Selkie
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"Selkie"
Tomorrow never comes
shadows dance on walls
the wanting of bodies electric
pressed fast and tight
in the hot surrender
of wet sheets sailing
over solitary satin skin
neroli oiled slick in the scent
of a foreigner's musk
bitter sweet orange and honey
touched in the moment
by a hint of green
limbs tangled
like climbing jasmine
wild orchid
drips off moist fingertips
a rapture rising in notes
piercing velvet chords
stroked out from cherry stained lips
caught on the turn of a tongue
not spoken
as you turn relentlessly
in the tumultuous burning
Sea of Dreams
graced by tears
kissed fresh by
saltwater lips
Ocean eyes
breezes in
towards your
rising twin peaks
whispers over your forest
where the wild lives
a warm breath delivered in the
hollows of the curves
of your waist
fascinated by
something
incomplete
he’s replete
with poetic
soft roped nets
your sung in
like a Selkie
you shed your skin
living naked
eyes half open and drugged
in the sensual unspoken
But you are never kept;
for the moment
suspended
you let him in
but he doesn’t
own your skin
(LadyLabyrinth/2019)
"...And if some lover, such as we,
Have heard this dialogue of one,
Let him still mark us, he shall see
Small change, when we’are to bodies gone."
("The Ecstasie"/John Donne)
"...When thou knew'st what I dreamt, when thou knew'st when
Excess of joy would wake me, and cam'st then,
I must confess, it could not choose but be
Profane, to think thee any thing but thee."
(The Dream/ John Donne)
""I was thinking of Bourbon Street
in New Orleans when I wrote it -
I was getting ready to go there and I thought:
what the f--k do I think I'm going to find?
It's about the incredulity that I
could still be fooled into looking
for a perfect moment."
(about "Fascination Street" / Robert Smith, The Cure)
Copyright © Lady Labyrinth | Year Posted 2019
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