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I met him in prison.
Not the kind of prison with dragons or angels, just the usual one, with peeling paint, metal doors, and a smell like boiled cabbage left to cool too long. I was there during the Covid years, carrying pills and thermometers like someone delivering weather forecasts in a storm.
He was a poet. Not just a poet, a man who could write about a dead fly on the windowsill and make you want to cry for it. His poems were so beautiful that if you had read them on the street, you would have checked your pockets, thinking you’d been robbed of something. And yet, there he was, locked up, as if someone had mistaken sunlight for contraband.
He died in a cold cell. I was there. My colleague was there. The cell was like a refrigerator where they stored forgotten people. He didn’t shout, didn’t beg. He just whispered a poem, like someone releasing a bird through a crack in the wall.
That’s when I understood: poetry doesn’t always belong to the life of the one who writes it. Sometimes it’s like a coat found in a second-hand shop: warm, elegant, and smelling faintly of someone else’s dreams.
Somewhere, his last poem is still walking the prison corridors, looking for a door that opens outward.