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Best Famous Adventure Poems

Here is a collection of the all-time best famous Adventure poems. This is a select list of the best famous Adventure poetry. Reading, writing, and enjoying famous Adventure poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of adventure poems.

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Written by Henry Van Dyke | Create an image from this poem

Life

 Let me but live my life from year to year, 
With forward face and unreluctant soul; 
Not hurrying to, nor turning from the goal; 
Not mourning for the things that disappear 
In the dim past, nor holding back in fear 
From what the future veils; but with a whole 
And happy heart, that pays its toll 
To Youth and Age, and travels on with cheer.
So let the way wind up the hill or down, O'er rough or smooth, the journey will be joy: Still seeking what I sought when but a boy, New friendship, high adventure, and a crown, My heart will keep the courage of the quest, And hope the road's last turn will be the best.


Written by Emily Dickinson | Create an image from this poem

This Consciousness that is aware

 This Consciousness that is aware
Of Neighbors and the Sun
Will be the one aware of Death
And that itself alone

Is traversing the interval
Experience between
And most profound experiment
Appointed unto Men --

How adequate unto itself
Its properties shall be
Itself unto itself and none
Shall make discovery.
Adventure most unto itself The Soul condemned to be -- Attended by a single Hound Its own identity.
Written by Charlotte Bronte | Create an image from this poem

The Wood

 BUT two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay.
These massive roots afford a seat, Which seems for weary travellers made.
There rest.
The air is soft and sweet In this sequestered forest glade, And there are scents of flowers around, The evening dew draws from the ground; How soothingly they spread ! Yes; I was tired, but not at heart; No­that beats full of sweet content, For now I have my natural part Of action with adventure blent; Cast forth on the wide vorld with thee, And all my once waste energy To weighty purpose bent.
Yet­say'st thou, spies around us roam, Our aims are termed conspiracy ? Haply, no more our English home An anchorage for us may be ? That there is risk our mutual blood May redden in some lonely wood The knife of treachery ? Say'st thou­that where we lodge each night, In each lone farm, or lonelier hall Of Norman Peer­ere morning light Suspicion must as duly fall, As day returns­such vigilance Presides and watches over France, Such rigour governs all ? I fear not, William; dost thou fear ? So that the knife does not divide, It may be ever hovering near: I could not tremble at thy side, And strenuous love­like mine for thee­ Is buckler strong, 'gainst treachery, And turns its stab aside.
I am resolved that thou shalt learn To trust my strength as I trust thine; I am resolved our souls shall burn, With equal, steady, mingling shine; Part of the field is conquered now, Our lives in the same channel flow, Along the self-same line; And while no groaning storm is heard, Thou seem'st content it should be so, But soon as comes a warning word Of danger­straight thine anxious brow Bends over me a mournful shade, As doubting if my powers are made To ford the floods of woe.
Know, then it is my spirit swells, And drinks, with eager joy, the air Of freedom­where at last it dwells, Chartered, a common task to share With thee, and then it stirs alert, And pants to learn what menaced hurt Demands for thee its care.
Remember, I have crossed the deep, And stood with thee on deck, to gaze On waves that rose in threatening heap, While stagnant lay a heavy haze, Dimly confusing sea with sky, And baffling, even, the pilot's eye, Intent to thread the maze­ Of rocks, on Bretagne's dangerous coast, And find a way to steer our band To the one point obscure, which lost, Flung us, as victims, on the strand;­ All, elsewhere, gleamed the Gallic sword, And not a wherry could be moored Along the guarded land.
I feared not then­I fear not now; The interest of each stirring scene Wakes a new sense, a welcome glow, In every nerve and bounding vein; Alike on turbid Channel sea, Or in still wood of Normandy, I feel as born again.
The rain descended that wild morn When, anchoring in the cove at last, Our band, all weary and forlorn, Ashore, like wave-worn sailors, cast­ Sought for a sheltering roof in vain, And scarce could scanty food obtain To break their morning fast.
Thou didst thy crust with me divide, Thou didst thy cloak around me fold; And, sitting silent by thy side, I ate the bread in peace untold: Given kindly from thy hand, 'twas sweet As costly fare or princely treat On royal plate of gold.
Sharp blew the sleet upon my face, And, rising wild, the gusty wind Drove on those thundering waves apace, Our crew so late had left behind; But, spite of frozen shower and storm, So close to thee, my heart beat warm, And tranquil slept my mind.
So now­nor foot-sore nor opprest With walking all this August day, I taste a heaven in this brief rest, This gipsy-halt beside the way.
England's wild flowers are fair to view, Like balm is England's summer dew, Like gold her sunset ray.
But the white violets, growing here, Are sweeter than I yet have seen, And ne'er did dew so pure and clear Distil on forest mosses green, As now, called forth by summer heat, Perfumes our cool and fresh retreat­ These fragrant limes between.
That sunset ! Look beneath the boughs, Over the copse­beyond the hills; How soft, yet deep and warm it glows, And heaven with rich suffusion fills; With hues where still the opal's tint, Its gleam of poisoned fire is blent, Where flame through azure thrills ! Depart we now­for fast will fade That solemn splendour of decline, And deep must be the after-shade As stars alone to-night will shine; No moon is destined­pale­to gaze On such a day's vast Phoenix blaze, A day in fires decayed ! There­hand-in-hand we tread again The mazes of this varying wood, And soon, amid a cultured plain, Girt in with fertile solitude, We shall our resting-place descry, Marked by one roof-tree, towering high Above a farm-stead rude.
Refreshed, erelong, with rustic fare, We'll seek a couch of dreamless ease; Courage will guard thy heart from fear, And Love give mine divinest peace: To-morrow brings more dangerous toil, And through its conflict and turmoil We'll pass, as God shall please.
Written by William Butler Yeats | Create an image from this poem

The Phases Of The Moon

 An old man cocked his car upon a bridge;
 He and his friend, their faces to the South,
 Had trod the uneven road.
Their hoots were soiled, Their Connemara cloth worn out of shape; They had kept a steady pace as though their beds, Despite a dwindling and late-risen moon, Were distant still.
An old man cocked his ear.
Aherne.
What made that Sound? Robartes.
A rat or water-hen Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower, And the light proves that he is reading still.
He has found, after the manner of his kind, Mere images; chosen this place to live in Because, it may be, of the candle-light From the far tower where Milton's Platonist Sat late, or Shelley's visionary prince: The lonely light that Samuel Palmer engraved, An image of mysterious wisdom won by toil; And now he seeks in book or manuscript What he shall never find.
Ahernc.
Why should not you Who know it all ring at his door, and speak Just truth enough to show that his whole life Will scarcely find for him a broken crust Of all those truths that are your daily bread; And when you have spoken take the roads again? Robartes.
He wrote of me in that extravagant style He had learnt from pater, and to round his tale Said I was dead; and dead I choose to be.
Aherne.
Sing me the changes of the moon once more; True song, though speech: "mine author sung it me.
' Robartes.
Twenty-and-eight the phases of the moon, The full and the moon's dark and all the crescents, Twenty-and-eight, and yet but six-and-twenty The cradles that a man must needs be rocked in: For there's no human life at the full or the dark.
From the first crescent to the half, the dream But summons to adventure and the man Is always happy like a bird or a beast; But while the moon is rounding towards the full He follows whatever whim's most difficult Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind, His body moulded from within his body Grows comelier.
Eleven pass, and then Athene takes Achilles by the hair, Hector is in the dust, Nietzsche is born, Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must, Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war In its own being, and when that war's begun There is no muscle in the arm; and after, Under the frenzy of the fourteenth moon, The soul begins to tremble into stillness, To die into the labyrinth of itself! Aherne.
Sing out the song; sing to the end, and sing The strange reward of all that discipline.
Robartes.
All thought becomes an image and the soul Becomes a body: that body and that soul Too perfect at the full to lie in a cradle, Too lonely for the traffic of the world: Body and soul cast out and cast away Beyond the visible world.
Aherne.
All dreams of the soul End in a beautiful man's or woman's body.
Robartes, Have you not always known it? Aherne.
The song will have it That those that we have loved got their long fingers From death, and wounds, or on Sinai's top, Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last Their beauty dropped out of the loneliness Of body and soul.
Robartes.
The lover's heart knows that.
Aherne.
It must be that the terror in their eyes Is memory or foreknowledge of the hour When all is fed with light and heaven is bare.
Robartes.
When the moon's full those creatures of the full Are met on the waste hills by countrymen Who shudder and hurry by: body and soul Estranged amid the strangeness of themselves, Caught up in contemplation, the mind's eye Fixed upon images that once were thought; For separate, perfect, and immovable Images can break the solitude Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice Aherne laughed, thinking of the man within, His sleepless candle and lahorious pen.
Robartes.
And after that the crumbling of the moon.
The soul remembering its loneliness Shudders in many cradles; all is changed, It would be the world's servant, and as it serves, Choosing whatever task's most difficult Among tasks not impossible, it takes Upon the body and upon the soul The coarseness of the drudge.
Aherne.
Before the full It sought itself and afterwards the world.
Robartes.
Because you are forgotten, half out of life, And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man, Dutiful husband, honest wife by turn, Cradle upon cradle, and all in flight and all Deformed because there is no deformity But saves us from a dream.
Aherne.
And what of those That the last servile crescent has set free? Robartes.
Because all dark, like those that are all light, They are cast beyond the verge, and in a cloud, Crying to one another like the bats; And having no desire they cannot tell What's good or bad, or what it is to triumph At the perfection of one's own obedience; And yet they speak what's blown into the mind; Deformed beyond deformity, unformed, Insipid as the dough before it is baked, They change their bodies at a word.
Aherne.
And then? Rohartes.
When all the dough has been so kneaded up That it can take what form cook Nature fancies, The first thin crescent is wheeled round once more.
Aherne.
But the escape; the song's not finished yet.
Robartes.
Hunchback and Saint and Fool are the last crescents.
The burning bow that once could shoot an arrow Out of the up and down, the wagon-wheel Of beauty's cruelty and wisdom's chatter - Out of that raving tide - is drawn betwixt Deformity of body and of mind.
Aherne.
Were not our beds far off I'd ring the bell, Stand under the rough roof-timbers of the hall Beside the castle door, where all is stark Austerity, a place set out for wisdom That he will never find; I'd play a part; He would never know me after all these years But take me for some drunken countryman: I'd stand and mutter there until he caught "Hunchback and Sant and Fool,' and that they came Under the three last crescents of the moon.
And then I'd stagger out.
He'd crack his wits Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard Should be so simple - a bat rose from the hazels And circled round him with its squeaky cry, The light in the tower window was put out.
Written by Adelaide Crapsey | Create an image from this poem

Adventure

Sun and wind and beat of sea,
Great lands stretching endlessly…
Where be bonds to bind the free?
All the world was made for me! 


Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
.
.
how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.
Written by Robert William Service | Create an image from this poem

My Future

 "Let's make him a sailor," said Father,
"And he will adventure the sea.
" "A soldier," said Mother, "is rather What I would prefer him to be.
" "A lawyer," said Father, "would please me, For then he could draw up my will.
" "A doctor," said Mother, "would ease me; Maybe he could give me a pill.
" Said Father: "Lt's make him a curate, A Bishop in gaiters to be.
" Said Mother: "I couldn't endure it To have Willie preaching to me.
" Said Father: ""Let him be a poet; So often he's gathering wool.
" Said Mother with temper: "Oh stow it! You know it, a poet's a fool.
" Said Farther: "Your son is a duffer, A stupid and mischievous elf.
" Said Mother, who's rather a huffer: "That's right - he takes after yourself.
" Controlling parental emotion They turned to me, seeking a cue, And sudden conceived the bright notion To ask what I wanted to do.
Said I: "my ambition is modest: A clown in a circus I'd be, And turn somersaults in the sawdust With audience laughing at me.
" .
.
.
Poor parents! they're dead and decaying, But I am a clown as you see; And though in no circus I'm playing, How people are laughing at me!
Written by Raymond Carver | Create an image from this poem

Stupid

 It's what the kids nowadays call weed.
And it drifts like clouds from his lips.
He hopes no one comes along tonight, or calls to ask for help.
Help is what he's most short on tonight.
A storm thrashes outside.
Heavy seas with gale winds from the west.
The table he sits at is, say, two cubits long and one wide.
The darkness in the room teems with insight.
Could be he'll write an adventure novel.
Or else a children's story.
A play for two female characters, one of whom is blind.
Cutthroat should be coming into the river.
One thing he'll do is learn to tie his own flies.
Maybe he should give more money to each of his surviving family members.
The ones who already expect a little something in the mail first of each month.
Every time they write they tell him they're coming up short.
He counts heads on his fingers and finds they're all survivng.
So what if he'd rather be remembered in the dreams of strangers? He raises his eyes to the skylights where rain hammers on.
After a while -- who knows how long? -- his eyes ask that they be closed.
And he closes them.
But the rain keeps hammering.
Is this a cloudburst? Should he do something? Secure the house in some way? Uncle Bo stayed married to Aunt Ruby for 47 years.
Then hanged himself.
He opens his eyes again.
Nothing adds up.
It all adds up.
How long will this storm go on?
Written by Dylan Thomas | Create an image from this poem

I In My Intricate Image

 I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels, Bright as her spinning-wheels, the colic season Worked on a world of petals; She threads off the sap and needles, blood and bubble Casts to the pine roots, raising man like a mountain Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels, Image of images, my metal phantom Forcing forth through the harebell, My man of leaves and the bronze root, mortal, unmortal, I, in my fusion of rose and male motion, Create this twin miracle.
This is the fortune of manhood: the natural peril, A steeplejack tower, bonerailed and masterless, No death more natural; Thus the shadowless man or ox, and the pictured devil, In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel, No tread more perilous, the green steps and spire Mount on man's footfall, I with the wooden insect in the tree of nettles, In the glass bed of grapes with snail and flower, Hearing the weather fall.
Intricate manhood of ending, the invalid rivals, Voyaging clockwise off the symboled harbour, Finding the water final, On the consumptives' terrace taking their two farewells, Sail on the level, the departing adventure, To the sea-blown arrival.
II They climb the country pinnacle, Twelve winds encounter by the white host at pasture, Corner the mounted meadows in the hill corral; They see the squirrel stumble, The haring snail go giddily round the flower, A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles, The cadaverous gravels, falls thick and steadily, The highroad of water where the seabear and mackerel Turn the long sea arterial Turning a petrol face blind to the enemy Turning the riderless dead by the channel wall.
(Death instrumental, Splitting the long eye open, and the spiral turnkey, Your corkscrew grave centred in navel and nipple, The neck of the nostril, Under the mask and the ether, they making bloody The tray of knives, the antiseptic funeral; Bring out the black patrol, Your monstrous officers and the decaying army, The sexton sentinel, garrisoned under thistles, A cock-on-a-dunghill Crowing to Lazarus the morning is vanity, Dust be your saviour under the conjured soil.
) As they drown, the chime travels, Sweetly the diver's bell in the steeple of spindrift Rings out the Dead Sea scale; And, clapped in water till the triton dangles, Strung by the flaxen whale-weed, from the hangman's raft, Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral, The grooved land rotating, that the stylus of lightning Dazzle this face of voices on the moon-turned table, Let the wax disk babble Shames and the damp dishonours, the relic scraping.
These are your years' recorders.
The circular world stands still.
) III They suffer the undead water where the turtle nibbles, Come unto sea-stuck towers, at the fibre scaling, The flight of the carnal skull And the cell-stepped thimble; Suffer, my topsy-turvies, that a double angel Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule, Brass and the bodiless image, on a stick of folly Star-set at Jacob's angle, Smoke hill and hophead's valley, And the five-fathomed Hamlet on his father's coral Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble, Be by the ships' sea broken at the manstring anchored The stoved bones' voyage downward In the shipwreck of muscle; Give over, lovers, locking, and the seawax struggle, Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle, The sea and instrument, nicked in the locks of time, My great blood's iron single In the pouring town, I, in a wind on fire, from green Adam's cradle, No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel, Tail, Nile, and snout, a saddler of the rushes, Time in the hourless houses Shaking the sea-hatched skull, And, as for oils and ointments on the flying grail, All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle, Windily master of man was the rotten fathom, My ghost in his metal neptune Forged in man's mineral.
This was the god of beginning in the intricate seawhirl, And my images roared and rose on heaven's hill.
Written by Charlotte Bronte | Create an image from this poem

The Wood

 But two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay.
These massive roots afford a seat, Which seems for weary travellers made.
There rest.
The air is soft and sweet In this sequestered forest glade, And there are scents of flowers around, The evening dew draws from the ground; How soothingly they spread ! Yes; I was tired, but not at heart; No­that beats full of sweet content, For now I have my natural part Of action with adventure blent; Cast forth on the wide vorld with thee, And all my once waste energy To weighty purpose bent.
Yet­say'st thou, spies around us roam, Our aims are termed conspiracy ? Haply, no more our English home An anchorage for us may be ? That there is risk our mutual blood May redden in some lonely wood The knife of treachery ? Say'st thou­that where we lodge each night, In each lone farm, or lonelier hall Of Norman Peer­ere morning light Suspicion must as duly fall, As day returns­such vigilance Presides and watches over France, Such rigour governs all ? I fear not, William; dost thou fear ? So that the knife does not divide, It may be ever hovering near: I could not tremble at thy side, And strenuous love­like mine for thee­ Is buckler strong, 'gainst treachery, And turns its stab aside.
I am resolved that thou shalt learn To trust my strength as I trust thine; I am resolved our souls shall burn, With equal, steady, mingling shine; Part of the field is conquered now, Our lives in the same channel flow, Along the self-same line; And while no groaning storm is heard, Thou seem'st content it should be so, But soon as comes a warning word Of danger­straight thine anxious brow Bends over me a mournful shade, As doubting if my powers are made To ford the floods of woe.
Know, then it is my spirit swells, And drinks, with eager joy, the air Of freedom­where at last it dwells, Chartered, a common task to share With thee, and then it stirs alert, And pants to learn what menaced hurt Demands for thee its care.
Remember, I have crossed the deep, And stood with thee on deck, to gaze On waves that rose in threatening heap, While stagnant lay a heavy haze, Dimly confusing sea with sky, And baffling, even, the pilot's eye, Intent to thread the maze­ Of rocks, on Bretagne's dangerous coast, And find a way to steer our band To the one point obscure, which lost, Flung us, as victims, on the strand;­ All, elsewhere, gleamed the Gallic sword, And not a wherry could be moored Along the guarded land.
I feared not then­I fear not now; The interest of each stirring scene Wakes a new sense, a welcome glow, In every nerve and bounding vein; Alike on turbid Channel sea, Or in still wood of Normandy, I feel as born again.
The rain descended that wild morn When, anchoring in the cove at last, Our band, all weary and forlorn, Ashore, like wave-worn sailors, cast­ Sought for a sheltering roof in vain, And scarce could scanty food obtain To break their morning fast.
Thou didst thy crust with me divide, Thou didst thy cloak around me fold; And, sitting silent by thy side, I ate the bread in peace untold: Given kindly from thy hand, 'twas sweet As costly fare or princely treat On royal plate of gold.
Sharp blew the sleet upon my face, And, rising wild, the gusty wind Drove on those thundering waves apace, Our crew so late had left behind; But, spite of frozen shower and storm, So close to thee, my heart beat warm, And tranquil slept my mind.
So now­nor foot-sore nor opprest With walking all this August day, I taste a heaven in this brief rest, This gipsy-halt beside the way.
England's wild flowers are fair to view, Like balm is England's summer dew, Like gold her sunset ray.
But the white violets, growing here, Are sweeter than I yet have seen, And ne'er did dew so pure and clear Distil on forest mosses green, As now, called forth by summer heat, Perfumes our cool and fresh retreat­ These fragrant limes between.
That sunset ! Look beneath the boughs, Over the copse­beyond the hills; How soft, yet deep and warm it glows, And heaven with rich suffusion fills; With hues where still the opal's tint, Its gleam of poisoned fire is blent, Where flame through azure thrills ! Depart we now­for fast will fade That solemn splendour of decline, And deep must be the after-shade As stars alone to-night will shine; No moon is destined­pale­to gaze On such a day's vast Phoenix blaze, A day in fires decayed ! There­hand-in-hand we tread again The mazes of this varying wood, And soon, amid a cultured plain, Girt in with fertile solitude, We shall our resting-place descry, Marked by one roof-tree, towering high Above a farm-stead rude.
Refreshed, erelong, with rustic fare, We'll seek a couch of dreamless ease; Courage will guard thy heart from fear, And Love give mine divinest peace: To-morrow brings more dangerous toil, And through its conflict and turmoil We'll pass, as God shall please.
[The preceding composition refers, doubtless, to the scenes acted in France during the last year of the Consulate.
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Book: Reflection on the Important Things