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Best Famous God Poems

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Written by George (Lord) Byron | Create an image from this poem

The Dream

 I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power— 
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed Perchance in sleep—for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour.
II I saw two beings in the hues of youth Standing upon a hill, a gentle hill, Green and of mild declivity, the last As 'twere the cape of a long ridge of such, Save that there was no sea to lave its base, But a most living landscape, and the wave Of woods and corn-fields, and the abodes of men Scattered at intervals, and wreathing smoke Arising from such rustic roofs: the hill Was crowned with a peculiar diadem Of trees, in circular array, so fixed, Not by the sport of nature, but of man: These two, a maiden and a youth, were there Gazing—the one on all that was beneath Fair as herself—but the boy gazed on her; And both were young, and one was beautiful: And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge, The maid was on the eve of womanhood; The boy had fewer summers, but his heart Had far outgrown his years, and to his eye There was but one beloved face on earth, And that was shining on him; he had looked Upon it till it could not pass away; He had no breath, no being, but in hers: She was his voice; he did not speak to her, But trembled on her words; she was his sight, For his eye followed hers, and saw with hers, Which coloured all his objects;—he had ceased To live within himself: she was his life, The ocean to the river of his thoughts, Which terminated all; upon a tone, A touch of hers, his blood would ebb and flow, And his cheek change tempestuously—his heart Unknowing of its cause of agony.
But she in these fond feelings had no share: Her sighs were not for him; to her he was Even as a brother—but no more; 'twas much, For brotherless she was, save in the name Her infant friendship had bestowed on him; Herself the solitary scion left Of a time-honoured race.
—It was a name Which pleased him, and yet pleased him not—and why? Time taught him a deep answer—when she loved Another; even now she loved another, And on the summit of that hill she stood Looking afar if yet her lover's steed Kept pace with her expectancy, and flew.
III A change came o'er the spirit of my dream.
There was an ancient mansion, and before Its walls there was a steed caparisoned: Within an antique Oratory stood The Boy of whom I spake;—he was alone, And pale, and pacing to and fro: anon He sate him down, and seized a pen, and traced Words which I could not guess of; then he leaned His bowed head on his hands and shook, as 'twere With a convulsion—then rose again, And with his teeth and quivering hands did tear What he had written, but he shed no tears.
And he did calm himself, and fix his brow Into a kind of quiet: as he paused, The Lady of his love re-entered there; She was serene and smiling then, and yet She knew she was by him beloved; she knew— For quickly comes such knowledge—that his heart Was darkened with her shadow, and she saw That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp He took her hand; a moment o'er his face A tablet of unutterable thoughts Was traced, and then it faded, as it came; He dropped the hand he held, and with slow steps Retired, but not as bidding her adieu, For they did part with mutual smiles; he passed From out the massy gate of that old Hall, And mounting on his steed he went his way; And ne'er repassed that hoary threshold more.
IV A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds Of fiery climes he made himself a home, And his Soul drank their sunbeams; he was girt With strange and dusky aspects; he was not Himself like what he had been; on the sea And on the shore he was a wanderer; There was a mass of many images Crowded like waves upon me, but he was A part of all; and in the last he lay Reposing from the noontide sultriness, Couched among fallen columns, in the shade Of ruined walls that had survived the names Of those who reared them; by his sleeping side Stood camels grazing, and some goodly steeds Were fastened near a fountain; and a man, Glad in a flowing garb, did watch the while, While many of his tribe slumbered around: And they were canopied by the blue sky, So cloudless, clear, and purely beautiful, That God alone was to be seen in heaven.
V A change came o'er the spirit of my dream.
The Lady of his love was wed with One Who did not love her better: in her home, A thousand leagues from his,—her native home, She dwelt, begirt with growing Infancy, Daughters and sons of Beauty,—but behold! Upon her face there was a tint of grief, The settled shadow of an inward strife, And an unquiet drooping of the eye, As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved, And he who had so loved her was not there To trouble with bad hopes, or evil wish, Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not, Nor given him cause to deem himself beloved, Nor could he be a part of that which preyed Upon her mind—a spectre of the past.
VI A change came o'er the spirit of my dream.
The Wanderer was returned.
—I saw him stand Before an altar—with a gentle bride; Her face was fair, but was not that which made The Starlight of his Boyhood;—as he stood Even at the altar, o'er his brow there came The selfsame aspect and the quivering shock That in the antique Oratory shook His bosom in its solitude; and then— As in that hour—a moment o'er his face The tablet of unutterable thoughts Was traced—and then it faded as it came, And he stood calm and quiet, and he spoke The fitting vows, but heard not his own words, And all things reeled around him; he could see Not that which was, nor that which should have been— But the old mansion, and the accustomed hall, And the remembered chambers, and the place, The day, the hour, the sunshine, and the shade, All things pertaining to that place and hour, And her who was his destiny, came back And thrust themselves between him and the light; What business had they there at such a time? VII A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed, As by the sickness of the soul; her mind Had wandered from its dwelling, and her eyes, They had not their own lustre, but the look Which is not of the earth; she was become The queen of a fantastic realm; her thoughts Were combinations of disjointed things; And forms impalpable and unperceived Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise Have a far deeper madness, and the glance Of melancholy is a fearful gift; What is it but the telescope of truth? Which strips the distance of its fantasies, And brings life near in utter nakedness, Making the cold reality too real! VIII A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore, The beings which surrounded him were gone, Or were at war with him; he was a mark For blight and desolation, compassed round With Hatred and Contention; Pain was mixed In all which was served up to him, until, Like to the Pontic monarch of old days, He fed on poisons, and they had no power, But were a kind of nutriment; he lived Through that which had been death to many men, And made him friends of mountains; with the stars And the quick Spirit of the Universe He held his dialogues: and they did teach To him the magic of their mysteries; To him the book of Night was opened wide, And voices from the deep abyss revealed A marvel and a secret.
—Be it so.
IX My dream is past; it had no further change.
It was of a strange order, that the doom Of these two creatures should be thus traced out Almost like a reality—the one To end in madness—both in misery.
Written by Edgar Allan Poe | Create an image from this poem

The Raven

ONCE upon a midnight dreary, while I pondered, weak and weary, 
Over many a quaint and curious volume of forgotten lore,¡ª 
While I nodded, nearly napping, suddenly there came a tapping, 
As of some one gently rapping, rapping at my chamber door.
"'T is some visitor," I muttered, "tapping at my chamber door; 5 Only this and nothing more.
" Ah, distinctly I remember it was in the bleak December And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;¡ªvainly I had sought to borrow From my books surcease of sorrow¡ªsorrow for the lost Lenore, 10 For the rare and radiant maiden whom the angels name Lenore: Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain Thrilled me¡ªfilled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating 15 "'T is some visitor entreating entrance at my chamber door, Some late visitor entreating entrance at my chamber door: This it is and nothing more.
" Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; 20 But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"¡ªhere I opened wide the door:¡ª Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing, 25 Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore:" Merely this and nothing more.
30 Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore; Let my heart be still a moment and this mystery explore: 35 'T is the wind and nothing more.
" Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door, 40 Perched upon a bust of Pallas just above my chamber door: Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore,¡ª "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, 45 Ghastly grim and ancient Raven wandering from the Nightly shore: Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore.
" Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning¡ªlittle relevancy bore; 50 For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door, Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
" But the Raven, sitting lonely on the placid bust, spoke only 55 That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered, not a feather then he fluttered, Till I scarcely more than muttered,¡ª"Other friends have flown before; On the morrow he will leave me, as my Hopes have flown before.
" Then the bird said, "Nevermore.
" 60 Startled at the stillness broken by reply so aptly spoken, "Doubtless," said I, "what it utters is its only stock and store, Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore: Till the dirges of his Hope that melancholy burden bore 65 Of 'Never¡ªnevermore.
' But the Raven still beguiling all my fancy into smiling, Straight I wheeled a cushioned seat in front of bird and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore, 70 What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking "Nevermore.
" This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining 75 On the cushion's velvet lining that the lamplight gloated o'er, But whose velvet violet lining with the lamp-light gloating o'er She shall press, ah, nevermore! Then, methought, the air grew denser, perfumed from an unseen censer Swung by seraphim whose foot-falls tinkled on the tufted floor.
80 "Wretch," I cried, "thy God hath lent thee¡ªby these angels he hath sent thee Respite¡ªrespite and nepenthe from thy memories of Lenore!" Quaff, oh quaff this kind nepenthe, and forget this lost Lenore.
" Quoth the Raven, "Nevermore.
" "Prophet!" said I, "thing of evil! prophet still, if bird or devil! 85 Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted¡ª On this home by Horror haunted¡ªtell me truly, I implore: Is there¡ªis there balm in Gilead?¡ªtell me¡ªtell me, I implore!" Quoth the Raven, "Nevermore.
" 90 "Prophet!" said I, "thing of evil¡ªprophet still, if bird or devil! By that Heaven that bends above us, by that God we both adore, Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore: Clasp a rare and radiant maiden whom the angels name Lenore!" 95 Quoth the Raven, "Nevermore.
" "Be that word our sign of parting, bird or fiend!" I shrieked, upstarting: "Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! quit the bust above my door! 100 Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore.
" And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, 105 And the lamp-light o'er him streaming throws his shadow on the floor: And my soul from out that shadow that lies floating on the floor Shall be lifted¡ªnevermore!
Written by Elizabeth Barrett Browning | Create an image from this poem

How Do I Love Thee?

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace.
I love thee to the level of every day's Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise.
I love with a passion put to use In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose With my lost saints, I love thee with the breath, Smiles, tears, of all my life! and, if God choose, I shall but love thee better after death.
Written by Ralph Waldo Emerson | Create an image from this poem

Give All to Love

GIVE all to love; 
Obey thy heart; 
Friends kindred days  
Estate good fame  
Plans credit and the Muse¡ª 5 
Nothing refuse.
'Tis a brave master; Let it have scope: Follow it utterly Hope beyond hope: 10 High and more high It dives into noon With wing unspent Untold intent; But it is a god 15 Knows its own path And the outlets of the sky.
It was never for the mean; It requireth courage stout Souls above doubt 20 Valour unbending: Such 'twill reward;¡ª They shall return More than they were And ever ascending.
25 Leave all for love; Yet hear me yet One word more thy heart behoved One pulse more of firm endeavour¡ª Keep thee to-day 30 To-morrow for ever Free as an Arab Of thy beloved.
Cling with life to the maid; But when the surprise 35 First vague shadow of surmise Flits across her bosom young Of a joy apart from thee Free be she fancy-free; Nor thou detain her vesture's hem 40 Nor the palest rose she flung From her summer diadem.
Though thou loved her as thyself As a self of purer clay; Though her parting dims the day 45 Stealing grace from all alive; Heartily know When half-gods go The gods arrive.
Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
.
.
at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
.
.
.
Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
.
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"
Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness, Eyes of my Soul, seeing perfection, Natural life of me, faithfully praising things; Corroborating forever the triumph of things.
Illustrious every one! Illustrious what we name space—sphere of unnumber’d spirits; Illustrious the mystery of motion, in all beings, even the tiniest insect; Illustrious the attribute of speech—the senses—the body; Illustrious the passing light! Illustrious the pale reflection on the new moon in the western sky! Illustrious whatever I see, or hear, or touch, to the last.
Good in all, In the satisfaction and aplomb of animals, In the annual return of the seasons, In the hilarity of youth, In the strength and flush of manhood, In the grandeur and exquisiteness of old age, In the superb vistas of Death.
Wonderful to depart; Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak! to walk! to seize something by the hand! To prepare for sleep, for bed—to look on my rose-color’d flesh; To be conscious of my body, so satisfied, so large; To be this incredible God I am; To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself! How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead! How the earth darts on and on! and how the sun, moon, stars, dart on and on! How the water sports and sings! (Surely it is alive!) How the trees rise and stand up—with strong trunks—with branches and leaves! (Surely there is something more in each of the tree—some living Soul.
) O amazement of things! even the least particle! O spirituality of things! O strain musical, flowing through ages and continents—now reaching me and America! I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting, I too throb to the brain and beauty of the earth, and of all the growths of the earth, I too have felt the resistless call of myself.
As I sail’d down the Mississippi, As I wander’d over the prairies, As I have lived—As I have look’d through my windows, my eyes, As I went forth in the morning—As I beheld the light breaking in the east; As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; As I roam’d the streets of inland Chicago—whatever streets I have roam’d; Or cities, or silent woods, or peace, or even amid the sights of war; Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old, I sing the endless finales of things; I say Nature continues—Glory continues; I praise with electric voice; For I do not see one imperfection in the universe; And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come, I still warble under you, if none else does, unmitigated adoration.
Written by Sylvia Plath | Create an image from this poem

A Birthday Present

 What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?

I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules.
Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath.
O ivory! It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me? Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them.
They are carbon monoxide.
Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life.
You are silver-suited for the occasion.
O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Written by Edgar Allan Poe | Create an image from this poem

A Dream within a Dream

Take this kiss upon the brow
And in parting from you now 
Thus much let me avow ---
You are not wrong who deem
That my days have been a dream;
Yet if hope has flown away.
In a night or in a day In a vision or in none Is it therefore the less gone? All that we see or seem Is but a dream within a dream.
I stand amid the roar Of a surf-tormented shore And I hold within my hand Grains of the golden sand --- How few! Yet how they creep Throngh my fingers to the deep While I weep --- while I weep! O God! Can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream.
Written by Anne Sexton | Create an image from this poem

The Break Away

 Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us—
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break into two cans ready for recycling, flattened tin humans and a tin law, even for my twenty-five years of hanging on by my teeth as I once saw at Ringling Brothers.
The gray room: Judge, lawyer, witness and me and invisible Skeezix, and all the other torn enduring the bewilderments of their division.
Your daisies have come on the day of my divorce.
They arrive like round yellow fish, sucking with love at the coral of our love.
Yet they wait, in their short time, like little utero half-borns, half killed, thin and bone soft.
They breathe the air that stands for twenty-five illicit days, the sun crawling inside the sheets, the moon spinning like a tornado in the washbowl, and we orchestrated them both, calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette, that played over and over and baptised the prodigals.
It spoke the unspeakable, as the rain will on an attic roof, letting the animal join its soul as we kneeled before a miracle-- forgetting its knife.
The daisies confer in the old-married kitchen papered with blue and green chefs who call out pies, cookies, yummy, at the charcoal and cigarette smoke they wear like a yellowy salve.
The daisies absorb it all-- the twenty-five-year-old sanctioned love (If one could call such handfuls of fists and immobile arms that!) and on this day my world rips itself up while the country unfastens along with its perjuring king and his court.
It unfastens into an abortion of belief, as in me-- the legal rift-- as on might do with the daisies but does not for they stand for a love undergoihng open heart surgery that might take if one prayed tough enough.
And yet I demand, even in prayer, that I am not a thief, a mugger of need, and that your heart survive on its own, belonging only to itself, whole, entirely whole, and workable in its dark cavern under your ribs.
I pray it will know truth, if truth catches in its cup and yet I pray, as a child would, that the surgery take.
I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass, glass coming through the telephone that is breaking slowly, day by day, into my ear.
Next I dream that I put on the love like a lifejacket and we float, jacket and I, we bounce on that priest-blue.
We are as light as a cat's ear and it is safe, safe far too long! And I awaken quickly and go to the opposite window and peer down at the moon in the pond and know that beauty has walked over my head, into this bedroom and out, flowing out through the window screen, dropping deep into the water to hide.
I will observe the daisies fade and dry up wuntil they become flour, snowing themselves onto the table beside the drone of the refrigerator, beside the radio playing Frankie (as often as FM will allow) snowing lightly, a tremor sinking from the ceiling-- as twenty-five years split from my side like a growth that I sliced off like a melanoma.
It is six P.
M.
as I water these tiny weeds and their little half-life, their numbered days that raged like a secret radio, recalling love that I picked up innocently, yet guiltily, as my five-year-old daughter picked gum off the sidewalk and it became suddenly an elastic miracle.
For me it was love found like a diamond where carrots grow-- the glint of diamond on a plane wing, meaning: DANGER! THICK ICE! but the good crunch of that orange, the diamond, the carrot, both with four million years of resurrecting dirt, and the love, although Adam did not know the word, the love of Adam obeying his sudden gift.
You, who sought me for nine years, in stories made up in front of your naked mirror or walking through rooms of fog women, you trying to forget the mother who built guilt with the lumber of a locked door as she sobbed her soured mild and fed you loss through the keyhole, you who wrote out your own birth and built it with your own poems, your own lumber, your own keyhole, into the trunk and leaves of your manhood, you, who fell into my words, years before you fell into me (the other, both the Camp Director and the camper), you who baited your hook with wide-awake dreams, and calls and letters and once a luncheon, and twice a reading by me for you.
But I wouldn't! Yet this year, yanking off all past years, I took the bait and was pulled upward, upward, into the sky and was held by the sun-- the quick wonder of its yellow lap-- and became a woman who learned her own shin and dug into her soul and found it full, and you became a man who learned his won skin and dug into his manhood, his humanhood and found you were as real as a baker or a seer and we became a home, up into the elbows of each other's soul, without knowing-- an invisible purchase-- that inhabits our house forever.
We were blessed by the House-Die by the altar of the color T.
V.
and somehow managed to make a tiny marriage, a tiny marriage called belief, as in the child's belief in the tooth fairy, so close to absolute, so daft within a year or two.
The daisies have come for the last time.
And I who have, each year of my life, spoken to the tooth fairy, believing in her, even when I was her, am helpless to stop your daisies from dying, although your voice cries into the telephone: Marry me! Marry me! and my voice speaks onto these keys tonight: The love is in dark trouble! The love is starting to die, right now-- we are in the process of it.
The empty process of it.
I see two deaths, and the two men plod toward the mortuary of my heart, and though I willed one away in court today and I whisper dreams and birthdays into the other, they both die like waves breaking over me and I am drowning a little, but always swimming among the pillows and stones of the breakwater.
And though your daisies are an unwanted death, I wade through the smell of their cancer and recognize the prognosis, its cartful of loss-- I say now, you gave what you could.
It was quite a ferris wheel to spin on! and the dead city of my marriage seems less important than the fact that the daisies came weekly, over and over, likes kisses that can't stop themselves.
There sit two deaths on November 5th, 1973.
Let one be forgotten-- Bury it! Wall it up! But let me not forget the man of my child-like flowers though he sinks into the fog of Lake Superior, he remains, his fingers the marvel of fourth of July sparklers, his furious ice cream cones of licking, remains to cool my forehead with a washcloth when I sweat into the bathtub of his being.
For the rest that is left: name it gentle, as gentle as radishes inhabiting their short life in the earth, name it gentle, gentle as old friends waving so long at the window, or in the drive, name it gentle as maple wings singing themselves upon the pond outside, as sensuous as the mother-yellow in the pond, that night that it was ours, when our bodies floated and bumped in moon water and the cicadas called out like tongues.
Let such as this be resurrected in all men whenever they mold their days and nights as when for twenty-five days and nights you molded mine and planted the seed that dives into my God and will do so forever no matter how often I sweep the floor.
Written by Aleister Crowley | Create an image from this poem

A Birthday

 "Aug.
" 10, 1911.
Full moon to-night; and six and twenty years Since my full moon first broke from angel spheres! A year of infinite love unwearying --- No circling seasons, but perennial spring! A year of triumph trampling through defeat, The first made holy and the last made sweet By this same love; a year of wealth and woe, Joy, poverty, health, sickness --- all one glow In the pure light that filled our firmament Of supreme silence and unbarred extent, Wherein one sacrament was ours, one Lord, One resurrection, one recurrent chord, One incarnation, one descending dove, All these being one, and that one being Love! You sent your spirit into tunes; my soul Yearned in a thousand melodies to enscroll Its happiness: I left no flower unplucked That might have graced your garland.
I induct Tragedy, comedy, farce, fable, song, Each longing a little, each a little long, But each aspiring only to express Your excellence and my unworthiness --- Nay! but my worthiness, since I was sense And spirit too of that same excellence.
So thus we solved the earth's revolving riddle: I could write verse, and you could play the fiddle, While, as for love, the sun went through the signs, And not a star but told him how love twines A wreath for every decanate, degree, Minute and second, linked eternally In chains of flowers that never fading are, Each one as sempiternal as a star.
Let me go back to your last birthday.
Then I was already your one man of men Appointed to complete you, and fulfil From everlasting the eternal will.
We lay within the flood of crimson light In my own balcony that August night, And conjuring the aright and the averse Created yet another universe.
We worked together; dance and rite and spell Arousing heaven and constraining hell.
We lived together; every hour of rest Was honied from your tiger-lily breast.
We --- oh what lingering doubt or fear betrayed My life to fate! --- we parted.
Was I afraid? I was afraid, afraid to live my love, Afraid you played the serpent, I the dove, Afraid of what I know not.
I am glad Of all the shame and wretchedness I had, Since those six weeks have taught me not to doubt you, And also that I cannot live without you.
Then I came back to you; black treasons rear Their heads, blind hates, deaf agonies of fear, Cruelty, cowardice, falsehood, broken pledges, The temple soiled with senseless sacrileges, Sickness and poverty, a thousand evils, Concerted malice of a million devils; --- You never swerved; your high-pooped galleon Went marvellously, majestically on Full-sailed, while every other braver bark Drove on the rocks, or foundered in the dark.
Then Easter, and the days of all delight! God's sun lit noontide and his moon midnight, While above all, true centre of our world, True source of light, our great love passion-pearled Gave all its life and splendour to the sea Above whose tides stood our stability.
Then sudden and fierce, no monitory moan, Smote the mad mischief of the great cyclone.
How far below us all its fury rolled! How vainly sulphur tries to tarnish gold! We lived together: all its malice meant Nothing but freedom of a continent! It was the forest and the river that knew The fact that one and one do not make two.
We worked, we walked, we slept, we were at ease, We cried, we quarrelled; all the rocks and trees For twenty miles could tell how lovers played, And we could count a kiss for every glade.
Worry, starvation, illness and distress? Each moment was a mine of happiness.
Then we grew tired of being country mice, Came up to Paris, lived our sacrifice There, giving holy berries to the moon, July's thanksgiving for the joys of June.
And you are gone away --- and how shall I Make August sing the raptures of July? And you are gone away --- what evil star Makes you so competent and popular? How have I raised this harpy-hag of Hell's Malice --- that you are wanted somewhere else? I wish you were like me a man forbid, Banned, outcast, nice society well rid Of the pair of us --- then who would interfere With us? --- my darling, you would now be here! But no! we must fight on, win through, succeed, Earn the grudged praise that never comes to meed, Lash dogs to kennel, trample snakes, put bit In the mule-mouths that have such need of it, Until the world there's so much to forgive in Becomes a little possible to live in.
God alone knows if battle or surrender Be the true courage; either has its splendour.
But since we chose the first, God aid the right, And damn me if I fail you in the fight! God join again the ways that lie apart, And bless the love of loyal heart to heart! God keep us every hour in every thought, And bring the vessel of our love to port! These are my birthday wishes.
Dawn's at hand, And you're an exile in a lonely land.
But what were magic if it could not give My thought enough vitality to live? Do not then dream this night has been a loss! All night I have hung, a god, upon the cross; All night I have offered incense at the shrine; All night you have been unutterably mine, Miner in the memory of the first wild hour When my rough grasp tore the unwilling flower From your closed garden, mine in every mood, In every tense, in every attitude, In every possibility, still mine While the sun's pomp and pageant, sign to sign, Stately proceeded, mine not only so In the glamour of memory and austral glow Of ardour, but by image of my brow Stronger than sense, you are even here and now Miner, utterly mine, my sister and my wife, Mother of my children, mistress of my life! O wild swan winging through the morning mist! The thousand thousand kisses that we kissed, The infinite device our love devised If by some chance its truth might be surprised, Are these all past? Are these to come? Believe me, There is no parting; they can never leave me.
I have built you up into my heart and brain So fast that we can never part again.
Why should I sing you these fantastic psalms When all the time I have you in my arms? Why? 'tis the murmur of our love that swells Earth's dithyrambs and ocean's oracles.
But this is dawn; my soul shall make its nest Where your sighs swing from rapture into rest Love's thurible, your tiger-lily breast.
Written by Wallace Stevens | Create an image from this poem

Sunday Morning

1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights.
The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound.
The day is like wide water, without sound, Stilled for the passion of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre.
2 Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in the comforts of sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch.
These are the measures destined for her soul.
3 Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue.
4 She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote as heaven's hill, that has endured As April's green endures; or will endure Like her rememberance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings.
5 She says, "But in contentment I still feel The need of some imperishable bliss.
" Death is the mother of beauty; hence from her, Alone, shall come fulfillment to our dreams And our desires.
Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears On disregarded plate.
The maidens taste And stray impassioned in the littering leaves.
6 Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receeding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly.
7 Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source.
Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward.
They shall know well the heavenly fellowship Of men that perish and of summer morn.
And whence they came and whither they shall go The dew upon their feet shall manifest.
8 She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.
" We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsered, free, Of that wide water, inescapable.
Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Abiguous undulations as they sink, Downward to darkness, on extended wings.
Written by Elizabeth Barrett Browning | Create an image from this poem

The Deserted Garden

I MIND me in the days departed, 
How often underneath the sun 
With childish bounds I used to run 
To a garden long deserted.
The beds and walks were vanish'd quite; 5 And wheresoe'er had struck the spade, The greenest grasses Nature laid, To sanctify her right.
I call'd the place my wilderness, For no one enter'd there but I.
10 The sheep look'd in, the grass to espy, And pass'd it ne'ertheless.
The trees were interwoven wild, And spread their boughs enough about To keep both sheep and shepherd out, 15 But not a happy child.
Adventurous joy it was for me! I crept beneath the boughs, and found A circle smooth of mossy ground Beneath a poplar-tree.
20 Old garden rose-trees hedged it in, Bedropt with roses waxen-white, Well satisfied with dew and light, And careless to be seen.
Long years ago, it might befall, 25 When all the garden flowers were trim, The grave old gardener prided him On these the most of all.
Some Lady, stately overmuch, Here moving with a silken noise, 30 Has blush'd beside them at the voice That liken'd her to such.
Or these, to make a diadem, She often may have pluck'd and twined; Half-smiling as it came to mind, 35 That few would look at them.
O, little thought that Lady proud, A child would watch her fair white rose, When buried lay her whiter brows, And silk was changed for shroud!¡ª 40 Nor thought that gardener (full of scorns For men unlearn'd and simple phrase) A child would bring it all its praise, By creeping through the thorns! To me upon my low moss seat, 45 Though never a dream the roses sent Of science or love's compliment, I ween they smelt as sweet.
It did not move my grief to see The trace of human step departed: 50 Because the garden was deserted, The blither place for me! Friends, blame me not! a narrow ken Hath childhood 'twixt the sun and sward: We draw the moral afterward¡ª 55 We feel the gladness then.
And gladdest hours for me did glide In silence at the rose-tree wall: A thrush made gladness musical Upon the other side.
60 Nor he nor I did e'er incline To peck or pluck the blossoms white:¡ª How should I know but that they might Lead lives as glad as mine? To make my hermit-home complete, 65 I brought clear water from the spring Praised in its own low murmuring, And cresses glossy wet.
And so, I thought, my likeness grew (Without the melancholy tale) 70 To 'gentle hermit of the dale,' And Angelina too.
For oft I read within my nook Such minstrel stories; till the breeze Made sounds poetic in the trees, 75 And then I shut the book.
If I shut this wherein I write, I hear no more the wind athwart Those trees, nor feel that childish heart Delighting in delight.
80 My childhood from my life is parted, My footstep from the moss which drew Its fairy circle round: anew The garden is deserted.
Another thrush may there rehearse 85 The madrigals which sweetest are; No more for me!¡ªmyself afar Do sing a sadder verse.
Ah me! ah me! when erst I lay In that child's-nest so greenly wrought, 90 I laugh'd unto myself and thought, 'The time will pass away.
' And still I laugh'd, and did not fear But that, whene'er was pass'd away The childish time, some happier play 95 My womanhood would cheer.
I knew the time would pass away; And yet, beside the rose-tree wall, Dear God, how seldom, if at all, Did I look up to pray! 100 The time is past: and now that grows The cypress high among the trees, And I behold white sepulchres As well as the white rose,¡ª When wiser, meeker thoughts are given, 105 And I have learnt to lift my face, Reminded how earth's greenest place The colour draws from heaven,¡ª It something saith for earthly pain, But more for heavenly promise free, 110 That I who was, would shrink to be That happy child again.
Written by Richard Aldington | Create an image from this poem

Childhood

 I 

The bitterness.
the misery, the wretchedness of childhood Put me out of love with God.
I can't believe in God's goodness; I can believe In many avenging gods.
Most of all I believe In gods of bitter dullness, Cruel local gods Who scared my childhood.
II I've seen people put A chrysalis in a match-box, "To see," they told me, "what sort of moth would come.
" But when it broke its shell It slipped and stumbled and fell about its prison And tried to climb to the light For space to dry its wings.
That's how I was.
Somebody found my chrysalis And shut it in a match-box.
My shrivelled wings were beaten, Shed their colours in dusty scales Before the box was opened For the moth to fly.
III I hate that town; I hate the town I lived in when I was little; I hate to think of it.
There wre always clouds, smoke, rain In that dingly little valley.
It rained; it always rained.
I think I never saw the sun until I was nine -- And then it was too late; Everything's too late after the first seven years.
The long street we lived in Was duller than a drain And nearly as dingy.
There were the big College And the pseudo-Gothic town-hall.
There were the sordid provincial shops -- The grocer's, and the shops for women, The shop where I bought transfers, And the piano and gramaphone shop Where I used to stand Staring at the huge shiny pianos and at the pictures Of a white dog looking into a gramaphone.
How dull and greasy and grey and sordid it was! On wet days -- it was always wet -- I used to kneel on a chair And look at it from the window.
The dirty yellow trams Dragged noisily along With a clatter of wheels and bells And a humming of wires overhead.
They threw up the filthy rain-water from the hollow lines And then the water ran back Full of brownish foam bubbles.
There was nothing else to see -- It was all so dull -- Except a few grey legs under shiny black umbrellas Running along the grey shiny pavements; Sometimes there was a waggon Whose horses made a strange loud hollow sound With their hoofs Through the silent rain.
And there was a grey museum Full of dead birds and dead insects and dead animals And a few relics of the Romans -- dead also.
There was a sea-front, A long asphalt walk with a bleak road beside it, Three piers, a row of houses, And a salt dirty smell from the little harbour.
I was like a moth -- Like one of those grey Emperor moths Which flutter through the vines at Capri.
And that damned little town was my match-box, Against whose sides I beat and beat Until my wings were torn and faded, and dingy As that damned little town.
IV At school it was just as dull as that dull High Street.
The front was dull; The High Street and the other street were dull -- And there was a public park, I remember, And that was damned dull, too, With its beds of geraniums no one was allowed to pick, And its clipped lawns you weren't allowed to walk on, And the gold-fish pond you mustn't paddle in, And the gate made out of a whale's jaw-bones, And the swings, which were for "Board-School children," And its gravel paths.
And on Sundays they rang the bells, From Baptist and Evangelical and Catholic churches.
They had a Salvation Army.
I was taken to a High Church; The parson's name was Mowbray, "Which is a good name but he thinks too much of it --" That's what I heard people say.
I took a little black book To that cold, grey, damp, smelling church, And I had to sit on a hard bench, Wriggle off it to kneel down when they sang psalms And wriggle off it to kneel down when they prayed, And then there was nothing to do Except to play trains with the hymn-books.
There was nothing to see, Nothing to do, Nothing to play with, Except that in an empty room upstairs There was a large tin box Containing reproductions of the Magna Charta, Of the Declaration of Independence And of a letter from Raleigh after the Armada.
There were also several packets of stamps, Yellow and blue Guatemala parrots, Blue stags and red baboons and birds from Sarawak, Indians and Men-of-war From the United States, And the green and red portraits Of King Francobello Of Italy.
V I don't believe in God.
I do believe in avenging gods Who plague us for sins we never sinned But who avenge us.
That's why I'll never have a child, Never shut up a chrysalis in a match-box For the moth to spoil and crush its brght colours, Beating its wings against the dingy prison-wall.
Written by Victor Hugo | Create an image from this poem

A Sunset

 I love the evenings, passionless and fair, I love the evens, 
Whether old manor-fronts their ray with golden fulgence leavens, 
In numerous leafage bosomed close; 
Whether the mist in reefs of fire extend its reaches sheer, 
Or a hundred sunbeams splinter in an azure atmosphere 
On cloudy archipelagos.
Oh, gaze ye on the firmament! a hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword.
The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance.
Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe.
Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back.
These vapors, with their leaden, golden, iron, bronzèd glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms,-- 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflamèd spaume.
O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.
Written by Henry Van Dyke | Create an image from this poem

Gratitude

 "Do you give thanks for this? -- or that?" 
No, God be thanked
I am not grateful
In that cold, calculating way, with blessing ranked
As one, two, three, and four, -- that would be hateful.
I only know that every day brings good above" My poor deserving; I only feel that, in the road of Life, true Love Is leading me along and never swerving.
Whatever gifts and mercies in my lot may fall, I would not measure As worth a certain price in praise, or great or small; But take and use them all with simple pleasure.
For when we gladly eat our daily bread, we bless The Hand that feeds us; And when we tread the road of Life in cheerfulness, Our very heart-beats praise the Love that leads us.