Sometimes, people get bogged down with the abstract so in this poem, I decided to include an interpretation.
Some understood without it.
and post notes and photos about your poem.
Closed eyes; under a locked prism of unavailable light
subjects our third eye to mind's internal creation;
imagined images viewed by non-existent senses
on an opague three dimensional screen.
In an algorithm of shedded particle waves
Insight quickly fades back into a darkened vision
of only half a picture without reflection.
It leaves with us a broken trail of possibilities
new thoughts, new choices, changes in destiny
warily made under duress of immediacy
trying to conceive a canvas framed
by the hand of God.
It is in response to these panchromatic memories
held back by the sun's blackened light,
that we clearly notice how the prism
reflects an undercurrent. of shadeless secrets
different than the realm of visionary colors.
Sensory detections relinquish an uncompleted picture.
The image within, at times, may reveal an idea.
the transmission of which however placed
when received should strive to become an emotional
mover of otherwise placid thinking where wizened leaders
can in causes wept in sorrow from yesterday's sadness
proclaim a hope for a brighter tomorrow.
When our eyes are shut tight, there is no light or vision.
We are limited to what we see with our inner mind.
Nevertheless there is an internal sense,
a feeling of a creative process going on.
It occurs as insight and often fades into a clouded vision
of a thought picture barely perceived within.
When we leave the path of contemplative thinking,
we lose the benefit of what could have been.
The choices we make are usually expedient
and we struggle to determine
what it is that we really want.
Often we are faced and challenged by outside forces
many of which we deflect as we espouse our point of view
without exploring all the possibilities.
We see what could be and would like to be
hoping that it will make a difference.
and help humanity move forward
to a brighter tomorrow.
Copyright © Allan Koven