia.
On religious corners of theological limericks and On radio corners of century-long records & static events.
On advertising corners of filter-tipped ice-cream & instant instants On teen-age corners of comic book seduction and corrupted guitars, On political corners of wamted candidates & ritual lies.
On motion picture corners of lassie & other symbols.
On intellectual corners of conversational therapy & analyzed fear.
On newspaper corners of sexy headlines & scholarly comics.
On love divided corners of die now pay later mortuaries.
On philosophical corners of semantic desperadoes & idea-mongers.
On middle class corners of private school puberty & anatomical revolts On ultra-real corners of love on abandoned roller-coasters On lonely poet corners of low lying leaves & moist prophet eyes.


Written by Robinson Jeffers | |

Be Angry At The Sun

 That public men publish falsehoods
Is nothing new.
That America must accept Like the historical republics corruption and empire Has been known for years.
Be angry at the sun for setting If these things anger you.
Watch the wheel slope and turn, They are all bound on the wheel, these people, those warriors.
This republic, Europe, Asia.
Observe them gesticulating, Observe them going down.
The gang serves lies, the passionate Man plays his part; the cold passion for truth Hunts in no pack.
You are not Catullus, you know, To lampoon these crude sketches of Caesar.
You are far From Dante's feet, but even farther from his dirty Political hatreds.
Let boys want pleasure, and men Struggle for power, and women perhaps for fame, And the servile to serve a Leader and the dupes to be duped.
Yours is not theirs.