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Best Famous Liver Poems

Here is a collection of the all-time best famous Liver poems. This is a select list of the best famous Liver poetry. Reading, writing, and enjoying famous Liver poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of liver poems.

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Ash Wednesday

 I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.
Pray for us sinners now and at the hour of our death Pray for us now and at the hour of our death.
II Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to sateity On my legs my heart my liver and that which had been contained In the hollow round of my skull.
And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness.
And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd.
It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject.
The Lady is withdrawn In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them.
As I am forgotten And would be forgotten, so I would forget Thus devoted, concentrated in purpose.
And God said Prophesy to the wind, to the wind only for only The wind will listen.
And the bones sang chirping With the burden of the grasshopper, saying Lady of silences Calm and distressed Torn and most whole Rose of memory Rose of forgetfulness Exhausted and life-giving Worried reposeful The single Rose Is now the Garden Where all loves end Terminate torment Of love unsatisfied The greater torment Of love satisfied End of the endless Journey to no end Conclusion of all that Is inconclusible Speech without word and Word of no speech Grace to the Mother For the Garden Where all love ends.
Under a juniper-tree the bones sang, scattered and shining We are glad to be scattered, we did little good to each other, Under a tree in the cool of day, with the blessing of sand, Forgetting themselves and each other, united In the quiet of the desert.
This is the land which ye Shall divide by lot.
And neither division nor unity Matters.
This is the land.
We have our inheritance.
III At the first turning of the second stair I turned and saw below The same shape twisted on the banister Under the vapour in the fetid air Struggling with the devil of the stairs who wears The deceitul face of hope and of despair.
At the second turning of the second stair I left them twisting, turning below; There were no more faces and the stair was dark, Damp, jaggèd, like an old man's mouth drivelling, beyond repair, Or the toothed gullet of an agèd shark.
At the first turning of the third stair Was a slotted window bellied like the figs's fruit And beyond the hawthorn blossom and a pasture scene The broadbacked figure drest in blue and green Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown, Lilac and brown hair; Distraction, music of the flute, stops and steps of the mind over the third stair, Fading, fading; strength beyond hope and despair Climbing the third stair.
Lord, I am not worthy Lord, I am not worthy but speak the word only.
IV Who walked between the violet and the violet Whe walked between The various ranks of varied green Going in white and blue, in Mary's colour, Talking of trivial things In ignorance and knowledge of eternal dolour Who moved among the others as they walked, Who then made strong the fountains and made fresh the springs Made cool the dry rock and made firm the sand In blue of larkspur, blue of Mary's colour, Sovegna vos Here are the years that walk between, bearing Away the fiddles and the flutes, restoring One who moves in the time between sleep and waking, wearing White light folded, sheathing about her, folded.
The new years walk, restoring Through a bright cloud of tears, the years, restoring With a new verse the ancient rhyme.
Redeem The time.
Redeem The unread vision in the higher dream While jewelled unicorns draw by the gilded hearse.
The silent sister veiled in white and blue Between the yews, behind the garden god, Whose flute is breathless, bent her head and signed but spoke no word But the fountain sprang up and the bird sang down Redeem the time, redeem the dream The token of the word unheard, unspoken Till the wind shake a thousand whispers from the yew And after this our exile V If the lost word is lost, if the spent word is spent If the unheard, unspoken Word is unspoken, unheard; Still is the unspoken word, the Word unheard, The Word without a word, the Word within The world and for the world; And the light shone in darkness and Against the Word the unstilled world still whirled About the centre of the silent Word.
O my people, what have I done unto thee.
Where shall the word be found, where will the word Resound? Not here, there is not enough silence Not on the sea or on the islands, not On the mainland, in the desert or the rain land, For those who walk in darkness Both in the day time and in the night time The right time and the right place are not here No place of grace for those who avoid the face No time to rejoice for those who walk among noise and deny the voice Will the veiled sister pray for Those who walk in darkness, who chose thee and oppose thee, Those who are torn on the horn between season and season, time and time, between Hour and hour, word and word, power and power, those who wait In darkness? Will the veiled sister pray For children at the gate Who will not go away and cannot pray: Pray for those who chose and oppose O my people, what have I done unto thee.
Will the veiled sister between the slender Yew trees pray for those who offend her And are terrified and cannot surrender And affirm before the world and deny between the rocks In the last desert before the last blue rocks The desert in the garden the garden in the desert Of drouth, spitting from the mouth the withered apple-seed.
O my people.
VI Although I do not hope to turn again Although I do not hope Although I do not hope to turn Wavering between the profit and the loss In this brief transit where the dreams cross The dreamcrossed twilight between birth and dying (Bless me father) though I do not wish to wish these things From the wide window towards the granite shore The white sails still fly seaward, seaward flying Unbroken wings And the lost heart stiffens and rejoices In the lost lilac and the lost sea voices And the weak spirit quickens to rebel For the bent golden-rod and the lost sea smell Quickens to recover The cry of quail and the whirling plover And the blind eye creates The empty forms between the ivory gates And smell renews the salt savour of the sandy earth This is the time of tension between dying and birth The place of solitude where three dreams cross Between blue rocks But when the voices shaken from the yew-tree drift away Let the other yew be shaken and reply.
Blessèd sister, holy mother, spirit of the fountain, spirit of the garden, Suffer us not to mock ourselves with falsehood Teach us to care and not to care Teach us to sit still Even among these rocks, Our peace in His will And even among these rocks Sister, mother And spirit of the river, spirit of the sea, Suffer me not to be separated And let my cry come unto Thee.


Written by Jack Prelutsky | Create an image from this poem

Bleezers Ice Cream

 I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
there are flavors in my freezer
you have never seen before,
twenty-eight divine creations
too delicious to resist,
why not do yourself a favor,
try the flavors on my list:

COCOA MOCHA MACARONI
TAPIOCA SMOKED BALONEY
CHECKERBERRY CHEDDAR CHEW
CHICKEN CHERRY HONEYDEW
TUTTI-FRUTTI STEWED TOMATO
TUNA TACO BAKED POTATO
LOBSTER LITCHI LIMA BEAN
MOZZARELLA MANGOSTEEN
ALMOND HAM MERINGUE SALAMI
YAM ANCHOVY PRUNE PASTRAMI
SASSAFRAS SOUVLAKI HASH
SUKIYAKI SUCCOTASH
BUTTER BRICKLE PEPPER PICKLE
POMEGRANATE PUMPERNICKEL
PEACH PIMENTO PIZZA PLUM
PEANUT PUMPKIN BUBBLEGUM
BROCCOLI BANANA BLUSTER
CHOCOLATE CHOP SUEY CLUSTER
AVOCADO BRUSSELS SPROUT
PERIWINKLE SAUERKRAUT
COTTON CANDY CARROT CUSTARD
CAULIFLOWER COLA MUSTARD
ONION DUMPLING DOUBLE DIP
TURNIP TRUFFLE TRIPLE FLIP
GARLIC GUMBO GRAVY GUAVA
LENTIL LEMON LIVER LAVA
ORANGE OLIVE BAGEL BEET
WATERMELON WAFFLE WHEAT

I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
taste a flavor from my freezer,
you will surely ask for more.
Written by Dylan Thomas | Create an image from this poem

Before I Knocked

 Before I knocked and flesh let enter,
With liquid hands tapped on the womb,
I who was as shapeless as the water
That shaped the Jordan near my home
Was brother to Mnetha's daughter
And sister to the fathering worm.
I who was deaf to spring and summer, Who knew not sun nor moon by name, Felt thud beneath my flesh's armour, As yet was in a molten form The leaden stars, the rainy hammer Swung by my father from his dome.
I knew the message of the winter, The darted hail, the childish snow, And the wind was my sister suitor; Wind in me leaped, the hellborn dew; My veins flowed with the Eastern weather; Ungotten I knew night and day.
As yet ungotten, I did suffer; The rack of dreams my lily bones Did twist into a living cipher, And flesh was snipped to cross the lines Of gallow crosses on the liver And brambles in the wringing brains.
My throat knew thirst before the structure Of skin and vein around the well Where words and water make a mixture Unfailing till the blood runs foul; My heart knew love, my belly hunger; I smelt the maggot in my stool.
And time cast forth my mortal creature To drift or drown upon the seas Acquainted with the salt adventure Of tides that never touch the shores.
I who was rich was made the richer By sipping at the vine of days.
I, born of flesh and ghost, was neither A ghost nor man, but mortal ghost.
And I was struck down by death's feather.
I was a mortal to the last Long breath that carried to my father The message of his dying christ.
You who bow down at cross and altar, Remember me and pity Him Who took my flesh and bone for armour And doublecrossed my mother's womb.
Written by Marge Piercy | Create an image from this poem

What Are Big Girls Made Of?

 The construction of a woman:
a woman is not made of flesh 
of bone and sinew 
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel, her hips and ass promising, her mouth pursed in the dark red lipstick of desire.
She visited in '68 still wearing skirts tight to the knees, dark red lipstick, while I danced through Manhattan in mini skirt, lipstick pale as apricot milk, hair loose as a horse's mane.
Oh dear, I thought in my superiority of the moment, whatever has happened to poor Cecile? She was out of fashion, out of the game, disqualified, disdained, dis- membered from the club of desire.
Look at pictures in French fashion magazines of the 18th century: century of the ultimate lady fantasy wrought of silk and corseting.
Paniers bring her hips out three feet each way, while the waist is pinched and the belly flattened under wood.
The breasts are stuffed up and out offered like apples in a bowl.
The tiny foot is encased in a slipper never meant for walking.
On top is a grandiose headache: hair like a museum piece, daily ornamented with ribbons, vases, grottoes, mountains, frigates in full sail, balloons, baboons, the fancy of a hairdresser turned loose.
The hats were rococo wedding cakes that would dim the Las Vegas strip.
Here is a woman forced into shape rigid exoskeleton torturing flesh: a woman made of pain.
How superior we are now: see the modern woman thin as a blade of scissors.
She runs on a treadmill every morning, fits herself into machines of weights and pulleys to heave and grunt, an image in her mind she can never approximate, a body of rosy glass that never wrinkles, never grows, never fades.
She sits at the table closing her eyes to food hungry, always hungry: a woman made of pain.
A cat or dog approaches another, they sniff noses.
They sniff asses.
They bristle or lick.
They fall in love as often as we do, as passionately.
But they fall in love or lust with furry flesh, not hoop skirts or push up bras rib removal or liposuction.
It is not for male or female dogs that poodles are clipped to topiary hedges.
If only we could like each other raw.
If only we could love ourselves like healthy babies burbling in our arms.
If only we were not programmed and reprogrammed to need what is sold us.
Why should we want to live inside ads? Why should we want to scourge our softness to straight lines like a Mondrian painting? Why should we punish each other with scorn as if to have a large ass were worse than being greedy or mean? When will women not be compelled to view their bodies as science projects, gardens to be weeded, dogs to be trained? When will a woman cease to be made of pain?
Written by Les Murray | Create an image from this poem

Travels With John Hunter

 We who travel between worlds 
lose our muscle and bone.
I was wheeling a barrow of earth when agony bayoneted me.
I could not sit, or lie down, or stand, in Casualty.
Stomach-calming clay caked my lips, I turned yellow as the moon and slid inside a CAT-scan wheel in a hospital where I met no one so much was my liver now my dire preoccupation.
I was sped down a road.
of treetops and fishing-rod lightpoles towards the three persons of God and the three persons of John Hunter Hospital.
Who said We might lose this one.
Twenty days or to the heat-death of the Universe have the same duration: vaguely half a hour.
I awoke giggling over a joke about Paul Kruger in Johannesburg and missed the white court stockings I half remembered from my prone still voyage beyond flesh and bone.
I asked my friend who got new lungs How long were you crazy, coming back? Five days, he said.
Violent and mad.
Fictive Afrikaner police were at him, not unworldly Oom Paul Kruger.
Valerie, who had sat the twenty days beside me, now gently told me tales of my time-warp.
The operative canyon stretched, stapled, with dry roseate walls down my belly.
Seaweed gel plugged views of my pluck and offal.
The only poet whose liver damage hadn't been self-inflicted, grinned my agent.
A momentarily holed bowel had released flora who live in us and will eat us when we stop feeding them the earth.
I had, it did seem, rehearsed the private office of the grave, ceased excreting, made corpse gases all while liana'd in tubes and overseen by cockpit instruments that beeped or struck up Beethoven's Fifth at behests of fluid.
I also hear when I lay lipless and far away I was anointed first by a mild metaphoric church then by the Church of no metaphors.
Now I said, signing a Dutch contract in a hand I couldn't recognise, let's go and eat Chinese soup and drive to Lake Macquarie.
Was I not renewed as we are in Heaven? In fact I could hardly endure Earth gravity, and stayed weak and cranky till the soup came, squid and vegetables, pure Yang.
And was sane thereafter.
It seemed I'd also travelled in a Spring-in-Winter love-barque of cards, of flowers and phone calls and letters, concern I'd never dreamed was there when black kelp boiled in my head.
I'd awoken amid my State funeral, nevermore to eat my liver or feed it to the Black Dog, depression which the three Johns Hunter seem to have killed with their scalpels: it hasn't found its way home, where I now dodder and mend in thanks for devotion, for the ambulance this time, for the hospital fork lift, for pethidine, and this face of deity: not the foreknowledge of death but the project of seeing conscious life rescued from death defines and will atone for the human.


Written by Judith Viorst | Create an image from this poem

Fifteen, Maybe Sixteen Things to Worry About

My pants could maybe fall down when I dive off the diving board.
My nose could maybe keep growing and never quit.
Miss Brearly could ask me to spell words like stomach and special.
(Stumick and speshul?)
I could play tag all day and always be "it.
"
Jay Spievack, who's fourteen feet tall, could want to fight me.
My mom and my dad--like Ted's--could want a divorce.
Miss Brearly could ask me a question about Afghanistan.
(Who's Afghanistan?)
Somebody maybe could make me ride a horse.
My mother could maybe decide that I needed more liver.
My dad could decide that I needed less TV.
Miss Brearly could say that I have to write script and stop printing.
(I'm better at printing.
)
Chris could decide to stop being friends with me.

The world could maybe come to an end on next Tuesday.
The ceiling could maybe come crashing on my head.
I maybe could run out of things for me to worry about.
And then I'd have to do my homework instead.
Written by Rudyard Kipling | Create an image from this poem

Pagett M.P

 The toad beneath the harrow knows
Exactly where eath tooth-point goes.
The butterfly upon the road Preaches contentment to that toad.
Pagett, M.
P.
, was a liar, and a fluent liar therewith -- He spoke of the heat of India as the "Asian Solar Myth"; Came on a four months' visit, to "study the East," in November, And I got him to sign an agreement vowing to stay till September.
March came in with the koil.
Pagett was cool and gay, Called me a "bloated Brahmin," talked of my "princely pay.
" March went out with the roses.
"Where is your heat?" said he.
"Coming," said I to Pagett, "Skittles!" said Pagett, M.
P.
April began with the punkah, coolies, and prickly-heat, -- Pagett was dear to mosquitoes, sandflies found him a treat.
He grew speckled and mumpy-hammered, I grieve to say, Aryan brothers who fanned him, in an illiberal way.
May set in with a dust-storm, -- Pagett went down with the sun.
All the delights of the season tickled him one by one.
Imprimis -- ten day's "liver" -- due to his drinking beer; Later, a dose of fever --slight, but he called it severe.
Dysent'ry touched him in June, after the Chota Bursat -- Lowered his portly person -- made him yearn to depart.
He didn't call me a "Brahmin," or "bloated," or "overpaid," But seemed to think it a wonder that any one stayed.
July was a trifle unhealthy, -- Pagett was ill with fear.
'Called it the "Cholera Morbus," hinted that life was dear.
He babbled of "Eastern Exile," and mentioned his home with tears; But I haven't seen my children for close upon seven years.
We reached a hundred and twenty once in the Court at noon, (I've mentioned Pagett was portly) Pagett, went off in a swoon.
That was an end to the business; Pagett, the perjured, fled With a practical, working knowledge of "Solar Myths" in his head.
And I laughed as I drove from the station, but the mirth died out on my lips As I thought of the fools like Pagett who write of their "Eastern trips," And the sneers of the traveled idiots who duly misgovern the land, And I prayed to the Lord to deliver another one into my hand.
Written by Charles Bukowski | Create an image from this poem

Here I Am ..

 drunk again at 3 a.
m.
at the end of my 2nd bottle of wine, I have typed from a dozen to 15 pages of poesy an old man maddened for the flesh of young girls in this dwindling twilight liver gone kidneys going pancrea pooped top-floor blood pressure while all the fear of the wasted years laughs between my toes no woman will live with me no Florence Nightingale to watch the Johnny Carson show with if I have a stroke I will lay here for six days, my three cats hungrily ripping the flesh from my elbows, wrists, head the radio playing classical music .
.
.
I promised myself never to write old man poems but this one's funny, you see, excusable, be- cause I've long gone past using myself and there's still more left here at 3 a.
m.
I am going to take this sheet from the typer pour another glass and insert make love to the fresh new whiteness maybe get lucky again first for me later for you.
from "All's Normal Here" - 1985
Written by Robert Browning | Create an image from this poem

De Gustibus---

 I.
Your ghost will walk, you lover of trees, (If our loves remain) In an English lane, By a cornfield-side a-flutter with poppies.
Hark, those two in the hazel coppice--- A boy and a girl, if the good fates please, Making love, say,--- The happier they! Draw yourself up from the light of the moon, And let them pass, as they will too soon, With the bean-flowers' boon, And the blackbird's tune, And May, and June! II.
What I love best in all the world Is a castle, precipice-encurled, In a gash of the wind-grieved Apennine Or look for me, old fellow of mine, (If I get my head from out the mouth O' the grave, and loose my spirit's bands, And come again to the land of lands)--- In a sea-side house to the farther South, Where the baked cicala dies of drouth, And one sharp tree---'tis a cypress---stands, By the many hundred years red-rusted, Rough iron-spiked, ripe fruit-o'ercrusted, My sentinel to guard the sands To the water's edge.
For, what expands Before the house, but the great opaque Blue breadth of sea without a break? While, in the house, for ever crumbles Some fragment of the frescoed walls, From blisters where a scorpion sprawls.
A girl bare-footed brings, and tumbles Down on the pavement, green-flesh melons, And says there's news to-day---the king Was shot at, touched in the liver-wing, Goes with his Bourbon arm in a sling: ---She hopes they have not caught the felons.
Italy, my Italy! Queen Mary's saying serves for me--- (When fortune's malice Lost her---Calais)--- Open my heart and you will see Graved inside of it, ``Italy.
'' Such lovers old are I and she: So it always was, so shall ever be!
Written by Ogden Nash | Create an image from this poem

Lines To Be Embroidered On A Bib

 OR
The Child Is Father Of The Man, But Not For Quite A While

So Thomas Edison
Never drank his medicine;
So Blackstone and Hoyle
Refused cod-liver oil;
So Sir Thomas Malory
Never heard of a calory;
So the Earl of Lennox
Murdered Rizzio without the aid of vitamins or calisthenox;
So Socrates and Plato
Ate dessert without finishing their potato;
So spinach was too spinachy
For Leonardo da Vinaci;
Well, it's all immaterial,
So eat your nice cereal,
And if you want to name your ration,
First go get a reputation.

Book: Shattered Sighs