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Best Famous Confusion Poems

Here is a collection of the all-time best famous Confusion poems. This is a select list of the best famous Confusion poetry. Reading, writing, and enjoying famous Confusion poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of confusion poems.

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Written by Phillis Wheatley |

To a Lady on the Death of Her Husband

Grim monarch! see, depriv'd of vital breath,
A young physician in the dust of death:
Dost thou go on incessant to destroy,
Our griefs to double, and lay waste our joy?
"Enough" thou never yet wast known to say,
Though millions die, the vassals of thy sway:
Nor youth, nor science, nor the ties of love,
Nor aught on earth thy flinty heart can move.
The friend, the spouse from his dire dart to save, In vain we ask the sovereign of the grave.
Fair mourner, there see thy lov'd Leonard laid, And o'er him spread the deep impervious shade; Clos'd are his eyes, and heavy fetters keep His senses bound in never-waking sleep, Till time shall cease, till many a starry world Shall fall from heav'n, in dire confusion hurl'd, Till nature in her final wreck shall lie, And her last groan shall rend the azure sky: Not, not till then his active soul shall claim His body, a divine immortal frame.
But see the softly-stealing tears apace Pursue each other down the mourner's face; But cease thy tears, bid ev'ry sigh depart, And cast the load of anguish from thine heart: From the cold shell of his great soul arise, And look beyond, thou native of the skies; There fix thy view, where fleeter than the wind Thy Leonard mounts, and leaves the earth behind.
Thyself prepare to pass the vale of night To join for ever on the hills of light: To thine embrace his joyful sprit moves To thee, the partner of his earthly loves; He welcomes thee to pleasures more refin'd, And better suited to th' immortal mind.

Written by Raymond Carver |


 Fear of seeing a police car pull into the drive.
Fear of falling asleep at night.
Fear of not falling asleep.
Fear of the past rising up.
Fear of the present taking flight.
Fear of the telephone that rings in the dead of night.
Fear of electrical storms.
Fear of the cleaning woman who has a spot on her cheek! Fear of dogs I've been told won't bite.
Fear of anxiety! Fear of having to identify the body of a dead friend.
Fear of running out of money.
Fear of having too much, though people will not believe this.
Fear of psychological profiles.
Fear of being late and fear of arriving before anyone else.
Fear of my children's handwriting on envelopes.
Fear they'll die before I do, and I'll feel guilty.
Fear of having to live with my mother in her old age, and mine.
Fear of confusion.
Fear this day will end on an unhappy note.
Fear of waking up to find you gone.
Fear of not loving and fear of not loving enough.
Fear that what I love will prove lethal to those I love.
Fear of death.
Fear of living too long.
Fear of death.
I've said that.

Written by Johann Wolfgang von Goethe |


 THE warder looks down at the mid hour of night,

On the tombs that lie scatter'd below:
The moon fills the place with her silvery light,

And the churchyard like day seems to glow.
When see! first one grave, then another opes wide, And women and men stepping forth are descried, In cerements snow-white and trailing.
In haste for the sport soon their ankles they twitch, And whirl round in dances so gay; The young and the old, and the poor, and the rich, But the cerements stand in their way; And as modesty cannot avail them aught here, They shake themselves all, and the shrouds soon appear Scatter'd over the tombs in confusion.
Now waggles the leg, and now wriggles the thigh, As the troop with strange gestures advance, And a rattle and clatter anon rises high, As of one beating time to the dance.
The sight to the warder seems wondrously queer, When the villainous Tempter speaks thus in his ear: "Seize one of the shrouds that lie yonder!" Quick as thought it was done! and for safety he fled Behind the church-door with all speed; The moon still continues her clear light to shed On the dance that they fearfully lead.
But the dancers at length disappear one by one, And their shrouds, ere they vanish, they carefully don, And under the turf all is quiet.
But one of them stumbles and shuffles there still, And gropes at the graves in despair; Yet 'tis by no comrade he's treated so ill The shroud he soon scents in the air.
So he rattles the door--for the warder 'tis well That 'tis bless'd, and so able the foe to repel, All cover'd with crosses in metal.
The shroud he must have, and no rest will allow, There remains for reflection no time; On the ornaments Gothic the wight seizes now, And from point on to point hastes to climb.
Alas for the warder! his doom is decreed! Like a long-legged spider, with ne'er-changing speed, Advances the dreaded pursuer.
The warder he quakes, and the warder turns pale, The shroud to restore fain had sought; When the end,--now can nothing to save him avail,-- In a tooth formed of iron is caught.
With vanishing lustre the moon's race is run, When the bell thunders loudly a powerful One, And the skeleton fails, crush'd to atoms.

More great poems below...

Written by Ralph Waldo Emerson |


IT fell in the ancient periods 
Which the brooding soul surveys  
Or ever the wild Time coin'd itself 
Into calendar months and days.
This was the lapse of Uriel 5 Which in Paradise befell.
Once among the Pleiads walking Sayd overheard the young gods talking; And the treason too long pent To his ears was evident.
10 The young deities discuss'd Laws of form and metre just Orb quintessence and sunbeams What subsisteth and what seems.
One with low tones that decide 15 And doubt and reverend use defied With a look that solved the sphere And stirr'd the devils everywhere Gave his sentiment divine Against the being of a line.
20 'Line in nature is not found; Unit and universe are round; In vain produced all rays return; Evil will bless and ice will burn.
' As Uriel spoke with piercing eye 25 A shudder ran around the sky; The stern old war-gods shook their heads; The seraphs frown'd from myrtle-beds; Seem'd to the holy festival The rash word boded ill to all; 30 The balance-beam of Fate was bent; The bounds of good and ill were rent; Strong Hades could not keep his own But all slid to confusion.
A sad self-knowledge withering fell 35 On the beauty of Uriel; In heaven once eminent the god Withdrew that hour into his cloud; Whether doom'd to long gyration In the sea of generation 40 Or by knowledge grown too bright To hit the nerve of feebler sight.
Straightway a forgetting wind Stole over the celestial kind And their lips the secret kept 45 If in ashes the fire-seed slept.
But now and then truth-speaking things Shamed the angels' veiling wings; And shrilling from the solar course Or from fruit of chemic force 50 Procession of a soul in matter Or the speeding change of water Or out of the good of evil born Came Uriel's voice of cherub scorn And a blush tinged the upper sky 55 And the gods shook they knew not why.

Written by Alfred Lord Tennyson |

Beautiful City

 Beautiful city

Beautiful city, the centre and crater of European confusion,
O you with your passionate shriek for the rights of an equal
How often your Re-volution has proven but E-volution
Roll’d again back on itself in the tides of a civic insanity!

Written by Mark Doty |


 When I heard he had entered the harbor,
and circled the wharf for days,
I expected the worst: shallow water,

confusion, some accident to bring
the young humpback to grief.
Don't they depend on a compass lodged in the salt-flooded folds of the brain, some delicate musical mechanism to navigate their true course? How many ways, in our century's late iron hours, might we have led him to disaster? That, in those days, was how I'd come to see the world: dark upon dark, any sense of spirit an embattled flame sparked against wind-driven rain till pain snuffed it out.
I thought, This is what experience gives us , and I moved carefully through my life while I waited.
Enough, it wasn't that way at all.
The whale —exuberant, proud maybe, playful, like the early music of Beethoven— cruised the footings for smelts clustered near the pylons in mercury flocks.
He (do I have the gender right?) would negotiate the rusty hulls of the Portuguese fishing boats —Holy Infant, Little Marie— with what could only be read as pleasure, coming close then diving, trailing on the surface big spreading circles until he'd breach, thrilling us with the release of pressured breath, and the bulk of his sleek young head —a wet black leather sofa already barnacled with ghostly lice— and his elegant and unlikely mouth, and the marvelous afterthought of the flukes, and the way his broad flippers resembled a pair of clownish gloves or puppet hands, looming greenish white beneath the bay's clouded sheen.
When he had consumed his pleasure of the shimmering swarm, his pleasure, perhaps, in his own admired performance, he swam out the harbor mouth, into the Atlantic.
And though grief has seemed to me itself a dim, salt suspension in which I've moved, blind thing, day by day, through the wreckage, barely aware of what I stumbled toward, even I couldn't help but look at the way this immense figure graces the dark medium, and shines so: heaviness which is no burden to itself.
What did you think, that joy was some slight thing?

Written by Ralph Waldo Emerson |

Ode to W. H. Channing

Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honied thought
For the priest's cant,
Or statesman's rant.
If I refuse My study for their politique, Which at the best is trick, The angry Muse Puts confusion in my brain.
But who is he that prates Of the culture of mankind, Of better arts and life? Go, blindworm, go, Behold the famous States Harrying Mexico With rifle and with knife! Or who, with accent bolder, Dare praise the freedom-loving mountaineer? I found by thee, O rushing Contoocook! And in thy valleys, Agiochook! The jackals of the negro-holder.
The God who made New Hampshire Taunted the lofty land With little men;-- Small bat and wren House in the oak:-- If earth-fire cleave The upheaved land, and bury the folk, The southern crocodile would grieve.
Virtue palters; Right is hence; Freedom praised, but hid; Funeral eloquence Rattles the coffin-lid.
What boots thy zeal, O glowing friend, That would indignant rend The northland from the south? Wherefore? to what good end? Boston Bay and Bunker Hill Would serve things still;-- Things are of the snake.
The horseman serves the horse, The neatherd serves the neat, The merchant serves the purse, The eater serves his meat; 'T is the day of the chattel, Web to weave, and corn to grind; Things are in the saddle, And ride mankind.
There are two laws discrete, Not reconciled,-- Law for man, and law for thing; The last builds town and fleet, But it runs wild, And doth the man unking.
'T is fit the forest fall, The steep be graded, The mountain tunnelled, The sand shaded, The orchard planted, The glebe tilled, The prairie granted, The steamer built.
Let man serve law for man; Live for friendship, live for love, For truth's and harmony's behoof; The state may follow how it can, As Olympus follows Jove.
Yet do not I implore The wrinkled shopman to my sounding woods, Nor bid the unwilling senator Ask votes of thrushes in the solitudes.
Every one to his chosen work;-- Foolish hands may mix and mar; Wise and sure the issues are.
Round they roll till dark is light, Sex to sex, and even to odd;-- The over-god Who marries Right to Might, Who peoples, unpeoples,-- He who exterminates Races by stronger races, Black by white faces,-- Knows to bring honey Out of the lion; Grafts gentlest scion On pirate and Turk.
The Cossack eats Poland, Like stolen fruit; Her last noble is ruined, Her last poet mute: Straight, into double band The victors divide; Half for freedom strike and stand;-- The astonished Muse finds thousands at her side.

Written by Robert Herrick |

His Meditation Upon Death

 BE those few hours, which I have yet to spend, 
Blest with the meditation of my end; 
Though they be few in number, I'm content; 
If otherwise, I stand indifferent, 
Nor makes it matter, Nestor's years to tell, 
If man lives long, and if he live not well.
A multitude of days still heaped on Seldom brings order, but confusion.
Might I make choice, long life should be with-stood; Nor would I care how short it were, if good; Which to effect, let ev'ry passing bell Possess my thoughts, next comes my doleful knell; And when the night persuades me to my bed, I'll think I'm going to be buried; So shall the blankets which come over me Present those turfs, which once must cover me; And with as firm behaviour I will meet The sheet I sleep in, as my winding-sheet.
When Sleep shall bathe his body in mine eyes, I will believe, that then my body dies; And if I chance to wake, and rise thereon, I'll have in mind my resurrection, Which must produce me to that Gen'ral Doom, To which the peasant, so the prince must come, To hear the Judge give sentence on the Throne, Without the least hope of affection.
Tears, at that day, shall make but weak defense, When Hell and horror fright the conscience.
Let me, though late, yet at the last, begin To shun the least temptation to a sin; Though to be tempted be no sin, until Man to th'alluring object gives his will.
Such let my life assure me, when my breath Goes thieving from me, I am safe in death; Which is the height of comfort, when I fall, I rise triumphant in my funeral.

Written by Gregory Corso |



Paris, from throats of iron, silver, brass, 
Joy-thundering cannon, blent with chiming bells, 
And martial strains, the full-voiced pæan swells.
The air is starred with flags, the chanted mass Throngs all the churches, yet the broad streets swarm With glad-eyed groups who chatter, laugh, and pass, In holiday confusion, class with class.
And over all the spring, the sun-floods warm! In the Imperial palace that March morn, The beautiful young mother lay and smiled; For by her side just breathed the Prince, her child, Heir to an empire, to the purple born, Crowned with the Titan's name that stirs the heart Like a blown clarion--one more Bonaparte.
1879 Born to the purple, lying stark and dead, Transfixed with poisoned spears, beneath the sun Of brazen Africa! Thy grave is one, Fore-fated youth (on whom were visited Follies and sins not thine), whereat the world, Heartless howe'er it be, will pause to sing A dirge, to breathe a sigh, a wreath to fling Of rosemary and rue with bay-leaves curled.
Enmeshed in toils ambitious, not thine own, Immortal, loved boy-Prince, thou tak'st thy stand With early doomed Don Carlos, hand in hand With mild-browed Arthur, Geoffrey's murdered son.
Louis the Dauphin lifts his thorn-ringed head, And welcomes thee, his brother, 'mongst the dead.

Written by Richard Wilbur |


 It is a cramped little state with no foreign policy,
Save to be thought inoffensive.
The grammar of the language Has never been fathomed, owing to the national habit Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city, Report that the railway-route from Schuldig passes Through country best described as unrelieved.
Sheep are the national product.
The faint inscription Over the city gates may perhaps be rendered, "I'm afraid you won't find much of interest here.
" Census-reports which give the population As zero are, of course, not to be trusted, Save as reflecting the natives' flustered insistence That they do not count, as well as their modest horror Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence Of churches or comfort-stations, have given observers An odd impression of ostentatious meanness, And it must be said of the citizens (muttering by In their ratty sheepskins, shying at cracks in the sidewalk) That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff Unsmiling carelessness of the border-guards And douaniers, who admit, whenever they can, Not merely the usual carloads of deodorant But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however, For the hoped-for invasion, at which time the happy people (Sniggering, ruddily naked, and shamelessly drunk) Will stun the foe by their overwhelming submission, Corrupt the generals, infiltrate the staff, Usurp the throne, proclaim themselves to be sun-gods, And bring about the collapse of the whole empire.

Written by Wole Soyinka |

Civilian and Soldier

My apparition rose from the fall of lead,
Declared, 'I am a civilian.
' It only served To aggravate your fright.
For how could I Have risen, a being of this world, in that hour Of impartial death! And I thought also: nor is Your quarrel of this world.
You stood still For both eternities, and oh I heard the lesson Of your traing sessions, cautioning - Scorch earth behind you, do not leave A dubious neutral to the rear.
Reiteration Of my civilian quandary, burrowing earth From the lead festival of your more eager friends Worked the worse on your confusion, and when You brought the gun to bear on me, and death Twitched me gently in the eye, your plight And all of you came clear to me.
I hope some day Intent upon my trade of living, to be checked In stride by your apparition in a trench, Signalling, I am a soldier.
No hesitation then But I shall shoot you clean and fair With meat and bread, a gourd of wine A bunch of breasts from either arm, and that Lone question - do you friend, even now, know What it is all about?

Written by Robert William Service |

My Suicide

 I've often wondered why
Old chaps who choose to die
In evil passes,
Before themselves they slay,
Invariably they
Take off their glasses?

As I strolled by the Castle cliff
An oldish chap I set my eyes on,
Who stood so singularly stiff
And stark against the blue horizon;
A poet fashioning a sonnet,
I thought - how rapt he labours on it!

And then I blinked and stood astare,
And questioned at my sight condition,
For I was seeing empty air -
He must have been an apparition.
Amazed I gazed .
no one was there: My sanity roused my suspicion.
I strode to where I saw him stand So solitary in the sun - Nothing! just empty sew and land, no smallest sign of anyone.
While down below I heard the roar Of waves, five hundred feet or more.
I had been drinking, I confess; There was confusion in my brain, And I was feeling more or less The fumes of overnight champagne.
So standing on that dizzy shelf: "You saw no one," I told myself.
"No need to call the local law, For after all its not your business.
You just imagined what you saw .
" Then I was seized with sudden dizziness: For at my feet, beyond denying, A pair of spectacles were lying.
And so I simply let them lie, And sped from that accursed spot.
No lover of the police am I, And sooner would be drunk than not.
"I'll scram," said I, "and leave the locals To find and trace them dam bi-focals.

Written by Denise Duhamel |


 According to Culture Shock:
A Guide to Customs and Etiquette 
of Filipinos, when my husband says yes,
he could also mean one of the following:
) I don't know.
) If you say so.
) If it will please you.
) I hope I have said yes unenthusiastically enough for you to realize I mean no.
You can imagine the confusion surrounding our movie dates, the laundry, who will take out the garbage and when.
I remind him I'm an American, that all has yeses sound alike to me.
I tell him here in America we have shrinks who can help him to be less of a people-pleaser.
We have two-year-olds who love to scream "No!" when they don't get their way.
I tell him, in America we have a popular book, When I Say No I Feel Guilty.
"Should I get you a copy?" I ask.
He says yes, but I think he means "If it will please you," i.
"I won't read it.
" "I'm trying," I tell him, "but you have to try too.
" "Yes," he says, then makes tampo, a sulking that the book Culture Shock describes as "subliminal hostility .
withdrawal of customary cheerfulness in the presence of the one who has displeased" him.
The book says it's up to me to make things all right, "to restore goodwill, not by talking the problem out, but by showing concern about the wounded person's well-being.
" Forget it, I think, even though I know if I'm not nice, tampo can quickly escalate into nagdadabog-- foot stomping, grumbling, the slamming of doors.
Instead of talking to my husband, I storm off to talk to my porcelain Kwan Yin, the Chinese goddess of mercy that I bought on Canal Street years before my husband and I started dating.
"The real Kwan Yin is in Manila," he tells me.
"She's called Nuestra Señora de Guia.
Her Asian features prove Christianity was in the Philippines before the Spanish arrived.
" My husband's telling me this tells me he's sorry.
Kwan Yin seems to wink, congratulating me--my short prayer worked.
"Will you love me forever?" I ask, then study his lips, wondering if I'll be able to decipher what he means by his yes.

Written by Diane Wakoski |

This Beautiful Black Marriage

 Photograph negative
her black arm: a diving porpoise,
sprawled across the ice-banked pillow.
Head: a sheet of falling water.
Her legs: icicle branches breaking into light.
This woman, photographed sleeping.
The man, making the photograph in the acid pan of his brain.
Sleep stain them both, as if cloudy semen rubbed shiningly over the surface will be used to develop their images.
on the desert the porpoises curl up, their skeleton teeth are bared by parched lips; her sleeping feet trod on scarabs, holding the names of the dead tight in the steady breathing.
This man and woman have married and travel reciting chanting names of missing objects.
They enter a pyramid.
A black butterfly covers the doorway like a cobweb, folds around her body, the snake of its body closing her lips.
her breasts are stone stairs.
She calls the name, "Isis," and waits for the white face to appear.
No one walks in these pyramids at night.
No one walks during the day.
You walk in that negative time, the woman's presence filling up the space as if she were incense; man walks down the crevices and hills of her body.
Sounds of the black marriage are ritual sounds.
Of the porpoises dying on the desert.
The butterfly curtaining the body, The snake filling the mouth.
The sounds of all the parts coming together in this one place, the desert pyramid, built with the clean historical ugliness of men dying at work.
If you imagine, friend, that I do not have those black serpents in the pit of my body, that I am not crushed in fragments by the tough butterfly wing broken and crumpled like a black silk stocking, if you imagine that my body is not blackened burned wood, then you imagine a false woman.
This marriage could not change me.
Could not change my life.
Not is it that different from any other marriage.
They are all filled with desert journeys, with Isis who hold us in her terror, with Horus who will not let us see the parts of his body joined but must make us witness them in dark corners, in bloody confusion; and yet this black marriage, as you call it, has its own beauty.
As the black cat with its rich fur stretched and gliding smoothly down the tree trunks.
Or the shining black obsidian pulled out of mines and polished to the cat's eye.
Black as the neat seeds of a watermelon, or a pool of oil, prisming the light.
Do not despair this "black marriage.
" You must let the darkness out of your own body; acknowledge it and let it enter your mouth, taste the historical darkness openly.
Taste your own beautiful death, see your own photo image, as x-ray, Bone bleaching inside the blackening flesh

Written by Rg Gregory |

the buddha's tooth

 (for matt – 15)

in the first seven years you choose your howdah
having by then bare inklings of a journey
but where or why - confusion there to cloud a
judgement no more ready than a sore knee
to enter the lists of a whole life’s tourney -
but after this howdah-do (this introduction)
what’s to carry you where - from muddy fluxion

and glimpsing that a howdah does for two
(from seven years on the stirrings can be frantic)
you start to map the high ride (define the view)
and long for gilt and pomp (a touch of tantric)
relationships at best quite sycophantic
you dream of elephants clad in rich brocades
ideas to match your own fanfaronades

at fifteen then you’re really setting out
the sun’s dressed up to let you think life’s bright
your flag’s up front to give you extra clout
the chores are borne below (and out of sight)
you’ve made a noon of every slinking midnight
the continent is yours (let no one mock it)
yours the wheel to which all else a sprocket

in sri lanka in the kandy perahera 
every august in a festival procession
an elephant richly dressed (the stately bearer)
carries on its back in howdah-fashion
a casket (such the grandeur of its mission))
in which the buddha’s sacred tooth’s enshrined
an image that your journey brings to mind

that tooth’s the root of all deep human struggle
and life for each proceeds by that shrined truth
which (clearly seen) yet causes thought to boggle
in what dimension lies the total proof
that that enamelled shard is all-wise tooth
and not a figment of the brain’s rash wish
to puff dull want as in a cloud of hashish

old tooth (your truth) life’s slow (but rushing) voyage
that lonely cavalcade that buzzing dreams spell out
towards elusive man but keep you in your boy-age
a noble sense of self impugned by doubt
and yet (inside you caged) a regal shout
pomp should be there to honour your advancement
and you are right to sip from that entrancement

then be that casket the buddha’s tooth ennobles
have that howdah’s view of how dah world grows
choose your elephant well to ride your troubles
(let flag and rich brocade shine through such woes)
what others think can’t hurt what your heart knows
it’s a bumpy business this festive spirit’s trek
a well-sprung joy best cushion for your neck