Best Famous history Poems
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Million Man March Poem
The night has been long,
The wound has been deep,
The pit has been dark,
And the walls have been steep.
Under a dead blue sky on a distant beach,
I was dragged by my braids just beyond your reach.
Your hands were tied, your mouth was bound,
You couldn't even call out my name.
You were helpless and so was I,
But unfortunately throughout history
You've worn a badge of shame.
I say, the night has been long,
The wound has been deep,
The pit has been dark
And the walls have been steep.
But today, voices of old spirit sound
Speak to us in words profound,
Across the years, across the centuries,
Across the oceans, and across the seas.
They say, draw near to one another,
Save your race.
You have been paid for in a distant place,
The old ones remind us that slavery's chains
Have paid for our freedom again and again.
The night has been long,
The pit has been deep,
The night has been dark,
And the walls have been steep.
The hells we have lived through and live through still,
Have sharpened our senses and toughened our will.
The night has been long.
This morning I look through your anguish
Right down to your soul.
I know that with each other we can make ourselves whole.
I look through the posture and past your disguise,
And see your love for family in your big brown eyes.
I say, clap hands and let's come together in this meeting ground,
I say, clap hands and let's deal with each other with love,
I say, clap hands and let us get from the low road of indifference,
Clap hands, let us come together and reveal our hearts,
Let us come together and revise our spirits,
Let us come together and cleanse our souls,
Clap hands, let's leave the preening
And stop impostering our own history.
Clap hands, call the spirits back from the ledge,
Clap hands, let us invite joy into our conversation,
Courtesy into our bedrooms,
Gentleness into our kitchen,
Care into our nursery.
The ancestors remind us, despite the history of pain
We are a going-on people who will rise again.
And still we rise.
Poem read at the Million Man March
|
Melancholia
the history of melancholia
includes all of us.
me, I writhe in dirty sheets
while staring at blue walls
and nothing.
I have gotten so used to melancholia
that
I greet it like an old
friend.
I will now do 15 minutes of grieving
for the lost redhead,
I tell the gods.
I do it and feel quite bad
quite sad,
then I rise
CLEANSED
even though nothing
is solved.
that's what I get for kicking
religion in the ass.
I should have kicked the redhead
in the ass
where her brains and her bread and
butter are
at ...
but, no, I've felt sad
about everything:
the lost redhead was just another
smash in a lifelong
loss ...
I listen to drums on the radio now
and grin.
there is something wrong with me
besides
melancholia.
|
For John Clare
Kind of empty in the way it sees everything, the earth gets to its feet andsalutes the sky. More of a success at it this time than most others it is. The feeling that the sky might be in the back of someone's mind. Then there is no telling how many there are. They grace everything--bush and tree--to take the roisterer's mind off his caroling--so it's like a smooth switch back. To what was aired in their previous conniption fit. There is so much to be seen everywhere that it's like not getting used to it, only there is so much it never feels new, never any different. You are standing looking at that building and you cannot take it all in, certain details are already hazy and the mind boggles. What will it all be like in five years' time when you try to remember? Will there have been boards in between the grass part and the edge of the street? As long as that couple is stopping to look in that window over there we cannot go. We feel like they have to tell us we can, but they never look our way and they are already gone, gone far into the future--the night of time. If we could look at a photograph of it and say there they are, they never really stopped but there they are. There is so much to be said, and on the surface of it very little gets said.
There ought to be room for more things, for a spreading out, like. Being immersed in the details of rock and field and slope --letting them come to you for once, and then meeting them halfway would be so much easier--if they took an ingenuous pride in being in one's blood. Alas, we perceive them if at all as those things that were meant to be put aside-- costumes of the supporting actors or voice trilling at the end of a narrow enclosed street. You can do nothing with them. Not even offer to pay.
It is possible that finally, like coming to the end of a long, barely perceptible rise, there is mutual cohesion and interaction. The whole scene is fixed in your mind, the music all present, as though you could see each note as well as hear it. I say this because there is an uneasiness in things just now. Waiting for something to be over before you are forced to notice it. The pollarded trees scarcely bucking the wind--and yet it's keen, it makes you fall over. Clabbered sky. Seasons that pass with a rush. After all it's their time too--nothing says they aren't to make something of it. As for Jenny Wren, she cares, hopping about on her little twig like she was tryin' to tell us somethin', but that's just it, she couldn't even if she wanted to--dumb bird. But the others--and they in some way must know too--it would never occur to them to want to, even if they could take the first step of the terrible journey toward feeling somebody should act, that ends in utter confusion and hopelessness, east of the sun and west of the moon. So their comment is: "No comment." Meanwhile the whole history of probabilities is coming to life, starting in the upper left-hand corner, like a sail.
|
The Eviction
In early morning twilight, raw and chill,
Damp vapours brooding on the barren hill,
Through miles of mire in steady grave array
Threescore well-arm'd police pursue their way;
Each tall and bearded man a rifle swings,
And under each greatcoat a bayonet clings:
The Sheriff on his sturdy cob astride
Talks with the chief, who marches by their side,
And, creeping on behind them, Paudeen Dhu
Pretends his needful duty much to rue.
Six big-boned labourers, clad in common frieze,
Walk in the midst, the Sheriff's staunch allies;
Six crowbar men, from distant county brought, -
Orange, and glorying in their work, 'tis thought,
But wrongly,- churls of Catholics are they,
And merely hired at half a crown a day.
The hamlet clustering on its hill is seen,
A score of petty homesteads, dark and mean;
Poor always, not despairing until now;
Long used, as well as poverty knows how,
With life's oppressive trifles to contend.
This day will bring its history to an end.
Moveless and grim against the cottage walls
Lean a few silent men: but someone calls
Far off; and then a child 'without a stitch'
Runs out of doors, flies back with piercing screech,
And soon from house to house is heard the cry
Of female sorrow, swelling loud and high,
Which makes the men blaspheme between their teeth.
Meanwhile, o'er fence and watery field beneath,
The little army moves through drizzling rain;
A 'Crowbar' leads the Sheriff's nag; the lane
Is enter'd, and their plashing tramp draws near,
One instant, outcry holds its breath to hear
"Halt!" - at the doors they form in double line,
And ranks of polish'd rifles wetly shine.
The Sheriff's painful duty must be done;
He begs for quiet-and the work's begun.
The strong stand ready; now appear the rest,
Girl, matron, grandsire, baby on the breast,
And Rosy's thin face on a pallet borne;
A motley concourse, feeble and forlorn.
One old man, tears upon his wrinkled cheek,
Stands trembling on a threshold, tries to speak,
But, in defect of any word for this,
Mutely upon the doorpost prints a kiss,
Then passes out for ever. Through the crowd
The children run bewilder'd, wailing loud;
Where needed most, the men combine their aid;
And, last of all, is Oona forth convey'd,
Reclined in her accustom'd strawen chair,
Her aged eyelids closed, her thick white hair
Escaping from her cap; she feels the chill,
Looks round and murmurs, then again is still.
Now bring the remnants of each household fire;
On the wet ground the hissing coals expire;
And Paudeen Dhu, with meekly dismal face,
Receives the full possession of the place.
|
Questions of Travel
There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
--For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.
Think of the long trip home.
Should we have stayed at home and thought of here?
Where should we be today?
Is it right to be watching strangers in a play
in this strangest of theatres?
What childishness is it that while there's a breath of life
in our bodies, we are determined to rush
to see the sun the other way around?
The tiniest green hummingbird in the world?
To stare at some inexplicable old stonework,
inexplicable and impenetrable,
at any view,
instantly seen and always, always delightful?
Oh, must we dream our dreams
and have them, too?
And have we room
for one more folded sunset, still quite warm?
But surely it would have been a pity
not to have seen the trees along this road,
really exaggerated in their beauty,
not to have seen them gesturing
like noble pantomimists, robed in pink.
--Not to have had to stop for gas and heard
the sad, two-noted, wooden tune
of disparate wooden clogs
carelessly clacking over
a grease-stained filling-station floor.
(In another country the clogs would all be tested.
Each pair there would have identical pitch.)
--A pity not to have heard
the other, less primitive music of the fat brown bird
who sings above the broken gasoline pump
in a bamboo church of Jesuit baroque:
three towers, five silver crosses.
--Yes, a pity not to have pondered,
blurr'dly and inconclusively,
on what connection can exist for centuries
between the crudest wooden footwear
and, careful and finicky,
the whittled fantasies of wooden footwear
and, careful and finicky,
the whittled fantasies of wooden cages.
--Never to have studied history in
the weak calligraphy of songbirds' cages.
--And never to have had to listen to rain
so much like politicians' speeches:
two hours of unrelenting oratory
and then a sudden golden silence
in which the traveller takes a notebook, writes:
"Is it lack of imagination that makes us come
to imagined places, not just stay at home?
Or could Pascal have been not entirely right
about just sitting quietly in one's room?
Continent, city, country, society:
the choice is never wide and never free.
And here, or there . . . No. Should we have stayed at home,
wherever that may be?"
|
The Vision of Judgment
BY
QUEVEDO REDIVIVUS
SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER'
'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.'
PREFACE
It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed —
'That fools rush in where angels fear to tread.' - Pope
If Mr. Southey had not rushed in where he had no business, and where he never was before, and never will be again, the following poem would not have been written. It is not impossible that it may be as good as his own, seeing that it cannot, by any species of stupidity, natural or acquired, be worse. The gross flattery, the dull impudence, the renegado intolerance, and impious cant, of the poem by the author if 'Wat Tyler,' are something so stupendous as to form the sublime of himself — containing the quintessence of his own attributes.
So much for his poem — a word on his preface. In this preface it has pleased the magnanimous Laureate to draw the picture of a supposed 'Satanic School,' the which he doth recommend to the notice of the legislature; thereby adding to his other laurels, the ambition of those of an informer. If there exists anywhere, except in his imagination, such a School, is he not sufficiently armed against it by his own intense vanity? The truth is, that there are certain writers whom Mr. S. imagines, like Scrub, to have 'talked of him; for they have laughed consumedly.'
I think I know enough of most of the writers to whom he is supposed to allude, to assert, that they, in their individual capacities, have done more good, in the charities of life, to their fellow-creatures, in any one year, than Mr. Southey has done harm to himself by his absurdities in his whole life; and this is saying a great deal. But I have a few questions to ask.
1stly, Is Mr. Southey the author of 'Wat Tyler'?
2ndly, Was he not refused a remedy at law by the highest judge of his beloved England, because it was a blasphemous and seditious publication?
3rdly, Was he not entitled by William Smith, in full Parliament, 'a rancorous renegado'?
4thly, Is he not poet laureate, with his own lines on Martin the regicide staring him in the face?
And 5thly, Putting the four preceding items together, with what conscience dare he call the attention of the laws to the publications of others, be they what they may?
I say nothing of the cowardice of such a proceeding, its meanness speaks for itself; but I wish to touch upon the motive, which is neither more nor less than that Mr. S. has been laughed at a little in some recent publications, as he was of yore in the 'Anti-jacobin,' by his present patrons. Hence all this 'skimble-scamble stuff' about 'Satanic,' and so forth. However, it is worthy of him — 'qualis ab incepto.'
If there is anything obnoxious to the political opinions of a portion of the public in the following poem, they may thank Mr. Southey. He might have written hexameters, as he has written everything else, for aught that the writer cared — had they been upon another subject. But to attempt to canonise a monarch, who, whatever where his household virtues, was neither a successful nor a patriot king, — inasmuch as several years of his reign passed in war with America and Ireland, to say nothing of the aggression upon France, — like all other exaggeration, necessarily begets opposition. In whatever manner he may be spoken of in this new 'Vision,' his public career will not be more favourably transmitted by history. Of his private virtues (although a little expense to the nation) there can be no doubt.
With regard to the supernatural personages treated of, I can only say that I know as much about them, and (as an honest man) have a better right to talk of them than Robert Southey. I have also treated them more tolerantly. The way in which that poor insane creature, the Laureate, deals about his judgments in the next world, is like his own judgment in this. If it was not completely ludicrous, it would be something worse. I don't think that there is much more to say at present.
QUEVEDO REDIVIVUS
P.S. — It is possible that some readers may object, in these objectionable times, to the freedom with which saints, angels, and spiritual persons discourse in this 'Vision.' But, for precedents upon such points, I must refer him to Fielding's 'Journey from the World to the next,' and to the Visions of myself, the said Quevedo, in Spanish or translated. The reader is also requested to observe, that no doctrinal tenets are insisted upon or discussed; that the person of the Deity is carefully withheld from sight, which is more than can be said for the Laureate, who hath thought proper to make him talk, not 'like a school-divine,' but like the unscholarlike Mr. Southey. The whole action passes on the outside of heaven; and Chaucer's 'Wife of Bath,' Pulci's 'Morgante Maggiore,' Swift's 'Tale of a Tub,' and the other
works above referred to, are cases in point of the freedom with which saints, &c. may be permitted to converse in works not intended to be serious.
Q.R.
*** Mr. Southey being, as he says, a good Christian and vindictive, threatens, I understand, a reply to this our answer. It is to be hoped that his visionary faculties will be in the mean time have acquired a little more judgment, properly so called: otherwise he will get himself into new dilemmas. These apostate jacobins furnish rich rejoinders. Let him take a specimen. Mr. Southey laudeth grievously 'one Mr. Landor,' who cultivates much prevate renown in the shape of Latin verses; and not long ago, the poet laureate dedicated to him, it appeareth, one of his fugitive lyrics, upon the strength of a poem called 'Gebir.' Who could suppose, that in this same Gebir the aforesaid Savage Landor (for such is his grim cognomen) putteth into the infernal regions no less a person than the hero of his friend Mr. Southey's heaven, — yea, even George the Third! See also how personal Savage becometh, when he hath a mind. The following is his portrait of our late gracious sovereign:
(Prince Gebir having descended into the infernal regions, the shades of his royal ancestors are, at his request, called up to his view; and he exclaims to
his ghostly guide) —
'Aroar, what wretch that nearest us? what wretch
Is that with eyebrows white and slanting brow?
Listen! him yonder who, bound down supine,
Shrinks yelling from that sword there, engine-hung.
He too amongst my ancestors! I hate
The despot, but the dastard I despise.
Was he our countryman?'
'Alas, O king!
Iberia bore him, but the breed accurst
Inclement winds blew blighting from north-east.'
'He was a warrior then, nor fear'd the gods?'
'Gebir, he fear'd the demons, not the gods,
Though them indeed his daily face adored:
And was no warrior, yet the thousand lives
Squander'd, as stones to exercise a sling,
And the tame cruelty and cold caprice —
Oh madness of mankind! address'd, adored!'
Gebir, p. 28.
I omit noticing some edifying Ithyphallics of Savagius, wishing to keep the proper veil over them, if his grave but somewhat indiscreet worshipper will suffer it; but certainly these teachers of 'great moral lessons' are apt to be found in strange company.
I
Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.
II
The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.
III
The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.
IV
His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.
V
This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;
Each day too slew its thousands six or seven,
Till at the crowning carnage, Waterloo,
They threw their pens down in divine disgust —
The page was so besmear'd with blood and dust.
VI
This by the way: 'tis not mine to record
What angels shrink from: even the very devil
On this occasion his own work abhorr'd,
So surfeited with the infernal revel:
Though he himself had sharpen'd every sword,
It almost quench'd his innate thirst of evil.
(Here Satan's sole good work deserves insertion —
'Tis, that he has both generals in reveration.)
VII
Let's skip a few short years of hollow peace,
Which peopled earth no better, hell as wont,
And heaven none — they form the tyrant's lease,
With nothing but new names subscribed upon't;
'Twill one day finish: meantime they increase,
'With seven heads and ten horns,' and all in front,
Like Saint John's foretold beast; but ours are born
Less formidable in the head than horn.
VIII
In the first year of freedom's second dawn
Died George the Third; although no tyrant, one
Who shielded tyrants, till each sense withdrawn
Left him nor mental nor external sun:
A better farmer ne'er brush'd dew from lawn,
A worse king never left a realm undone!
He died — but left his subjects still behind,
One half as mad — and t'other no less blind.
IX
He died! his death made no great stir on earth:
His burial made some pomp; there was profusion
Of velvet, gilding, brass, and no great dearth
Of aught but tears — save those shed by collusion.
For these things may be bought at their true worth;
Of elegy there was the due infusion —
Bought also; and the torches, cloaks, and banners,
Heralds, and relics of old Gothic manners,
X
Form'd a sepulchral melo-drame. Of all
The fools who flack's to swell or see the show,
Who cared about the corpse? The funeral
Made the attraction, and the black the woe.
There throbbed not there a thought which pierced the pall;
And when the gorgeous coffin was laid low,
It seamed the mockery of hell to fold
The rottenness of eighty years in gold.
XI
So mix his body with the dust! It might
Return to what it must far sooner, were
The natural compound left alone to fight
Its way back into earth, and fire, and air;
But the unnatural balsams merely blight
What nature made him at his birth, as bare
As the mere million's base unmarried clay —
Yet all his spices but prolong decay.
XII
He's dead — and upper earth with him has done;
He's buried; save the undertaker's bill,
Or lapidary scrawl, the world is gone
For him, unless he left a German will:
But where's the proctor who will ask his son?
In whom his qualities are reigning still,
Except that household virtue, most uncommon,
Of constancy to a bad, ugly woman.
XIII
'God save the king!' It is a large economy
In God to save the like; but if he will
Be saving, all the better; for not one am I
Of those who think damnation better still:
I hardly know too if not quite alone am I
In this small hope of bettering future ill
By circumscribing, with some slight restriction,
The eternity of hell's hot jurisdiction.
XIV
I know this is unpopular; I know
'Tis blasphemous; I know one may be damned
For hoping no one else may ever be so;
I know my catechism; I know we're caromed
With the best doctrines till we quite o'erflow;
I know that all save England's church have shamm'd,
And that the other twice two hundred churches
And synagogues have made a damn'd bad purchase.
XV
God help us all! God help me too! I am,
God knows, as helpless as the devil can wish,
And not a whit more difficult to damn,
Than is to bring to land a late-hook'd fish,
Or to the butcher to purvey the lamb;
Not that I'm fit for such a noble dish,
As one day will be that immortal fry
Of almost everybody born to die.
XVI
Saint Peter sat by the celestial gate,
And nodded o'er his keys; when, lo! there came
A wondrous noise he had not heard of late —
A rushing sound of wind, and stream, and flame;
In short, a roar of things extremely great,
Which would have made aught save a saint exclaim;
But he, with first a start and then a wink,
Said, 'There's another star gone out, I think!'
XVII
But ere he could return to his repose,
A cherub flapp'd his right wing o'er his eyes —
At which St. Peter yawn'd, and rubb'd his hose:
'Saint porter,' said the angel, 'prithee rise!'
Waving a goodly wing, which glow'd, as glows
An earthly peacock's tail, with heavenly dyes;
To which the saint replied, 'Well, what's the matter?
'Is Lucifer come back with all this clatter?'
XVIII
'No,' quoth the cherub; 'George the Third is dead.'
'And who is George the Third?' replied the apostle;
'What George? what Third?' 'The king of England,' said
The angel. 'Well, he won't find kings to jostle
Him on his way; but does he wear his head?
Because the last we saw here had a tussle,
And ne'er would have got into heaven's good graces,
Had he not flung his head in all our faces.
XIX
'He was, if I remember, king of France;
That head of his, which could not keep a crown
On earth, yet ventured in my face to advance
A claim to those of martyrs — like my own:
If I had had my sword, as I had once
When I cut ears off, I had cut him down;
But having but my keys, and not my brand,
I only knock'd his head from out his hand.
XX
'And then he set up such a headless howl,
That all the saints came out and took him in;
And there he sits by St. Paul, cheek by jowl;
That fellow Paul— the parven?! The skin
Of St. Bartholomew, which makes his cowl
In heaven, and upon earth redeem'd his sin,
So as to make a martyr, never sped
Better than did this weak and wooden head.
XXI
'But had it come up here upon its shoulders,
There would have been a different tale to tell;
The fellow-feeling in the saint's beholders
Seems to have acted on them like a spell,
And so this very foolish head heaven solders
Back on its trunk: it may be very well,
And seems the custom here to overthrow
Whatever has been wisely done below.'
XXII
The angel answer'd, 'Peter! do not pout:
The king who comes has head and all entire,
And never knew much what it was about —
He did as doth the puppet — by its wire,
And will be judged like all the rest, no doubt:
My business and your own is not to inquire
Into such matters, but to mind our cue —
Which is to act as we are bid to do.'
XXIII
While thus they spake, the angelic caravan,
Arriving like a rush of mighty wind,
Cleaving the fields of space, as doth the swan
Some silver stream (say Ganges, Nile, or Inde,
Or Thames, or Tweed), and 'midst them an old man
With an old soul, and both extremely blind,
Halted before the gate, and in his shroud
Seated their fellow traveller on a cloud.
XXIV
But bringing up the rear of this bright host
A Spirit of a different aspect waves
His wings, like thunder-clouds above some coast
Whose barren beach with frequent wrecks is paved;
His brow was like the deep when tempest-toss'd;
Fierce and unfathomable thoughts engraved
Eternal wrath on his immortal face,
And where he gazed a gloom pervaded space.
XXV
As he drew near, he gazed upon the gate
Ne'er to be enter'd more by him or Sin,
With such a glance of supernatural hate,
As made Saint Peter wish himself within;
He potter'd with his keys at a great rate,
And sweated through his apostolic skin:
Of course his perspiration was but ichor,
Or some such other spiritual liquor.
XXIV
The very cherubs huddled all together,
Like birds when soars the falcon; and they felt
A tingling to the top of every feather,
And form'd a circle like Orion's belt
Around their poor old charge; who scarce knew whither
His guards had led him, though they gently dealt
With royal manes (for by many stories,
And true, we learn the angels all are Tories.)
XXVII
As things were in this posture, the gate flew
Asunder, and the flashing of its hinges
Flung over space an universal hue
Of many-colour'd flame, until its tinges
Reach'd even our speck of earth, and made a new
Aurora borealis spread its fringes
O'er the North Pole; the same seen, when ice-bound,
By Captain Parry's crew, in 'Melville's Sound.'
XXVIII
And from the gate thrown open issued beaming
A beautiful and mighty Thing of Light,
Radiant with glory, like a banner streaming
Victorious from some world-o'erthrowing fight:
My poor comparisons must needs be teeming
With earthly likenesses, for here the night
Of clay obscures our best conceptions, saving
Johanna Southcote, or Bob Southey raving.
XXIX
'Twas the archangel Michael; all men know
The make of angels and archangels, since
There's scarce a scribbler has not one to show,
From the fiends' leader to the angels' prince;
There also are some altar-pieces, though
I really can't say that they much evince
One's inner notions of immortal spirits;
But let the connoisseurs explain their merits.
XXX
Michael flew forth in glory and in good;
A goodly work of him from whom all glory
And good arise; the portal past — he stood;
Before him the young cherubs and saints hoary —
(I say young, begging to be understood
By looks, not years; and should be very sorry
To state, they were not older than St. Peter,
But merely that they seem'd a little sweeter.
XXXI
The cherubs and the saints bow'd down before
That arch-angelic Hierarch, the first
Of essences angelical, who wore
The aspect of a god; but this ne'er nursed
Pride in his heavenly bosom, in whose core
No thought, save for his Master's service, durst
Intrude, however glorified and high;
He knew him but the viceroy of the sky.
XXXII
He and the sombre, silent Spirit met —
They knew each other both for good and ill;
Such was their power, that neither could forget
His former friend and future foe; but still
There was a high, immortal, proud regret
In either's eye, as if 'twere less their will
Than destiny to make the eternal years
Their date of war, and their 'champ clos' the spheres.
XXXIII
But here they were in neutral space: we know
From Job, that Satan hath the power to pay
A heavenly visit thrice a year or so;
And that the 'sons of God', like those of clay,
Must keep him company; and we might show
From the same book, in how polite a way
The dialogue is held between the Powers
Of Good and Evil — but 'twould take up hours.
XXXIV
And this is not a theologic tract,
To prove with Hebrew and with Arabic,
If Job be allegory or a fact,
But a true narrative; and thus I pick
From out the whole but such and such an act
As sets aside the slightest thought of trick.
'Tis every tittle true, beyond suspicion,
And accurate as any other vision.
XXXV
The spirits were in neutral space, before
The gates of heaven; like eastern thresholds is
The place where Death's grand cause is argued o'er,
And souls despatch'd to that world or to this;
And therefore Michael and the other wore
A civil aspect: though they did not kiss,
Yet still between his Darkness and his Brightness
There pass'd a mutual glance of great politeness.
XXXVI
The Archangel bow'd, not like a modern beau,
But with a graceful Oriental bend,
Pressing one radiant arm just where below
The heart in good men is supposed to tend;
He turn'd as to an equal, not too low,
But kindly; Satan met his ancient friend
With more hauteur, as might an old Castilian
Poor noble meet a mushroom rich civilian.
XXXVII
He merely bent his diabolic brow
An instant; and then raising it, he stood
In act to assert his right or wrong, and show
Cause why King George by no means could or should
Make out a case to be exempt from woe
Eternal, more than other kings, endued
With better sense and hearts, whom history mentions,
Who long have 'paved hell with their good intentions.'
XXXVIII
Michael began: 'What wouldst thou with this man,
Now dead, and brought before the Lord? What ill
Hath he wrought since his mortal race began,
That thou cans't claim him? Speak! and do thy will,
If it be just: if in this earthly span
He hath been greatly failing to fulfil
His duties as a king and mortal, say,
And he is thine; if not, let him have way.'
XXXIX
'Michael!' replied the Prince of Air, 'even here,
Before the Gate of him thou servest, must
I claim my subject: and will make appear
That as he was my worshipper in dust,
So shall he be in spirit, although dear
To thee and thine, because nor wine nor lust
Were of his weaknesses; yet on the throne
He reign'd o'er millions to serve me alone.
XL
'Look to our earth, or rather mine; it was,
Once, more thy master's: but I triumph not
In this poor planet's conquest; nor, alas!
Need he thou servest envy me my lot:
With all the myriads of bright worlds which pass
In worship round him, he may have forgot
Yon weak creation of such paltry things;
I think few worth damnation save their kings, —
XLI
'And these but as a kind of quit-rent, to
Assert my right as lord: and even had
I such an inclination, 'twere (as you
Well know) superfluous; they are grown so bad,
That hell has nothing better left to do
Than leave them to themselves: so much more mad
And evil by their own internal curse,
Heaven cannot make them better, nor I worse.
XLII
'Look to the earth, I said, and say again:
When this old, blind, mad, helpless, weak, poor worm
Began in youth's first bloom and flush to reign,
The world and he both wore a different form,
And must of earth and all the watery plain
Of ocean call'd him king: through many a storm
His isles had floated on the abyss of time;
For the rough virtues chose them for their clime.
XLIII
'He came to his sceptre young: he leaves it old:
Look to the state in which he found his realm,
And left it; and his annals too behold,
How to a minion first he gave the helm;
How grew upon his heart a thirst for gold,
The beggar's vice, which can but overwhelm
The meanest of hearts; and for the rest, but glance
Thine eye along America and France.
XLIV
'Tis true, he was a tool from first to last
(I have the workmen safe); but as a tool
So let him be consumed. From out the past
Of ages, since mankind have known the rule
Of monarchs — from the bloody rolls amass'd
Of sin and slaughter — from the C?sar's school,
Take the worst pupil; and produce a reign
More drench'd with gore, more cumber'd with the slain.
XLV
'He ever warr'd with freedom and the free:
Nations as men, home subjects, foreign foes,
So that they utter'd the word "Liberty!"
Found George the Third their first opponent. Whose
History was ever stain'd as his will be
With national and individual woes?
I grant his household abstinence; I grant
His neutral virtues, which most monarchs want;
XLVI
'I know he was a constant consort; own
He was a decent sire, and middling lord.
All this is much, and most upon a throne;
As temperance, if at Apicius' board,
Is more than at an anchorite's supper shown.
I grant him all the kindest can accord;
And this was well for him, but not for those
Millions who found him what oppression chose.
XLVII
'The New World shook him off; the Old yet groans
Beneath what he and his prepared, if not
Completed: he leaves heirs on many thrones
To all his vices, without what begot
Compassion for him — his tame virtues; drones
Who sleep, or despots who have not forgot
A lesson which shall be re-taught them, wake
Upon the thrones of earth; but let them quake!
XLVIII
'Five millions of the primitive, who hold
The faith which makes ye great on earth, implored
A part of that vast all they held of old, —
Freedom to worship — not alone your Lord,
Michael, but you, and you, Saint Peter! Cold
Must be your souls, if you have not abhorr'd
The foe to Catholic participation
In all the license of a Christian nation.
XLIX
'True! he allow'd them to pray God; but as
A consequence of prayer, refused the law
Which would have placed them upon the same base
With those who did not hold the saints in awe.'
But here Saint Peter started from his place,
And cried, 'You may the prisoner withdraw:
Ere heaven shall ope her portals to this Guelph,
While I am guard, may I be damn'd myself!
L
'Sooner will I with Cerberus exchange
My office (and his no sinecure)
Than see this royal Bedlam bigot range
The azure fields of heaven, of that be sure!'
'Saint!' replied Satan, 'you do well to avenge
The wrongs he made your satellites endure;
And if to this exchange you should be given,
I'll try to coax our Cerberus up to heaven!'
LI
Here Michael interposed: 'Good saint! and devil!
Pray, not so fast; you both outrun discretion.
Saint Peter! you were wont to be more civil!
Satan! excuse this warmth of his expression,
And condescension to the vulgar's level:
Event saints sometimes forget themselves in session.
Have you got more to say?' — 'No.' — If you please
I'll trouble you to call your witnesses.'
LII
Then Satan turn'd and waved his swarthy hand,
Which stirr'd with its electric qualities
Clouds farther off than we can understand,
Although we find him sometimes in our skies;
Infernal thunder shook both sea and land
In all the planets, and hell's batteries
Let off the artillery, which Milton mentions
As one of Satan's most sublime inventions.
LIII
This was a signal unto such damn'd souls
As have the privilege of their damnation
Extended far beyond the mere controls
Of worlds past, present, or to come; no station
Is theirs particularly in the rolls
Of hell assign'd; but where their inclination
Or business carries them in search of game,
They may range freely — being damn'd the same.
LIV
They're proud of this — as very well they may,
It being a sort of knighthood, or gilt key
Stuck in their loins; or like to an 'entr?'
Up the back stairs, or such free-masonry.
I borrow my comparisons from clay,
Being clay myself. Let not those spirits be
Offended with such base low likenesses;
We know their posts are nobler far than these.
LV
When the great signal ran from heaven to hell —
About ten million times the distance reckon'd
From our sun to its earth, as we can tell
How much time it takes up, even to a second,
For every ray that travels to dispel
The fogs of London, through which, dimly beacon'd,
The weathercocks are gilt some thrice a year,
If that the summer is not too severe;
LVI
I say that I can tell — 'twas half a minute;
I know the solar beams take up more time
Ere, pack'd up for their journey, they begin it;
But then their telegraph is less sublime,
And if they ran a race, they would not win it
'Gainst Satan's couriers bound for their own clime.
The sun takes up some years for every ray
To reach its goal — the devil not half a day.
LVII
Upon the verge of space, about the size
Of half-a-crown, a little speck appear'd
(I've seen a something like it in the skies
In the ?gean, ere a squall); it near'd,
And growing bigger, took another guise;
Like an a?rial ship it tack'd, and steer'd,
Or was steer'd (I am doubtful of the grammar
Of the last phrase, which makes the stanza stammer; —
LVIII
But take your choice): and then it grew a cloud;
And so it was — a cloud of witnesses.
But such a cloud! No land e'er saw a crowd
Of locusts numerous as the heavens saw these;
They shadow'd with their myriads space; their loud
And varied cries were like those of wild geese
(If nations may be liken'd to a goose),
And realised the phrase of 'hell broke loose.'
LIX
Here crash'd a sturdy oath of stout John Bull,
Who damn'd away his eyes as heretofore:
There Paddy brogued, 'By Jasus!' — 'What's your wull?'
The temperate Scot exclaim'd: the French ghost swore
In certain terms I shan't translate in full,
As the first coachman will; and 'midst the roar,
The voice of Jonathan was heard to express,
'Our president is going to war, I guess.'
LX
Besides there were the Spaniard, Dutch, and Dane;
In short, an universal shoal of shades,
From Otaheite's isle to Salisbury Plain,
Of all climes and professions, years and trades,
Ready to swear against the good king's reign,
Bitter as clubs in cards are against spades:
All summon'd by this grand 'subpoena,' to
Try if kings mayn't be damn'd like me or you.
LXI
When Michael saw this host, he first grew pale,
As angels can; next, like Italian twilight,
He turn'd all colours — as a peacock's tail,
Or sunset streaming through a Gothic skylight
In some old abbey, or a trout not stale,
Or distant lightning on the horizon by night,
Or a fresh rainbow, or a grand review
Of thirty regiments in red, green, and blue.
LXII
Then he address'd himself to Satan: 'Why —
My good old friend, for such I deem you, though
Our different parties make us fight so shy,
I ne'er mistake you for a personal foe;
Our difference is political, and I
Trust that, whatever may occur below,
You know my great respect for you; and this
Makes me regret whate'er you do amiss —
LXIII
'Why, my dear Lucifer, would you abuse
My call for witnesses? I did not mean
That you should half of earth and hell produce;
'Tis even superfluous, since two honest, clean
True testimonies are enough: we lose
Our time, nay, our eternity, between
The accusation and defence: if we
Hear both, 'twill stretch our immortality.'
LXIV
Satan replied, 'To me the matter is
Indifferent, in a personal point of view;
I can have fifty better souls than this
With far less trouble than we have gone through
Already; and I merely argued his
Late majesty of Britain's case with you
Upon a point of form: you may dispose
Of him; I've kings enough below, God knows!'
LXV
Thus spoke the Demon (late call'd 'multifaced'
By multo-scribbling Southey). 'Then we'll call
One or two persons of the myriads placed
Around our congress, and dispense with all
The rest,' quoth Michael: 'Who may be so graced
As to speak first? there's choice enough — who shall
It be?' Then Satan answer'd, 'There are many;
But you may choose Jack Wilkes as well as any.'
LXVI
A merry, cock-eyed, curious-looking sprite
Upon the instant started from the throng,
Dress'd in a fashion now forgotten quite;
For all the fashions of the flesh stick long
By people in the next world; where unite
All the costumes since Adam's, right or wrong,
From Eve's fig-leaf down to the petticoat,
Almost as scanty, of days less remote.
LXVII
The spirit look'd around upon the crowds
Assembled, and exclaim'd, 'My friends of all
The spheres, we shall catch cold amongst these clouds;
So let's to business: why this general call?
If those are freeholders I see in shrouds,
And 'tis for an election that they bawl,
Behold a candidate with unturn'd coat!
Saint Peter, may I count upon your vote?'
LXVIII
'Sir,' replied Michael, 'you mistake; these things
Are of a former life, and what we do
Above is more august; to judge of kings
Is the tribunal met: so now you know.'
'Then I presume those gentlemen with wings,'
Said Wilkes, 'are cherubs; and that soul below
Looks much like George the Third, but to my mind
A good deal older — Bless me! is he blind?'
LXIX
'He is what you behold him, and his doom
Depends upon his deeds,' the Angel said;
'If you have aught to arraign in him, the tomb
Give licence to the humblest beggar's head
To lift itself against the loftiest.' — 'Some,'
Said Wilkes, 'don't wait to see them laid in lead,
For such a liberty — and I, for one,
Have told them what I though beneath the sun.'
LXX
'Above the sun repeat, then, what thou hast
To urge against him,' said the Archangel. 'Why,'
Replied the spirit, 'since old scores are past,
Must I turn evidence? In faith, not I.
Besides, I beat him hollow at the last,
With all his Lords and Commons: in the sky
I don't like ripping up old stories, since
His conduct was but natural in a prince.
LXXI
'Foolish, no doubt, and wicked, to oppress
A poor unlucky devil without a shilling;
But then I blame the man himself much less
Than Bute and Grafton, and shall be unwilling
To see him punish'd here for their excess,
Since they were both damn'd long ago, and still in
Their place below: for me, I have forgiven,
And vote his "habeas corpus" into heaven.'
LXXII
'Wilkes,' said the Devil, 'I understand all this;
You turn'd to half a courtier ere you died,
And seem to think it would not be amiss
To grow a whole one on the other side
Of Charon's ferry; you forget that his
Reign is concluded; whatso'er betide,
He won't be sovereign more: you've lost your labor,
For at the best he will be but your neighbour.
LXXIII
'However, I knew what to think of it,
When I beheld you in your jesting way,
Flitting and whispering round about the spit
Where Belial, upon duty for the day,
With Fox's lard was basting William Pitt,
His pupil; I knew what to think, I say:
That fellow even in hell breeds farther ills;
I'll have him gagg'd — 'twas one of his own bills.
LXXIV
'Call Junius!' From the crowd a shadow stalk'd,
And at the same there was a general squeeze,
So that the very ghosts no longer walk'd
In comfort, at their own a?rial ease,
But were all ramm'd, and jamm'd (but to be balk'd,
As we shall see), and jostled hands and knees,
Like wind compress'd and pent within a bladder,
Or like a human colic, which is sadder.
LXXV
The shadow came — a tall, thin, grey-hair'd figure,
That look'd as it had been a shade on earth;
Quick in it motions, with an air of vigour,
But nought to mar its breeding or its birth;
Now it wax'd little, then again grew bigger,
With now an air of gloom, or savage mirth;
But as you gazed upon its features, they
Changed every instant — to what, none could say.
LXXVI
The more intently the ghosts gazed, the less
Could they distinguish whose the features were;
The Devil himself seem'd puzzled even to guess;
They varied like a dream — now here, now there;
And several people swore from out the press
They knew him perfectly; and one could swear
He was his father: upon which another
Was sure he was his mother's cousin's brother:
LXXVII
Another, that he was a duke, or a knight,
An orator, a lawyer, or a priest,
A nabob, a man-midwife; but the wight
Mysterious changed his countenance at least
As oft as they their minds; though in full sight
He stood, the puzzle only was increased;
The man was a phantasmagoria in
Himself — he was so volatile and thin.
LXXVIII
The moment that you had pronounce him one,
Presto! his face change'd and he was another;
And when that change was hardly well put on,
It varied, till I don't think his own mother
(If that he had a mother) would her son
Have known, he shifted so from one to t'other;
Till guessing from a pleasure grew a task,
At this epistolary 'Iron Mask.'
LXXIX
For sometimes he like Cerberus would seem —
'Three gentlemen at once' (as sagely says
Good Mrs. Malaprop); then you might deem
That he was not even one; now many rays
Were flashing round him; and now a thick steam
Hid him from sight — like fogs on London days:
Now Burke, now Tooke he grew to people's fancies,
And certes often like Sir Philip Francis.
LXXX
I've an hypothesis — 'tis quite my own;
I never let it out till now, for fear
Of doing people harm about the throne,
And injuring some minister or peer,
On whom the stigma might perhaps be blown;
It is — my gentle public, lend thine ear!
'Tis, that what Junius we are wont to call
Was really, truly, nobody at all.
LXXXI
I don't see wherefore letters should not be
Written without hands, since we daily view
Them written without heads; and books, we see,
Are fill'd as well without the latter too:
And really till we fix on somebody
For certain sure to claim them as his due,
Their author, like the Niger's mouth, will bother
The world to say if there be mouth or author.
LXXXII
'And who and what art thou?' the Archangel said.
'For that you may consult my title-page,'
Replied this mighty shadow of a shade:
'If I have kept my secret half an age,
I scarce shall tell it now.' — 'Canst thou upbraid,'
Continued Michael, 'George Rex, or allege
Aught further?' Junius answer'd, 'You had better
First ask him for his answer to my letter:
LXXXIII
'My charges upon record will outlast
The brass of both his epitaph and tomb.'
'Repent'st thou not,' said Michael, 'of some past
Exaggeration? something which may doom
Thyself if false, as him if true? Thou wast
Too bitter — is it not so? — in thy gloom
Of passion?' — 'Passion!' cried the phantom dim,
'I loved my country, and I hated him.
LXXXIV
'What I have written, I have written: let
The rest be on his head or mine!' So spoke
Old 'Nominis Umbra'; and while speaking yet,
Away he melted in celestial smoke.
Then Satan said to Michael, 'Don't forget
To call George Washington, and John Horne Tooke,
And Franklin;' — but at this time was heard
A cry for room, though not a phantom stirr'd.
LXXXV
At length with jostling, elbowing, and the aid
Of cherubim appointed to that post,
The devil Asmodeus to the circle made
His way, and look'd as if his journey cost
Some trouble. When his burden down he laid,
'What's this?' cried Michael; 'why, 'tis not a ghost?'
'I know it,' quoth the incubus; 'but he
Shall be one, if you leave the affair to me.
LXXXVI
'Confound the renegado! I have sprain'd
My left wing, he's so heavy; one would think
Some of his works about his neck were chain'd.
But to the point; while hovering o'er the brink
Of Skiddaw (where as usual it still rain'd),
I saw a taper, far below me, wink,
And stooping, caught this fellow at a libel —
No less on history than the Holy Bible.
LXXXVII
'The former is the devil's scripture, and
The latter yours, good Michael: so the affair
Belongs to all of us, you understand.
I snatch'd him up just as you see him there,
And brought him off for sentence out of hand:
I've scarcely been ten minutes in the air —
At least a quarter it can hardly be:
I dare say that his wife is still at tea.'
LXXXVIII
Here Satan said, 'I know this man of old,
And have expected him for some time here;
A sillier fellow you will scarce behold,
Or more conceited in his petty sphere:
But surely it was not worth while to fold
Such trash below your wing, Asmodeus dear:
We had the poor wretch safe (without being bored
With carriage) coming of his own accord.
LXXXIX
'But since he's here, let's see what he has done.'
'Done!' cried Asmodeus, 'he anticipates
The very business you are now upon,
And scribbles as if head clerk to the Fates,
Who knows to what his ribaldry may run,
When such an ass as this, like Balaam's, prates?'
'Let's hear,' quoth Michael, 'what he has to say;
You know we're bound to that in every way.'
XC
Now the bard, glad to get an audience which
By no means oft was his case below,
Began to cough, and hawk, and hem, and pitch
His voice into that awful note of woe
To all unhappy hearers within reach
Of poets when the tide of rhyme's in flow;
But stuck fast with his first hexameter,
Not one of all whose gouty feet would stir.
XCI
But ere the spavin'd dactyls could be spurr'd
Into recitative, in great dismay
Both cherubim and seraphim were heard
To murmur loudly through their long array:
And Michael rose ere he could get a word
Of all his founder'd verses under way.
And cried, 'For God's sake stop, my friend! 'twere best —
Non Di, non homines —- you know the rest.'
XCII
A general bustle spread throughout the throng.
Which seem'd to hold all verse in detestation;
The angels had of course enough of song
When upon service; and the generation
Of ghosts had heard too much in life, not long
Before, to profit by a new occasion;
The monarch, mute till then, exclaim'd, 'What! What!
Pye come again? No more — no more of that!'
XCIII
The tumult grew; an universal cough
Convulsed the skies, as during a debate
When Castlereagh has been up long enough
(Before he was first minister of state,
I mean — the slaves hear now); some cried 'off, off!'
As at a farce; till, grown quite desperate,
The bard Saint Peter pray'd to interpose
(Himself an author) only for his prose.
XCIV
The varlet was not an ill-favour'd knave;
A good deal like a vulture in the face,
With a hook nose and a hawk'd eye, which gave
A smart and sharper-looking sort of grace
To his whole aspect, which, though rather grave,
Was by no means so ugly as his case;
But that, indeed, was hopeless as can be,
Quite a poetic felony, 'de se.'
XCV
Then Michael blew his trump, and still'd the noise
With one still greater, as is yet the mode
On earth besides; except some grumbling voice,
Which now and then will make a slight inroad
Upon decorous silence, few will twice
Lift up their lungs when fairly overcrow'd;
And now the bard could plead his own bad cause,
With all the attitudes of self-applause.
XCVI
He said — (I only give the heads) — he said,
He meant no harm in scribbling; 'twas his way
Upon all topics; 'twas, besides, his bread,
Of which he butter'd both sides; 'twould delay
Too long the assembly (he was pleased to dread),
And take up rather more time than a day,
To name his works — he would but cite a few —
'Wat Tyler' — 'Rhymes on Blenheim' — 'Waterloo.'
XCVII
He had written praises of a regicide:
He had written praises of all kings whatever;
He had written for republics far and wide;
And then against them bitterer than ever;
For pantisocracy he once had cried
Aloud, a scheme less moral than 'twas clever;
Then grew a hearty anti-Jacobin —
Had turn'd his coat — and would have turn'd his skin.
XCVIII
He had sung against all battles, and again
In their high praise and glory; he had call'd
Reviewing (1)'the ungentle craft,' and then
Become as base a critic as e'er crawl'd —
Fed, paid, and pamper'd by the very men
By whom his muse and morals had been maul'd:
He had written much blank verse, and blanker prose,
And more of both than anybody knows.
XCIX
He had written Wesley's life: — here turning round
To Satan, 'Sir, I'm ready to write yours,
In two octavo volumes, nicely bound,
With notes and preface, all that most allures
The pious purchaser; and there's no ground
For fear, for I can choose my own reviews:
So let me have the proper documents,
That I may add you to my other saints.'
C
Satan bow'd, and was silent. 'Well, if you,
With amiable modesty, decline
My offer, what says Michael? There are few
Whose memoirs could be render'd more divine.
Mine is a pen of all work; not so new
As it once was, but I would make you shine
Like your own trumpet. By the way, my own
Has more of brass in it, and is as well blown.
CI
'But talking about trumpets, here's my Vision!
Now you shall judge, all people; yes, you shall
Judge with my judgment, and by my decision
Be guided who shall enter heaven or fall.
I settle all these things by intuition,
Times present, past, to come, heaven, hell, and all,
Like King Alfonso(2). When I thus see double,
I save the Deity some worlds of trouble.'
CII
He ceased, and drew forth an MS.; and no
Persuasion on the part of devils, saints,
Or angels, now could stop the torrent; so
He read the first three lines of the contents;
But at the fourth, the whole spiritual show
Had vanish'd, with variety of scents,
Ambrosial and sulphureous, as they sprang,
Like lightning, off from his 'melodious twang.' (3)
CIII
Those grand heroics acted as a spell:
The angels stopp'd their ears and plied their pinions;
The devils ran howling, deafen'd, down to hell;
The ghosts fled, gibbering, for their own dominions —
(For 'tis not yet decided where they dwell,
And I leave every man to his opinions);
Michael took refuge in his trump — but, lo!
His teeth were set on edge, he could not blow!
CIV
Saint Peter, who has hitherto been known
For an impetuous saint, upraised his keys,
And at the fifth line knock'd the poet down;
Who fell like Phaeton, but more at ease,
Into his lake, for there he did not drown;
A different web being by the Destinies
Woven for the Laureate's final wreath, whene'er
Reform shall happen either here or there.
CV
He first sank to the bottom - like his works,
But soon rose to the surface — like himself;
For all corrupted things are bouy'd like corks,(4)
By their own rottenness, light as an elf,
Or wisp that flits o'er a morass: he lurks,
It may be, still, like dull books on a shelf,
In his own den, to scrawl some 'Life' or 'Vision,'
As Welborn says — 'the devil turn'd precisian.'
CVI
As for the rest, to come to the conclusion
Of this true dream, the telescope is gone
Which kept my optics free from all delusion,
And show'd me what I in my turn have shown;
All I saw farther, in the last confusion,
Was, that King George slipp'd into heaven for one;
And when the tumult dwindled to a calm,
I left him practising the hundredth psalm.
Notes
The first publication of this satire on Southey's poem A Vision of Judgement was under the nom de plume of Quevedo Redivivus in volume number 1 of The Liberal, a periodical edited by Leigh Hunt and largely financed by Byron. In the copy of the first volume of The Liberal that I have (which appears to be a first edition), there is no preamble but it does appear in later collections and so I have included it for completeness.
Also for the sake of completeness, I have included several footnotes that appear in The Liberal but that do not seem to have been carried forward to subsequent collections.
1. See "Life of H Kirk White"
2. King Alfonso, speaking of the Ptolomean system said, that "had he been consulted at the creation of the world, he would have spared the Maker some absurdities."
3. See Aubrey's account of the apparition which disappeared "with a curious perfume and a melodious twang;" or see the Antiquary, Vol. I.
4. A drowned body lies at the body till rotten; it then floats, as most people know.
|
The Siege of Corinth
ADVERTISEMENT
"The grand army of the Turks, (in 1715), under the Prime Vizier, to open to themselves a way into the heart of the Morea, and to form the siege of Napoli di Romania, the most considerable place in all that country, [1] thought it best in the first place to attack Corinth, upon which they made several storms. The garrison being weakened, and the governor seeing it was impossible to hold out against so mighty a force, thought it fit to beat a parley; but while they were treating about the articles, one of the magazines in the Turkish army, wherein they had six hundred barrels of powder, blew up by accident, whereby six or seven hundred men were killed; which so enraged the infidels, that they would not grant any capitulation, but stormed the place with so much fury, that they took it, and put most of the garrison, with Signior Minotti, the governor, to the sword. The rest, with Antonio Bembo, proveditor extraordinary, were made prisoners of war." — History of the Turks, vol. iii. p. 151.
THE SIEGE OF CORINTH.
I.
Many a vanish'd year and age,
And tempest's breath, and battle's rage,
Have swept o'er Corinth; yet she stands
A fortress form'd to Freedom's hands.
The whirlwind's wrath, the earthquake's shock
Have left untouch'd her hoary rock,
The keystone of a land, which still,
Though fall'n, looks proudly on that hill,
The landmark to the double tide
That purpling rolls on either side,
As if their waters chafed to meet,
Yet pause and crouch beneath her feet.
But could the blood before her shed
Since first Timoleon's brother bled,
Or baffled Persia's despot fled,
Arise from out the earth which drank
The stream of slaughter as it sank,
That sanguine ocean would o'erflow
Her isthmus idly spread below:
Or could the bones of all the slain,
Who perish'd there, be piled again,
That rival pyramid would rise
More mountain-like, through those clear skies
Than yon tower-capp'd Acropolis,
Which seems the very clouds to kiss.
II.
On dun Cith?ron's ridge appears
The gleam of twice ten thousand spears,
And downward to the Isthmian plain,
From shore to shore of either main,
The tent is pitch'd, the crescent shines
Along the Moslem's leaguering lines;
And the dusk Spahi's bands advance
Beneath each bearded pacha's glance;
And far and wide as eye can reach
The turban'd cohorts throng the beach;
And there the Arab's camel kneels,
And there his steed the Tartar wheels;
The Turcoman hath left his herd, [2]
The sabre round his loins to gird;
And there the volleying thunders pour,
Till waves grow smoother to the roar.
The trench is dug, the cannon's breath
Wings the far hissing globe of death;
Fast whirl the fragments from the wall,
Which crumbles with the ponderous ball;
And from that wall the foe replies,
O'er dusty plain and smoky skies,
With fires that answer fast and well
The summons of the Infidel.
III.
But near and nearest to the wall
Of those who wish and work its fall,
With deeper skill in war's black art
Than Othman's sons, and high of heart
As any chief that ever stood
Triumphant in the fields of blood;
From post to post, and deed to deed,
Fast spurring on his reeking steed,
Where sallying ranks the trench assail,
And make the foremost Moslem quail;
Or where the battery, guarded well,
Remains as yet impregnable,
Alighting cheerly to inspire
The soldier slackening in his fire;
The first and freshest of the host
Which Stamboul's Sultan there can boast
To guide the follower o'er the field,
To point the tube, the lance to wield,
Or whirl around the bickering blade; —
Was Alp, the Adrian renegade!
IV.
From Venice — once a race of worth
His gentle sires — he drew his birth;
But late an exile from her shore,
Against his countrymen he bore
The arms they taught to bear; and now
The turban girt his shaven brow.
Through many a change had Corinth pass'd
With Greece to Venice' rule at last;
And here, before her walls, with those
To Greece and Venice equal foes,
He stood a foe, with all the zeal
Which young and fiery converts feel,
Within whose heated bosom throngs
The memory of a thousand wrongs.
To him had Venice ceased to be
Her ancient civic boast — "the Free;"
And in the palace of St Mark
Unnamed accusers in the dark
Within the "Lion's mouth" had placed
A charge against him uneffaced:
He fled in time, and saved his life,
To waste his future years in strife,
That taught his land how great her loss
In him who triumph'd o'er the Cross,
'Gainst which he rear'd the Crescent high,
And battled to avenge or die.
V.
Coumourgi — he whose closing scene [3]
Adorn'd the triumph of Eugene,
When on Carlowitz' bloody plain,
The last and mightiest of the slain,
He sank, regretting not to die,
But cursed the Christian's victory —
Coumourgi — can his glory cease,
That latest conqueror of Greece,
Till Christian hands to Greece restore
The freedom Venice gave of yore?
A hundred years have roll'd away
Since he refix'd the Moslem's sway,
And now he led the Mussulman,
And gave the guidance of the van
To Alp, who well repaid the trust
By cities levell'd with the dust;
And proved, by many a deed of death,
How firm his heart in novel faith.
VI.
The walls grew weak; and fast and hot
Against them pour'd the ceaseless shot,
With unabating fury sent,
From battery to battlement;
And thunder-like the pealing din
Rose from each heated culverin;
And here and there some crackling dome
Was fired before the exploding bomb;
And as the fabric sank beneath
The shattering shell's volcanic breath,
In red and wreathing columns flash'd
The flame as loud the ruin crash'd,
Or into countless meteors driven,
Its earth-stars melted into heaven;
Whose clouds that day grew doubly d[un?]
Impervious to the hidden sun,
With volumed smoke that slowly grew
To one wide sky of sulphurous hue.
VII.
But not for vengeance, long delay'd,
Alone, did Alp, the renegade,
The Moslem warriors sternly teach
His skill to pierce the promised breach:
Within those walls a maid was pent
His hope would win, without consent
Of that inexorable sire,
Whose heart refused him in its ire,
When Alp, beneath his Christian name,
Her virgin hand aspired to claim.
In happier mood, and earlier time,
While unimpeach'd for traitorous crime,
Gayest in gondola or hall,
He glitter'd through the Carnival;
And tuned the softest serenade
That e'er on Adria's waters play'd
At midnight to Italian maid.
VIII.
And many deem'd her heart was won;
For sought by numbers, given to none,
Had young Francesca's hand remain'd
Still by the church's bond unchain'd:
And when the Adriatic bore
Lanciotto to the Paynim shore,
Her wonted smiles were seen to fail,
And pensive wax'd the maid and pale;
More constant at confessional,
More rare at masque and festival;
Or seen at such with downcast eyes,
Which conquer'd hearts they ceased to prize!
With listless look she seems to gaze;
With humbler care her form arrays;
Her voice less lively in the song;
Her step, though light, less fleet among
The pairs, on whom the Morning's glance
Breaks, yet unsated with the dance.
IX.
Sent by the state to guard the land,
(Which, wrested from the Moslem's hand,
While Sobieski tamed his pride
By Buda's wall and Danube's side,
The chiefs of Venice wrung away
From Patra to Eub?a's bay,)
Minotti held in Corinth's towers
The Doge's delegated powers,
While yet the pitying eye of Peace
Smiled o'er her long-forgotten Greece:
And ere that faithless truce was broke
Which freed her from the unchristian yoke,
With him his gentle daughter came;
Nor there, since Menelaus' dame
Forsook her lord and land, to prove
What woes await on lawless love,
Had fairer form adorn'd the shore
Than she, the matchless stranger, bore.
X.
The wall is rent, the ruins yawn,
And, with to-morrow's earliest dawn,
O'er the disjointed mass shall vault
The foremost of the fierce assault.
The bands are rank'd; the chosen van
Of Tartar and of Mussulman,
The full of hope, misnamed "forlorn,"
Who hold the thought of death in scorn,
And win their way with falchion's force,
Or pave the path with many a corse,
O'er which the following brave may rise,
Their stepping-stone — the last who dies!
XI.
'Tis midnight: on the mountains brown
The cold, round moon shines deeply down:
Blue roll the waters, blue the sky
Spreads like an ocean hung on high,
Bespangled with those isles of light,
So wildly, spiritually bright;
Who ever gazed upon them shining,
And turn'd to earth without repining,
Nor wish'd for wings to flee away,
And mix with their eternal ray?
The waves on either shore lay there,
Calm, clear, and azure as the air;
And scarce their foam the pebbles shook,
But murmur'd meekly as the brook.
The winds were pillow'd on the waves;
The banners droop'd along their staves,
And, as they fell around them furling,
Above them shone the crescent curling;
And that deep silence was unbroke,
Save where the watch his signal spoke,
Save where the steed neigh'd oft and shrill,
And echo answer'd from the hill,
And the wide hum of that wild host,
Rustled like leaves from coast to coast,
As rose the Muezzin's voice in air
In midnight call to wonted prayer;
It rose, that chanted mournful strain,
Like some lone spirit's o'er the plain:
'Twas musical, but sadly sweet,
Such as when winds and harp-strings meet,
And take a long-unmeasured tone,
To mortal minstrelsy unknown.
It seem'd to those within the wall
A cry prophetic of their fall:
It struck even the besieger's ear
An undefined and sudden thrill,
Which makes the heart a moment still,
Then beat with quicker pulse, ashamed
Of that strange sense its silence framed:
Such as a sudden passing-bell
Wakes though but for a stranger's knell.
XII.
The tent of Alp was on the shore;
The sound was hush'd, the prayer was o'er;
The watch was set, the night-round made,
All mandates issued and obey'd:
'Tis but another anxious night,
His pains the morrow may requite
With all revenge and love can pay,
In guerdon for their long delay.
Few hours remain, and he hath need
Of rest, to nerve for many a deed
Of slaughter; but within his soul
The thoughts like troubled waters roll.
He stood alone among the host;
Not his the loud fanatic boast
To plant the Crescent o'er the Cross
Or risk a life with little loss,
Secure in Paradise to be
By Houris loved immortally:
Nor his, what burning patriots feel,
The stern exaltedness of zeal,
Profuse of blood, untired in toil,
When battling on the parent soil.
He stood alone — a renegade
Against the country he betray'd.
He stood alone amidst his band,
Without a trusted heart or hand:
They follow'd him, for he was brave,
And great the spoil he got and gave;
They crouch'd to him, for he had skill
To warp and wield the vulgar will:
But still his Christian origin
With them was little less than sin.
They envied even the faithless fame
He earn'd beneath a Moslem name:
Since he, their mightiest chief had been
In youth, a bitter Nazarene.
They did not know how pride can stoop,
When baffled feelings withering droop;
They did not know how hate can burn
In hearts once changed from soft to stern;
Nor all the false and fatal zeal
The convert of revenge can feel.
He ruled them — man may rule the worst
By ever daring to be first:
So lions o'er the jackal sway;
The jackal points, he fells the prey,
Then on the vulgar yelling press,
To gorge the relics of success.
XIII.
His head grows fever'd, and his pulse
The quick successive throbs convulse;
In vain from side to side he throws
His form, in courtship of repose;
Or if he dozed, a sound, a start
Awoke him with a sunken heart.
The turban on his hot brow press'd,
The mail weigh'd lead-like on his breast,
Though oft and long beneath its weight
Upon his eyes had slumber sate,
Without or couch or canopy,
Except a rougher field and sky
Than now might yield a warrior's bed,
Than now along the heaven was spread.
He could not rest, he could not stay
Within his tent to wait for day,
But walk'd him forth along the sand,
Where thousand sleepers strew'd the strand.
What pillow'd them? and why should he
More wakeful than the humblest be?
Since more their peril, worse their toil,
And yet they fearless dream of spoil;
While he alone, where thousands pass'd
A night of sleep, perchance their last,
In sickly vigil wander'd on,
And envied all he gazed upon.
XIV.
He felt his soul become more light
Beneath the freshness of the night.
Cool was the silent sky, though calm,
And bathed his brow with airy balm:
Behind, the camp — before him lay,
In many a winding creek and bay,
Lepanto's gulf; and on the brow
Of Delphi's hill, unshaken snow,
High and eternal, such as shone
Through thousand summers brightly gone.
Along the gulf, the mount, the clime;
It will not melt, like man, to time;
Tyrant and slave are swept away,
Less form'd to wear the before the ray;
But that white veil, the lightest, frailest,
Which on the mighty mount thou hailest,
Shines o'er its craggy battlement;
In form a peak, in height a cloud,
In texture like a hovering shroud,
Thus high by parting Freedom spread,
As from her fond abode she fled,
And linger'd on the spot, where long
Her prophet spirit spake in song.
Oh! still her step at moments falters
O'er wither'd fields, and ruined altars,
And fain would wake, in souls too broken,
By pointing to each glorious token.
But vain her voice, till better days
Dawn in those yet remember'd rays,
Which shone upon the Persian flying,
And saw the Spartan smile in dying.
XV.
Not mindless of these mighty times
Was Alp, despite his flight and crimes;
And through this night, as on he wander'd,
And o'er the past and present ponder'd,
And thought upon the glorious dead
Who there in better cause had bled,
He felt how faint and feebly dim
The fame that could accrue to him,
Who cheer'd the band, and waved the sword
A traitor in a turban'd horde;
And led them to the lawless siege,
Whose best success were sacrilege.
Not so had those his fancy number'd,
The chiefs whose dust around him slumber'd;
Their phalanx marshall'd on the plain,
Whose bulwarks were not then in vain.
They fell devoted, but undying;
The very gale their names seem'd sighing:
The waters murmur'd of their name;
The woods were peopled with their fame;
The silent pillar, lone and gray,
Claim'd kindred with their sacred clay;
Their spirits wrapt the dusky mountain,
Their memory sparkled o'er the mountain,
The meanest rill, the mightiest river,
Roll'd mingling with their fame for ever.
Despite of every yoke she bears,
That land is glory's still, and theirs!
When man would do a deed of worth
He points to Greece, and turns to tread,
So sanction'd, on the tyrant's head:
He looks to her, and rushes on
Where life is lost, or freedom won.
XVI.
Still by the shore Alp mutely mused,
And woo'd the freshness night diffused.
There shrinks no ebb in that tideless sea, [3]
Which changeless rolls eternally;
So that wildest of waves, in their angriest mood,
Scarce break on the bounds of the land for a rood;
And the powerless moon beholds them flow,
Heedless if she come or go:
Calm or high, in main or bay,
On their course she hath no sway.
The rock unworn its base doth bare,
And looks o'er the surf, but it comes not there;
And the fringe of the foam may be seen below,
On the line that it left long ages ago:
A smooth short space of yellow sand
Between it and the greener land.
He wander'd on, along the beach,
Till within the range of a carbine's reach
Of the leaguer'd wall; but they saw him not,
Or how could he 'scape from the hostile shot,
Did traitors lurk in the Christian's hold?
Were their hands grown stiff, or their hearts wax'd cold,
I know not, in sooth; but from yonder wall
There flash'd no fire, and there hiss'd no ball,
Though he stood beneath the bastion's frown,
That flank'd the sea-ward gate of the town;
Though he heard the sound, and could almost tell
The sullen words of the sentinel,
As his measured step on the stone below
Clank'd, as he paced it to and fro;
And he saw the lean dogs beneath the wall
Hold o'er the dead their carnival,
Gorging and growling o'er carcass and limb!
They were too busy to bark at him!
From a Tartar's skull they had stripp'd the flesh,
As ye peel the fig when its fruit is fresh;
And their white tusks crunch'd o'er the whiter skull, [4]
As it slipped through their jaws, when their edge grew dull,
As they lazily mumbled the bones of the dead,
When they scarce could rise from the spot where they fed;
So well had they broken a lingering fast
With those who had fall'n for that night's repast.
And Alp knew, by the turbans that roll'd on the sand,
The foremost of these were the best of his band:
Crimson and green were the shawls of their wear,
And each scalp had a single long tuft of hair, [5]
All the rest was shaven and bare.
The scalps were in the wild-dog's maw,
The hair was tangled round his jaw.
But close by the shore, on the edge of the gulf,
There sat a vulture flapping a wolf,
Who had stolen from the hills, but kept away,
Scared by the dogs, from the human prey;
But he seized on his share of a steed that lay,
Pick'd by the birds, on the sands of the bay.
XVII.
Alp turn'd him from the sickening sight:
Never had shaken his nerves in fight;
Be he better could brook to behold the dying,
Deep in the tide of their warm blood lying,
Scorch'd with death-thirst, and writing in vain,
Than the perishing dead who are past all pain.
There is something of pride in the perilous hour,
Whate'er be the shape in which death may lour;
For Fame is there to say who bleeds,
And Honour's eye on daring deeds!
But when all is past, it is humbling to tread
O'er the weltering field of the tombless dead,
And see worms of the earth, and fowls of the air,
Beasts of the forest, all gathering there;
All regarding man as their prey,
All rejoicing in his decay.
XVIII.
There is a temple in ruin stands,
Fashion'd by long-forgotten hands;
Two or three columns, and many a stone,
Marble and granite, with grass o'ergrown!
Out upon Time! it will leave no more
Of the things to come than the things before!
But enough of the past for the future to grieve
O'er that which hath been, and o'er that which must be!
What we have seen, our sons shall see;
Remnants of things that have pass'd away,
Fragments of stone, rear'd by creatures of clay!
XIX.
He sate him down at a pillar's base,
And pass'd his hand athwart his face;
Like one in dreary musing mood,
Declining was his attitude;
His head was drooping on his breast,
Fever'd, throbbing, and opprest;
And o'er his brow, so downward bent,
Oft his beating fingers went,
Hurriedly, as you may see
Your own run over the ivory key,
Ere the measured tone is taken,
By the chords you would awaken.
There he sate all heavily,
As he heard the night-wind sigh.
Was it the wind, through some hollow stone, [6]
Sent that soft and tender moan?
He lifted his head, and he look'd on the sea,
But it was unrippled as glass may be;
He look'd on the long grass — it waved not a blade;
How was that gentle sound convey'd?
He look'd to the banners — each flag lay still,
So did the leaves on Cith?ron's hill,
And he felt not a breath come over his cheek;
What did that sudden sound bespeak?
He turn'd to the left — is he sure of sight?
There sate a lady, youthful and bright!
XX.
He started up with more of fear
Than if an armed foe were near.
"God of my fathers! what is here?
Who art thou, and wherefore sent
So near a hostile armament?"
His trembling hands refused to sign
The cross he deem'd no more divine:
He had resumed it in that hour,
But conscience wrung away the power.
He gazed — he saw: he knew the face
Of beauty, and the form of grace;
It was Francesca by his side,
The maid who might have been his bride!
The rose was yet upon her cheek,
But mellow'd with a tenderer streak:
Where was the play of her soft lips fled?
Gone was the smile that enliven'd their red.
The ocean's calm within their view,
Beside her eye had less of blue;
But like that cold wave it stood still,
And its glance, though clear, was chill.
Around her form a thin robe twining,
Nought conceal'd her bosom shining;
Through the parting of her hair,
Floating darkly downward there,
Her rounded arm shew'd white and bare:
And ere yet she made reply,
Once she raised her hand on high;
It was so wan and transparent of hue,
You might have seen the moon shine through.
XXI.
"I come from my rest to him I love best,
That I may be happy, and he may be blest.
I have pass'd the guards, the gate, the wall;
Sought thee in safety through foes and all.
'Tis said the lion will turn and flee
From a maid in the pride of her purity;
And the Power on high, that can shield the good
Thus from the tyrant of the wood,
Hath extended its mercy to guard me as well
From the hands of the leaguering infidel.
I come — and if I come in vain,
Never, oh never, we meet again!
Thou hast done a fearful deed
In falling away from thy fathers' creed:
But dash that turban to earth, and sign
The sign of the cross, and for ever be mine;
Wring the black drop from thy heart,
And to-morrow unites us no more to part."
"And where should our bridal-couch be spread?
In the midst of the dying and the dead?
For to-morrow we give to the slaughter and flame
The sons and shrines of the Christian name.
None, save thou and thine, I've sworn,
Shall be left upon the morn:
But thee will I bear to a lovely spot,
Where our hands shall be join'd, and our sorrow forgot.
There thou yet shall be my bride,
When once again I've quell'd the pride
Of Venice: and her hated race
Have felt the arm they would debase
Scourge, with a whip of scorpions, those
Whom vice and envy made my foes."
Upon his hand she laid her own —
Light was the touch, but it thrill'd to the bone,
And shot a chillness to his heart,
Which fix'd him beyond the power to start.
Though slight was that grasp so mortal cold,
He could not lose him from its hold:
But never did clasp of one so dear
Strike on the pulse with such feeling of fear,
As those thin fingers, long and white,
Froze through his blood by their touch that night.
The feverish glow of his brow was gone,
And his heart sank so still that it felt like stone,
As he look'd on the face, and beheld its hue,
So deeply changed from what he knew:
Fair but faint — without the ray
Of mind, that made each feature play
Like sparkling waves on a sunny day;
And her motionless lips lay still as death,
And her words came forth without her breath,
And there rose not a heave o'er her bosom's swell,
And there seem'd not a pulse in her veins to dwell.
Though her eye shone out, yet the lids were fix'd,
And the glance that it gave was wild and unmix'd
With aught of change, as the eyes may seem
Of the restless who walk in a troubled dream:
Like the figures on arras, that gloomily glare,
Stirr'd by the breath of the wintry air,
So seen by the dying lamp's fitful light,
Lifeless, but life-like, and awful to sight;
As they seem, through the dimness, about to come down
From the shadowy wall where their images frown;
Fearfully flitting to and fro,
As the gusts on the tapestry come and go.
"If not for the love of me be given
Thus much, then, for the love of Heaven, —
Again I say — that turban tear
From off thy faithless brow, and swear
Thine injured country's sons to spare,
Or thou art lost; and never shalt see —
Not earth — that's past — but heaven or me.
If this thou dost accord, albeit
A heavy doom 'tis thine to me,
That doom shall half absolve thy sin,
And mercy's gate may receive within;
But pause one moment more, and take
The curse of Him thou didst forsake;
And look once more to heaven, and see
Its love for ever shut from thee.
There is a light cloud by the moon — [7]
'Tis passing, and will pass full soon —
If, by the time its vapoury sail
Hath ceased her shaded orb to veil,
Thy heart within thee is not changed,
Then God and man are both avenged;
Dark will thy doom be, darker still
Thine immortality of ill."
Alp look'd to heaven, and saw on high
The sign she spake of in the sky;
But his heart was swoll'n, and turn'd aside,
By deep interminable pride.
This first false passion of his breast
Roll'd like a torrent o'er the rest.
He sue for mercy! He dismay'd
By wild words of a timid maid!
He, wrong'd by Venice, vow to save
Her sons, devoted to the grave!
No — though that cloud were thunder's worst,
And charged to crush him — let it burst!
He look'd upon it earnestly,
Without an accent of reply;
He watch'd it passing: it is flown:
Full on his eye the clear moon shone.
And thus he spake — "Whate'er my fate,
I am no changeling — 'tis too late:
The reed in storms may bow and quiver,
Then rise again; the tree must shiver.
What Venice made me, I must be,
Her foe in all, save love to thee:
But thou art safe: oh, fly with me!"
He turn'd, but she is gone!
Nothing is there but the column stone.
Hath she sunk in the earth, or melted in air?
He saw not — he knew not — but nothing is there.
XXII.
The night is past, and shines the sun
As if that morn were a jocund one.
Lightly and brightly breaks away
The Morning from her mantle gray,
And the Noon will look on a sultry day.
Hark to the trump, and the drum,
And the mournful sound of the barbarous horn,
And the flap of the banners, that flit as they're borne,
And the neigh of the steed, and the multitude's hum,
And the clash and the shout, "They come, they come!"
The horsetails are pluck'd from the ground, and the sword
From its sheath; and they form, and but wait for the word.
Tartar, and Spahi, and Turcoman,
Strike your tents, and throng to the van;
Mount ye, spur ye, skirt the plain,
That the fugitive may flee in vain,
When he breaks from the town; and none escape,
Aged or young in Christian shape;
While your fellows on foot, in a fiery mass,
Bloodstain the breach through which they pass.
The steeds are all bridled, and snort to the rein;
Curved is each neck, and flowing each main;
White is the foam of their champ on the bit:
The spears are uplifted; the matches are lit;
The cannon are pointed, and ready to roar,
And crush the wall they have crumbled before:
Forms in his phalanx each Janizar;
Alp at their head; his right arm is bare,
So is the blade of his scimitar;
The khan and the pachas are all at their post:
The vizier himself at the head of the host.
When the culverin's signal is fired, then on;
Leave not in Corinth a living one —
A priest at her altars, a chief in her halls,
A hearth in her mansions, a stone in her walls.
God and the prophet — Allah Hu!
Up to the skies with that wild halloo!
"There the breach lies for passage, the ladder to scale
And your hands on your sabres, and how should ye fail?
He who first downs with the red cross may crave
His heart's dearest wish; let him ask it, and have!"
Thus utter'd Coumourgi, the dauntless vizier;
The reply was the brandish of sabre and spear,
And the shout of fierce thousands in joyous ire: —
Silence — hark to the signal — fire!
XXIII.
As the wolves, that headlong go
On the stately buffalo,
Though with fiery eyes, and angry roar,
And hoofs that stamp, and horns that gore,
He tramples on earth, or tosses on high
The foremost, who rush on his strength but to die;
Thus against the wall they went,
Thus the first were backward bent;
Many a bosom, sheathed in brass,
Strew'd the earth like broken glass,
Shiver'd by the shot, that tore
The ground whereon they moved no more:
Even as they fell, in files they lay,
Like the mower's grass at the close of day,
When is work is done on the levell'd plain;
Such was the fall of the foremost slain.
XXIV.
As the spring-tides, with heavy splash,
From the cliffs invading dash
Huge fragments, sapp'd by the ceaseless flow,
Till white and thundering down they go,
Like the avalanche's snow
On the Alpine vales below;
Thus at length, outbreathed and worn,
Corinth's sons were downward borne
By the long and oft-renew'd
Charge of the Moslem multitude.
In firmness they stood, and in masses they fell,
Heap'd, by the host of the infidel,
Hand to hand, and foot to foot:
Nothing there, save death, was mute;
Stroke, and thrust, and flash, and cry
For quarter, or for victory,
Mingle there with the volleying thunder,
Which makes the distant cities wonder
How the sounding battle goes,
If with them, or for their foes;
If they must mourn, or may rejoice
In that annihilating voice,
Which pierces the deep hills through and through
With an echo dread and new:
You might have heard it, on that day,
O'er Salamis and Megara;
(We have heard the hearers say,)
Even unto Pir?us' bay.
XXV.
From the point of encountering blades to the hilt,
Sabres and swords with blood were gilt:
But the rampart is won, and the spoil begun
And all but the after carnage done.
Shriller shrieks now mingling come
From within the plunder'd dome:
Hark to the haste of flying feet,
That splash in the blood of the slippery street;
But here and there, where 'vantage ground
Against the foe may still be found,
Desperate groups, of twelve or ten,
Make a pause, and turn again —
With banded backs against the wall,
Fiercely stand, or fighting fall.
There stood an old man — his hairs were white,
But his veteran arm was full of might:
So gallantly bore he the brunt of the fray,
The dead before him on that day,
In a semicircle lay;
Still he combated unwounded,
Though retreating, unsurrounded.
Many a scar of former fight
Lurk'd beneath his corslet bright;
But of every wound his body bore,
Each and all had been ta'en before:
Though aged, he was so iron of limb,
Few of our youth could cope with him;
And the foes, whom he singly kept at bay,
Outnumber'd his thin hairs of silver gray.
From right to left his sabre swept:
Many an Othman mother wept
Sons that were unborn, when dipp'd
His weapon first in Moslem gore,
Ere his years could count a score.
Of all he might have been the sire
Who fell that day beneath his ire:
For, sonless left long years ago,
His wrath made many a childless foe;
And since the day, when in the strait [8]
His only boy had met his fate,
His parent's iron hand did doom
More than a human hecatomb.
If shades by carnage be appeased,
Patroclus' spirit less was pleased
Than his, Minotti's son, who died
Where Asia's bounds and ours divide,
Buried he lay, where thousands before
For thousands of years were inhumed on the shore;
What of them is left, to tell
Where they lie, and how they fell?
Not a stone on their turf, nor a bone in their graves;
But they live in the verse that immortally saves.
XXVI.
Hark to the Allah shout! a band
Of the Mussulman bravest and best is at hand:
Their leader's nervous arm is bare,
Swifter to smite, and never to spare —
Unclothed to the shoulder it waves them on;
Thus in the fight is he ever known:
Others a gaudier garb may show,
To them the spoil of the greedy foe;
Many a hand's on a richer hilt,
But none on a steel more ruddily gilt;
Many a loftier turban may wear, —
Alp is but known by the white arm bare;
Look through the thick of the fight, 'tis there!
There is not a standard on the shore
So well advanced the ranks before;
There is not a banner in Moslem war
Will lure the Delis half so far;
It glances like a falling star!
Where'er that mighty arm is seen,
The bravest be, or late have been;
There the craven cries for quarter
Vainly to the vengeful Tartar;
Or the hero, silent lying,
Scorns to yield a groan in dying;
Mustering his last feeble blow
'Gainst the nearest levell'd foe,
Though faint beneath the mutual wound,
Grappling on the gory ground.
XXVII.
Still the old man stood erect,
And Alp's career a moment check'd.
"Yield thee, Minotti; quarter take,
For thine own, thy daughter's sake."
"Never, renegado, never!
Though the life of thy gift would last for ever."
"Francesca! — oh, my promised bride:
Must she too perish by thy pride?"
"She is safe." — "Where? where?" — "In heaven;
From whence thy traitor soul is driven —
Far from thee, and undefiled."
Grimly then Minotti smiled,
As he saw Alp staggering bow
Before his words, as with a blow.
"O God! when died she?" — "Yesternight —
Nor weep I for her spirit's flight:
None of my pure race shall be
Slaves to Mohammed and thee —
Come on!" That challenge is in vain —
Alp's already with the slain!
While Minotti's words were wreaking
More revenge in bitter speaking
Than his falchion's point had found,
Had the time allow'd to wound,
From within the neighbouring porch
Of a long-defended church,
Where the last and desperate few
Would the failing fight renew,
The sharp shot dash'd Alp to the ground;
Ere an eye could view the wound
That crash'd through the brain of the infidel,
Round he spun, and down he fell;
A flash like fire within his eyes
Blazed, as he bent no more to rise,
And then eternal darkness sunk
Through all the palpitating trunk;
Nought of life left, save a quivering
Where his limbs were slightly shivering:
They turn'd him on his back; his breast
And brow were stain'd with gore and dust,
And through his lips the life-blood oozed,
From its deep veins lately loosed;
But in his pulse there was no throb,
Nor on his lips one dying sob;
Sigh, nor word, nor struggling breath
Heralded his way to death:
Ere his very thought could pray,
Unanel'd he pass'd away,
Without a hope from mercy's aid, —
To the last — a Renegade.
XXVIII.
Fearfully the yell arose
Of his followers, and his foes;
These in joy, in fury those:
Then again in conflict mixing,
Clashing swords, and spears transfixing,
Interchanged the blow and thrust,
Hurling warriors in the dust.
Street by street, and foot by foot,
Still Minotti dares dispute
The latest portion of the land
Left beneath his high command;
With him, aiding heart and hand,
The remnant of his gallant band.
Still the church is tenable,
Whence issued the fated ball
That half avenged the city's fall,
When Alp, her fierce assailant, fell:
Thither bending sternly back,
They leave before a bloody track;
And, with their faces to the foe,
Dealing wounds with every blow,
The chief, and his retreating train,
Join to those within the fane;
There they yet may breathe awhile,
Shelter'd by the massy pile.
XXIX.
Brief breathing-time! the turban'd host,
With added ranks and raging boast,
Press onwards with such strength and heat,
Their numbers balk their own retreat;
For narrow the way that led to the spot
Where still the Christians yielded not;
And the foremost, if fearful, may vainly try
Through the massy column to turn and fly;
They perforce must do or die.
They die: but ere their eyes could close,
Avengers o'er their bodies rose;
Fresh and furious, fast they fill
The ranks unthinn'd, though slaughter'd still:
And faint the weary Christians wax
Before the still renew'd attacks:
And now the Othmans gain the gate;
Still resists its iron weight,
And still, all deadly aim'd and hot,
From every crevice comes the shot;
From every shatter'd window pour
The volleys of the sulphurous shower:
But the portal wavering grows and weak —
The iron yields, the hinges creak —
It bends — and falls — and all is o'er;
Lost Corinth may resist no more!
XXX.
Dark, sternly, and all alone,
Minotti stood o'er the altar stone:
Madonna's face upon him shone,
Painted in heavenly hues above,
With eyes of light and looks of love;
And placed upon that holy shrine
To fix our thoughts on things divine,
When pictured there we kneeling see
Her, and the boy-God on her knee,
Smiling sweetly on each prayer
To heaven, as if to waft it there.
Still she smiled; even now she smiles,
Though slaughter streams along her aisles:
Minotti lifted his aged eye,
And made the sign of a cross with a sigh,
Then seized a torch which blazed thereby;
And still he stood, while, with steel and flame,
Inward and onward the Mussulman came.
XXXI.
The vaults beneath the mosaic stone
Contain'd the dead of ages gone:
Their names were on the graven floor,
But now illegible with gore;
The carved crests, and curious hues
The varied marble's veins diffuse,
Were smear'd, and slippery — stain'd, and strown
With broken swords, and helms o'erthrown:
There were dead above, and the dead below
Lay cold in many a coffin'd row;
You might see them piled in sable state,
By a pale light through a gloomy grate:
But War had enter'd their dark caves,
And stored along the vaulted graves
Her sulphurous treasures, thickly spread
In masses by the fleshless dead:
Here, throughout the siege, had been
The Christians' chiefest magazine;
To these a late-form'd train now led,
Minotti's last and stern resource,
Against the foe's o'erwhelming force.
XXXII.
The foe came on, and few remain
To strive, and those must strive in vain:
For lack of further lives, to slake
The thirst of vengeance now awake,
With barbarous blows they gash the dead,
And lop the already lifeless head,
And fell the statues from their niche,
And spoil the shrine of offerings rich,
And from each other's rude hands wrest
The silver vessels saints had bless'd.
To the high altar on they go;
Oh, but it made a glorious show!
On its table still behold
The cup of consecrated gold;
Massy and deep, a glittering prize,
Brightly it sparkles to plunderers' eyes:
That morn it held the holy wine,
Converted by Christ to His blood so divine,
Which His worshippers drank at the break of day
To shrive their souls ere they join'd in the fray,
Still a few drops within it lay;
And round the sacred table glow
Twelve lofty lamps, in splendid row,
From the purest metal cast;
A spoil — the richest, and the last.
XXXIII.
So near they came, the nearest stretch'd
To grasp the spoil he almost reach'd
When old Minotti's hand
Touch'd with a torch the train —
'Tis fired!
Spire, vaults, and shrine, the spoil, the slain,
The turban'd victors, the Christian band,
All that of living or dead remain,
Hurl'd on high with the shiver'd fane,
In one wild roar expired!
The shatter'd town — the walls thrown down —
The waves a moment backward bent —
The hills that shake, although unrent,
As if an earthquake pass'd —
The thousand shapeless things all driven
In cloud and flame athwart the heaven,
By that tremendous blast —
Proclaim'd the desperate conflict o'er
On that too long afflicted shore!
Up to the sky like rockets go
All that mingled there below:
Many a tall and goodly man,
Scorch'd and shrivell'd to a span,
When he fell to earth again
Like a cinder strew'd the plain:
Down the ashes shower like rain;
Some fell in the gulf, which received the sprinkles
With a thousand circling wrinkles;
Some fell on the shore, but, far away,
Scatter'd o'er the isthmus lay;
Christian or Moslem, which be they?
Let their mothers see and say!
When in cradled rest they lay,
And each nursing mother smiled
On the sweet sleep of her child,
Little deem'd she such a day
Would rend those tender limbs away.
Not the matrons that them bore
Could discern their offspring more;
That one moment left no trace
More of human form or face
Save a scatter'd scalp or bone:
And down came blazing rafters, strown
Around, and many a falling stone,
Deeply dinted in the clay,
All blacken'd there and reeking lay.
All the living things that heard
That deadly earth-shock disappear'd.
The wild birds flew; the wild dogs fled,
And howling left the unburied dead;
The camels from their keepers broke;
The distant steer forsook the yoke —
The nearer steed plunged o'er the plain,
And burst his girth, and tore his rein;
The bull-frog's note, from out the marsh,
Deep-mouth'd arose, and doubly harsh;
The wolves yell'd on the cavern'd hill
Where echo roll'd in thunder still;
The jackal's troop, in gather'd cry, [8]
Bay'd from afar complainingly,
With mix'd and mournful sound,
Like crying babe, and beaten hound:
With sudden wing, and ruffled breast,
The eagle left his rocky nest,
And mounted nearer to the sun,
The clouds beneath him seem'd so dun
Their smoke assail'd his startled beak,
And made him higher soar and shriek —
Thus was Corinth lost and won!
|
Four Quartets 4: Little Gidding
I
Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart's heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul's sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time's covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?
If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world's end, some at the sea jaws,
Or over a dark lake, in a desert or a city—
But this is the nearest, in place and time,
Now and in England.
If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.
II
Ash on and old man's sleeve
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended.
Dust inbreathed was a house—
The walls, the wainscot and the mouse,
The death of hope and despair,
This is the death of air.
There are flood and drouth
Over the eyes and in the mouth,
Dead water and dead sand
Contending for the upper hand.
The parched eviscerate soil
Gapes at the vanity of toil,
Laughs without mirth.
This is the death of earth.
Water and fire succeed
The town, the pasture and the weed.
Water and fire deride
The sacrifice that we denied.
Water and fire shall rot
The marred foundations we forgot,
Of sanctuary and choir.
This is the death of water and fire.
In the uncertain hour before the morning
Near the ending of interminable night
At the recurrent end of the unending
After the dark dove with the flickering tongue
Had passed below the horizon of his homing
While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
Between three districts whence the smoke arose
I met one walking, loitering and hurried
As if blown towards me like the metal leaves
Before the urban dawn wind unresisting.
And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
The first-met stranger in the waning dusk
I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
Both one and many; in the brown baked features
The eyes of a familiar compound ghost
Both intimate and unidentifiable.
So I assumed a double part, and cried
And heard another's voice cry: 'What! are you here?'
Although we were not. I was still the same,
Knowing myself yet being someone other—
And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
And so, compliant to the common wind,
Too strange to each other for misunderstanding,
In concord at this intersection time
Of meeting nowhere, no before and after,
We trod the pavement in a dead patrol.
I said: 'The wonder that I feel is easy,
Yet ease is cause of wonder. Therefore speak:
I may not comprehend, may not remember.'
And he: 'I am not eager to rehearse
My thoughts and theory which you have forgotten.
These things have served their purpose: let them be.
So with your own, and pray they be forgiven
By others, as I pray you to forgive
Both bad and good. Last season's fruit is eaten
And the fullfed beast shall kick the empty pail.
For last year's words belong to last year's language
And next year's words await another voice.
But, as the passage now presents no hindrance
To the spirit unappeased and peregrine
Between two worlds become much like each other,
So I find words I never thought to speak
In streets I never thought I should revisit
When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
To purify the dialect of the tribe
And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
To set a crown upon your lifetime's effort.
First, the cold friction of expiring sense
Without enchantment, offering no promise
But bitter tastelessness of shadow fruit
As body and soul begin to fall asunder.
Second, the conscious impotence of rage
At human folly, and the laceration
Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
Of all that you have done, and been; the shame
Of motives late revealed, and the awareness
Of things ill done and done to others' harm
Which once you took for exercise of virtue.
Then fools' approval stings, and honour stains.
From wrong to wrong the exasperated spirit
Proceeds, unless restored by that refining fire
Where you must move in measure, like a dancer.'
The day was breaking. In the disfigured street
He left me, with a kind of valediction,
And faded on the blowing of the horn.
III
There are three conditions which often look alike
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives—unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation—not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. Thus, love of a country
Begins as attachment to our own field of action
And comes to find that action of little importance
Though never indifferent. History may be servitude,
History may be freedom. See, now they vanish,
The faces and places, with the self which, as it could, loved them,
To become renewed, transfigured, in another pattern.
Sin is Behovely, but
All shall be well, and
All manner of thing shall be well.
If I think, again, of this place,
And of people, not wholly commendable,
Of no immediate kin or kindness,
But of some peculiar genius,
All touched by a common genius,
United in the strife which divided them;
If I think of a king at nightfall,
Of three men, and more, on the scaffold
And a few who died forgotten
In other places, here and abroad,
And of one who died blind and quiet
Why should we celebrate
These dead men more than the dying?
It is not to ring the bell backward
Nor is it an incantation
To summon the spectre of a Rose.
We cannot revive old factions
We cannot restore old policies
Or follow an antique drum.
These men, and those who opposed them
And those whom they opposed
Accept the constitution of silence
And are folded in a single party.
Whatever we inherit from the fortunate
We have taken from the defeated
What they had to leave us—a symbol:
A symbol perfected in death.
And all shall be well and
All manner of thing shall be well
By the purification of the motive
In the ground of our beseeching.
IV
The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
Lies in the choice of pyre of pyre—
To be redeemed from fire by fire.
Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.
V
What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter's afternoon, in a secluded chapel
History is now and England.
With the drawing of this Love and the voice of this
Calling
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.
|
Gus: The Theatre Cat
Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus. That's such a fuss
To pronounce, that we usually call him just Gus.
His coat's very shabby, he's thin as a rake,
And he suffers from palsy that makes his paw shake.
Yet he was, in his youth, quite the smartest of Cats--
But no longer a terror to mice and to rats.
For he isn't the Cat that he was in his prime;
Though his name was quite famous, he says, in its time.
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays,
With anecdotes drawn from his palmiest days.
For he once was a Star of the highest degree--
He has acted with Irving, he's acted with Tree.
And he likes to relate his success on the Halls,
Where the Gallery once gave him seven cat-calls.
But his grandest creation, as he loves to tell,
Was Firefrorefiddle, the Fiend of the Fell.
"I have played," so he says, "every possible part,
And I used to know seventy speeches by heart.
I'd extemporize back-chat, I knew how to gag,
And I knew how to let the cat out of the bag.
I knew how to act with my back and my tail;
With an hour of rehearsal, I never could fail.
I'd a voice that would soften the hardest of hearts,
Whether I took the lead, or in character parts.
I have sat by the bedside of poor Little Nell;
When the Curfew was rung, then I swung on the bell.
In the Pantomime season I never fell flat,
And I once understudied Dick Whittington's Cat.
But my grandest creation, as history will tell,
Was Firefrorefiddle, the Fiend of the Fell."
Then, if someone will give him a toothful of gin,
He will tell how he once played a part in East Lynne.
At a Shakespeare performance he once walked on pat,
When some actor suggested the need for a cat.
He once played a Tiger--could do it again--
Which an Indian Colonel purused down a drain.
And he thinks that he still can, much better than most,
Produce blood-curdling noises to bring on the Ghost.
And he once crossed the stage on a telegraph wire,
To rescue a child when a house was on fire.
And he says: "Now then kittens, they do not get trained
As we did in the days when Victoria reigned.
They never get drilled in a regular troupe,
And they think they are smart, just to jump through a hoop."
And he'll say, as he scratches himself with his claws,
"Well, the Theatre's certainly not what it was.
These modern productions are all very well,
But there's nothing to equal, from what I hear tell,
That moment of mystery
When I made history
As Firefrorefiddle, the Fiend of the Fell."
|
Stoves and sunshine
Prate, ye who will, of so-called charms you find across the sea--
The land of stoves and sunshine is good enough for me!
I've done the grand for fourteen months in every foreign clime,
And I've learned a heap of learning, but I've shivered all the time;
And the biggest bit of wisdom I've acquired--as I can see--
Is that which teaches that this land's the land of lands for me.
Now, I am of opinion that a person should get some
Warmth in this present life of ours, not all in that to come;
So when Boreas blows his blast, through country and through town,
Or when upon the muddy streets the stifling fog rolls down,
Go, guzzle in a pub, or plod some bleak malarious grove,
But let me toast my shrunken shanks beside some Yankee stove.
The British people say they "don't believe in stoves, y' know;"
Perchance because we warmed 'em so completely years ago!
They talk of "drahfts" and "stuffiness" and "ill effects of heat,"
As they chatter in their barny rooms or shiver 'round the street;
With sunshine such a rarity, and stoves esteemed a sin,
What wonder they are wedded to their fads--catarrh and gin?
In Germany are stoves galore, and yet you seldom find
A fire within the stoves, for German stoves are not that kind;
The Germans say that fires make dirt, and dirt's an odious thing,
But the truth is that the pfennig is the average Teuton's king,
And since the fire costs pfennigs, why, the thrifty soul denies
Himself all heat except what comes with beer and exercise.
The Frenchman builds a fire of cones, the Irishman of peat;
The frugal Dutchman buys a fire when he has need of heat--
That is to say, he pays so much each day to one who brings
The necessary living coals to warm his soup and things;
In Italy and Spain they have no need to heat the house--
'Neath balmy skies the native picks the mandolin and louse.
Now, we've no mouldy catacombs, no feudal castles grim,
No ruined monasteries, no abbeys ghostly dim;
Our ancient history is new, our future's all ahead,
And we've got a tariff bill that's made all Europe sick abed--
But what is best, though short on tombs and academic groves,
We double discount Christendom on sunshine and on stoves.
Dear land of mine! I come to you from months of chill and storm,
Blessing the honest people whose hearts and hearths are warm;
A fairer, sweeter song than this I mean to weave to you
When I've reached my lakeside 'dobe and once get heated through;
But, even then, the burthen of that fairer song shall be
That the land of stoves and sunshine is good enough for me.
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