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Enter Poem or Quote (Required)Required Unquotable quotes (More Cricketing Jargon) – IV A « wide » is a ball aimed by the bowler at some absent- minded fielder. The « silly-point » is the fielding position so close to the batsman that the captain forces his rival to occupy at the risk of receiving balls on the head, solar plexus and balls hit at over 300 m.p.h. An « inswinger » is a bowled ball which changes course in mid-air and gets round the batsman to nick the bails. An « outswinger » is a bowled ball which the batsman thought he connected for a six but which merely nicked his bat to reach the safe first-slip’s hands. A « run-out » is given when batsmen running between wickets wish to get back to the pavillion in a hurry. To get « one’s eyes in » is to see cricket balls the size of foot-balls. A « partnership » in batting occurs when one batsman does all the stroke-playing while the other hurls abuse and advise on him. The « night-watchmen » are batsmen sent in with blankets to keep the pitch warm at the end of the day. The « opening batsmen » always take their own sweet time between the pavillion until their crease rituals. The « one down » is the batsman who makes the ground look like an empty billiard table. The « top scorer » is not the cousin of the official scorer. « Clean bowled » happens when the batsman is looking at a blonde in the pavillion. « Hit wicket » usually occurs when tall batsmen choose long-handle bats for their centuries. « Leather-hunt » takes place when one ball takes to visiting all corners of the field in quick succession. A century or two could very well take just half-a-day these days. The « hat-trick » always occurs when the umpire is dozing after lunch. « Good shot » means no one has dared put a hand out to stop the ball. « Medium-paced bowlers » are fast bowlers who have been hit once too often out of the ground. The « leg pull » always catches the leg and mid-field talking to one another. The last batsman always takes a wild swing at the first ball in the hope that it would land on the captain’s head. © T. Wignesan – Paris, 2016
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