Siegfried Sassoon |
EVENING was in the wood, louring with storm.
A time of drought had sucked the weedy pool
And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon,
Or willow-music blown across the water 5
Leisurely sliding on by weir and mill.
Uneasy was the man who wandered, brooding,
His face a little whiter than the dusk.
A drone of sultry wings flicker¡¯d in his head.
The end of sunset burning thro¡¯ the boughs 10
Died in a smear of red; exhausted hours
Cumber¡¯d, and ugly sorrows hemmed him in.
He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove
To shake off dread; he dared not look behind him,
But stood, the sweat of horror on his face.
He blunder¡¯d down a path, trampling on thistles,
In sudden race to leave the ghostly trees.
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought,
And half remembered starlight on the meadows,
Scent of mown grass and voices of tired men, 20
Fading along the field-paths; home and sleep
And cool-swept upland spaces, whispering leaves,
And far off the long churring night-jar¡¯s note.
But something in the wood, trying to daunt him,
Led him confused in circles through the thicket.
He was forgetting his old wretched folly,
And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs,
And he floundered over snags and hidden stumps.
Mumbling: ¡®I will get out! I must get out!¡¯ 30
Butting and thrusting up the baffling gloom,
Pausing to listen in a space ¡¯twixt thorns,
He peers around with peering, frantic eyes.
An evil creature in the twilight looping,
Flapped blindly in his face.
Beating it off, 35
He screeched in terror, and straightway something clambered
Heavily from an oak, and dropped, bent double,
To shamble at him zigzag, squat and bestial.
Headlong he charges down the wood, and falls
With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40
And blots of green and purple in his eyes.
Then the slow fingers groping on his neck,
And at his heart the strangling clasp of death.
Edgar Allan Poe |
Lo! 't is a gala night
Within the lonesome latter years!
An angel throng bewinged bedight
In veils and drowned in tears
Sit in a theatre to see
A play of hopes and fears
While the orchestra breathes fitfully
The music of the spheres.
Mimes in the form of God on high
Mutter and mumble low
And hither and thither fly -
Mere puppets they who come and go
At bidding of vast formless things
That shift the scenery to and fro
Flapping from out their Condor wings
That motley drama! - oh be sure
It shall not be forgot!
With its Phantom chased for evermore
By a crowd that seize it not
Through a circle that ever returneth in
To the self-same spot
And much of Madness and more of Sin
And Horror the soul of the plot.
But see amid the mimic rout
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes! - it writhes! - with mortal pangs
The mimes become its food
And the seraphs sob at vermin fangs
In human gore imbued.
Out - out are the lights - out all!
And over each quivering form
The curtain a funeral pall
Comes down with the rush of a storm
And the angels all pallid and wan
Uprising unveiling affirm
That the play is the tragedy "Man"
And its hero the Conqueror Worm.
Allen Ginsberg |
At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building's silver fins
tapering delicately needletopped, Empire State's
taller antenna filmed milky lit amid blocks
black and white apartmenting veil'd sky over Manhattan,
offices new built dark glassed in blueish heaven--The East
50's & 60's covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers' blue domed medical arbor--
Geodesic science at the waters edge--Cars running up
East River Drive, & parked at N.
Hospital's oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms.
Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances're
spotted five floors above E 59th St under grey painted bridge
Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge's skeined dim in modern mists--
Pipes sticking up to sky nine smokestacks huge visible--
Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache.
Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed--from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release
>from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind.
A seagull passes alone wings
spread silent over roofs.
- May 20, 1975 Mayaguez Crisis
More great poems below...
Thomas Campbell |
When first the fiery-mantled sun
His heavenly race begun to run;
Round the earth and ocean blue,
His children four the Seasons flew.
First, in green apparel dancing,
The young Spring smiled with angel grace;
Rosy summer next advancing,
Rushed into her sire's embrace:-
Her blue-haired sire, who bade her keep
For ever nearest to his smile,
On Calpe's olive-shaded steep,
On India's citron-covered isles:
More remote and buxom-brown,
The Queen of vintage bowed before his throne,
A rich pomegranate gemmed her gown,
A ripe sheaf bound her zone.
But howling Winter fled afar,
To hills that prop the polar star,
And lives on deer-borne car to ride
With barren darkness at his side,
Round the shore where loud Lofoden
Whirls to death the roaring whale,
Round the hall where runic Odin
Howls his war-song to the gale;
Save when adown the ravaged globe
He travels on his native storm,
Deflowering Nature's grassy robe,
And trampling on her faded form:-
Till light's returning lord assume
The shaft the drives him to his polar field,
Of power to pierce his raven plume
And crystal-covered shield.
Oh, sire of storms! whose savage ear
The Lapland drum delights to hear,
When frenzy with her blood-shot eye
Implores thy dreadful deity,
Archangel! power of desolation!
Fast descending as thou art,
Say, hath mortal invocation
Spells to touch thy stony heart?
Then, sullen Winter, hear my prayer,
And gently rule the ruined year;
Nor chill the wanders bosom bare,
Nor freeze the wretch's falling tear;-
To shuddering Want's unmantled bed
Thy horror-breathing agues cease to lead,
And gently on the orphan head
Of innocence descend.
But chiefly spare, O king of clouds!
The sailor on his airy shrouds;
When wrecks and beacons strew the steep,
And specters walk along the deep.
Milder yet thy snowy breezes
Pour on yonder tented shores,
Where the Rhine's broad billow freezes,
Or the Dark-brown Danube roars.
Oh, winds of winter! List ye there
To many a deep and dying groan;
Or start, ye demons of the midnight air,
At shrieks and thunders louder than your own.
Alas! Even unhallowed breath
May spare the victim fallen low;
But man will ask no truce of death,-
No bounds to human woe.
Charles Baudelaire |
CARRYING bouquet, and handkerchief, and gloves,
Proud of her height as when she lived, she moves
With all the careless and high-stepping grace,
And the extravagant courtesan's thin face.
Was slimmer waist e'er in a ball-room wooed?
Her floating robe, in royal amplitude,
Falls in deep folds around a dry foot, shod
With a bright flower-like shoe that gems the sod.
The swarms that hum about her collar-bones
As the lascivious streams caress the stones,
Conceal from every scornful jest that flies,
Her gloomy beauty; and her fathomless eyes
Are made of shade and void; with flowery sprays
Her skull is wreathed artistically, and sways,
Feeble and weak, on her frail vertebrae.
O charm of nothing decked in folly! they
Who laugh and name you a Caricature,
They see not, they whom flesh and blood allure,
The nameless grace of every bleached, bare bone,
That is most dear to me, tall skeleton!
Come you to trouble with your potent sneer
The feast of Life! or are you driven here,
To Pleasure's Sabbath, by dead lusts that stir
And goad your moving corpse on with a spur?
Or do you hope, when sing the violins,
And the pale candle-flame lights up our sins,
To drive some mocking nightmare far apart,
And cool the flame hell lighted in your heart?
Fathomless well of fault and foolishness!
Eternal alembic of antique distress!
Still o'er the curved, white trellis of your sides
The sateless, wandering serpent curls and glides.
And truth to tell, I fear lest you should find,
Among us here, no lover to your mind;
Which of these hearts beat for the smile you gave?
The charms of horror please none but the brave.
Your eyes' black gulf, where awful broodings stir,
Brings giddiness; the prudent reveller
Sees, while a horror grips him from beneath,
The eternal smile of thirty-two white teeth.
For he who has not folded in his arms
A skeleton, nor fed on graveyard charms,
Recks not of furbelow, or paint, or scent,
When Horror comes the way that Beauty went.
O irresistible, with fleshless face,
Say to these dancers in their dazzled race:
"Proud lovers with the paint above your bones,
Ye shall taste death, musk scented skeletons!
Withered Antino?s, dandies with plump faces,
Ye varnished cadavers, and grey Lovelaces,
Ye go to lands unknown and void of breath,
Drawn by the rumour of the Dance of Death.
From Seine's cold quays to Ganges' burning stream,
The mortal troupes dance onward in a dream;
They do not see, within the opened sky,
The Angel's sinister trumpet raised on high.
In every clime and under every sun,
Death laughs at ye, mad mortals, as ye run;
And oft perfumes herself with myrrh, like ye
And mingles with your madness, irony!"
Robert Graves |
Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! .
That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! .
He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! .
Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
" he said, "Cat! .
When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! .
Aleister Crowley |
[Dedicated to Austin Osman Spare]
Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !
Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !
I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !
Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?
Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"HOOR and SET be TWINS.
A fico for repentance !
Ay ! O Son of my mother
That snarled and clawed in her womb
As now we rave in our rapture,
I know thee, I love thee, brother !
Incestuous males that consumes
The light and the life that we capture.
Starve thou the soul of the world,
Brother, as I the body !
Shall we not glut our lust
On these wretches whom Fate hath hurled
To a hell of jesus and shoddy,
Dung and ethics and dust ?
Thou as I art Fate.
Coe then, conquer and kiss me !
Come ! what hinders? Believe me :
This is the thought we await.
The mark is fair ; can you miss me ?
See, how subtly I writhe !
Strange runes and unknown sigils
I trace in the trance that thrills us.
Death ! how lithe, how blithe
Are these male incestuous vigils !
Ah ! this is the spasm that kills us !
Wherefore I solemnly affirm
This twofold Oneness at the term.
Asar on Asi did beget
Horus twin brother unto Set.
Now Set and Horus kiss, to call
The Soul of the Unnatural
Forth from the dusk ; then nature slain
Lets the Beyond be born again.
This weird is of the tongue of Khem,
The Conjuration used of them.
Whoso shall speak it, let him die,
His bowels rotting inwardly,
Save he uncover and caress
The God that lighteth his liesse.
Elizabeth Barrett Browning |
We sow the glebe, we reap the corn,
We build the house where we may rest,
And then, at moments, suddenly,
We look up to the great wide sky,
Inquiring wherefore we were born…
For earnest or for jest?
The senses folding thick and dark
About the stifled soul within,
We guess diviner things beyond,
And yearn to them with yearning fond;
We strike out blindly to a mark
Believed in, but not seen.
We vibrate to the pant and thrill
Wherewith Eternity has curled
In serpent-twine about God’s seat;
While, freshening upward to His feet,
In gradual growth His full-leaved will
Expands from world to world.
And, in the tumult and excess
Of act and passion under sun,
We sometimes hear—oh, soft and far,
As silver star did touch with star,
The kiss of Peace and Righteousness
Through all things that are done.
God keeps His holy mysteries
Just on the outside of man’s dream;
In diapason slow, we think
To hear their pinions rise and sink,
While they float pure beneath His eyes,
Like swans adown a stream.
Abstractions, are they, from the forms
Of His great beauty?—exaltations
From His great glory?—strong previsions
Of what we shall be?—intuitions
Of what we are—in calms and storms,
Beyond our peace and passions?
Things nameless! which, in passing so,
Do stroke us with a subtle grace.
We say, ‘Who passes?’—they are dumb.
We cannot see them go or come:
Their touches fall soft, cold, as snow
Upon a blind man’s face.
Yet, touching so, they draw above
Our common thoughts to Heaven’s unknown,
Our daily joy and pain advance
To a divine significance,
Our human love—O mortal love,
That light is not its own!
And sometimes horror chills our blood
To be so near such mystic Things,
And we wrap round us for defence
Our purple manners, moods of sense—
As angels from the face of God
Stand hidden in their wings.
And sometimes through life’s heavy swound
We grope for them!—with strangled breath
We stretch our hands abroad and try
To reach them in our agony,—
And widen, so, the broad life-wound
Which soon is large enough for death.
William Ernest Henley |
Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
Philip Levine |
A blue jay poses on a stake
meant to support an apple tree
A strong wind
on this clear cold morning
barely ruffles his tail feathers.
When he turns his attention
toward me, I face his eyes
A week ago
my wife called me to come see
this same bird chase a rat
into the thick leaves
of an orange tree.
We came as
close as we could and watched
the rat dig his way into an orange,
claws working meticulously.
Then he feasted, face deep
into the meal, and afterwards
washed himself in juice, paws
by the whiteness of the belly,
how open it was and vulnerable,
I suggested I fetch my .
She said, "Do you want to kill him?"
There are oranges
enough for him, the jays, and us,
across the fence in the yard
next door oranges rotting
on the ground.
There is power
in the name rat, a horror
that may be private.
was a boy and heir to tales
of savagery, of sleeping men
and kids eaten half away before
they could wake, I came to know
I was afraid
that left alive the animal
would invade my sleep, grown
immense now and powerful
with the need to eat flesh.
I was wrong.
Night after night
I wake from dreams of a city
like no other, the bright city
of beauty I thought I'd lost
when I lost my faith that one day
we would come into our lives.
The wind gusts and calms
shaking this miniature budding
apple tree that in three months
has taken to the hard clay
of our front yard.
In one hop
the jay turns his back on me,
dips as though about to drink
the air itself, and flies.
Robert William Service |
When I was small the Lord appeared
Unto my mental eye
A gentle giant with a beard
Who homed up in the sky.
But soon that vasty vision blurred,
And faded in the end,
Till God is just another word
I cannot comprehend.
I envy those of simple faith
Who bend the votive knee;
Who do not doubt divinely death
Will set their spirits free.
Oh could I be like you and you,
Sweet souls who scan this line,
And by dim altar worship too
A Deity Divine!
Alas! Mid passions that appal
I ask with bitter woe
Is God responsible for all
Our horror here below?
He made the hero and the saint,
But did He also make
The cannibal in battle paint,
The shark and rattlesnake?
If I believe in God I should
Believe in Satan too;
The one the source of all our good,
The other of our rue .
Oh could I second childhood gain!
For then it might be, I
Once more would see that vision plain,--
Fond Father in the sky.
Christina Rossetti |
Sleeping at last, the trouble and tumult over,
Sleeping at last, the struggle and horror past,
Cold and white, out of sight of friend and of lover,
Sleeping at last.
No more a tired heart downcast or overcast,
No more pangs that wring or shifting fears that hover,
Sleeping at last in a dreamless sleep locked fast.
Singing birds in their leafy cover
Cannot wake her, nor shake her the gusty blast.
Under the purple thyme and the purple clover
Sleeping at last.
Katherine Mansfield |
Love! Love! Your tenderness,
Your beautiful, watchful ways
Grasp me, fold me, cover me;
I lie in a kind of daze,
Neither asleep nor yet awake,
Neither a bud nor flower.
Joy or sorrow,
The black or the golden hour?
Love! Love! You pity me so!
Chide me, scold me--cry,
"Submit--submit! You must not fight!"
What may I do, then? Die?
But, oh my horror of quiet beds!
How can I longer stay!
"One to be ready,
Two to be steady,
Three to be off and away!"
Darling heart--your gravity!
Your sorrowful, mournful gaze--
"Two bleached roads lie under the moon,
At the parting of the ways.
But the tiny, tree-thatched, narrow lane,
Isn't it yours and mine?
The blue-bells ring
Hey, ding-a-ding, ding!
And buds are thick on the vine.
Love! Love! Grief of my heart!
As a tree droops over a stream
You hush me, lull me, dark me,
The shadow hiding the gleam.
Your drooping and tragical boughs of grace
Are heavy as though with rain.
Into the sun!
Let us be children again.
Siegfried Sassoon |
You love us when we're heroes, home on leave,
Or wounded in a mentionable place.
You worship decorations; you believe
That chivalry redeems the war's disgrace.
You make us shells.
You listen with delight,
By tales of dirt and danger fondly thrilled.
You crown our distant ardours while we fight,
And mourn our laurelled memories when we're killed.
You can't believe that British troops 'retire'
When hell's last horror breaks them, and they run,
Trampling the terrible corpses--blind with blood.
O German mother dreaming by the fire,
While you are knitting socks to send your son
His face is trodden deeper in the mud.
Siegfried Sassoon |
Everyone suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields; on--on--and out of sight.
Everyone's voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror
Drifted away .
O, but Everyone
Was a bird; and the song was wordless; the singing will never be done.