Written by
Arthur Symons |
Miraculous silver-work in stone
Against the blue miraculous skies,
The belfry towers and turrets rise
Out of the arches that enthrone
That airy wonder of the skies.
Softly against the burning sun
The great cathedral spreads its wings;
High up, the lyric belfry sings.
Behold Ascension Day begun
Under the shadow of those wings!
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Written by
Arthur Symons |
I broider the world upon a loom,
I broider with dreams my tapestry;
Here in a little lonely room
I am master of earth and sea,
And the planets come to me.
I broider my life into the frame,
I broider my love, thread upon thread;
The world goes by with its glory and shame,
Crowns are bartered and blood is shed;
I sit and broider my dreams instead.
And the only world is the world of my dreams,
And my weaving the only happiness;
For what is the world but what it seems?
And who knows but that God, beyond our guess,
Sits weaving worlds out of loneliness?
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Written by
Arthur Symons |
I have loved colours, and not flowers;
Their motion, not the swallows wings;
And wasted more than half my hours
Without the comradeship of things.
How is it, now, that I can see,
With love and wonder and delight,
The children of the hedge and tree,
The little lords of day and night?
How is it that I see the roads,
No longer with usurping eyes,
A twilight meeting-place for toads,
A mid-day mart for butterflies?
I feel, in every midge that hums,
Life, fugitive and infinite,
And suddenly the world becomes
A part of me and I of it.
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Written by
Arthur Symons |
They weave a slow andante as in sleep,
Scaled yellow, swampy black, plague-spotted white;
With blue and lidless eyes at watch they keep
A treachery of silence; infinite
Ancestral angers brood in these dull eyes
Where the long-lineaged venom of the snake
Meditates evil; woven intricacies
Of Oriental arabesque awake,
Unfold, expand, contract, and raise and sway
Swoln heart-shaped heads, flattened as by a heel,
Erect to suck the sunlight from the day,
And stealthily and gradually reveal
Dim cabalistic signs of spots and rings
Among their folds of faded tapestry;
Then these fat, foul, unbreathing, moving things
Droop back to stagnant immobility.
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Written by
Arthur Symons |
Emmy's exquisite youth and her virginal air,
Eyes and teeth in the flash of a musical smile,
Come to me out of the past, and I see her there
As I saw her once for a while.
Emmy's laughter rings in my ears, as bright,
Fresh and sweet as the voice of a mountain brook,
And still I hear her telling us tales that night,
Out of Boccaccio's book.
There, in the midst of the villainous dancing-hall,
Leaning across the table, over the beer,
While the music maddened the whirling skirts of the ball,
As the midnight hour drew near,
There with the women, haggard, painted and old,
One fresh bud in a garland withered and stale,
She, with her innocent voice and her clear eyes, told
Tale after shameless tale.
And ever the witching smile, to her face beguiled,
Paused and broadened, and broke in a ripple of fun,
And the soul of a child looked out of the eyes of a child,
Or ever the tale was done.
O my child, who wronged you first, and began
First the dance of death that you dance so well?
Soul for soul: and I think the soul of a man
Shall answer for yours in hell.
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Written by
Arthur Symons |
My life is like a music-hall,
Where, in the impotence of rage,
Chained by enchantment to my stall,
I see myself upon the stage
Dance to amuse a music-hall.
'Tis I that smoke this cigarette,
Lounge here, and laugh for vacancy,
And watch the dancers turn; and yet
It is my very self I see
Across the cloudy cigarette.
My very self that turns and trips,
Painted, pathetically gay,
An empty song upon the lips
In make-believe of holiday:
I, I, this thing that turns and trips!
The light flares in the music-hall,
The light, the sound, that weary us;
Hour follows hour, I count them all,
Lagging, and loud, and riotous:
My life is like a music-hall.
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Written by
Arthur Symons |
They pass upon their old, tremulous feet,
Creeping with little satchels down the street,
And they remember, many years ago,
Passing that way in silks.
They wander, slow
And solitary, through the city ways,
And they alone remember those old days
Men have forgotten.
In their shaking heads
A dancer of old carnivals yet treads
The measure of past waltzes, and they see
The candles lit again, the patchouli
Sweeten the air, and the warm cloud of musk
Enchant the passing of the passionate dusk.
Then you will see a light begin to creep
Under the earthen eyelids, dimmed with sleep,
And a new tremor, happy and uncouth,
Jerking about the corners of the mouth.
Then the old head drops down again, and shakes,
Muttering.
Sometimes, when the swift gaslight wakes
The dreams and fever of the sleepless town,
A shaking huddled thing in a black gown
Will steal at midnight, carrying with her
Violet bags of lavender,
Into the taproom full of noisy light;
Or, at the crowded earlier hour of night,
Sidle, with matches, up to some who stand
About a stage-door, and, with furtive hand,
Appealing: "I too was a dancer, when
Your fathers would have been young gentlemen!"
And sometimes, out of some lean ancient throat,
A broken voice, with here and there a note
Of unspoiled crystal, suddenly will arise
Into the night, while a cracked fiddle cries
Pantingly after; and you know she sings
The passing of light, famous, passing things.
And sometimes, in the hours past midnight, reels
Out of an alley upon staggering heels,
Or into the dark keeping of the stones
About a doorway, a vague thing of bones
And draggled hair.
And all these have been loved.
And not one ruinous body has not moved
The heart of man's desire, nor has not seemed
Immortal in the eyes of one who dreamed
The dream that men call love.
This is the end
Of much fair flesh; it is for this you tend
Your delicate bodies many careful years,
To be this thing of laughter and of tears,
To be this living judgment of the dead,
An old gray woman with a shaking head.
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Written by
Arthur Symons |
Twitched strings, the clang of metal, beaten drums,
Dull, shrill, continuous, disquieting:
And now the stealthy dancer comes
Undulantly with cat-like steps that cling;
Smiling between her painted lids a smile,
Motionless, unintelligible, she twines
Her fingers into mazy lines,
The scarves across her fingers twine the while.
One, two, three, four glide forth, and, to and fro,
Delicately and imperceptibly,
Now swaying gently in a row,
Now interthreading slow and rhythmically,
Still, with fixed eyes, monotonously still,
Mysteriously, with smiles inanimate,
With lingering feet that undulate,
With sinuous fingers, spectral hands that thrill
In measure while the gnats of music whirr,
The little amber-coloured dancers move,
Like painted idols seen to stir
By the idolators in a magic grove.
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Written by
Arthur Symons |
The wind is rising on the sea,
The windy white foam-dancers leap;
And the sea moans uneasily,
And turns to sleep, and cannot sleep.
Ridge after rocky ridge uplifts,
Wild hands, and hammers at the land,
Scatters in liquid dust, and drifts
To death among the dusty sand.
On the horizon's nearing line,
Where the sky rests, a visible wall,
Grey in the offing, I divine,
The sails that fly before the squall.
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Written by
Arthur Symons |
The pool glitters, the fishes leap in the sun
With joyous fins, and dive in the pool again;
I see the corn in sheaves, and the harvestmen,
And the cows coming down to the water one by one.
Dragon-flies mailed in lapis and malachite
Flash through the bending reeds and blaze on the pool;
Sea-ward, where trees cluster, the shadow is cool;
I hear a singing, where the sea is, out of sight;
It is noontide, and the fishes leap in the pool.
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