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Best Famous Girl Poems

Here is a collection of the all-time best famous Girl poems. This is a select list of the best famous Girl poetry. Reading, writing, and enjoying famous Girl poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of girl poems.

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Written by Gary Soto |


The first time I walked
With a girl, I was twelve,
Cold, and weighted down
With two oranges in my jacket.
Frost cracking Beneath my steps, my breath Before me, then gone, As I walked toward Her house, the one whose Porch light burned yellow Night and day, in any weather.
A dog barked at me, until She came out pulling At her gloves, face bright With rouge.
I smiled, Touched her shoulder, and led Her down the street, across A used car lot and a line Of newly planted trees, Until we were breathing Before a drugstore.
We Entered, the tiny bell Bringing a saleslady Down a narrow aisle of goods.
I turned to the candies Tiered like bleachers, And asked what she wanted - Light in her eyes, a smile Starting at the corners Of her mouth.
I fingered A nickle in my pocket, And when she lifted a chocolate That cost a dime, I didn't say anything.
I took the nickle from My pocket, then an orange, And set them quietly on The counter.
When I looked up, The lady's eyes met mine, And held them, knowing Very well what it was all About.
Outside, A few cars hissing past, Fog hanging like old Coats between the trees.
I took my girl's hand In mine for two blocks, Then released it to let Her unwrap the chocolate.
I peeled my orange That was so bright against The gray of December That, from some distance, Someone might have thought I was making a fire in my hands.

Written by Walt Whitman |

I Hear America Singing

I hear America singing, the varied carols I hear, 
Those of mechanics, each one singing his as it should be blithe and strong, 
The carpenter singing his as he measures his plank or beam, 
The mason singing his as he makes ready for work, or leaves off work, 
The boatman singing what belongs to him in his boat, the deckhand 
singing on the steamboat deck, 
The shoemaker singing as he sits on his bench, the hatter singing as he stands, 
The wood-cutter's song, the ploughboy's on his way in the morning, or 
at noon intermission or at sundown, 
The delicious singing of the mother, or of the young wife at work, or of 
the girl sewing or washing, 
Each singing what belongs to him or her and to none else, 
The day what belongs to the day--at night the party of young fellows, 
robust, friendly, 
Singing with open mouths their strong melodious songs.

Written by A S J Tessimond |


 When you are slightly drunk
Things are so close, so friendly.
The road asks to be walked upon, The road rewards you for walking With firm upward contact answering your downward contact Like the pressure of a hand in yours.
You think - this studious balancing Of right leg while left leg advances, of left while right, How splendid Like somebody-or-other-on-a-peak-in-Darien! How cleverly that seat shapes the body of the girl who sits there.
How well, how skilfully that man there walks towards you, Arms hanging, swinging, waiting.
You move the muscles of your cheeks, How cunningly a smile responds.
And now you are actually speaking Round sounding words Magnificent As that lady's hat!

More great poems below...

Written by Christina Rossetti |

In an Artists Studio

One face looks out from all his canvases,
     One selfsame figure sits or walks or leans:
     We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress, A nameless girl in freshest summer-greens, A saint, an angel—every canvas means The same one meaning, neither more nor less.
He feeds upon her face by day and night, And she with true kind eyes looks back on him, Fair as the moon and joyful as the light: Not wan with waiting, not with sorrow dim; No as she is, but was when hope shone bright; Not as she is, but as she fills his dream.

Written by Maya Angelou |


When I was young, I used to
Watch behind the curtains
As men walked up and down the street.
Wino men, old men.
Young men sharp as mustard.
See them.
Men are always Going somewhere.
They knew I was there.
Fifteen Years old and starving for them.
Under my window, they would pauses, Their shoulders high like the Breasts of a young girl, Jacket tails slapping over Those behinds, Men.
One day they hold you in the Palms of their hands, gentle, as if you Were the last raw egg in the world.
Then They tighten up.
Just a little.
The First squeeze is nice.
A quick hug.
Soft into your defenselessness.
A little More.
The hurt begins.
Wrench out a Smile that slides around the fear.
When the Air disappears, Your mind pops, exploding fiercely, briefly, Like the head of a kitchen match.
It is your juice That runs down their legs.
Staining their shoes.
When the earth rights itself again, And taste tries to return to the tongue, Your body has slammed shut.
No keys exist.
Then the window draws full upon Your mind.
There, just beyond The sway of curtains, men walk.
Knowing something.
Going someplace.
But this time, I will simply Stand and watch.

Written by Joseph Brodsky |

I Sit By The Window

 I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window.
Outside, an aspen.
When I loved, I loved deeply.
It wasn't often.
I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee? Sick of the dust raised by the modern era, the Russian eye would rest on an Estonian spire.
I sit by the window.
The dishes are done.
I was happy here.
But I won't be again.
I wrote: The bulb looks at the flower in fear, and love, as an act, lacks a verb; the zer- o Euclid thought the vanishing point became wasn't math--it was the nothingness of Time.
I sit by the window.
And while I sit my youth comes back.
Sometimes I'd smile.
Or spit.
I said that the leaf may destory the bud; what's fertile falls in fallow soil--a dud; that on the flat field, the unshadowed plain nature spills the seeds of trees in vain.
I sit by the window.
Hands lock my knees.
My heavy shadow's my squat company.
My song was out of tune, my voice was cracked, but at least no chorus can ever sing it back.
That talk like this reaps no reward bewilders no one--no one's legs rest on my sholders.
I sit by the window in the dark.
Like an express, the waves behind the wavelike curtain crash.
A loyal subject of these second-rate years, I proudly admit that my finest ideas are second-rate, and may the future take them as trophies of my struggle against suffocation.
I sit in the dark.
And it would be hard to figure out which is worse; the dark inside, or the darkness out.

Written by Langston Hughes |

The Negro Mother

 Children, I come back today 
To tell you a story of the long dark way 
That I had to climb, that I had to know 
In order that the race might live and grow.
Look at my face -- dark as the night -- Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea Carrying in my body the seed of the free.
I am the woman who worked in the field Bringing the cotton and the corn to yield.
I am the one who labored as a slave, Beaten and mistreated for the work that I gave -- Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.
Three hundred years in the deepest South: But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.
Now, through my children, young and free, I realized the blessing deed to me.
I couldn't read then.
I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears, But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun, But I had to keep on till my work was done: I had to keep on! No stopping for me -- I was the seed of the coming Free.
I nourished the dream that nothing could smother Deep in my breast -- the Negro mother.
I had only hope then , but now through you, Dark ones of today, my dreams must come true: All you dark children in the world out there, Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow -- And make of those years a torch for tomorrow.
Make of my pass a road to the light Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife Still bar you the way, and deny you life -- But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers Impel you forever up the great stairs -- For I will be with you till no white brother Dares keep down the children of the Negro Mother.

Written by Michael Ondaatje |

The Time Around Scars

 A girl whom I've not spoken to
or shared coffee with for several years
writes of an old scar.
On her wrist it sleeps, smooth and white, the size of a leech.
I gave it to her brandishing a new Italian penknife.
Look, I said turning, and blood spat onto her shirt.
My wife has scars like spread raindrops on knees and ankles, she talks of broken greenhouse panes and yet, apart from imagining red feet, (a nymph out of Chagall) I bring little to that scene.
We remember the time around scars, they freeze irrelevant emotions and divide us from present friends.
I remember this girl's face, the widening rise of surprise.
And would she moving with lover or husband conceal or flaunt it, or keep it at her wrist a mysterious watch.
And this scar I then remember is a medallion of no emotion.
I would meet you now and I would wish this scar to have been given with all the love that never occurred between us.

Written by Langston Hughes |

Quiet Girl

 I would liken you
To a night without stars
Were it not for your eyes.
I would liken you To a sleep without dreams Were it not for your songs.

Written by John Greenleaf Whittier |

The Pumpkin

 Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.
On the banks of the Xenil the dark Spanish maiden Comes up with the fruit of the tangled vine laden; And the Creole of Cuba laughs out to behold Through orange-leaves shining the broad spheres of gold; Yet with dearer delight from his home in the North, On the fields of his harvest the Yankee looks forth, Where crook-necks are coiling and yellow fruit shines, And the sun of September melts down on his vines.
Ah! on Thanksgiving day, when from East and from West, From North and from South comes the pilgrim and guest; When the gray-haired New Englander sees round his board The old broken links of affection restored; When the care-wearied man seeks his mother once more, And the worn matron smiles where the girl smiled before; What moistens the lip and what brightens the eye, What calls back the past, like the rich Pumpkin pie? Oh, fruit loved of boyhood! the old days recalling, When wood-grapes were purpling and brown nuts were falling! When wild, ugly faces we carved in its skin, Glaring out through the dark with a candle within! When we laughed round the corn-heap, with hearts all in tune, Our chair a broad pumpkin, -- our lantern the moon, Telling tales of the fairy who travelled like steam In a pumpkin-shell coach, with two rats for her team! Then thanks for thy present! none sweeter or better E'er smoked from an oven or circled a platter! Fairer hands never wrought at a pastry more fine, Brighter eyes never watched o'er its baking, than thine! And the prayer, which my mouth is too full to express, Swells my heart that thy shadow may never be less, That the days of thy lot may be lengthened below, And the fame of thy worth like a pumpkin-vine grow, And thy life be as sweet, and its last sunset sky Golden-tinted and fair as thy own Pumpkin pie!

Written by Kobayashi Issa |

In spring rain

 In spring rain
a pretty girl

Written by Vachel Lindsay |

How a Little Girl Danced


(Being a reminiscence of certain private theatricals.
) Oh, cabaret dancer, I know a dancer, Whose eyes have not looked on the feasts that are vain.
I know a dancer, I know a dancer, Whose soul has no bond with the beasts of the plain: Judith the dancer, Judith the dancer, With foot like the snow, and with step like the rain.
Oh, thrice-painted dancer, vaudeville dancer, Sad in your spangles, with soul all astrain, I know a dancer, I know a dancer, Whose laughter and weeping are spiritual gain, A pure-hearted, high-hearted maiden evangel, With strength the dark cynical earth to disdain.
Flowers of bright Broadway, you of the chorus, Who sing in the hope of forgetting your pain: I turn to a sister of Sainted Cecilia, A white bird escaping the earth's tangled skein:— The music of God is her innermost brooding, The whispering angels her footsteps sustain.
Oh, proud Russian dancer: praise for your dancing.
No clean human passion my rhyme would arraign.
You dance for Apollo with noble devotion, A high cleansing revel to make the heart sane.
But Judith the dancer prays to a spirit More white than Apollo and all of his train.
I know a dancer who finds the true Godhead, Who bends o'er a brazier in Heaven's clear plain.
I know a dancer, I know a dancer, Who lifts us toward peace, from this earth that is vain: Judith the dancer, Judith the dancer, With foot like the snow, and with step like the rain.

Written by Roger McGough |

The Lesson

 Chaos ruled OK in the classroom
as bravely the teacher walked in
the nooligans ignored him
hid voice was lost in the din

"The theme for today is violence
and homework will be set
I'm going to teach you a lesson
one that you'll never forget"

He picked on a boy who was shouting
and throttled him then and there
then garrotted the girl behind him
(the one with grotty hair)

Then sword in hand he hacked his way
between the chattering rows
"First come, first severed" he declared
"fingers, feet or toes"

He threw the sword at a latecomer
it struck with deadly aim
then pulling out a shotgun
he continued with his game

The first blast cleared the backrow
(where those who skive hang out)
they collapsed like rubber dinghies
when the plug's pulled out

"Please may I leave the room sir?"
a trembling vandal enquired
"Of course you may" said teacher
put the gun to his temple and fired

The Head popped a head round the doorway
to see why a din was being made
nodded understandingly
then tossed in a grenade

And when the ammo was well spent
with blood on every chair
Silence shuffled forward
with its hands up in the air

The teacher surveyed the carnage
the dying and the dead
He waggled a finger severely
"Now let that be a lesson" he said

Written by Cornelius Eady |

Im A Fool To Love You

 Some folks will tell you the blues is a woman,
Some type of supernatural creature.
My mother would tell you, if she could, About her life with my father, A strange and sometimes cruel gentleman.
She would tell you about the choices A young black woman faces.
Is falling in love with some man A deal with the devil In blue terms, the tongue we use When we don't want nuance To get in the way, When we need to talk straight.
My mother chooses my father After choosing a man Who was, as we sing it, Of no account.
This man made my father look good, That's how bad it was.
He made my father seem like an island In the middle of a stormy sea, He made my father look like a rock.
And is the blues the moment you realize You exist in a stacked deck, You look in a mirror at your young face, The face my sister carries, And you know it's the only leverage You've got.
Does this create a hurt that whispers How you going to do? Is the blues the moment You shrug your shoulders And agree, a girl without money Is nothing, dust To be pushed around by any old breeze.
Compared to this, My father seems, briefly, To be a fire escape.
This is the way the blues works Its sorry wonders, Makes trouble look like A feather bed, Makes the wrong man's kisses A healing.

Written by Rainer Maria Rilke |

The Gazelle

Gazella Dorcas

Enchanted thing: how can two chosen words
ever attain the harmony of pure rhyme
that pulses through you as your body stirs?
Out of your forehead branch and lyre climb

and all your features pass in simile through
the songs of love whose words as light as rose-
petals rest on the face of someone who
has put his book away and shut his eyes:

to see you: tensed as if each leg were a gun
loaded with leaps but not fired while your neck
holds your head still listening: as when

while swimming in some isolated place
a girl hears leaves rustle and turns to look:
the forest pool reflected in her face.