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Best Famous Money Poems

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by Ernest Lawrence Thayer |

Casey At The Bat

The outlook wasn't brilliant for the Mudville nine that day, 
The score stood four to two, with but one inning more to play.
And then when Cooney died at first, and Barrows did the same, A pall-like silence fell upon the patrons of the game.
A straggling few got up to go in deep despair.
The rest clung to that hope which springs eternal in the human breast.
They thought, "if only Casey could but get a whack at that.
We'd put up even money now, with Casey at the bat.
" But Flynn preceded Casey, as did also Jimmy Blake; and the former was a hoodoo, while the latter was a cake.
So upon that stricken multitude, grim melancholy sat; for there seemed but little chance of Casey getting to the bat.
But Flynn let drive a single, to the wonderment of all.
And Blake, the much despised, tore the cover off the ball.
And when the dust had lifted, and men saw what had occurred, there was Jimmy safe at second and Flynn a-hugging third.
Then from five thousand throats and more there rose a lusty yell; it rumbled through the valley, it rattled in the dell; it pounded through on the mountain and recoiled upon the flat; for Casey, mighty Casey, was advancing to the bat.
There was ease in Casey's manner as he stepped into his place, there was pride in Casey's bearing and a smile lit Casey's face.
And when, responding to the cheers, he lightly doffed his hat, no stranger in the crowd could doubt t'was Casey at the bat.
Ten thousand eyes were on him as he rubbed his hands with dirt.
Five thousand tongues applauded when he wiped them on his shirt.
Then, while the writhing pitcher ground the ball into his hip, defiance flashed in Casey's eye, a sneer curled Casey's lip.
And now the leather-covered sphere came hurtling through the air, and Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped -- "That ain't my style," said Casey.
"Strike one!" the umpire said.
From the benches, black with people, there went up a muffled roar, like the beating of the storm waves on a stern and distant shore.
"Kill him! Kill the umpire!" shouted someone on the stand, and it's likely they'd have killed him had not Casey raised his hand.
With a smile of Christian charity, great Casey's visage shone, he stilled the rising tumult, he bade the game go on.
He signaled to the pitcher, and once more the dun sphere flew, but Casey still ignored it, and the umpire said, "Strike two!" "Fraud!" cried the maddened thousands, and echo answered "Fraud!" But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles strain, and they knew that Casey wouldn't let that ball go by again.
The sneer has fled from Casey's lip, the teeth are clenched in hate.
He pounds, with cruel violence, his bat upon the plate.
And now the pitcher holds the ball, and now he lets it go, and now the air is shattered by the force of Casey's blow.
Oh, somewhere in this favored land the sun is shining bright.
The band is playing somewhere, and somewhere hearts are light.
And, somewhere men are laughing, and little children shout, but there is no joy in Mudville mighty Casey has struck out.


by Edward Lear |

The Owl and the Pussy-Cat

The Owl and the Pussy-Cat went to sea
  In a beautiful pea-green boat,
They took some honey, and plenty of money
  Wrapped up in a five-pound note.
The Owl looked up to the stars above, And sang to a small guitar, "O lovely Pussy, O Pussy, my love, What a beautiful Pussy you are, You are, You are! What a beautiful Pussy you are!" Pussy said to the Owl, "You elegant fowl! How charmingly sweet you sing! O let us be married! too long we have tarried: But what shall we do for a ring?" They sailed away, for a year and a day, To the land where the Bong-tree grows And there in a wood a Piggy-wig stood With a ring at the end of his nose, His nose, His nose, With a ring at the end of his nose.
"Dear Pig, are you willing to sell for one shilling Your ring?" Said the Piggy, "I will.
" So they took it away, and were married next day By the Turkey who lives on the hill.
They dined on mince, and slices of quince, Which they ate with a runcible spoon; And hand in hand, on the edge of the sand, They danced by the light of the moon, The moon, The moon, They danced by the light of the moon.


by Robert Burns |

25. My Father was a Farmer: A Ballad

 MY father was a farmer upon the Carrick border, O,
And carefully he bred me in decency and order, O;
He bade me act a manly part, though I had ne’er a farthing, O;
For without an honest manly heart, no man was worth regarding, O.
Then out into the world my course I did determine, O; Tho’ to be rich was not my wish, yet to be great was charming, O; My talents they were not the worst, nor yet my education, O: Resolv’d was I at least to try to mend my situation, O.
In many a way, and vain essay, I courted Fortune’s favour, O; Some cause unseen still stept between, to frustrate each endeavour, O; Sometimes by foes I was o’erpower’d, sometimes by friends forsaken, O; And when my hope was at the top, I still was worst mistaken, O.
Then sore harass’d and tir’d at last, with Fortune’s vain delusion, O, I dropt my schemes, like idle dreams, and came to this conclusion, O; The past was bad, and the future hid, its good or ill untried, O; But the present hour was in my pow’r, and so I would enjoy it, O.
No help, nor hope, nor view had I, nor person to befriend me, O; So I must toil, and sweat, and moil, and labour to sustain me, O; To plough and sow, to reap and mow, my father bred me early, O; For one, he said, to labour bred, was a match for Fortune fairly, O.
Thus all obscure, unknown, and poor, thro’ life I’m doom’d to wander, O, Till down my weary bones I lay in everlasting slumber, O: No view nor care, but shun whate’er might breed me pain or sorrow, O; I live to-day as well’s I may, regardless of to-morrow, O.
But cheerful still, I am as well as a monarch in his palace, O, Tho’ Fortune’s frown still hunts me down, with all her wonted malice, O: I make indeed my daily bread, but ne’er can make it farther, O: But as daily bread is all I need, I do not much regard her, O.
When sometimes by my labour, I earn a little money, O, Some unforeseen misfortune comes gen’rally upon me, O; Mischance, mistake, or by neglect, or my goodnatur’d folly, O: But come what will, I’ve sworn it still, I’ll ne’er be melancholy, O.
All you who follow wealth and power with unremitting ardour, O, The more in this you look for bliss, you leave your view the farther, O: Had you the wealth Potosi boasts, or nations to adore you, O, A cheerful honest-hearted clown I will prefer before you, O.


by Robert Browning |

The Pied Piper Of Hamelin

 A Child's Story

Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.
Rats! They fought the dogs, and killed the cats, And bit the babies in the cradles, And ate the cheeses out of the vats, And licked the soup from the cook's own ladles, Split open the kegs of salted sprats, Made nests inside men's Sunday hats, And even spoiled the women's chats, By drowning their speaking With shrieking and squeaking In fifty different sharps and flats.
At last the people in a body To the Town Hall came flocking: "'Tis clear," cried they, "our Mayor's a noddy; And as for our Corporation—shocking To think we buy gowns lined with ermine For dolts that can't or won't determine What's best to rid us of our vermin! You hope, because you're old and obese, To find in the furry civic robe ease? Rouse up, Sirs! Give your brains a racking To find the remedy we're lacking, Or, sure as fate, we'll send you packing!" At this the Mayor and Corporation Quaked with a mighty consternation.
An hour they sate in council, At length the Mayor broke silence: "For a guilder I'd my ermine gown sell; I wish I were a mile hence! It's easy to bid one rack one's brain— I'm sure my poor head aches again I've scratched it so, and all in vain.
Oh for a trap, a trap, a trap!" Just as he said this, what should hap At the chamber door but a gentle tap? "Bless us," cried the Mayor, "what's that?" (With the Corporation as he sat, Looking little though wondrous fat; Nor brighter was his eye, nor moister Than a too-long-opened oyster, Save when at noon his paunch grew mutinous For a plate of turtle green and glutinous) "Only a scraping of shoes on the mat? Anything like the sound of a rat Makes my heart go pit-a-pat!" "Come in!"—the Mayor cried, looking bigger: And in did come the strangest figure! His queer long coat from heel to head Was half of yellow and half of red; And he himself was tall and thin, With sharp blue eyes, each like a pin, And light loose hair, yet swarthy skin, No tuft on cheek nor beard on chin, But lips where smiles went out and in— There was no guessing his kith and kin! And nobody could enough admire The tall man and his quaint attire: Quoth one: "It's as my great-grandsire, Starting up at the Trump of Doom's tone, Had walked this way from his painted tombstone!" He advanced to the council-table: And, "Please your honours," said he, "I'm able, By means of a secret charm, to draw All creatures living beneath the sun, That creep or swim or fly or run, After me so as you never saw! And I chiefly use my charm On creatures that do people harm, The mole and toad and newt and viper; And people call me the Pied Piper.
" (And here they noticed round his neck A scarf of red and yellow stripe, To match with his coat of the selfsame cheque; And at the scarf's end hung a pipe; And his fingers, they noticed, were ever straying As if impatient to be playing Upon this pipe, as low it dangled Over his vesture so old-fangled.
) "Yet," said he, "poor piper as I am, In Tartary I freed the Cham, Last June, from his huge swarms of gnats; I eased in Asia the Nizam Of a monstrous brood of vampire-bats; And, as for what your brain bewilders, If I can rid your town of rats Will you give me a thousand guilders?" "One? fifty thousand!"—was the exclamation Of the astonished Mayor and Corporation.
Into the street the Piper stepped, Smiling first a little smile, As if he knew what magic slept In his quiet pipe the while; Then, like a musical adept, To blow the pipe his lips he wrinkled, And green and blue his sharp eyes twinkled Like a candle flame where salt is sprinkled; And ere three shrill notes the pipe uttered, You heard as if an army muttered; And the muttering grew to a grumbling; And the grumbling grew to a mighty rumbling; And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats, Brown rats, black rats, grey rats, tawny rats, Grave old plodders, gay young friskers, Fathers, mothers, uncles, cousins, Cocking tails and pricking whiskers, Families by tens and dozens, Brothers, sisters, husbands, wives— Followed the Piper for their lives.
From street to street he piped advancing, And step for step they followed dancing, Until they came to the river Weser, Wherein all plunged and perished! - Save one who, stout a Julius Caesar, Swam across and lived to carry (As he, the manuscript he cherished) To Rat-land home his commentary: Which was, "At the first shrill notes of the pipe I heard a sound as of scraping tripe, And putting apples, wondrous ripe, Into a cider-press's gripe: And a moving away of pickle-tub-boards, And a leaving ajar of conserve-cupboards, And a drawing the corks of train-oil-flasks, And a breaking the hoops of butter-casks; And it seemed as if a voice (Sweeter far than by harp or by psaltery Is breathed) called out 'Oh, rats, rejoice! The world is grown to one vast drysaltery! So munch on, crunch on, take your nuncheon, Breakfast, supper, dinner, luncheon!' And just as a bulky sugar-puncheon, All ready staved, like a great sun shone Glorious scarce and inch before me, Just as methought it said 'Come, bore me!' - I found the Weser rolling o'er me.
" You should have heard the Hamelin people Ringing the bells till they rocked the steeple.
"Go," cried the Mayor, "and get long poles! Poke out the nests and block up the holes! Consult with carpenters and builders, And leave in our town not even a trace Of the rats!"—when suddenly, up the face Of the Piper perked in the market-place, With a, "First, if you please, my thousand guilders!" A thousand guilders! The Mayor looked blue; So did the Corporation too.
For council dinners made rare havoc With Claret, Moselle, Vin-de-Grave, Hock; And half the money would replenish Their cellar's biggest butt with Rhenish.
To pay this sum to a wandering fellow With a gypsy coat of red and yellow! "Beside," quoth the Mayor with a knowing wink, "Our business was done at the river's brink; We saw with our eyes the vermin sink, And what's dead can't come to life, I think.
So, friend, we're not the folks to shrink From the duty of giving you something for drink, And a matter of money to put in your poke; But, as for the guilders, what we spoke Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!" The Piper's face fell, and he cried "No trifling! I can't wait, beside! I've promised to visit by dinner-time Bagdat, and accept the prime Of the Head Cook's pottage, all he's rich in, For having left, in the Calip's kitchen, Of a nest of scorpions no survivor— With him I proved no bargain-driver, With you, don't think I'll bate a stiver! And folks who put me in a passion May find me pipe to another fashion.
" "How?" cried the Mayor, "d'ye think I'll brook Being worse treated than a Cook? Insulted by a lazy ribald With idle pipe and vesture piebald? You threaten us, fellow? Do your worst, Blow your pipe there till you burst!" Once more he stepped into the street; And to his lips again Laid his long pipe of smooth straight cane; And ere he blew three notes (such sweet Soft notes as yet musician's cunning Never gave the enraptured air) There was a rustling, that seemed like a bustling Of merry crowds justling at pitching and hustling, Small feet were pattering, wooden shoes clattering, Little hands clapping and little tongues chattering, And, like fowls in a farmyard when barley is scattering, Out came the children running.
All the little boys and girls, With rosy cheeks and flaxen curls, And sparkling eyes and teeth like pearls, Tripping and skipping, ran merrily after The wonderful music with shouting and laughter.
The Mayor was dumb, and the Council stood As if they were changed into blocks of wood, Unable to move a step, or cry To the children merrily skipping by— And could only follow with the eye That joyous crowd at the Piper's back.
But how the Mayor was on the rack, And the wretched Council's bosoms beat, As the Piper turned from the High Street To where the Weser rolled its waters Right in the way of their sons and daughters! However he turned from South to West, And to Koppelberg Hill his steps addressed, And after him the children pressed; Great was the joy in every breast.
"He never can cross that mighty top! He's forced to let the piping drop, And we shall see our children stop!" When, lo, as they reached the mountain's side, A wondrous portal opened wide, As if a cavern was suddenly hollowed; And the Piper advanced and the children followed, And when all were in to the very last, The door in the mountain-side shut fast.
Did I say, all? No! One was lame, And could not dance the whole of the way; And in after years, if you would blame His sadness, he was used to say,— "It's dull in our town since my playmates left! I can't forget that I'm bereft Of all the pleasant sights they see, Which the Piper also promised me: For he led us, he said, to a joyous land, Joining the town and just at hand, Where waters gushed and fruit-trees grew, And flowers put forth a fairer hue, And everything was strange and new; The sparrows were brighter than peacocks here, And their dogs outran our fallow deer, And honey-bees had lost their stings, And horses were born with eagles' wings: And just as I became assured My lame foot would be speedily cured, The music stopped and I stood still, And found myself outside the Hill, Left alone against my will, To go now limping as before, And never hear of that country more!" Alas, alas for Hamelin! There came into many a burgher's pate A text which says, that Heaven's Gate Opes to the Rich at as easy rate As the needle's eye takes a camel in! The Mayor sent East, West, North, and South, To offer the Piper, by word of mouth, Wherever it was men's lot to find him, Silver and gold to his heart's content, If he'd only return the way he went, And bring the children behind him.
But when they saw 'twas a lost endeavour, And Piper and dancers were gone for ever, They made a decree that lawyers never Should think their records dated duly If, after the day of the month and year, These words did not as well appear, "And so long after what happened here On the Twenty-second of July, Thirteen hundred and seventy-six": And the better in memory to fix The place of the children's last retreat, They called it, the Pied Piper's Street— Where any one playing on pipe or tabor Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern To shock with mirth a street so solemn; But opposite the place of the cavern They wrote the story on a column, And on the great Church-Window painted The same, to make the world acquainted How their children were stolen away; And there it stands to this very day.
And I must not omit to say That in Transylvania there's a tribe Of alien people that ascribe The outlandish ways and dress On which their neighbours lay such stress, To their fathers and mothers having risen Out of some subterraneous prison Into which they were trepanned Long time ago in a mighty band Out of Hamelin town in Brunswick land, But how or why, they don't understand.
So, Willy, let you and me be wipers Of scores out with all men—especially pipers: And, whether they pipe us free, from rats or from mice, If we've promised them aught, let us keep our promise.


by Robert Browning |

Bishop Blougrams Apology

 NO more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith! We ought to have our Abbey back, you see.
It's different, preaching in basilicas, And doing duty in some masterpiece Like this of brother Pugin's, bless his heart! I doubt if they're half baked, those chalk rosettes, Ciphers and stucco-twiddlings everywhere; It's just like breathing in a lime-kiln: eh? These hot long ceremonies of our church Cost us a little--oh, they pay the price, You take me--amply pay it! Now, we'll talk.
So, you despise me, Mr.
Gigadibs.
No deprecation,--nay, I beg you, sir! Beside 't is our engagement: don't you know, I promised, if you'd watch a dinner out, We'd see truth dawn together?--truth that peeps Over the glasses' edge when dinner's done, And body gets its sop and holds its noise And leaves soul free a little.
Now's the time: 'T is break of day! You do despise me then.
And if I say, "despise me,"--never fear! I know you do not in a certain sense-- Not in my arm-chair, for example: here, I well imagine you respect my place ( Status, entourage , worldly circumstance) Quite to its value--very much indeed: --Are up to the protesting eyes of you In pride at being seated here for once-- You'll turn it to such capital account! When somebody, through years and years to come, Hints of the bishop,--names me--that's enough: "Blougram? I knew him"--(into it you slide) "Dined with him once, a Corpus Christi Day, "All alone, we two; he's a clever man: "And after dinner,--why, the wine you know,-- "Oh, there was wine, and good!--what with the wine .
.
"'Faith, we began upon all sorts of talk! "He's no bad fellow, Blougram; he had seen "Something of mine he relished, some review: "He's quite above their humbug in his heart, "Half-said as much, indeed--the thing's his trade.
"I warrant, Blougram's sceptical at times: "How otherwise? I liked him, I confess!" Che che , my dear sir, as we say at Rome, Don't you protest now! It's fair give and take; You have had your turn and spoken your home-truths: The hand's mine now, and here you follow suit.
Thus much conceded, still the first fact stays-- You do despise me; your ideal of life Is not the bishop's: you would not be I.
You would like better to be Goethe, now, Or Buonaparte, or, bless me, lower still, Count D'Orsay,--so you did what you preferred, Spoke as you thought, and, as you cannot help, Believed or disbelieved, no matter what, So long as on that point, whate'er it was, You loosed your mind, were whole and sole yourself.
--That, my ideal never can include, Upon that element of truth and worth Never be based! for say they make me Pope-- (They can't--suppose it for our argument!) Why, there I'm at my tether's end, I've reached My height, and not a height which pleases you: An unbelieving Pope won't do, you say.
It's like those eerie stories nurses tell, Of how some actor on a stage played Death, With pasteboard crown, sham orb and tinselled dart, And called himself the monarch of the world; Then, going in the tire-room afterward, Because the play was done, to shift himself, Got touched upon the sleeve familiarly, The moment he had shut the closet door, By Death himself.
Thus God might touch a Pope At unawares, ask what his baubles mean, And whose part he presumed to play just now? Best be yourself, imperial, plain and true! So, drawing comfortable breath again, You weigh and find, whatever more or less I boast of my ideal realized, Is nothing in the balance when opposed To your ideal, your grand simple life, Of which you will not realize one jot.
I am much, you are nothing; you would be all, I would be merely much: you beat me there.
No, friend, you do not beat me: hearken why! The common problem, yours, mine, every one's, Is--not to fancy what were fair in life Provided it could be,--but, finding first What may be, then find how to make it fair Up to our means: a very different thing! No abstract intellectual plan of life Quite irrespective of life's plainest laws, But one, a man, who is man and nothing more, May lead within a world which (by your leave) Is Rome or London, not Fool's-paradise.
Embellish Rome, idealize away, Make paradise of London if you can, You're welcome, nay, you're wise.
A simile! We mortals cross the ocean of this world Each in his average cabin of a life; The best's not big, the worst yields elbow-room.
Now for our six months' voyage--how prepare? You come on shipboard with a landsman's list Of things he calls convenient: so they are! An India screen is pretty furniture, A piano-forte is a fine resource, All Balzac's novels occupy one shelf, The new edition fifty volumes long; And little Greek books, with the funny type They get up well at Leipsic, fill the next: Go on! slabbed marble, what a bath it makes! And Parma's pride, the Jerome, let us add! 'T were pleasant could Correggio's fleeting glow Hang full in face of one where'er one roams, Since he more than the others brings with him Italy's self,--the marvellous Modenese!-- Yet was not on your list before, perhaps.
--Alas, friend, here's the agent .
.
.
is't the name? The captain, or whoever's master here-- You see him screw his face up; what's his cry Ere you set foot on shipboard? "Six feet square!" If you won't understand what six feet mean, Compute and purchase stores accordingly-- And if, in pique because he overhauls Your Jerome, piano, bath, you come on board Bare--why, you cut a figure at the first While sympathetic landsmen see you off; Not afterward, when long ere half seas over, You peep up from your utterly naked boards Into some snug and well-appointed berth, Like mine for instance (try the cooler jug-- Put back the other, but don't jog the ice!) And mortified you mutter "Well and good; "He sits enjoying his sea-furniture; "'T is stout and proper, and there's store of it: "Though I've the better notion, all agree, "Of fitting rooms up.
Hang the carpenter, "Neat ship-shape fixings and contrivances-- "I would have brought my Jerome, frame and all!" And meantime you bring nothing: never mind-- You've proved your artist-nature: what you don't You might bring, so despise me, as I say.
Now come, let's backward to the starting-place.
See my way: we're two college friends, suppose.
Prepare together for our voyage, then; Each note and check the other in his work,-- Here's mine, a bishop's outfit; criticize! What's wrong? why won't you be a bishop too? Why first, you don't believe, you don't and can't, (Not statedly, that is, and fixedly And absolutely and exclusively) In any revelation called divine.
No dogmas nail your faith; and what remains But say so, like the honest man you are? First, therefore, overhaul theology! Nay, I too, not a fool, you please to think, Must find believing every whit as hard: And if I do not frankly say as much, The ugly consequence is clear enough.
Now wait, my friend: well, I do not believe-- If you'll accept no faith that is not fixed, Absolute and exclusive, as you say.
You're wrong--I mean to prove it in due time.
Meanwhile, I know where difficulties lie I could not, cannot solve, nor ever shall, So give up hope accordingly to solve-- (To you, and over the wine).
Our dogmas then With both of us, though in unlike degree, Missing full credence--overboard with them! I mean to meet you on your own premise: Good, there go mine in company with yours! And now what are we? unbelievers both, Calm and complete, determinately fixed To-day, to-morrow and for ever, pray? You'll guarantee me that? Not so, I think! In no wise! all we've gained is, that belief, As unbelief before, shakes us by fits, Confounds us like its predecessor.
Where's The gain? how can we guard our unbelief, Make it bear fruit to us?--the problem here.
Just when we are safest, there's a sunset-touch, A fancy from a flower-bell, some one's death, A chorus-ending from Euripides,-- And that's enough for fifty hopes and fears As old and new at once as nature's self, To rap and knock and enter in our soul, Take hands and dance there, a fantastic ring, Round the ancient idol, on his base again,-- The grand Perhaps! We look on helplessly.
There the old misgivings, crooked questions are-- This good God,--what he could do, if he would, Would, if he could--then must have done long since: If so, when, where and how? some way must be,-- Once feel about, and soon or late you hit Some sense, in which it might be, after all.
Why not, "The Way, the Truth, the Life?" --That way Over the mountain, which who stands upon Is apt to doubt if it be meant for a road; While, if he views it from the waste itself, Up goes the line there, plain from base to brow, Not vague, mistakeable! what's a break or two Seen from the unbroken desert either side? And then (to bring in fresh philosophy) What if the breaks themselves should prove at last The most consummate of contrivances To train a man's eye, teach him what is faith? And so we stumble at truth's very test! All we have gained then by our unbelief Is a life of doubt diversified by faith, For one of faith diversified by doubt: We called the chess-board white,--we call it black.
"Well," you rejoin, "the end's no worse, at least; "We've reason for both colours on the board: "Why not confess then, where I drop the faith "And you the doubt, that I'm as right as you?" Because, friend, in the next place, this being so, And both things even,--faith and unbelief Left to a man's choice,--we'll proceed a step, Returning to our image, which I like.
A man's choice, yes--but a cabin-passenger's-- The man made for the special life o' the world-- Do you forget him? I remember though! Consult our ship's conditions and you find One and but one choice suitable to all; The choice, that you unluckily prefer, Turning things topsy-turvy--they or it Going to the ground.
Belief or unbelief Bears upon life, determines its whole course, Begins at its beginning.
See the world Such as it is,--you made it not, nor I; I mean to take it as it is,--and you, Not so you'll take it,--though you get nought else.
I know the special kind of life I like, What suits the most my idiosyncrasy, Brings out the best of me and bears me fruit In power, peace, pleasantness and length of days.
I find that positive belief does this For me, and unbelief, no whit of this.
--For you, it does, however?--that, we'll try! 'T is clear, I cannot lead my life, at least, Induce the world to let me peaceably, Without declaring at the outset, "Friends, "I absolutely and peremptorily "Believe!"--I say, faith is my waking life: One sleeps, indeed, and dreams at intervals, We know, but waking's the main point with us And my provision's for life's waking part.
Accordingly, I use heart, head and hand All day, I build, scheme, study, and make friends; And when night overtakes me, down I lie, Sleep, dream a little, and get done with it, The sooner the better, to begin afresh.
What's midnight doubt before the dayspring's faith? You, the philosopher, that disbelieve, That recognize the night, give dreams their weight-- To be consistent you should keep your bed, Abstain from healthy acts that prove you man, For fear you drowse perhaps at unawares! And certainly at night you'll sleep and dream, Live through the day and bustle as you please.
And so you live to sleep as I to wake, To unbelieve as I to still believe? Well, and the common sense o' the world calls you Bed-ridden,--and its good things come to me.
Its estimation, which is half the fight, That's the first-cabin comfort I secure: The next .
.
.
but you perceive with half an eye! Come, come, it's best believing, if we may; You can't but own that! Next, concede again, If once we choose belief, on all accounts We can't be too decisive in our faith, Conclusive and exclusive in its terms, To suit the world which gives us the good things.
In every man's career are certain points Whereon he dares not be indifferent; The world detects him clearly, if he dare, As baffled at the game, and losing life.
He may care little or he may care much For riches, honour, pleasure, work, repose, Since various theories of life and life's Success are extant which might easily Comport with either estimate of these; And whoso chooses wealth or poverty, Labour or quiet, is not judged a fool Because his fellow would choose otherwise: We let him choose upon his own account So long as he's consistent with his choice.
But certain points, left wholly to himself, When once a man has arbitrated on, We say he must succeed there or go hang.
Thus, he should wed the woman he loves most Or needs most, whatsoe'er the love or need-- For he can't wed twice.
Then, he must avouch, Or follow, at the least, sufficiently, The form of faith his conscience holds the best, Whate'er the process of conviction was: For nothing can compensate his mistake On such a point, the man himself being judge: He cannot wed twice, nor twice lose his soul.
Well now, there's one great form of Christian faith I happened to be born in--which to teach Was given me as I grew up, on all hands, As best and readiest means of living by; The same on examination being proved The most pronounced moreover, fixed, precise And absolute form of faith in the whole world-- Accordingly, most potent of all forms For working on the world.
Observe, my friend! Such as you know me, I am free to say, In these hard latter days which hamper one, Myself--by no immoderate exercise Of intellect and learning, but the tact To let external forces work for me, --Bid the street's stones be bread and they are bread; Bid Peter's creed, or rather, Hildebrand's, Exalt me o'er my fellows in the world And make my life an ease and joy and pride; It does so,--which for me's a great point gained, Who have a soul and body that exact A comfortable care in many ways.
There's power in me and will to dominate Which I must exercise, they hurt me else: In many ways I need mankind's respect, Obedience, and the love that's born of fear: While at the same time, there's a taste I have, A toy of soul, a titillating thing, Refuses to digest these dainties crude.
The naked life is gross till clothed upon: I must take what men offer, with a grace As though I would not, could I help it, take! An uniform I wear though over-rich-- Something imposed on me, no choice of mine; No fancy-dress worn for pure fancy's sake And despicable therefore! now folk kneel And kiss my hand--of course the Church's hand.
Thus I am made, thus life is best for me, And thus that it should be I have procured; And thus it could not be another way, I venture to imagine.
You'll reply, So far my choice, no doubt, is a success; But were I made of better elements, With nobler instincts, purer tastes, like you, I hardly would account the thing success Though it did all for me I say.
But, friend, We speak of what is; not of what might be, And how't were better if't were otherwise.
I am the man you see here plain enough: Grant I'm a beast, why, beasts must lead beasts' lives! Suppose I own at once to tail and claws; The tailless man exceeds me: but being tailed I'll lash out lion fashion, and leave apes To dock their stump and dress their haunches up.
My business is not to remake myself, But make the absolute best of what God made.
Or--our first simile--though you prove me doomed To a viler berth still, to the steerage-hole, The sheep-pen or the pig-stye, I should strive To make what use of each were possible; And as this cabin gets upholstery, That hutch should rustle with sufficient straw.
But, friend, I don't acknowledge quite so fast I fail of all your manhood's lofty tastes Enumerated so complacently, On the mere ground that you forsooth can find In this particular life I choose to lead No fit provision for them.
Can you not? Say you, my fault is I address myself To grosser estimators than should judge? And that's no way of holding up the soul, Which, nobler, needs men's praise perhaps, yet knows One wise man's verdict outweighs all the fools'-- Would like the two, but, forced to choose, takes that.
I pine among my million imbeciles (You think) aware some dozen men of sense Eye me and know me, whether I believe In the last winking Virgin, as I vow, And am a fool, or disbelieve in her And am a knave,--approve in neither case, Withhold their voices though I look their way: Like Verdi when, at his worst opera's end (The thing they gave at Florence,--what's its name?) While the mad houseful's plaudits near out-bang His orchestra of salt-box, tongs and bones, He looks through all the roaring and the wreaths Where sits Rossini patient in his stall.
Nay, friend, I meet you with an answer here-- That even your prime men who appraise their kind Are men still, catch a wheel within a wheel, See more in a truth than the truth's simple self, Confuse themselves.
You see lads walk the street Sixty the minute; what's to note in that? You see one lad o'erstride a chimney-stack; Him you must watch--he's sure to fall, yet stands! Our interest's on the dangerous edge of things.
The honest thief, the tender murderer, The superstitious atheist, demirep That loves and saves her soul in new French books-- We watch while these in equilibrium keep The giddy line midway: one step aside, They're classed and done with.
I, then, keep the line Before your sages,--just the men to shrink From the gross weights, coarse scales and labels broad You offer their refinement.
Fool or knave? Why needs a bishop be a fool or knave When there's a thousand diamond weights between? So, I enlist them.
Your picked twelve, you'll find, Profess themselves indignant, scandalized At thus being held unable to explain How a superior man who disbelieves May not believe as well: that's Schelling's way! It's through my coming in the tail of time, Nicking the minute with a happy tact.
Had I been born three hundred years ago They'd say, "What's strange? Blougram of course believes;" And, seventy years since, "disbelieves of course.
" But now, "He may believe; and yet, and yet "How can he?" All eyes turn with interest.
Whereas, step off the line on either side-- You, for example, clever to a fault, The rough and ready man who write apace, Read somewhat seldomer, think perhaps even less-- You disbelieve! Who wonders and who cares? Lord So-and-so--his coat bedropped with wax, All Peter's chains about his waist, his back Brave with the needlework of Noodledom-- Believes! Again, who wonders and who cares? But I, the man of sense and learning too, The able to think yet act, the this, the that, I, to believe at this late time of day! Enough; you see, I need not fear contempt.
--Except it's yours! Admire me as these may, You don't.
But whom at least do you admire? Present your own perfection, your ideal, Your pattern man for a minute--oh, make haste Is it Napoleon you would have us grow? Concede the means; allow his head and hand, (A large concession, clever as you are) Good! In our common primal element Of unbelief (we can't believe, you know-- We're still at that admission, recollect!) Where do you find--apart from, towering o'er The secondary temporary aims Which satisfy the gross taste you despise-- Where do you find his star?--his crazy trust God knows through what or in what? it's alive And shines and leads him, and that's all we want.
Have we aught in our sober night shall point Such ends as his were, and direct the means Of working out our purpose straight as his, Nor bring a moment's trouble on success With after-care to justify the same? --Be a Napoleon, and yet disbelieve-- Why, the man's mad, friend, take his light away! What's the vague good o' the world, for which you dare With comfort to yourself blow millions up? We neither of us see it! we do see The blown-up millions--spatter of their brains And writhing of their bowels and so forth, In that bewildering entanglement Of horrible eventualities Past calculation to the end of time! Can I mistake for some clear word of God (Which were my ample warrant for it all) His puff of hazy instinct, idle talk, "The State, that's I," quack-nonsense about crowns, And (when one beats the man to his last hold) A vague idea of setting things to rights, Policing people efficaciously, More to their profit, most of all to his own; The whole to end that dismallest of ends By an Austrian marriage, cant to us the Church, And resurrection of the old r?gime ? Would I, who hope to live a dozen years, Fight Austerlitz for reasons such and such? No: for, concede me but the merest chance Doubt may be wrong--there's judgment, life to come! With just that chance, I dare not.
Doubt proves right? This present life is all?--you offer me Its dozen noisy years, without a chance That wedding an archduchess, wearing lace, And getting called by divers new-coined names, Will drive off ugly thoughts and let me dine, Sleep, read and chat in quiet as I like! Therefore I will not.
Take another case; Fit up the cabin yet another way.
What say you to the poets? shall we write Hamlet, Othello--make the world our own, Without a risk to run of either sort? I can't--to put the strongest reason first.
"But try," you urge, "the trying shall suffice; "The aim, if reached or not, makes great the life: "Try to be Shakespeare, leave the rest to fate!" Spare my self-knowledge--there's no fooling me! If I prefer remaining my poor self, I say so not in self-dispraise but praise.
If I'm a Shakespeare, let the well alone; Why should I try to be what now I am? If I'm no Shakespeare, as too probable,-- His power and consciousness and self-delight And all we want in common, shall I find-- Trying for ever? while on points of taste Wherewith, to speak it humbly, he and I Are dowered alike--I'll ask you, I or he, Which in our two lives realizes most? Much, he imagined--somewhat, I possess.
He had the imagination; stick to that! Let him say, "In the face of my soul's works "Your world is worthless and I touch it not "Lest I should wrong them"--I'll withdraw my plea.
But does he say so? look upon his life! Himself, who only can, gives judgment there.
He leaves his towers and gorgeous palaces To build the trimmest house in Stratford town; Saves money, spends it, owns the worth of things, Giulio Romano's pictures, Dowland's lute; Enjoys a show, respects the puppets, too, And none more, had he seen its entry once, Than "Pandulph, of fair Milan cardinal.
" Why then should I who play that personage, The very Pandulph Shakespeare's fancy made, Be told that had the poet chanced to start From where I stand now (some degree like mine Being just the goal he ran his race to reach) He would have run the whole race back, forsooth, And left being Pandulph, to begin write plays? Ah, the earth's best can be but the earth's best! Did Shakespeare live, he could but sit at home And get himself in dreams the Vatican, Greek busts, Venetian paintings, Roman walls, And English books, none equal to his own, Which I read, bound in gold (he never did).
--Terni's fall, Naples' bay and Gothard's top-- Eh, friend? I could not fancy one of these; But, as I pour this claret, there they are: I've gained them--crossed St.
Gothard last July With ten mules to the carriage and a bed Slung inside; is my hap the worse for that? We want the same things, Shakespeare and myself, And what I want, I have: he, gifted more, Could fancy he too had them when he liked, But not so thoroughly that, if fate allowed, He would not have them also in my sense.
We play one game; I send the ball aloft No less adroitly that of fifty strokes Scarce five go o'er the wall so wide and high Which sends them back to me: I wish and get He struck balls higher and with better skill, But at a poor fence level with his head, And hit--his Stratford house, a coat of arms, Successful dealings in his grain and wool,-- While I receive heaven's incense in my nose And style myself the cousin of Queen Bess.
Ask him, if this life's all, who wins the game? Believe--and our whole argument breaks up.
Enthusiasm's the best thing, I repeat; Only, we can't command it; fire and life Are all, dead matter's nothing, we agree: And be it a mad dream or God's very breath, The fact's the same,--belief's fire, once in us, Makes of all else mere stuff to show itself: We penetrate our life with such a glow As fire lends wood and iron--this turns steel, That burns to ash--all's one, fire proves its power For good or ill, since men call flare success.
But paint a fire, it will not therefore burn.
Light one in me, I'll find it food enough! Why, to be Luther--that's a life to lead, Incomparably better than my own.
He comes, reclaims God's earth for God, he says, Sets up God's rule again by simple means, Re-opens a shut book, and all is done.
He flared out in the flaring of mankind; Such Luther's luck was: how shall such be mine? If he succeeded, nothing's left to do: And if he did not altogether--well, Strauss is the next advance.
All Strauss should be I might be also.
But to what result? He looks upon no future: Luther did.
What can I gain on the denying side? Ice makes no conflagration.
State the facts, Read the text right, emancipate the world-- The emancipated world enjoys itself With scarce a thank-you: Blougram told it first It could not owe a farthing,--not to him More than Saint Paul! 't would press its pay, you think? Then add there's still that plaguy hundredth chance Strauss may be wrong.
And so a risk is run-- For what gain? not for Luther's, who secured A real heaven in his heart throughout his life, Supposing death a little altered things.
"Ay, but since really you lack faith," you cry, "You run the same risk really on all sides, "In cool indifference as bold unbelief.
"As well be Strauss as swing 'twixt Paul and him.
"It's not worth having, such imperfect faith, "No more available to do faith's work "Than unbelief like mine.
Whole faith, or none!" Softly, my friend! I must dispute that point Once own the use of faith, I'll find you faith.
We're back on Christian ground.
You call for faith: I show you doubt, to prove that faith exists.
The more of doubt, the stronger faith, I say, If faith o'ercomes doubt.
How I know it does? By life and man's free will, God gave for that! To mould life as we choose it, shows our choice: That's our one act, the previous work's his own.
You criticize the soul? it reared this tree-- This broad life and whatever fruit it bears! What matter though I doubt at every pore, Head-doubts, heart-doubts, doubts at my fingers' ends, Doubts in the trivial work of every day, Doubts at the very bases of my soul In the grand moments when she probes herself-- If finally I have a life to show, The thing I did, brought out in evidence Against the thing done to me underground By hell and all its brood, for aught I know? I say, whence sprang this? shows it faith or doubt? All's doubt in me; where's break of faith in this? It is the idea, the feeling and the love, God means mankind should strive for and show forth Whatever be the process to that end,-- And not historic knowledge, logic sound, And metaphysical acumen, sure! "What think ye of Christ," friend? when all's done and said, Like you this Christianity or not? It may be false, but will you wish it true? Has it your vote to be so if it can? Trust you an instinct silenced long ago That will break silence and enjoin you love What mortified philosophy is hoarse, And all in vain, with bidding you despise? If you desire faith--then you've faith enough: What else seeks God--nay, what else seek ourselves? You form a notion of me, we'll suppose, On hearsay; it's a favourable one: "But still" (you add), "there was no such good man, "Because of contradiction in the facts.
"One proves, for instance, he was born in Rome, "This Blougram; yet throughout the tales of him "I see he figures as an Englishman.
" Well, the two things are reconcileable.
But would I rather you discovered that, Subjoining--"Still, what matter though they be? "Blougram concerns me nought, born here or there.
" Pure faith indeed--you know not what you ask! Naked belief in God the Omnipotent, Omniscient, Omnipresent, sears too much The sense of conscious creatures to be borne.
It were the seeing him, no flesh shall dare Some think, Creation's meant to show him forth: I say it's meant to hide him all it can, And that's what all the blessed evil's for.
Its use in Time is to environ us, Our breath, our drop of dew, with shield enough Against that sight till we can bear its stress.
Under a vertical sun, the exposed brain And lidless eye and disemprisoned heart Less certainly would wither up at once Than mind, confronted with the truth of him.
But time and earth case-harden us to live; The feeblest sense is trusted most; the child Feels God a moment, ichors o'er the place, Plays on and grows to be a man like us.
With me, faith means perpetual unbelief Kept quiet like the snake 'neath Michael's foot Who stands calm just because he feels it writhe.
Or, if that's too ambitious,--here's my box-- I need the excitation of a pinch Threatening the torpor of the inside-nose Nigh on the imminent sneeze that never comes.
"Leave it in peace" advise the simple folk: Make it aware of peace by itching-fits, Say I--let doubt occasion still more faith! You'll say, once all believed, man, woman, child, In that dear middle-age these noodles praise.
How you'd exult if I could put you back Six hundred years, blot out cosmogony, Geology, ethnology, what not (Greek endings, each the little passing-bell That signifies some faith's about to die), And set you square with Genesis again,-- When such a traveller told you his last news, He saw the ark a-top of Ararat But did not climb there since 't was getting dusk And robber-bands infest the mountain's foot! How should you feel, I ask, in such an age, How act? As other people felt and did; With soul more blank than this decanter's knob, Believe--and yet lie, kill, rob, fornicate Full in belief's face, like the beast you'd be! No, when the fight begins within himself, A man's worth something.
God stoops o'er his head, Satan looks up between his feet--both tug-- He's left, himself, i' the middle: the soul wakes And grows.
Prolong that battle through his life! Never leave growing till the life to come! Here, we've got callous to the Virgin's winks That used to puzzle people wholesomely: Men have outgrown the shame of being fools.
What are the laws of nature, not to bend If the Church bid them?--brother Newman asks.
Up with the Immaculate Conception, then-- On to the rack with faith!--is my advice.
Will not that hurry us upon our knees, Knocking our breasts, "It can't be--yet it shall! "Who am I, the worm, to argue with my Pope? "Low things confound the high things!" and so forth.
That's better than acquitting God with grace As some folk do.
He's tried--no case is proved, Philosophy is lenient--he may go! You'll say, the old system's not so obsolete But men believe still: ay, but who and where? King Bomba's lazzaroni foster yet The sacred flame, so Antonelli writes; But even of these, what ragamuffin-saint Believes God watches him continually, As he believes in fire that it will burn, Or rain that it will drench him? Break fire's law, Sin against rain, although the penalty Be just a singe or soaking? "No," he smiles; "Those laws are laws that can enforce themselves.
" The sum of all is--yes, my doubt is great, My faith's still greater, then my faith's enough.
I have read much, thought much, experienced much, Yet would die rather than avow my fear The Naples' liquefaction may be false, When set to happen by the palace-clock According to the clouds or dinner-time.
I hear you recommend, I might at least Eliminate, decrassify my faith Since I adopt it; keeping what I must And leaving what I can--such points as this.
I won't--that is, I can't throw one away.
Supposing there's no truth in what I hold About the need of trial to man's faith, Still, when you bid me purify the same, To such a process I discern no end.
Clearing off one excrescence to see two, There's ever a next in size, now grown as big, That meets the knife: I cut and cut again! First cut the Liquefaction, what comes last But Fichte's clever cut at God himself? Experimentalize on sacred things! I trust nor hand nor eye nor heart nor brain To stop betimes: they all get drunk alike.
The first step, I am master not to take.
You'd find the cutting-process to your taste As much as leaving growths of lies unpruned, Nor see more danger in it,--you retort.
Your taste's worth mine; but my taste proves more wise When we consider that the steadfast hold On the extreme end of the chain of faith Gives all the advantage, makes the difference With the rough purblind mass we seek to rule: We are their lords, or they are free of us, Just as we tighten or relax our hold.
So, others matters equal, we'll revert To the first problem--which, if solved my way And thrown into the balance, turns the scale-- How we may lead a comfortable life, How suit our luggage to the cabin's size.
Of course you are remarking all this time How narrowly and grossly I view life, Respect the creature-comforts, care to rule The masses, and regard complacently "The cabin," in our old phrase.
Well, I do.
I act for, talk for, live for this world now, As this world prizes action, life and talk: No prejudice to what next world may prove, Whose new laws and requirements, my best pledge To observe then, is that I observe these now, Shall do hereafter what I do meanwhile.
Let us concede (gratuitously though) Next life relieves the soul of body, yields Pure spiritual enjoyment: well, my friend, Why lose this life i' the meantime, since its use May be to make the next life more intense? Do you know, I have often had a dream (Work it up in your next month's article) Of man's poor spirit in its progress, still Losing true life for ever and a day Through ever trying to be and ever being-- In the evolution of successive spheres-- Before its actual sphere and place of life, Halfway into the next, which having reached, It shoots with corresponding foolery Halfway into the next still, on and off! As when a traveller, bound from North to South, Scouts fur in Russia: what's its use in France? In France spurns flannel: where's its need in Spain? In Spain drops cloth, too cumbrous for Algiers! Linen goes next, and last the skin itself, A superfluity at Timbuctoo.
When, through his journey, was the fool at ease? I'm at ease now, friend; worldly in this world, I take and like its way of life; I think My brothers, who administer the means, Live better for my comfort--that's good too; And God, if he pronounce upon such life, Approves my service, which is better still.
If he keep silence,--why, for you or me Or that brute beast pulled-up in to-day's "Times," What odds is't, save to ourselves, what life we lead? You meet me at this issue: you declare,-- All special-pleading done with--truth is truth, And justifies itself by undreamed ways.
You don't fear but it's better, if we doubt, To say so, act up to our truth perceived However feebly.
Do then,--act away! 'T is there I'm on the watch for you.
How one acts Is, both of us agree, our chief concern: And how you'll act is what I fain would see If, like the candid person you appear, You dare to make the most of your life's scheme As I of mine, live up to its full law Since there's no higher law that counterchecks.
Put natural religion to the test You've just demolished the revealed with--quick, Down to the root of all that checks your will, All prohibition to lie, kill and thieve, Or even to be an atheistic priest! Suppose a pricking to incontinence-- Philosophers deduce you chastity Or shame, from just the fact that at the first Whoso embraced a woman in the field, Threw club down and forewent his brains beside, So, stood a ready victim in the reach Of any brother savage, club in hand; Hence saw the use of going out of sight In wood or cave to prosecute his loves: I read this in a French book t' other day.
Does law so analysed coerce you much? Oh, men spin clouds of fuzz where matters end, But you who reach where the first thread begins, You'll soon cut that!--which means you can, but won't, Through certain instincts, blind, unreasoned-out, You dare not set aside, you can't tell why, But there they are, and so you let them rule.
Then, friend, you seem as much a slave as I, A liar, conscious coward and hypocrite, Without the good the slave expects to get, In case he has a master after all! You own your instincts? why, what else do I, Who want, am made for, and must have a God Ere I can be aught, do aught?--no mere name Want, but the true thing with what proves its truth, To wit, a relation from that thing to me, Touching from head to foot--which touch I feel, And with it take the rest, this life of ours! I live my life here; yours you dare not live.
--Not as I state it, who (you please subjoin) Disfigure such a life and call it names, While, to your mind, remains another way For simple men: knowledge and power have rights, But ignorance and weakness have rights too.
There needs no crucial effort to find truth If here or there or anywhere about: We ought to turn each side, try hard and see, And if we can't, be glad we've earned at least The right, by one laborious proof the more, To graze in peace earth's pleasant pasturage.
Men are not angels, neither are they brutes: Something we may see, all we cannot see.
What need of lying? I say, I see all, And swear to each detail the most minute In what I think a Pan's face--you, mere cloud: I swear I hear him speak and see him wink, For fear, if once I drop the emphasis, Mankind may doubt there's any cloud at all.
You take the simple life--ready to see, Willing to see (for no cloud's worth a face)-- And leaving quiet what no strength can move, And which, who bids you move? who has the right? I bid you; but you are God's sheep, not mine: " Pastor est tui Dominus .
" You find In this the pleasant pasture of our life Much you may eat without the least offence, Much you don't eat because your maw objects, Much you would eat but that your fellow-flock Open great eyes at you and even butt, And thereupon you like your mates so well You cannot please yourself, offending them; Though when they seem exorbitantly sheep, You weigh your pleasure with their butts and bleats And strike the balance.
Sometimes certain fears Restrain you, real checks since you find them so; Sometimes you please yourself and nothing checks: And thus you graze through life with not one lie, And like it best.
But do you, in truth's name? If so, you beat--which means you are not I-- Who needs must make earth mine and feed my fill Not simply unbutted at, unbickered with, But motioned to the velvet of the sward By those obsequious wethers' very selves.
Look at me, sir; my age is double yours: At yours, I knew beforehand, so enjoyed, What now I should be--as, permit the word, I pretty well imagine your whole range And stretch of tether twenty years to come.
We both have minds and bodies much alike: In truth's name, don't you want my bishopric, My daily bread, my influence and my state? You're young.
I'm old; you must be old one day; Will you find then, as I do hour by hour, Women their lovers kneel to, who cut curls From your fat lap-dog's ear to grace a brooch-- Dukes, who petition just to kiss your ring-- With much beside you know or may conceive? Suppose we die to-night: well, here am I, Such were my gains, life bore this fruit to me, While writing all the same my articles On music, poetry, the fictile vase Found at Albano, chess, Anacreon's Greek.
But you--the highest honour in your life, The thing you'll crown yourself with, all your days, Is--dining here and drinking this last glass I pour you out in sign of amity Before we part for ever.
Of your power And social influence, worldly worth in short, Judge what's my estimation by the fact, I do not condescend to enjoin, beseech, Hint secrecy on one of all these words! You're shrewd and know that should you publish one The world would brand the lie--my enemies first, Who'd sneer--"the bishop's an arch-hypocrite "And knave perhaps, but not so frank a fool.
" Whereas I should not dare for both my ears Breathe one such syllable, smile one such smile, Before the chaplain who reflects myself-- My shade's so much more potent than your flesh.
What's your reward, self-abnegating friend? Stood you confessed of those exceptional And privileged great natures that dwarf mine-- A zealot with a mad ideal in reach, A poet just about to print his ode, A statesman with a scheme to stop this war, An artist whose religion is his art-- I should have nothing to object: such men Carry the fire, all things grow warm to them, Their drugget's worth my purple, they beat me.
But you,--you're just as little those as I-- You, Gigadibs, who, thirty years of age, Write statedly for Blackwood's Magazine, Believe you see two points in Hamlet's soul Unseized by the Germans yet--which view you'll print-- Meantime the best you have to show being still That lively lightsome article we took Almost for the true Dickens,--what's its name? "The Slum and Cellar, or Whitechapel life "Limned after dark!" it made me laugh, I know, And pleased a month, and brought you in ten pounds.
--Success I recognize and compliment, And therefore give you, if you choose, three words (The card and pencil-scratch is quite enough) Which whether here, in Dublin or New York, Will get you, prompt as at my eyebrow's wink, Such terms as never you aspired to get In all our own reviews and some not ours.
Go write your lively sketches! be the first "Blougram, or The Eccentric Confidence"-- Or better simply say, "The Outward-bound.
" Why, men as soon would throw it in my teeth As copy and quote the infamy chalked broad About me on the church-door opposite.
You will not wait for that experience though, I fancy, howsoever you decide, To discontinue--not detesting, not Defaming, but at least--despising me! Over his wine so smiled and talked his hour Sylvester Blougram, styled in partibus Episcopus, nec non --(the deuce knows what It's changed to by our novel hierarchy) With Gigadibs the literary man, Who played with spoons, explored his plate's design, And ranged the olive-stones about its edge, While the great bishop rolled him out a mind Long crumpled, till creased consciousness lay smooth.
For Blougram, he believed, say, half he spoke.
The other portion, as he shaped it thus For argumentatory purposes, He felt his foe was foolish to dispute.
Some arbitrary accidental thoughts That crossed his mind, amusing because new, He chose to represent as fixtures there, Invariable convictions (such they seemed Beside his interlocutor's loose cards Flung daily down, and not the same way twice) While certain hell deep instincts, man's weak tongue Is never bold to utter in their truth Because styled hell-deep ('t is an old mistake To place hell at the bottom of the earth) He ignored these,--not having in readiness Their nomenclature and philosophy: He said true things, but called them by wrong names.
"On the whole," he thought, "I justify myself "On every point where cavillers like this "Oppugn my life: he tries one kind of fence, "I close, he's worsted, that's enough for him.
"He's on the ground: if ground should break away "I take my stand on, there's a firmer yet "Beneath it, both of us may sink and reach.
"His ground was over mine and broke the first: "So, let him sit with me this many a year!" He did not sit five minutes.
Just a week Sufficed his sudden healthy vehemence.
Something had struck him in the "Outward-bound" Another way than Blougram's purpose was: And having bought, not cabin-furniture But settler's-implements (enough for three) And started for Australia--there, I hope, By this time he has tested his first plough, And studied his last chapter of St.
John.


by Robert Browning |

A Pretty Woman

 I

That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!

II

To think men cannot take you, Sweet,
And enfold you,
Ay, and hold you,
And so keep you what they make you, Sweet!

III

You like us for a glance, you know— 
For a word's sake,
Or a sword's sake,
All's the same, whate'er the chance, you know.
IV And in turn we make you ours, we say— You and youth too, Eyes and mouth too, All the face composed of flowers, we say.
V All's our own, to make the most of, Sweet— Sing and say for, Watch and pray for, Keep a secret or go boast of, Sweet.
VI But for loving, why, you would not, Sweet, Though we prayed you, Paid you, brayed you In a mortar—for you could not, Sweet.
VII So, we leave the sweet face fondly there— Be its beauty Its sole duty! Let all hope of grace beyond, lie there! VIII And while the face lies quiet there, Who shall wonder That I ponder A conclusion? I will try it there.
IX As,—why must one, for the love forgone, Scout mere liking? Thunder-striking Earth,—the heaven, we looked above for, gone! X Why with beauty, needs there money be— Love with liking? Crush the fly-king In his gauze, because no honey bee? XI May not liking be so simple-sweet, If love grew there 'Twould undo there All that breaks the cheek to dimples sweet? XII Is the creature too imperfect, say? Would you mend it And so end it? Since not all addition perfects aye! XIII Or is it of its kind, perhaps, Just perfection— Whence, rejection Of a grace not to its mind, perhaps? XIV Shall we burn up, tread that face at once Into tinder And so hinder Sparks from kindling all the place at once? XV Or else kiss away one's soul on her? Your love-fancies!— A sick man sees Truer, when his hot eyes roll on her! XVI Thus the craftsman thinks to grace the rose,— Plucks a mould-flower For his gold flower, Uses fine things that efface the rose.
XVII Rosy rubies make its cup more rose, Precious metals Ape the petals,— Last, some old king locks it up, morose! XVIII Then, how grace a rose? I know a way! Leave it rather.
Must you gather? Smell, kiss, wear it—at last, throw away!


by Robert Browning |

Up At A Villa— Down In The City

 (As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.
III Well now, look at our villa! stuck like the horn of a bull Just on a mountain's edge as bare as the creature's skull, Save a mere shag of a bush with hardly a leaf to pull! - I scratch my own, sometimes, to see if the hair's turned wool.
IV But the city, oh the city—the square with the houses! Why? They are stone-faced, white as a curd, there's something to take the eye! Houses in four straight lines, not a single front awry! You watch who crosses and gossips, who saunters, who hurries by: Green blinds, as a matter of course, to draw when the sun gets high; And the shops with fanciful signs which are painted properly.
V What of a villa? Though winter be over in March by rights, 'Tis May perhaps ere the snow shall have withered well off the heights: You've the brown ploughed land before, where the oxen steam and wheeze, And the hills over-smoked behind by the faint grey olive trees.
VI Is it better in May, I ask you? You've summer all at once; In a day he leaps complete with a few strong April suns.
'Mid the sharp short emerald wheat, scarce risen three fingers well, The wild tulip, at end of its tube, blows out its great red bell Like a thin clear bubble of blood, for the children to pick and sell.
VII Is it ever hot in the square? There's a fountain to spout and splash! In the shade it sings and springs; in the shine such foam-bows flash On the horses with curling fish-tails, that prance and paddle and pash Round the lady atop in her conch—fifty gazers do not abash, Though all that she wears is some weeds round her waist in a sort of sash! VIII All the year long at the villa, nothing to see though you linger, Except yon cypress that points like Death's lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle, Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill, And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.
IX Ere opening your eyes in the city, the blessed church-bells begin: No sooner the bells leave off than the diligence rattles in: You get the pick of the news, and it costs you never a pin.
By and by there's the travelling doctor gives pills, lets blood, draws teeth; Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot! And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop's most fatherly of rebukes, And beneath, with his crown and his lion, some little new law of the Duke's! Or a sonnet with flowery marge, to the Reverend Don So-and-so Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero, "And moreover," (the sonnet goes rhyming,) "the skirts of Saint Paul has reached, Having preached us those six Lent-lectures more unctuous than ever he preached.
" Noon strikes,—here sweeps the procession! our Lady borne smiling and smart With a pink gauze gown all spangles, and seven swords stuck in her heart! Bang, whang, whang goes the drum, tootle-te-tootle the fife; No keeping one's haunches still: it's the greatest pleasure in life.
X But bless you, it's dear—it's dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate It's a horror to think of.
And so, the villa for me, not the city! Beggars can scarcely be choosers: but still—ah, the pity, the pity! Look, two and two go the priests, then the monks with cowls and sandals, And the penitents dressed in white shirts, a-holding the yellow candles; One, he carries a flag up straight, and another a cross with handles, And the Duke's guard brings up the rear, for the better prevention of scandals.
Bang, whang, whang goes the drum, tootle-te-tootle the fife.
Oh, a day in the city-square, there is no such pleasure in life!


by Robert Browning |

Old Pictures In Florence

 I.
The morn when first it thunders in March, The eel in the pond gives a leap, they say: As I leaned and looked over the aloed arch Of the villa-gate this warm March day, No flash snapped, no dumb thunder rolled In the valley beneath where, white and wide And washed by the morning water-gold, Florence lay out on the mountain-side.
II.
River and bridge and street and square Lay mine, as much at my beck and call, Through the live translucent bath of air, As the sights in a magic crystal ball.
And of all I saw and of all I praised, The most to praise and the best to see Was the startling bell-tower Giotto raised: But why did it more than startle me? III.
Giotto, how, with that soul of yours, Could you play me false who loved you so? Some slights if a certain heart endures Yet it feels, I would have your fellows know! I' faith, I perceive not why I should care To break a silence that suits them best, But the thing grows somewhat hard to bear When I find a Giotto join the rest.
IV.
On the arch where olives overhead Print the blue sky with twig and leaf, (That sharp-curled leaf which they never shed) 'Twixt the aloes, I used to lean in chief, And mark through the winter afternoons, By a gift God grants me now and then, In the mild decline of those suns like moons, Who walked in Florence, besides her men.
V.
They might chirp and chaffer, come and go For pleasure or profit, her men alive--- My business was hardly with them, I trow, But with empty cells of the human hive; ---With the chapter-room, the cloister-porch, The church's apsis, aisle or nave, Its crypt, one fingers along with a torch, Its face set full for the sun to shave.
VI.
Wherever a fresco peels and drops, Wherever an outline weakens and wanes Till the latest life in the painting stops, Stands One whom each fainter pulse-tick pains: One, wishful each scrap should clutch the brick, Each tinge not wholly escape the plaster, ---A lion who dies of an ass's kick, The wronged great soul of an ancient Master.
VII.
For oh, this world and the wrong it does They are safe in heaven with their backs to it, The Michaels and Rafaels, you hum and buzz Round the works of, you of the little wit! Do their eyes contract to the earth's old scope, Now that they see God face to face, And have all attained to be poets, I hope? 'Tis their holiday now, in any case.
VIII.
Much they reck of your praise and you! But the wronged great souls---can they be quit Of a world where their work is all to do, Where you style them, you of the little wit, Old Master This and Early the Other, Not dreaming that Old and New are fellows: A younger succeeds to an elder brother, Da Vincis derive in good time from Dellos.
IX.
And here where your praise might yield returns, And a handsome word or two give help, Here, after your kind, the mastiff girns And the puppy pack of poodles yelp.
What, not a word for Stefano there, Of brow once prominent and starry, Called Nature's Ape and the world's despair For his peerless painting? (See Vasari.
) X.
There stands the Master.
Study, my friends, What a man's work comes to! So he plans it, Performs it, perfects it, makes amends For the toiling and moiling, and then, _sic transit!_ Happier the thrifty blind-folk labour, With upturned eye while the hand is busy, Not sidling a glance at the coin of their neighbour! 'Tis looking downward that makes one dizzy.
XI.
``If you knew their work you would deal your dole.
'' May I take upon me to instruct you? When Greek Art ran and reached the goal, Thus much had the world to boast _in fructu_--- The Truth of Man, as by God first spoken, Which the actual generations garble, Was re-uttered, and Soul (which Limbs betoken) And Limbs (Soul informs) made new in marble.
XII.
So, you saw yourself as you wished you were, As you might have been, as you cannot be; Earth here, rebuked by Olympus there: And grew content in your poor degree With your little power, by those statues' godhead, And your little scope, by their eyes' full sway, And your little grace, by their grace embodied, And your little date, by their forms that stay.
XIII.
You would fain be kinglier, say, than I am? Even so, you will not sit like Theseus.
You would prove a model? The Son of Priam Has yet the advantage in arms' and knees' use.
You're wroth---can you slay your snake like Apollo? You're grieved---still Niobe's the grander! You live---there's the Racers' frieze to follow: You die---there's the dying Alexander.
XIV.
So, testing your weakness by their strength, Your meagre charms by their rounded beauty, Measured by Art in your breadth and length, You learned---to submit is a mortal's duty.
---When I say ``you'' 'tis the common soul, The collective, I mean: the race of Man That receives life in parts to live in a whole, And grow here according to God's clear plan.
XV.
Growth came when, looking your last on them all, You turned your eyes inwardly one fine day And cried with a start---What if we so small Be greater and grander the while than they? Are they perfect of lineament, perfect of stature? In both, of such lower types are we Precisely because of our wider nature; For time, theirs---ours, for eternity.
XVI.
To-day's brief passion limits their range; It seethes with the morrow for us and more.
They are perfect---how else? they shall never change: We are faulty---why not? we have time in store.
The Artificer's hand is not arrested With us; we are rough-hewn, nowise polished: They stand for our copy, and, once invested With all they can teach, we shall see them abolished.
XVII.
'Tis a life-long toil till our lump be leaven--- The better! What's come to perfection perishes.
Things learned on earth, we shall practise in heaven: Works done least rapidly, Art most cherishes.
Thyself shalt afford the example, Giotto! Thy one work, not to decrease or diminish, Done at a stroke, was just (was it not?) ``O!'' Thy great Campanile is still to finish.
XVIII.
Is it true that we are now, and shall be hereafter, But what and where depend on life's minute? Hails heavenly cheer or infernal laughter Our first step out of the gulf or in it? Shall Man, such step within his endeavour, Man's face, have no more play and action Than joy which is crystallized for ever, Or grief, an eternal petrifaction? XIX.
On which I conclude, that the early painters, To cries of ``Greek Art and what more wish you?''--- Replied, ``To become now self-acquainters, ``And paint man man, whatever the issue! ``Make new hopes shine through the flesh they fray, ``New fears aggrandize the rags and tatters: ``To bring the invisible full into play! ``Let the visible go to the dogs---what matters?'' XX.
Give these, I exhort you, their guerdon and glory For daring so much, before they well did it.
The first of the new, in our race's story, Beats the last of the old; 'tis no idle quiddit.
The worthies began a revolution, Which if on earth you intend to acknowledge, Why, honour them now! (ends my allocution) Nor confer your degree when the folk leave college.
XXI.
There's a fancy some lean to and others hate--- That, when this life is ended, begins New work for the soul in another state, Where it strives and gets weary, loses and wins: Where the strong and the weak, this world's congeries, Repeat in large what they practised in small, Through life after life in unlimited series; Only the scale's to be changed, that's all.
XXII.
Yet I hardly know.
When a soul has seen By the means of Evil that Good is best, And, through earth and its noise, what is heaven's serene,--- When our faith in the same has stood the test--- Why, the child grown man, you burn the rod, The uses of labour are surely done; There remaineth a rest for the people of God: And I have had troubles enough, for one.
XXIII.
But at any rate I have loved the season Of Art's spring-birth so dim and dewy; My sculptor is Nicolo the Pisan, My painter---who but Cimabue? Nor ever was man of them all indeed, From these to Ghiberti and Ghirlandaio, Could say that he missed my critic-meed.
So, now to my special grievance---heigh ho! XXIV.
Their ghosts still stand, as I said before, Watching each fresco flaked and rasped, Blocked up, knocked out, or whitewashed o'er: ---No getting again what the church has grasped! The works on the wall must take their chance; ``Works never conceded to England's thick clime!'' (I hope they prefer their inheritance Of a bucketful of Italian quick-lime.
) XXV.
When they go at length, with such a shaking Of heads o'er the old delusion, sadly Each master his way through the black streets taking, Where many a lost work breathes though badly--- Why don't they bethink them of who has merited? Why not reveal, while their pictures dree Such doom, how a captive might be out-ferreted? Why is it they never remember me? XXVI.
Not that I expect the great Bigordi, Nor Sandro to hear me, chivalric, bellicose; Nor the wronged Lippino; and not a word I Say of a scrap of Fr Angelico's: But are you too fine, Taddeo Gaddi, To grant me a taste of your intonaco, Some Jerome that seeks the heaven with a sad eye? Not a churlish saint, Lorenzo Monaco? XXVII.
Could not the ghost with the close red cap, My Pollajolo, the twice a craftsman, Save me a sample, give me the hap Of a muscular Christ that shows the draughtsman? No Virgin by him the somewhat petty, Of finical touch and tempera crumbly--- Could not Alesso Baldovinetti Contribute so much, I ask him humbly? XXVIII.
Margheritone of Arezzo, With the grave-clothes garb and swaddling barret (Why purse up mouth and beak in a pet so, You bald old saturnine poll-clawed parrot?) Not a poor glimmering Crucifixion, Where in the foreground kneels the donor? If such remain, as is my conviction, The hoarding it does you but little honour.
XXIX.
They pass; for them the panels may thrill, The tempera grow alive and tinglish; Their pictures are left to the mercies still Of dealers and stealers, Jews and the English, Who, seeing mere money's worth in their prize, Will sell it to somebody calm as Zeno At naked High Art, and in ecstasies Before some clay-cold vile Carlino! XXX.
No matter for these! But Giotto, you, Have you allowed, as the town-tongues babble it,--- Oh, never! it shall not be counted true--- That a certain precious little tablet Which Buonarroti eyed like a lover,--- Was buried so long in oblivion's womb And, left for another than I to discover, Turns up at last! and to whom?---to whom? XXXI.
I, that have haunted the dim San Spirito, (Or was it rather the Ognissanti?) Patient on altar-step planting a weary toe! Nay, I shall have it yet! _Detur amanti!_ My Koh-i-noor-or (if that's a platitude) Jewel of Giamschid, the Persian Sofi's eye So, in anticipative gratitude, What if I take up my hope and prophesy? XXXII.
When the hour grows ripe, and a certain dotard Is pitched, no parcel that needs invoicing, To the worse side of the Mont Saint Gothard, We shall begin by way of rejoicing; None of that shooting the sky (blank cartridge), Nor a civic guard, all plumes and lacquer, Hunting Radetzky's soul like a partridge Over Morello with squib and cracker.
XXXIII.
This time we'll shoot better game and bag 'em hot--- No mere display at the stone of Dante, But a kind of sober Witanagemot (Ex: ``Casa Guidi,'' _quod videas ante_) Shall ponder, once Freedom restored to Florence, How Art may return that departed with her.
Go, hated house, go each trace of the Loraine's, And bring us the days of Orgagna hither! XXXIV.
How we shall prologize, how we shall perorate, Utter fit things upon art and history, Feel truth at blood-heat and falsehood at zero rate, Make of the want of the age no mystery; Contrast the fructuous and sterile eras, Show---monarchy ever its uncouth cub licks Out of the bear's shape into Chimra's, While Pure Art's birth is still the republic's.
XXXV.
Then one shall propose in a speech (curt Tuscan, Expurgate and sober, with scarcely an ``_issimo,_'') To end now our half-told tale of Cambuscan, And turn the bell-tower's _alt_ to _altissimo_: And fine as the beak of a young beccaccia The Campanile, the Duomo's fit ally, Shall soar up in gold full fifty braccia, Completing Florence, as Florence Italy.
XXXVI.
Shall I be alive that morning the scaffold Is broken away, and the long-pent fire, Like the golden hope of the world, unbaffled Springs from its sleep, and up goes the spire While ``God and the People'' plain for its motto, Thence the new tricolour flaps at the sky? At least to foresee that glory of Giotto And Florence together, the first am I! * 1 A sculptor, died 1278.
* 2 Died 1455.
Designed the bronze gates of the Baptistry at Florence.
* 3 A painter, died 1498.
* 4 The son of Fr Lippo Lippi.
Wronged, because some of his * pictures have been attributed to others.
* 5 Died 1366.
One of Giotto's pupils and assistants.
* 6 Rough cast.
* 7 Painter, sculptor, and goldsmith.
* 8 Distemper---mixture of water and egg yolk.
* 9 Sculptor and architect, died 1313- *10 All Saints.
*11 A Florentine painter, died 1576.
*12 Tartar king.
*13 A woodcock


by Robert Browning |

Andrea del Sarto

 But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine.
Will it? tenderly? Oh, I'll content him,--but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if--forgive now--should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole, Both of one mind, as married people use, Quietly, quietly the evening through, I might get up to-morrow to my work Cheerful and fresh as ever.
Let us try.
To-morrow, how you shall be glad for this! Your soft hand is a woman of itself, And mine the man's bared breast she curls inside.
Don't count the time lost, neither; you must serve For each of the five pictures we require: It saves a model.
So! keep looking so-- My serpentining beauty, rounds on rounds! --How could you ever prick those perfect ears, Even to put the pearl there! oh, so sweet-- My face, my moon, my everybody's moon, Which everybody looks on and calls his, And, I suppose, is looked on by in turn, While she looks--no one's: very dear, no less.
You smile? why, there's my picture ready made, There's what we painters call our harmony! A common greyness silvers everything,-- All in a twilight, you and I alike --You, at the point of your first pride in me (That's gone you know),--but I, at every point; My youth, my hope, my art, being all toned down To yonder sober pleasant Fiesole.
There's the bell clinking from the chapel-top; That length of convent-wall across the way Holds the trees safer, huddled more inside; The last monk leaves the garden; days decrease, And autumn grows, autumn in everything.
Eh? the whole seems to fall into a shape As if I saw alike my work and self And all that I was born to be and do, A twilight-piece.
Love, we are in God's hand.
How strange now, looks the life he makes us lead; So free we seem, so fettered fast we are! I feel he laid the fetter: let it lie! This chamber for example--turn your head-- All that's behind us! You don't understand Nor care to understand about my art, But you can hear at least when people speak: And that cartoon, the second from the door --It is the thing, Love! so such things should be-- Behold Madonna!--I am bold to say.
I can do with my pencil what I know, What I see, what at bottom of my heart I wish for, if I ever wish so deep-- Do easily, too--when I say, perfectly, I do not boast, perhaps: yourself are judge, Who listened to the Legate's talk last week, And just as much they used to say in France.
At any rate 'tis easy, all of it! No sketches first, no studies, that's long past: I do what many dream of, all their lives, --Dream? strive to do, and agonize to do, And fail in doing.
I could count twenty such On twice your fingers, and not leave this town, Who strive--you don't know how the others strive To paint a little thing like that you smeared Carelessly passing with your robes afloat,-- Yet do much less, so much less, Someone says, (I know his name, no matter)--so much less! Well, less is more, Lucrezia: I am judged.
There burns a truer light of God in them, In their vexed beating stuffed and stopped-up brain, Heart, or whate'er else, than goes on to prompt This low-pulsed forthright craftsman's hand of mine.
Their works drop groundward, but themselves, I know, Reach many a time a heaven that's shut to me, Enter and take their place there sure enough, Though they come back and cannot tell the world.
My works are nearer heaven, but I sit here.
The sudden blood of these men! at a word-- Praise them, it boils, or blame them, it boils too.
I, painting from myself and to myself, Know what I do, am unmoved by men's blame Or their praise either.
Somebody remarks Morello's outline there is wrongly traced, His hue mistaken; what of that? or else, Rightly traced and well ordered; what of that? Speak as they please, what does the mountain care? Ah, but a man's reach should exceed his grasp, Or what's a heaven for? All is silver-grey, Placid and perfect with my art: the worse! I know both what I want and what might gain, And yet how profitless to know, to sigh "Had I been two, another and myself, "Our head would have o'erlooked the world!" No doubt.
Yonder's a work now, of that famous youth The Urbinate who died five years ago.
('Tis copied, George Vasari sent it me.
) Well, I can fancy how he did it all, Pouring his soul, with kings and popes to see, Reaching, that heaven might so replenish him, Above and through his art--for it gives way; That arm is wrongly put--and there again-- A fault to pardon in the drawing's lines, Its body, so to speak: its soul is right, He means right--that, a child may understand.
Still, what an arm! and I could alter it: But all the play, the insight and the stretch-- (Out of me, out of me! And wherefore out? Had you enjoined them on me, given me soul, We might have risen to Rafael, I and you! Nay, Love, you did give all I asked, I think-- More than I merit, yes, by many times.
But had you--oh, with the same perfect brow, And perfect eyes, and more than perfect mouth, And the low voice my soul hears, as a bird The fowler's pipe, and follows to the snare -- Had you, with these the same, but brought a mind! Some women do so.
Had the mouth there urged "God and the glory! never care for gain.
"The present by the future, what is that? "Live for fame, side by side with Agnolo! "Rafael is waiting: up to God, all three!" I might have done it for you.
So it seems: Perhaps not.
All is as God over-rules.
Beside, incentives come from the soul's self; The rest avail not.
Why do I need you? What wife had Rafael, or has Agnolo? In this world, who can do a thing, will not; And who would do it, cannot, I perceive: Yet the will's somewhat--somewhat, too, the power-- And thus we half-men struggle.
At the end, God, I conclude, compensates, punishes.
'Tis safer for me, if the award be strict, That I am something underrated here, Poor this long while, despised, to speak the truth.
I dared not, do you know, leave home all day, For fear of chancing on the Paris lords.
The best is when they pass and look aside; But they speak sometimes; I must bear it all.
Well may they speak! That Francis, that first time, And that long festal year at Fontainebleau! I surely then could sometimes leave the ground, Put on the glory, Rafael's daily wear, In that humane great monarch's golden look,-- One finger in his beard or twisted curl Over his mouth's good mark that made the smile, One arm about my shoulder, round my neck, The jingle of his gold chain in my ear, I painting proudly with his breath on me, All his court round him, seeing with his eyes, Such frank French eyes, and such a fire of souls Profuse, my hand kept plying by those hearts,-- And, best of all, this, this, this face beyond, This in the background, waiting on my work, To crown the issue with a last reward! A good time, was it not, my kingly days? And had you not grown restless.
.
.
but I know-- 'Tis done and past: 'twas right, my instinct said: Too live the life grew, golden and not grey, And I'm the weak-eyed bat no sun should tempt Out of the grange whose four walls make his world.
How could it end in any other way? You called me, and I came home to your heart.
The triumph was--to reach and stay there; since I reached it ere the triumph, what is lost? Let my hands frame your face in your hair's gold, You beautiful Lucrezia that are mine! "Rafael did this, Andrea painted that; "The Roman's is the better when you pray, "But still the other's Virgin was his wife--" Men will excuse me.
I am glad to judge Both pictures in your presence; clearer grows My better fortune, I resolve to think.
For, do you know, Lucrezia, as God lives, Said one day Agnolo, his very self, To Rafael .
.
.
I have known it all these years .
.
.
(When the young man was flaming out his thoughts Upon a palace-wall for Rome to see, Too lifted up in heart because of it) "Friend, there's a certain sorry little scrub "Goes up and down our Florence, none cares how, "Who, were he set to plan and execute "As you are, pricked on by your popes and kings, "Would bring the sweat into that brow of yours!" To Rafael's!--And indeed the arm is wrong.
I hardly dare .
.
.
yet, only you to see, Give the chalk here--quick, thus, the line should go! Ay, but the soul! he's Rafael! rub it out! Still, all I care for, if he spoke the truth, (What he? why, who but Michel Agnolo? Do you forget already words like those?) If really there was such a chance, so lost,-- Is, whether you're--not grateful--but more pleased.
Well, let me think so.
And you smile indeed! This hour has been an hour! Another smile? If you would sit thus by me every night I should work better, do you comprehend? I mean that I should earn more, give you more.
See, it is settled dusk now; there's a star; Morello's gone, the watch-lights show the wall, The cue-owls speak the name we call them by.
Come from the window, love,--come in, at last, Inside the melancholy little house We built to be so gay with.
God is just.
King Francis may forgive me: oft at nights When I look up from painting, eyes tired out, The walls become illumined, brick from brick Distinct, instead of mortar, fierce bright gold, That gold of his I did cement them with! Let us but love each other.
Must you go? That Cousin here again? he waits outside? Must see you--you, and not with me? Those loans? More gaming debts to pay? you smiled for that? Well, let smiles buy me! have you more to spend? While hand and eye and something of a heart Are left me, work's my ware, and what's it worth? I'll pay my fancy.
Only let me sit The grey remainder of the evening out, Idle, you call it, and muse perfectly How I could paint, were I but back in France, One picture, just one more--the Virgin's face, Not yours this time! I want you at my side To hear them--that is, Michel Agnolo-- Judge all I do and tell you of its worth.
Will you? To-morrow, satisfy your friend.
I take the subjects for his corridor, Finish the portrait out of hand--there, there, And throw him in another thing or two If he demurs; the whole should prove enough To pay for this same Cousin's freak.
Beside, What's better and what's all I care about, Get you the thirteen scudi for the ruff! Love, does that please you? Ah, but what does he, The Cousin! what does he to please you more? I am grown peaceful as old age to-night.
I regret little, I would change still less.
Since there my past life lies, why alter it? The very wrong to Francis!--it is true I took his coin, was tempted and complied, And built this house and sinned, and all is said.
My father and my mother died of want.
Well, had I riches of my own? you see How one gets rich! Let each one bear his lot.
They were born poor, lived poor, and poor they died: And I have laboured somewhat in my time And not been paid profusely.
Some good son Paint my two hundred pictures--let him try! No doubt, there's something strikes a balance.
Yes, You loved me quite enough.
it seems to-night.
This must suffice me here.
What would one have? In heaven, perhaps, new chances, one more chance-- Four great walls in the New Jerusalem, Meted on each side by the angel's reed, For Leonard, Rafael, Agnolo and me To cover--the three first without a wife, While I have mine! So--still they overcome Because there's still Lucrezia,--as I choose.
Again the Cousin's whistle! Go, my Love.


by Gwendolyn Brooks |

The Lovers of the Poor

 arrive.
The Ladies from the Ladies' Betterment League Arrive in the afternoon, the late light slanting In diluted gold bars across the boulevard brag Of proud, seamed faces with mercy and murder hinting Here, there, interrupting, all deep and debonair, The pink paint on the innocence of fear; Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care, Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel! You had better not throw stones upon the wrens! Herein they kiss and coddle and assault Anew and dearly in the innocence With which they baffle nature.
Who are full, Sleek, tender-clad, fit, fiftyish, a-glow, all Sweetly abortive, hinting at fat fruit, Judge it high time that fiftyish fingers felt Beneath the lovelier planes of enterprise.
To resurrect.
To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor.
The very very worthy And beautiful poor.
Perhaps just not too swarthy? Perhaps just not too dirty nor too dim Nor--passionate.
In truth, what they could wish Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze! God shield them sharply from the beggar-bold! The noxious needy ones whose battle's bald Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans, Dead porridges of assorted dusty grains, The old smoke, heavy diapers, and, they're told, Something called chitterlings.
The darkness.
Drawn Darkness, or dirty light.
The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness.
Old Wood.
Old marble.
Old tile.
Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic, There is no quiet drama, no rubbed glaze, no Unkillable infirmity of such A tasteful turn as lately they have left, Glencoe, Lake Forest, and to which their cars Must presently restore them.
When they're done With dullards and distortions of this fistic Patience of the poor and put-upon.
They've never seen such a make-do-ness as Newspaper rugs before! In this, this "flat," Their hostess is gathering up the oozed, the rich Rugs of the morning (tattered! the bespattered .
.
.
), Readies to spread clean rugs for afternoon.
Here is a scene for you.
The Ladies look, In horror, behind a substantial citizeness Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor And tortured thereover, potato peelings, soft- Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put Their money collected from delicate rose-fingers Tipped with their hundred flawless rose-nails seems .
.
.
They own Spode, Lowestoft, candelabra, Mantels, and hostess gowns, and sunburst clocks, Turtle soup, Chippendale, red satin "hangings," Aubussons and Hattie Carnegie.
They Winter In Palm Beach; cross the Water in June; attend, When suitable, the nice Art Institute; Buy the right books in the best bindings; saunter On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre With fissures everywhere! Why, what are bringings Of loathe-love largesse? What shall peril hungers So old old, what shall flatter the desolate? Tin can, blocked fire escape and chitterling And swaggering seeking youth and the puzzled wreckage Of the middle passage, and urine and stale shames And, again, the porridges of the underslung And children children children.
Heavens! That Was a rat, surely, off there, in the shadows? Long And long-tailed? Gray? The Ladies from the Ladies' Betterment League agree it will be better To achieve the outer air that rights and steadies, To hie to a house that does not holler, to ring Bells elsetime, better presently to cater To no more Possibilities, to get Away.
Perhaps the money can be posted.
Perhaps they two may choose another Slum! Some serious sooty half-unhappy home!-- Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center Of the hall as they walk down the hysterical hall, They allow their lovely skirts to graze no wall, Are off at what they manage of a canter, And, resuming all the clues of what they were, Try to avoid inhaling the laden air.