Written by
Elinor Wylie |
1
When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
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Written by
Elinor Wylie |
Man, the egregious egoist
(In mystery the twig is bent)
Imagines, by some mental twist,
That he alone is sentient
Of the intolerable load
That on all living creatures lies,
Nor stoops to pity in the toad
The speechless sorrow of his eyes.
He asks no questions of the snake,
Nor plumbs the phosphorescent gloom
Where lidless fishes, broad awake,
Swim staring at a nightmare doom.
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Written by
Elinor Wylie |
The rain's cold grains are silver-gray
Sharp as golden sands,
A bell is clanging, people sway
Hanging by their hands.
Supple hands, or gnarled and stiff,
Snatch and catch and grope;
That face is yellow-pale, as if
The fellow swung from rope.
Dull like pebbles, sharp like knives,
Glances strike and glare,
Fingers tangle, Bluebeard's wives
Dangle by the hair.
Orchard of the strangest fruits
Hanging from the skies;
Brothers, yet insensate brutes
Who fear each other's eyes.
One man stands as free men stand,
As if his soul might be
Brave, unbroken; see his hand
Nailed to an oaken tree.
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Written by
Elinor Wylie |
My love came up from Barnegat,
The sea was in his eyes;
He trod as softly as a cat
And told me terrible lies.
His hair was yellow as new-cut pine
In shavings curled and feathered;
I thought how silver it would shine
By cruel winters weathered.
But he was in his twentieth year,
Ths time I'm speaking of;
We were head over heels in love with fear
And half a-feared of love.
My hair was piled in a copper crown --
A devilish living thing --
And the tortise-shell pins fell down, fell down,
When that snake uncoiled to spring.
His feet were used to treading a gale
And balancing thereon;
His face was as brown as a foreign sail
Threadbare against the sun.
His arms were thick as hickory logs
Whittled to little wrists;
Strong as the teeth of a terrier dog
Were the fingers of his fists.
Within his arms I feared to sink
Where lions shook their manes,
And dragons drawn in azure ink
Lept quickened by his veins.
Dreadful his strength and length of limb
As the sea to foundering ships;
I dipped my hands in love for him
No deeper than the tips.
But our palms were welded by a flame
The moment we came to part,
And on his knuckles I read my name
Enscrolled with a heart.
And something made our wills to bend,
As wild as trees blown over;
We were no longer friend and friend,
But only lover and lover.
"In seven weeks or seventy years --
God grant it may be sooner! --
I'll make a hankerchief for you
From the sails of my captain's schooner.
We'll wear our loves like wedding rings
Long polished to our touch;
We shall be busy with other things
And they cannot bother us much.
When you are skimming the wrinkled cream
And your ring clinks on the pan,
You'll say to yourself in a pensive dream,
'How wonderful a man!'
When I am slitting a fish's head
And my ring clanks on the knife,
I'll say with thanks as a prayer is said,
'How beautiful a wife!'
And I shall fold my decorous paws
In velvet smooth and deep,
Like a kitten that covers up its claws
To sleep and sleep and sleep.
Like a little blue pigeon you shall bow
Your bright alarming crest;
In the crook of my arm you'll lay your brow
To rest and rest and rest.
Will he never come back from Barnegat
With thunder in his eyes,
Treading as soft as a tiger cat,
To tell me terrible lies?
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Written by
Elinor Wylie |
Why should my sleepy heart be taught
To whistle mocking-bird replies?
This is another bird you've caught,
Soft-feathered, with a falcon's eyes.
The bird Imagination,
That flies so far, that dies so soon;
Her wings are coloured like the sun,
Her breast is coloured like the moon.
Weave her a chain of silver twist,
And a little hood of scarlet wool,
And let her perch upon your wrist,
And tell her she is beautiful.
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Written by
Elinor Wylie |
Poets make pets of pretty, docile words:
I love smooth words, like gold-enamelled fish
Which circle slowly with a silken swish,
And tender ones, like downy-feathred birds:
Words shy and dappled, deep-eyed deer in herds,
Come to my hand, and playful if I wish,
Or purring softly at a silver dish,
Blue Persian kittens fed on cream and curds.
I love bright words, words up and singing early;
Words that are luminous in the dark, and sing;
Warm lazy words, white cattle under trees;
I love words opalescent, cool, and pearly,
Like midsummer moths, and honied words like bees,
Gilded and sticky, with a little sting.
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Written by
Elinor Wylie |
Now let no charitable hope
Confuse my mind with images
Of eagle and of antelope:
I am by nature none of these.
I was, being human, born alone;
I am, being woman, hard beset;
I live by squeezing from a stone
What little nourishment I get.
In masks outrageous and austere
The years go by in single file;
But none has merited my fear,
And none has quite escaped my smile.
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Written by
Elinor Wylie |
Liza, go steep your long white hands
In the cool waters of that spring
Which bubbles up through shiny sands
The colour of a wild-dove's wing.
Dabble your hands, and steep them well
Until those nails are pearly white
Now rosier than a laurel bell;
Then come to me at candlelight.
Lay your cold hands across my brows,
And I shall sleep, and I shall dream
Of silver-pointed willow boughs
Dipping their fingers in a stream.
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Written by
Elinor Wylie |
When foxes eat the last gold grape,
And the last white antelope is killed,
I shall stop fighting and escape
Into a little house I'll build.
But first I'll shrink to fairy size,
With a whisper no one understands,
Making blind moons of all your eyes,
And muddy roads of all your hands.
And you may grope for me in vain
In hollows under the mangrove root,
Or where, in apple-scented rain,
The silver wasp-nests hang like fruit.
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Written by
Elinor Wylie |
Once, when my husband was a child, there came
To his father's table, one who called him kin,
In sunbleached corduroys paler than his skin.
His look was grave and kind; he bore the name
Of the dead singer of Senlac, and his smile.
Shyly and courteously he smiled and spoke;
"I've been in the laurel since the winter broke;
Four months, I reckon; yes, sir, quite a while.
"
He'd killed a score of foemen in the past,
In some blood feud, a dark and monstrous thing;
To him it seemed his duty.
At the last
His enemies found him by a forest spring,
Which, as he died, lay bright beneath his head,
A silver shield that slowly turned to red.
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