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Rosalia - The Evil Black Witch of the Harz Prologue This is a rather grim epic poetic tale of Rosalia, a 16th century German witch who terrorized villages, destroyed the lives and corrupted the souls of many people throughout the countryside in the Harz Mountains in Germany. Rosalia focused her evil and malicious activities at the outset in a land area directly below the Brocken summit in the Harz. Over the time and extent of her macabre reign as a Black Witch and a Master of the Black Arts, Rosalia began to expand her campaign of evil among other provincial areas of the Harz beyond the Brocken. Her periodic nightly raids on villages in the Harz are part of the continuing legends of witchcraft and sorcery that still pervade the local culture there to this very day. Rosalia in modern day parlance was the “real deal” when it came to wreaking havoc and pandemonium among mankind. That is, she was truly a redoubtable force of evil and unmitigated malevolence, not to be toyed with nor underestimated by anyone seeking to confront her. Rosalia was bent on fulfilling Lucifer’s principal goals: destroying the peace and harmony of mankind; disrupting the holy balance of the relationship between Man and God; corrupting the eternal souls of men, women, and children; extinguishing the light in the world; and bringing mankind into darkness and despair. Rosalia’s Entrée to the 16th Century Rosalia was born and later raised as a child in a Witches’ coven. Although Rosalia was born in the 16th century again in human form, she was, in reality, a reincarnated evil soul many centuries old. Her Hell-spawned soul was seared in Hell’s very own oven, and like the Gorgon Medusa herself—she was a creature gone wild. Rosalia indeed was also an intense and a very precocious child: who was imbued with uncanny and unearthly powers, who was “left-handed” and obviously “sinister,” who possessed a keen and piercing intellect, and had scaurous, strong ankles and a schnauzkrampf-like mouth, and was fisslingual like the Devil—with a “forked tongue,” who had a horrifying and monstrous Medusa-like appearance at a glance—stark and menacing, frightening and rapacious, with jet black stringy, snake-like hair and black teeth, with dark probing eyes and exceptional sensory perception, and a bulbous, bile-ridden black wart . . . protruding on the lower left side of her nose close to the tip. Rosalia and Black Magic were one in the same, and her craggy appearance and coarse demeanor—black wart and all, her deceptive powers, and her utter malevolence toward man— all constituting a terrifying reflection of pure evil and foreboding, and all the while illuminating mankind’s quizzical wonderment at the power of die Hexerei. Rosalia was aptly known and greatly feared as the “Queen of Walpurgis Nacht,” “The Devil’s Concubine,” and “The Queen of Darkness.” Rosalia delighted in being “The Devil’s Concubine” by name, for her liaisons with Lucifer made her omnipotent and devoutly unholy. Her unbridled sense of power and invincibility was this Black Witch’s aim, for this fed her conviction to do vicious and evil things—to be unholy. Rosalia’s Power and Relationship to the Devil It is said that Rosalia’s power of Witchcraft and the Black Arts derived from her worship to and direct relationship with the Devil himself, thus making her virtually omnipotent, all-powerful. As the most favored disciple and mistress of the Dark One Rosalia acutely honed her pagan skills in the Black Arts to the highest rapture while using her Gorgon-grimaced face to strike fear in all who resisted her using a withering and wicked mesmerizing gaze with which she paralyzed her victims with unending torment, agony, and fear. On occasion she would extract the putrid bile liquid from her Black Wart and used it to poison and corrupt the life essence of her victims—if they resisted. The utter revulsion and palpable fear felt by Rosalia’s victims was practically indescribable given its horrible nature. Both her power and her conviction to do vicious evil things appeared to be wrapped in a cloak of seeming invincibility. Lucifer did exceedingly well in his choice of Rosalia as his most favored disciple and mistress—for she savored his ferocious favor and unleashed without a conscience a torrent of evil doings and unholy machinations on those unlucky enough to cross her path. To know Rosalia was to realize a gorgonesque damnation forever while she pursued the unholy glorification of her master—Lucifer. In time Rosalia was granted the power over all hell-spawned demons forever to support and consummate her unholy activities in the name of Lucifer. End of Part One Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)

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Rosalia - the Evil Black Witch of the Harz, Part One

Rosalia - The Evil Black Witch of the Harz Prologue This is a rather grim epic poetic tale of Rosalia, a 16th century German witch who terrorized villages, destroyed the lives and corrupted the souls of many people throughout the countryside in the Harz Mountains in Germany. Rosalia focused her evil and malicious activities at the outset in a land area directly below the Brocken summit in the Harz. Over the time and extent of her macabre reign as a Black Witch and a Master of the Black Arts, Rosalia began to expand her campaign of evil among other provincial areas of the Harz beyond the Brocken. Her periodic nightly raids on villages in the Harz are part of the continuing legends of witchcraft and sorcery that still pervade the local culture there to this very day. Rosalia in modern day parlance was the “real deal” when it came to wreaking havoc and pandemonium among mankind. That is, she was truly a redoubtable force of evil and unmitigated malevolence, not to be toyed with nor underestimated by anyone seeking to confront her. Rosalia was bent on fulfilling Lucifer’s principal goals: destroying the peace and harmony of mankind; disrupting the holy balance of the relationship between Man and God; corrupting the eternal souls of men, women, and children; extinguishing the light in the world; and bringing mankind into darkness and despair. Rosalia’s Entrée to the 16th Century Rosalia was born and later raised as a child in a Witches’ coven. Although Rosalia was born in the 16th century again in human form, she was, in reality, a reincarnated evil soul many centuries old. Her Hell-spawned soul was seared in Hell’s very own oven, and like the Gorgon Medusa herself—she was a creature gone wild. Rosalia indeed was also an intense and a very precocious child: who was imbued with uncanny and unearthly powers, who was “left-handed” and obviously “sinister,” who possessed a keen and piercing intellect, and had scaurous, strong ankles and a schnauzkrampf-like mouth, and was fisslingual like the Devil—with a “forked tongue,” who had a horrifying and monstrous Medusa-like appearance at a glance—stark and menacing, frightening and rapacious, with jet black stringy, snake-like hair and black teeth, with dark probing eyes and exceptional sensory perception, and a bulbous, bile-ridden black wart . . . protruding on the lower left side of her nose close to the tip. Rosalia and Black Magic were one in the same, and her craggy appearance and coarse demeanor—black wart and all, her deceptive powers, and her utter malevolence toward man— all constituting a terrifying reflection of pure evil and foreboding, and all the while illuminating mankind’s quizzical wonderment at the power of die Hexerei. Rosalia was aptly known and greatly feared as the “Queen of Walpurgis Nacht,” “The Devil’s Concubine,” and “The Queen of Darkness.” Rosalia delighted in being “The Devil’s Concubine” by name, for her liaisons with Lucifer made her omnipotent and devoutly unholy. Her unbridled sense of power and invincibility was this Black Witch’s aim, for this fed her conviction to do vicious and evil things—to be unholy. Rosalia’s Power and Relationship to the Devil It is said that Rosalia’s power of Witchcraft and the Black Arts derived from her worship to and direct relationship with the Devil himself, thus making her virtually omnipotent, all-powerful. As the most favored disciple and mistress of the Dark One Rosalia acutely honed her pagan skills in the Black Arts to the highest rapture while using her Gorgon-grimaced face to strike fear in all who resisted her using a withering and wicked mesmerizing gaze with which she paralyzed her victims with unending torment, agony, and fear. On occasion she would extract the putrid bile liquid from her Black Wart and used it to poison and corrupt the life essence of her victims—if they resisted. The utter revulsion and palpable fear felt by Rosalia’s victims was practically indescribable given its horrible nature. Both her power and her conviction to do vicious evil things appeared to be wrapped in a cloak of seeming invincibility. Lucifer did exceedingly well in his choice of Rosalia as his most favored disciple and mistress—for she savored his ferocious favor and unleashed without a conscience a torrent of evil doings and unholy machinations on those unlucky enough to cross her path. To know Rosalia was to realize a gorgonesque damnation forever while she pursued the unholy glorification of her master—Lucifer. In time Rosalia was granted the power over all hell-spawned demons forever to support and consummate her unholy activities in the name of Lucifer. End of Part One Gary Bateman, Copyright © All Rights Reserved, Schoeningen, Germany (September 20, 2014)