Written by
Robert William Service |
No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.
,
But though he skips his dinner,
And each day he's growing thinner,
If he thinks he is a winner,
Then he is.
But when I say Success I mean the sublimated kind;
A man may gain it yet be on the dole.
To me it's music of the heart and sunshine of the mind,
Serenity and sweetness of the soul.
You may not have a brace of bucks to jingle in your jeans,
Far less the dough to buy a motor car;
But though the row you're hoeing
May be grim, ungodly going,
If you think the skies are glowing -
Then they are.
For a poor man may be wealthy and a millionaire may fail,
It all depends upon the point of view.
It's the sterling of your spirit tips the balance of the scale,
It's optimism, and it's up to you.
For what I figure as success is simple Happiness,
The consummate contentment of your mood:
You may toil with brain and sinew,
And though little wealth is win you,
If there's health and hope within you -
You've made good.
|
Written by
Yevgeny Yevtushenko |
No monument stands over Babi Yar.
A drop sheer as a crude gravestone.
I am afraid.
Today I am as old in years
as all the Jewish people.
Now I seem to be
a Jew.
Here I plod through ancient Egypt.
Here I perish crucified, on the cross,
and to this day I bear the scars of nails.
I seem to be
Dreyfus.
The Philistine
is both informer and judge.
I am behind bars.
Beset on every side.
Hounded,
spat on,
slandered.
Squealing, dainty ladies in flounced Brussels lace
stick their parasols into my face.
I seem to be then
a young boy in Byelostok.
Blood runs, spilling over the floors.
The barroom rabble-rousers
give off a stench of vodka and onion.
A boot kicks me aside, helpless.
In vain I plead with these pogrom bullies.
While they jeer and shout,
"Beat the Yids.
Save Russia!"
some grain-marketeer beats up my mother.
0 my Russian people!
I know
you
are international to the core.
But those with unclean hands
have often made a jingle of your purest name.
I know the goodness of my land.
How vile these anti-Semites-
without a qualm
they pompously called themselves
the Union of the Russian People!
I seem to be
Anne Frank
transparent
as a branch in April.
And I love.
And have no need of phrases.
My need
is that we gaze into each other.
How little we can see
or smell!
We are denied the leaves,
we are denied the sky.
Yet we can do so much --
tenderly
embrace each other in a darkened room.
They're coming here?
Be not afraid.
Those are the booming
sounds of spring:
spring is coming here.
Come then to me.
Quick, give me your lips.
Are they smashing down the door?
No, it's the ice breaking .
.
.
The wild grasses rustle over Babi Yar.
The trees look ominous,
like judges.
Here all things scream silently,
and, baring my head,
slowly I feel myself
turning gray.
And I myself
am one massive, soundless scream
above the thousand thousand buried here.
I am
each old man
here shot dead.
I am
every child
here shot dead.
Nothing in me
shall ever forget!
The "Internationale," let it
thunder
when the last anti-Semite on earth
is buried forever.
In my blood there is no Jewish blood.
In their callous rage, all anti-Semites
must hate me now as a Jew.
For that reason
I am a true Russian!
|
Written by
Alexander Pushkin |
Longing for spiritual springs,
I dragged myself through desert sands .
.
.
An angel with three pairs of wings
Arrived to me at cross of lands;
With fingers so light and slim
He touched my eyes as in a dream:
And opened my prophetic eyes
Like eyes of eagle in surprise.
He touched my ears in movement, single,
And they were filled with noise and jingle:
I heard a shuddering of heavens,
And angels' flight on azure heights
And creatures' crawl in long sea nights,
And rustle of vines in distant valleys.
And he bent down to my chin,
And he tore off my tongue of sin,
In cheat and idle talks aroused,
And with his hand in bloody specks
He put the sting of wizard snakes
Into my deadly stoned mouth.
With his sharp sword he cleaved my breast,
And plucked my quivering heart out,
And coals flamed with God's behest,
Into my gaping breast were ground.
Like dead I lay on desert sands,
And listened to the God's commands:
'Arise, O prophet, hark and see,
Be filled with utter My demands,
And, going over Land and Sea,
Burn with your Word the humane hearts.
'
|
Written by
Robert Graves |
Children born of fairy stock
Never need for shirt or frock,
Never want for food or fire,
Always get their hearts desire:
Jingle pockets full of gold,
Marry when they're seven years old.
Every fairy child may keep
Two ponies and ten sheep;
All have houses, each his own,
Built of brick or granite stone;
They live on cherries, they run wild--
I'd love to be a Fairy's child.
|
Written by
Siegfried Sassoon |
(To Robert Graves)
I
Here I'm sitting in the gloom
Of my quiet attic room.
France goes rolling all around,
Fledged with forest May has crowned.
And I puff my pipe, calm-hearted,
Thinking how the fighting started,
Wondering when we'll ever end it,
Back to hell with Kaiser sent it,
Gag the noise, pack up and go,
Clockwork soldiers in a row.
I've got better things to do
Than to waste my time on you.
II
Robert, when I drowse to-night,
Skirting lawns of sleep to chase
Shifting dreams in mazy light,
Somewhere then I'll see your face
Turning back to bid me follow
Where I wag my arms and hollo,
Over hedges hasting after
Crooked smile and baffling laughter,
Running tireless, floating, leaping,
Down your web-hung woods and valleys,
Where the glowworm stars are peeping,
Till I find you, quiet as stone
On a hill-top all alone,
Staring outward, gravely pondering
Jumbled leagues of hillock-wandering.
III
You and I have walked together
In the starving winter weather.
We've been glad because we knew
Time's too short and friends are few.
We've been sad because we missed
One whose yellow head was kissed
By the gods, who thought about him
Till they couldn't do without him.
Now he's here again; I've been
Soldier David dressed in green,
Standing in a wood that swings
To the madrigal he sings.
He's come back, all mirth and glory,
Like the prince in a fairy tory.
Winter called him far away;
Blossoms bring him home with May.
IV
Well, I know you'll swear it's true
That you found him decked in blue
Striding up through morning-land
With a cloud on either hand.
Out in Wales, you'll say, he marches
Arm-in-arm with aoks and larches;
Hides all night in hilly nooks,
Laughs at dawn in tumbling brooks.
Yet, it's certain, here he teaches
Outpost-schemes to groups of beeches.
And I'm sure, as here I stand,
That he shines through every land,
That he sings in every place
Where we're thinking of his face.
V
Robert, there's a war in France;
Everywhere men bang and blunder,
Sweat and swear and worship Chance,
Creep and blink through cannon thunder.
Rifles crack and bullets flick,
Sing and hum like hornet-swarms.
Bones are smashed and buried quick.
Yet, through stunning battle storms,
All the while I watch the spark
Lit to guide me; for I know
Dreams will triumph, though the dark
Scowls above me where I go.
You can hear me; you can mingle
Radiant folly with my jingle.
War's a joke for me and you
While we know such dreams are true!
|
Written by
Barry Tebb |
Empty chocolate boxes, a pillowcase with an orange at the bottom,
Nuts and tinsel with its idiosyncratic rustle and brilliant sheen
And the reflection in it of paper-chains hand-made and stuck with
Flour-paste stretching from the light-bowl to every corner of the room.
Father Christmas himself was plastic and his vast stomach painted red
With a bulging sack behind his back and he was stuck in the middle
Of a very large cake.
The icing was royal and you could see the
Whites of many eggs in the glister of its surface and on the
Upright piano the music of Jingle Bells lay open.
With aching hands I wrote thank you notes for socks to sainted aunts
And played on Nutwood Common with Rupert until Tiger Lily’s father,
The Great Conjuror, waved his wand and brought me home to the last
Coal fire in Leeds, suddenly dying.
I got through a whole packet of sweet cigarettes with pink tips
Dipped in cochineal and a whole quarter of sherbet lemons at a sitting
And there was a full bottle of Portello to go at, the colour
Of violet ink and tasting of night air and threepenny bits
Which lasted until the last gas-lamp in Leeds went out.
I had collected enough cardboard milk-tops to make a set of
Matchstick spinners and with my box of Rainbow Chalks drew circles
On my top, red, white and Festival of Britain blue and made it spin
All the way to the last bin-yard in Leeds while they pulled it down.
I was a very small teddy-bear crouched on a huge and broken chair
Ready to be put out into the wide world and my mother was there
To see me off.
The light in her eyes was out, there was no fire
In her heart and the binyard where I played was empty space.
|
Written by
Andrew Barton Paterson |
Of all the sickly forms of verse,
Commend me to the triolet.
It makes bad writers somewhat worse:
Of all the sickly forms of verse,
That fall beneath a reader's curse,
It is the feeblest jingle yet.
Of all the sickly forms of verse,
Commend me to the triolet.
|
Written by
A E Housman |
"Is my team ploughing,
That I was used to drive
And hear the harness jingle
When I was man alive?"
Ay, the horses trample,
The harness jingles now;
No change though you lie under
The land you used to plough.
"Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?"
Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.
"Is my girl happy,
That I thought hard to leave,
And has she tired of weeping
As she lies down at eve?"
Ay, she lies down lightly,
She lies not down to weep,
Your girl is well contented.
Be still, my lad, and sleep.
"Is my friend hearty,
Now I am thin and pine,
And has he found to sleep in
A better bed than mine?"
Yes, lad, I lie easy,
I lie as lads would choose;
I cheer a dead man's sweetheart,
Never ask me whose.
|
Written by
Wilfred Owen |
I
Our brains ache, in the merciless iced east winds that knife us .
.
.
Wearied we keep awake because the night is silent .
.
.
Low drooping flares confuse our memory of the salient .
.
.
Worried by silence, sentries whisper, curious, nervous,
But nothing happens.
Watching, we hear the mad gusts tugging on the wire.
Like twitching agonies of men among its brambles.
Northward incessantly, the flickering gunnery rumbles,
Far off, like a dull rumour of some other war.
What are we doing here?
The poignant misery of dawn begins to grow .
.
.
We only know war lasts, rain soaks, and clouds sag stormy.
Dawn massing in the east her melancholy army
Attacks once more in ranks on shivering ranks of gray,
But nothing happens.
Sudden successive flights of bullets streak the silence.
Less deadly than the air that shudders black with snow,
With sidelong flowing flakes that flock, pause and renew,
We watch them wandering up and down the wind's nonchalance,
But nothing happens.
II
Pale flakes with lingering stealth come feeling for our faces --
We cringe in holes, back on forgotten dreams, and stare, snow-dazed,
Deep into grassier ditches.
So we drowse, sun-dozed,
Littered with blossoms trickling where the blackbird fusses.
Is it that we are dying?
Slowly our ghosts drag home: glimpsing the sunk fires glozed
With crusted dark-red jewels; crickets jingle there;
For hours the innocent mice rejoice: the house is theirs;
Shutters and doors all closed: on us the doors are closed --
We turn back to our dying.
Since we believe not otherwise can kind fires burn;
Now ever suns smile true on child, or field, or fruit.
For God's invincible spring our love is made afraid;
Therefore, not loath, we lie out here; therefore were born,
For love of God seems dying.
To-night, His frost will fasten on this mud and us,
Shrivelling many hands and puckering foreheads crisp.
The burying-party, picks and shovels in their shaking grasp,
Pause over half-known faces.
All their eyes are ice,
But nothing happens.
|
Written by
Aleister Crowley |
I to the open road,
You to the hunchbacked street -
Which of us two
Shall the earlier rue
That day we chanced to meet?
I with a heart that's sound,
You with sick fancies of pain -
Which of us two
Would the earlier rue
If we chanced to meet again?
I jingle homely lore,
While you rhyme is with kiss -
Which of us two
Will the earlier rue
The love of the Hoylake Miss?
Not I the first to go,
Nor I the first to deceive -
Which of us two
Shall the the earliest rue
Our garden of make-believe?
You were a Chinese god,
I an offering fair,
As we entered the
Garden of Allah,
To sing our holy prayer.
Entered with hearts bowed low,
Yet I heard a voice that cried:
For he is the god of the
Sacrifice,
You are the crucified.
It was all make-believe,
A foolish game of play,
Our garden of Allah
A drawing-room,
Our Chinese god of clay.
Strings of bruises for pearls,
Tears for forget-me-nots,
And a deadly pain
Of the sickening shame
Watching the fading spots.
As quickly they faded,
The heart of me faded as well,
Until nothing is left
Of my garden,
But a soul sunk to hell.
Hail!
Poet prend ton lute -Je disparaire,
No more together we'll enter the
Enchanted garden of make-believe,
Nor my sad soul listen while thine deceive.
No more you'll be the God of Sacrifice,
Nor I the crucified.
Ah, Garden of Allah -how bitter sweet
Thy fruit.
Why breakest thou the heart?
Why spoilest thou the soul with notes
From thy golden lute?
Lo! our garden a common room
Our Chinese god burnt clay, and
The singing of verses a funeral hymn
That awakes with awakening day.
'Twas all such a meaningless play,
Poet prend ton lute -Je disparaitre.
Hail!
Poet, take my hand -we'll walk
Still a little way.
I'll not desert thee at the close of day,
I, too, must pray.
A beggar asking alms of passers-by,
Does not refuse a drink to one who's dry
That once by him did lie.
Poet, come close -before I leave for aye
Take thou my hand, we'll walk still
A little way.
One garment covered both to keep us warm,
What harmed the one, was't not the other's harm?
Close clasped, one single form.
Was it not meant of aye?
Poet, take thou my hand -we'll still
Walk a little way.
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