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Best Famous Chant Poems

Here is a collection of the all-time best famous Chant poems. This is a select list of the best famous Chant poetry. Reading, writing, and enjoying famous Chant poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of chant poems.

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Written by Wallace Stevens | Create an image from this poem

Sunday Morning

1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights.
The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound.
The day is like wide water, without sound, Stilled for the passion of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre.
2 Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in the comforts of sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch.
These are the measures destined for her soul.
3 Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue.
4 She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote as heaven's hill, that has endured As April's green endures; or will endure Like her rememberance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings.
5 She says, "But in contentment I still feel The need of some imperishable bliss.
" Death is the mother of beauty; hence from her, Alone, shall come fulfillment to our dreams And our desires.
Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears On disregarded plate.
The maidens taste And stray impassioned in the littering leaves.
6 Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receeding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly.
7 Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source.
Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward.
They shall know well the heavenly fellowship Of men that perish and of summer morn.
And whence they came and whither they shall go The dew upon their feet shall manifest.
8 She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.
" We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsered, free, Of that wide water, inescapable.
Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Abiguous undulations as they sink, Downward to darkness, on extended wings.


Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with your presence, I roar your Lion Roar with mortal mouth.
One microgram inspired to one lung, ten pounds of heavy metal dust adrift slow motion over grey Alps the breadth of the planet, how long before your radiance speeds blight and death to sentient beings? Enter my body or not I carol my spirit inside you, Unnaproachable Weight, O heavy heavy Element awakened I vocalize your con- sciousness to six worlds I chant your absolute Vanity.
Yeah monster of Anger birthed in fear O most Ignorant matter ever created unnatural to Earth! Delusion of metal empires! Destroyer of lying Scientists! Devourer of covetous Generals, Incinerator of Armies & Melter of Wars! Judgement of judgements, Divine Wind over vengeful nations, Molester of Presidents, Death-Scandal of Capital politics! Ah civilizations stupidly indus- trious! Canker-Hex on multitudes learned or illiterate! Manu- factured Spectre of human reason! O solidified imago of practicioner in Black Arts I dare your reality, I challenge your very being! I publish your cause and effect! I turn the wheel of Mind on your three hundred tons! Your name enters mankind's ear! I embody your ultimate powers! My oratory advances on your vaunted Mystery! This breath dispels your braggart fears! I sing your form at last behind your concrete & iron walls inside your fortress of rubber & translucent silicon shields in filtered cabinets and baths of lathe oil, My voice resounds through robot glove boxes & ignot cans and echoes in electric vaults inert of atmo- sphere, I enter with spirit out loud into your fuel rod drums underground on soundless thrones and beds of lead O density! This weightless anthem trumpets transcendent through hidden chambers and breaks through iron doors into the Infernal Room! Over your dreadful vibration this measured harmony floats audible, these jubilant tones are honey and milk and wine-sweet water Poured on the stone black floor, these syllables are barley groats I scatter on the Reactor's core, I call your name with hollow vowels, I psalm your Fate close by, my breath near deathless ever at your side to Spell your destiny, I set this verse prophetic on your mausoleum walls to seal you up Eternally with Diamond Truth! O doomed Plutonium.
II The Bar surveys Plutonian history from midnight lit with Mercury Vapor streetlamps till in dawn's early light he contemplates a tranquil politic spaced out between Nations' thought-forms proliferating bureaucratic & horrific arm'd, Satanic industries projected sudden with Five Hundred Billion Dollar Strength around the world same time this text is set in Boulder, Colorado before front range of Rocky Mountains twelve miles north of Rocky Flats Nuclear Facility in United States of North America, Western Hemi- sphere of planet Earth six months and fourteen days around our Solar System in a Spiral Galaxy the local year after Dominion of the last God nineteen hundred seventy eight Completed as yellow hazed dawn clouds brighten East, Denver city white below Blue sky transparent rising empty deep & spacious to a morning star high over the balcony above some autos sat with wheels to curb downhill from Flatiron's jagged pine ridge, sunlit mountain meadows sloped to rust-red sandstone cliffs above brick townhouse roofs as sparrows waked whistling through Marine Street's summer green leafed trees.
III This ode to you O Poets and Orators to come, you father Whitman as I join your side, you Congress and American people, you present meditators, spiritual friends & teachers, you O Master of the Diamond Arts, Take this wheel of syllables in hand, these vowels and consonants to breath's end take this inhalation of black poison to your heart, breath out this blessing from your breast on our creation forests cities oceans deserts rocky flats and mountains in the Ten Directions pacify with exhalation, enrich this Plutonian Ode to explode its empty thunder through earthen thought-worlds Magnetize this howl with heartless compassion, destroy this mountain of Plutonium with ordinary mind and body speech, thus empower this Mind-guard spirit gone out, gone out, gone beyond, gone beyond me, Wake space, so Ah! July 14, 1978
Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize.
2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
3 Ever upon this stage, Is acted God’s calm, annual drama, Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching, light-hung roof of clouds—the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands, and all the growths and products.
4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.
) 5 When late I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying.
But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded; No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6 (Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; —How elate I stood and watch’d you, where, starting off, you march’d! Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d!) 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Ah, the dead to me mar not—they fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed; Nor in winter or summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me.
8 I saw the day, the return of the Heroes; (Yet the Heroes never surpass’d, shall never return; Them, that day, I saw not.
) I saw the interminable Corps—I saw the processions of armies, I saw them approaching, defiling by, with divisions, Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field.
9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear.
Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars.
10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of full-yielding; The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me; I see the true arenas of my race—or first, or last, Man’s innocent and strong arenas.
I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons.
11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products.
Busy the far, the sunlit panorama; Prairie, orchard, and yellow grain of the North, Cotton and rice of the South, and Louisianian cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass.
12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.
) 13 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.
Written by John Greenleaf Whittier | Create an image from this poem

The Norsemen ( From Narrative and Legendary Poems )

 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down.
Yet, while this morning breeze is bringing The home-life sound of school-bells ringing, And rolling wheel, and rapid jar Of the fire-winged and steedless car, And voices from the wayside near Come quick and blended on my ear,-- A spell is in this old gray stone, My thoughts are with the Past alone! A change! -- The steepled town no more Stretches along the sail-thronged shore; Like palace-domes in sunset's cloud, Fade sun-gilt spire and mansion proud: Spectrally rising where they stood, I see the old, primeval wood; Dark, shadow-like, on either hand I see its solemn waste expand; It climbs the green and cultured hill, It arches o'er the valley's rill, And leans from cliff and crag to throw Its wild arms o'er the stream below.
Unchanged, alone, the same bright river Flows on, as it will flow forever! I listen, and I hear the low Soft ripple where its water go; I hear behind the panther's cry, The wild-bird's scream goes thrilling by, And shyly on the river's brink The deer is stooping down to drink.
But hard! -- from wood and rock flung back, What sound come up the Merrimac? What sea-worn barks are those which throw The light spray from each rushing prow? Have they not in the North Sea's blast Bowed to the waves the straining mast? Their frozen sails the low, pale sun Of Thulë's night has shone upon; Flapped by the sea-wind's gusty sweep Round icy drift, and headland steep.
Wild Jutland's wives and Lochlin's daughters Have watched them fading o'er the waters, Lessening through driving mist and spray, Like white-winged sea-birds on their way! Onward they glide, -- and now I view Their iron-armed and stalwart crew; Joy glistens in each wild blue eye, Turned to green earth and summer sky.
Each broad, seamed breast has cast aside Its cumbering vest of shaggy hide; Bared to the sun and soft warm air, Streams back the Northmen's yellow hair.
I see the gleam of axe and spear, A sound of smitten shields I hear, Keeping a harsh and fitting time To Saga's chant, and Runic rhyme; Such lays as Zetland's Scald has sung, His gray and naked isles among; Or mutter low at midnight hour Round Odin's mossy stone of power.
The wolf beneath the Arctic moon Has answered to that startling rune; The Gael has heard its stormy swell, The light Frank knows its summons well; Iona's sable-stoled Culdee Has heard it sounding o'er the sea, And swept, with hoary beard and hair, His altar's foot in trembling prayer! 'T is past, -- the 'wildering vision dies In darkness on my dreaming eyes! The forest vanishes in air, Hill-slope and vale lie starkly bare; I hear the common tread of men, And hum of work-day life again; The mystic relic seems alone A broken mass of common stone; And if it be the chiselled limb Of Berserker or idol grim, A fragment of Valhalla's Thor, The stormy Viking's god of War, Or Praga of the Runic lay, Or love-awakening Siona, I know not, -- for no graven line, Nor Druid mark, nor Runic sign, Is left me here, by which to trace Its name, or origin, or place.
Yet, for this vision of the Past, This glance upon its darkness cast, My spirit bows in gratitude Before the Giver of all good, Who fashioned so the human mind, That, from the waste of Time behind, A simple stone, or mound of earth, Can summon the departed forth; Quicken the Past to life again, The Present lose in what hath been, And in their primal freshness show The buried forms of long ago.
As if a portion of that Thought By which the Eternal will is wrought, Whose impulse fills anew with breath The frozen solitude of Death, To mortal mind were sometimes lent, To mortal musing sometimes sent, To whisper -- even when it seems But Memory's fantasy of dreams -- Through the mind's waste of woe and sin, Of an immortal origin!
Written by Henry Wadsworth Longfellow | Create an image from this poem

Christmas Bells

 "I heard the bells on Christmas Day
Their old familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!


And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!


Till, ringing, singing on its way,
The world revolved from night to day,
A voice, a chime
A chant sublime
Of peace on earth, good-will to men!


Then from each black accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!


It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!


And in despair I bowed my head;
"There is no peace on earth," I said;
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men!"


Then pealed the bells more loud and deep: 
"God is not dead; nor doth he sleep!
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men!"


Written by Walt Whitman | Create an image from this poem

Song of the Redwood-Tree

 1
A CALIFORNIA song! 
A prophecy and indirection—a thought impalpable, to breathe, as air; 
A chorus of dryads, fading, departing—or hamadryads departing; 
A murmuring, fateful, giant voice, out of the earth and sky, 
Voice of a mighty dying tree in the Redwood forest dense.
Farewell, my brethren, Farewell, O earth and sky—farewell, ye neighboring waters; My time has ended, my term has come.
2 Along the northern coast, Just back from the rock-bound shore, and the caves, In the saline air from the sea, in the Mendocino country, With the surge for bass and accompaniment low and hoarse, With crackling blows of axes, sounding musically, driven by strong arms, Riven deep by the sharp tongues of the axes—there in the Redwood forest dense, I heard the mighty tree its death-chant chanting.
The choppers heard not—the camp shanties echoed not; The quick-ear’d teamsters, and chain and jack-screw men, heard not, As the wood-spirits came from their haunts of a thousand years, to join the refrain; But in my soul I plainly heard.
Murmuring out of its myriad leaves, Down from its lofty top, rising two hundred feet high, Out of its stalwart trunk and limbs—out of its foot-thick bark, That chant of the seasons and time—chant, not of the past only, but the future.
3 You untold life of me, And all you venerable and innocent joys, Perennial, hardy life of me, with joys, ’mid rain, and many a summer sun, And the white snows, and night, and the wild winds; O the great patient, rugged joys! my soul’s strong joys, unreck’d by man; (For know I bear the soul befitting me—I too have consciousness, identity, And all the rocks and mountains have—and all the earth;) Joys of the life befitting me and brothers mine, Our time, our term has come.
Nor yield we mournfully, majestic brothers, We who have grandly fill’d our time; With Nature’s calm content, and tacit, huge delight, We welcome what we wrought for through the past, And leave the field for them.
For them predicted long, For a superber Race—they too to grandly fill their time, For them we abdicate—in them ourselves, ye forest kings! In them these skies and airs—these mountain peaks—Shasta—Nevadas, These huge, precipitous cliffs—this amplitude—these valleys grand—Yosemite, To be in them absorb’d, assimilated.
4 Then to a loftier strain, Still prouder, more ecstatic, rose the chant, As if the heirs, the Deities of the West, Joining, with master-tongue, bore part.
Not wan from Asia’s fetishes, Nor red from Europe’s old dynastic slaughter-house, (Area of murder-plots of thrones, with scent left yet of wars and scaffolds every where,) But come from Nature’s long and harmless throes—peacefully builded thence, These virgin lands—Lands of the Western Shore, To the new Culminating Man—to you, the Empire New, You, promis’d long, we pledge, we dedicate.
You occult, deep volitions, You average Spiritual Manhood, purpose of all, pois’d on yourself—giving, not taking law, You Womanhood divine, mistress and source of all, whence life and love, and aught that comes from life and love, You unseen Moral Essence of all the vast materials of America, (age upon age, working in Death the same as Life,) You that, sometimes known, oftener unknown, really shape and mould the New World, adjusting it to Time and Space, You hidden National Will, lying in your abysms, conceal’d, but ever alert, You past and present purposes, tenaciously pursued, may-be unconscious of yourselves, Unswerv’d by all the passing errors, perturbations of the surface; You vital, universal, deathless germs, beneath all creeds, arts, statutes, literatures, Here build your homes for good—establish here—These areas entire, Lands of the Western Shore, We pledge, we dedicate to you.
For man of you—your characteristic Race, Here may be hardy, sweet, gigantic grow—here tower, proportionate to Nature, Here climb the vast, pure spaces, unconfined, uncheck’d by wall or roof, Here laugh with storm or sun—here joy—here patiently inure, Here heed himself, unfold himself (not others’ formulas heed)—here fill his time, To duly fall, to aid, unreck’d at last, To disappear, to serve.
Thus, on the northern coast, In the echo of teamsters’ calls, and the clinking chains, and the music of choppers’ axes, The falling trunk and limbs, the crash, the muffled shriek, the groan, Such words combined from the Redwood-tree—as of wood-spirits’ voices ecstatic, ancient and rustling, The century-lasting, unseen dryads, singing, withdrawing, All their recesses of forests and mountains leaving, From the Cascade range to the Wasatch—or Idaho far, or Utah, To the deities of the Modern henceforth yielding, The chorus and indications, the vistas of coming humanity—the settlements, features all, In the Mendocino woods I caught.
5 The flashing and golden pageant of California! The sudden and gorgeous drama—the sunny and ample lands; The long and varied stretch from Puget Sound to Colorado south; Lands bathed in sweeter, rarer, healthier air—valleys and mountain cliffs; The fields of Nature long prepared and fallow—the silent, cyclic chemistry; The slow and steady ages plodding—the unoccupied surface ripening—the rich ores forming beneath; At last the New arriving, assuming, taking possession, A swarming and busy race settling and organizing every where; Ships coming in from the whole round world, and going out to the whole world, To India and China and Australia, and the thousand island paradises of the Pacific; Populous cities—the latest inventions—the steamers on the rivers—the railroads—with many a thrifty farm, with machinery, And wool, and wheat, and the grape—and diggings of yellow gold.
6 But more in you than these, Lands of the Western Shore! (These but the means, the implements, the standing-ground,) I see in you, certain to come, the promise of thousands of years, till now deferr’d, Promis’d, to be fulfill’d, our common kind, the Race.
The New Society at last, proportionate to Nature, In Man of you, more than your mountain peaks, or stalwart trees imperial, In Woman more, far more, than all your gold, or vines, or even vital air.
Fresh come, to a New World indeed, yet long prepared, I see the Genius of the Modern, child of the Real and Ideal, Clearing the ground for broad humanity, the true America, heir of the past so grand, To build a grander future.
Written by Walt Whitman | Create an image from this poem

Brother of All with Generous Hand

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BROTHER of all, with generous hand, 
Of thee, pondering on thee, as o’er thy tomb, I and my Soul, 
A thought to launch in memory of thee, 
A burial verse for thee.
What may we chant, O thou within this tomb? What tablets, pictures, hang for thee, O millionaire? —The life thou lived’st we know not, But that thou walk’dst thy years in barter, ’mid the haunts of brokers; Nor heroism thine, nor war, nor glory.
Yet lingering, yearning, joining soul with thine, If not thy past we chant, we chant the future, Select, adorn the future.
2 Lo, Soul, the graves of heroes! The pride of lands—the gratitudes of men, The statues of the manifold famous dead, Old World and New, The kings, inventors, generals, poets, (stretch wide thy vision, Soul,) The excellent rulers of the races, great discoverers, sailors, Marble and brass select from them, with pictures, scenes, (The histories of the lands, the races, bodied there, In what they’ve built for, graced and graved, Monuments to their heroes.
) 3 Silent, my Soul, With drooping lids, as waiting, ponder’d, Turning from all the samples, all the monuments of heroes.
While through the interior vistas, Noiseless uprose, phantasmic (as, by night, Auroras of the North,) Lambent tableaux, prophetic, bodiless scenes, Spiritual projections.
In one, among the city streets, a laborer’s home appear’d, After his day’s work done, cleanly, sweet-air’d, the gaslight burning, The carpet swept, and a fire in the cheerful stove.
In one, the sacred parturition scene, A happy, painless mother birth’d a perfect child.
In one, at a bounteous morning meal, Sat peaceful parents, with contented sons.
In one, by twos and threes, young people, Hundreds concentering, walk’d the paths and streets and roads, Toward a tall-domed school.
In one a trio, beautiful, Grandmother, loving daughter, loving daughter’s daughter, sat, Chatting and sewing.
In one, along a suite of noble rooms, ’Mid plenteous books and journals, paintings on the walls, fine statuettes, Were groups of friendly journeymen, mechanics, young and old, Reading, conversing.
All, all the shows of laboring life, City and country, women’s, men’s and children’s, Their wants provided for, hued in the sun, and tinged for once with joy, Marriage, the street, the factory, farm, the house-room, lodging-room, Labor and toil, the bath, gymnasium, play-ground, library, college, The student, boy or girl, led forward to be taught; The sick cared for, the shoeless shod—the orphan father’d and mother’d, The hungry fed, the houseless housed; (The intentions perfect and divine, The workings, details, haply human.
) 4 O thou within this tomb, From thee, such scenes—thou stintless, lavish Giver, Tallying the gifts of Earth—large as the Earth, Thy name an Earth, with mountains, fields and rivers.
Nor by your streams alone, you rivers, By you, your banks, Connecticut, By you, and all your teeming life, Old Thames, By you, Potomac, laving the ground Washington trod—by you Patapsco, You, Hudson—you, endless Mississippi—not by you alone, But to the high seas launch, my thought, his memory.
5 Lo, Soul, by this tomb’s lambency, The darkness of the arrogant standards of the world, With all its flaunting aims, ambitions, pleasures.
(Old, commonplace, and rusty saws, The rich, the gay, the supercilious, smiled at long, Now, piercing to the marrow in my bones, Fused with each drop my heart’s blood jets, Swim in ineffable meaning.
) Lo, Soul, the sphere requireth, portioneth, To each his share, his measure, The moderate to the moderate, the ample to the ample.
Lo, Soul, see’st thou not, plain as the sun, The only real wealth of wealth in generosity, The only life of life in goodness?
Written by Walt Whitman | Create an image from this poem

A Broadway Pageant

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OVER the western sea, hither from Niphon come, 
Courteous, the swart-cheek’d two-sworded envoys, 
Leaning back in their open barouches, bare-headed, impassive, 
Ride to-day through Manhattan.
Libertad! I do not know whether others behold what I behold, In the procession, along with the nobles of Asia, the errand-bearers, Bringing up the rear, hovering above, around, or in the ranks marching; But I will sing you a song of what I behold, Libertad.
2 When million-footed Manhattan, unpent, descends to her pavements; When the thunder-cracking guns arouse me with the proud roar I love; When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes; When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a delicate thin haze; When, gorgeous, the countless straight stems, the forests at the wharves, thicken with colors; When every ship, richly drest, carries her flag at the peak; When pennants trail, and street-festoons hang from the windows; When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is densest; When the façades of the houses are alive with people—when eyes gaze, riveted, tens of thousands at a time; When the guests from the islands advance—when the pageant moves forward, visible; When the summons is made—when the answer that waited thousands of years, answers; I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with them.
3 Superb-faced Manhattan! Comrade Americanos!—to us, then, at last, the Orient comes.
To us, my city, Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space between, To-day our Antipodes comes.
The Originatress comes, The nest of languages, the bequeather of poems, the race of eld, Florid with blood, pensive, rapt with musings, hot with passion, Sultry with perfume, with ample and flowing garments, With sunburnt visage, with intense soul and glittering eyes, The race of Brahma comes! 4 See, my cantabile! these, and more, are flashing to us from the procession; As it moves, changing, a kaleidoscope divine it moves, changing, before us.
For not the envoys, nor the tann’d Japanee from his island only; Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the dead, The murky night morning of wonder and fable, inscrutable, The envelop’d mysteries, the old and unknown hive-bees, The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients, Vast desolated cities—the gliding Present—all of these, and more, are in the pageant-procession.
Geography, the world, is in it; The Great Sea, the brood of islands, Polynesia, the coast beyond; The coast you, henceforth, are facing—you Libertad! from your Western golden shores The countries there, with their populations—the millions en-masse, are curiously here; The swarming market places—the temples, with idols ranged along the sides, or at the end—bonze, brahmin, and lama; The mandarin, farmer, merchant, mechanic, and fisherman; The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors, Confucius himself—the great poets and heroes—the warriors, the castes, all, Trooping up, crowding from all directions—from the Altay mountains, From Thibet—from the four winding and far-flowing rivers of China, From the Southern peninsulas, and the demi-continental islands—from Malaysia; These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me, And I am seiz’d by them, and friendlily held by them, Till, as here, them all I chant, Libertad! for themselves and for you.
5 For I too, raising my voice, join the ranks of this pageant; I am the chanter—I chant aloud over the pageant; I chant the world on my Western Sea; I chant, copious, the islands beyond, thick as stars in the sky; I chant the new empire, grander than any before—As in a vision it comes to me; I chant America, the Mistress—I chant a greater supremacy; I chant, projected, a thousand blooming cities yet, in time, on those groups of sea-islands; I chant my sail-ships and steam-ships threading the archipelagoes; I chant my stars and stripes fluttering in the wind; I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d; Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must be, Commencing from this day, surrounded by the world.
6 And you, Libertad of the world! You shall sit in the middle, well-pois’d, thousands of years; As to-day, from one side, the nobles of Asia come to you; As to-morrow, from the other side, the Queen of England sends her eldest son to you.
7 The sign is reversing, the orb is enclosed, The ring is circled, the journey is done; The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the whole box.
8 Young Libertad! With the venerable Asia, the all-mother, Be considerate with her, now and ever, hot Libertad—for you are all; Bend your proud neck to the long-off mother, now sending messages over the archipelagoes to you; Bend your proud neck low for once, young Libertad.
9 Were the children straying westward so long? so wide the tramping? Were the precedent dim ages debouching westward from Paradise so long? Were the centuries steadily footing it that way, all the while unknown, for you, for reasons? They are justified—they are accomplish’d—they shall now be turn’d the other way also, to travel toward you thence; They shall now also march obediently eastward, for your sake, Libertad.
Written by William Shakespeare | Create an image from this poem

Venus and Adonis

 Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.
Venus salutes him with this fair good-morrow; "O thou clear god, and patron of all light, From whom each lamp and shining star doth borrow The beauteous influence that makes him bright, There lives a son that suck'd an earthly mother, May lend thee light, as thou dost lend to other.
" This said, she hasteth to a myrtle grove, Musing the morning is so much o'erworn, And yet she hears no tidings of her love: She hearkens for his hounds and for his horn: Anon she hears them chant it lustily, And all in haste she coasteth to the cry.
And as she runs, the bushes in the way Some catch her by the neck, some kiss her face, Some twine about her thigh to make her stay: She wildly breaketh from their strict embrace, Like a milch doe, whose swelling dugs do ache, Hasting to feed her fawn, hid in some brake.
By this she hears the hounds are at a bay; Whereat she starts, like one that spies an adder Wreath'd up in fatal folds just in his way, The fear whereof doth make him shake and shudder; Even so the timorous yelping of the hounds Appals her senses and her spirit confounds.
For now she knows it is no gentle chase, But the blunt boar, rough bear, or lion proud, Because the cry remaineth in one place, Where fearfully the dogs exclaim aloud: Finding their enemy to be so curst, They all strain court'sy who shall cope him first.
This dismal cry rings sadly in her ear, Through which it enters to surprise her heart; Who, overcome by doubt and bloodless fear, With cold-pale weakness numbs each feeling part: Like soldiers, when their captain once doth yield, They basely fly and dare not stay the field.
Thus stands she in a trembling ecstasy; Till, cheering up her senses all dismay'd, She tells them 'tis a causeless fantasy, And childish error, that they are afraid; Bids them leave quaking, bids them fear no more:-- And with that word she spied the hunted boar; Whose frothy mouth, bepainted all with red, Like milk and blood being mingled both together, A second fear through all her sinews spread, Which madly hurries her she knows not whither: This way she runs, and now she will no further, But back retires to rate the boar for murther.
A thousand spleens bear her a thousand ways; She treads the path that she untreads again; Her more than haste is mated with delays, Like the proceedings of a drunken brain, Full of respects, yet nought at all respecting; In hand with all things, nought at all effecting.
Here kennell'd in a brake she finds a hound, And asks the weary caitiff for his master, And there another licking of his wound, 'Gainst venom'd sores the only sovereign plaster; And here she meets another sadly scowling, To whom she speaks, and he replies with howling.
When he hath ceas'd his ill-resounding noise, Another flap-mouth'd mourner, black and grim, Against the welkin volleys out his voice; Another, and another, answer him, Clapping their proud tails to the ground below, Shaking their scratch'd ears, bleeding as they go.
Look, how the world's poor people are amazed At apparitions, signs, and prodigies, Whereon with fearful eyes they long have gazed, Infusing them with dreadful prophecies; So she at these sad signs draws up her breath And sighing it again, exclaims on Death.
"Hard-favour'd tyrant, ugly, meagre, lean, Hateful divorce of love,"--thus chides she Death,-- "Grim-grinning ghost, earth's worm, what dost thou mean To stifle beauty and to steal his breath, Who when he liv'd, his breath and beauty set Gloss on the rose, smell to the violet? "If he be dead,--O no, it cannot be, Seeing his beauty, thou shouldst strike at it:-- O yes, it may; thou hast no eyes to see, But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart Mistakes that aim and cleaves an infant's heart.
"Hadst thou but bid beware, then he had spoke, And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke; They bid thee crop a weed, thou pluck'st a flower: Love's golden arrow at him should have fled, And not Death's ebon dart, to strike him dead.
"Dost thou drink tears, that thou provok'st such weeping? What may a heavy groan advantage thee? Why hast thou cast into eternal sleeping Those eyes that taught all other eyes to see? Now nature cares not for thy mortal vigour, Since her best work is ruin'd with thy rigour.
" Here overcome, as one full of despair, She vail'd her eyelids, who, like sluices, stopt The crystal tide that from her two cheeks fair In the sweet channel of her bosom dropt; But through the flood-gates breaks the silver rain, And with his strong course opens them again.
O, how her eyes and tears did lend and borrow! Her eyes seen in the tears, tears in her eye; Both crystals, where they view'd each other's sorrow, Sorrow that friendly sighs sought still to dry; But like a stormy day, now wind, now rain, Sighs dry her cheeks, tears make them wet again.
Variable passions throng her constant woe, As striving who should best become her grief; All entertain'd, each passion labours so, That every present sorrow seemeth chief, But none is best: then join they all together, Like many clouds consulting for foul weather.
By this, far off she hears some huntsman hollo; A nurse's song ne'er pleased her babe so well: The dire imagination she did follow This sound of hope doth labour to expel; For now reviving joy bids her rejoice, And flatters her it is Adonis' voice.
Whereat her tears began to turn their tide, Being prison'd in her eye like pearls in glass; Yet sometimes falls an orient drop beside, Which her cheek melts, as scorning it should pass, To wash the foul face of the sluttish ground, Who is but drunken when she seemeth drown'd.
O hard-believing love, how strange it seems Not to believe, and yet too credulous! Thy weal and woe are both of them extremes; Despair and hope make thee ridiculous: The one doth flatter thee in thoughts unlikely, In likely thoughts the other kills thee quickly.
Now she unweaves the web that she hath wrought; Adonis lives, and Death is not to blame; It was not she that call'd him all to naught: Now she adds honours to his hateful name; She clepes him king of graves and grave for kings, Imperious supreme of all mortal things.
"No, no," quoth she, "sweet Death, I did but jest; Yet pardon me I felt a kind of fear When as I met the boar, that bloody beast, Which knows no pity, but is still severe; Then, gentle shadow,--truth I must confess,-- I rail'd on thee, fearing my love's decease.
"'Tis not my fault: the boar provok'd my tongue; Be wreak'd on him, invisible commander; 'Tis he, foul creature, that hath done thee wrong; I did but act, he's author of thy slander: Grief hath two tongues, and never woman yet Could rule them both without ten women's wit.
" Thus hoping that Adonis is alive, Her rash suspect she doth extenuate; And that his beauty may the better thrive, With Death she humbly doth insinuate; Tells him of trophies, statues, tombs, and stories His victories, his triumphs and his glories.
"O Jove," quoth she, "how much a fool was I To be of such a weak and silly mind To wail his death who lives and must not die Till mutual overthrow of mortal kind; For he being dead, with him is beauty slain, And, beauty dead, black chaos comes again.
"Fie, fie, fond love, thou art so full of fear As one with treasure laden, hemm'd with thieves; Trifles, unwitnessed with eye or ear, Thy coward heart with false bethinking grieves.
" Even at this word she hears a merry horn, Whereat she leaps that was but late forlorn.
As falcon to the lure, away she flies; The grass stoops not, she treads on it so light; And in her haste unfortunately spies The foul boar's conquest on her fair delight; Which seen, her eyes, as murder'd with the view, Like stars asham'd of day, themselves withdrew; Or, as the snail, whose tender horns being hit, Shrinks backward in his shelly cave with pain, And there, all smother'd up, in shade doth sit, Long after fearing to creep forth again; So, at his bloody view, her eyes are fled Into the deep dark cabins of her head: Where they resign their office and their light To the disposing of her troubled brain; Who bids them still consort with ugly night, And never wound the heart with looks again; Who, like a king perplexed in his throne, By their suggestion gives a deadly groan, Whereat each tributary subject quakes; As when the wind, imprison'd in the ground, Struggling for passage, earth's foundation shakes, Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise That from their dark beds once more leap her eyes; And, being open'd, threw unwilling light Upon the wide wound that the boar had trench'd In his soft flank; whose wonted lily white With purple tears, that his wound wept, was drench'd: No flower was nigh, no grass, herb, leaf, or weed, But stole his blood and seem'd with him to bleed.
This solemn sympathy poor Venus noteth; Over one shoulder doth she hang her head; Dumbly she passions, franticly she doteth; She thinks he could not die, he is not dead: Her voice is stopt, her joints forget to bow; Her eyes are mad that they have wept till now.
Written by Delmore Schwartz | Create an image from this poem

America America!

 I am a poet of the Hudson River and the heights above it,
 the lights, the stars, and the bridges
I am also by self-appointment the laureate of the Atlantic
 -of the peoples' hearts, crossing it 
 to new America.
I am burdened with the truck and chimera, hope, acquired in the sweating sick-excited passage in steerage, strange and estranged Hence I must descry and describe the kingdom of emotion.
For I am a poet of the kindergarten (in the city) and the cemetery (in the city) And rapture and ragtime and also the secret city in the heart and mind This is the song of the natural city self in the 20th century.
It is true but only partly true that a city is a "tyranny of numbers" (This is the chant of the urban metropolitan and metaphysical self After the first two World Wars of the 20th century) --- This is the city self, looking from window to lighted window When the squares and checks of faintly yellow light Shine at night, upon a huge dim board and slab-like tombs, Hiding many lives.
It is the city consciousness Which sees and says: more: more and more: always more.

Book: Reflection on the Important Things