Written by
Walt Whitman |
SPLENDOR of ended day, floating and filling me!
Hour prophetic—hour resuming the past!
Inflating my throat—you, divine average!
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection,
Natural life of me, faithfully praising things;
Corroborating forever the triumph of things.
Illustrious every one!
Illustrious what we name space—sphere of unnumber’d spirits;
Illustrious the mystery of motion, in all beings, even the tiniest insect;
Illustrious the attribute of speech—the senses—the body;
Illustrious the passing light! Illustrious the pale reflection on the new moon in the
western
sky!
Illustrious whatever I see, or hear, or touch, to the last.
Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age,
In the superb vistas of Death.
Wonderful to depart;
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand!
To prepare for sleep, for bed—to look on my rose-color’d flesh;
To be conscious of my body, so satisfied, so large;
To be this incredible God I am;
To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself!
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on and on!
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up—with strong trunks—with branches and leaves!
(Surely there is something more in each of the tree—some living Soul.)
O amazement of things! even the least particle!
O spirituality of things!
O strain musical, flowing through ages and continents—now reaching me and America!
I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting,
I too throb to the brain and beauty of the earth, and of all the growths of the earth,
I too have felt the resistless call of myself.
As I sail’d down the Mississippi,
As I wander’d over the prairies,
As I have lived—As I have look’d through my windows, my eyes,
As I went forth in the morning—As I beheld the light breaking in the east;
As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea;
As I roam’d the streets of inland Chicago—whatever streets I have roam’d;
Or cities, or silent woods, or peace, or even amid the sights of war;
Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old,
I sing the endless finales of things;
I say Nature continues—Glory continues;
I praise with electric voice;
For I do not see one imperfection in the universe;
And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated adoration.
|
Written by
Nikki Giovanni |
If i can't do
what i want to do
then my job is to not
do what i don't want
to do
It's not the same thing
but it's the best i can
do
If i can't have
what i want . . . then
my job is to want
what i've got
and be satisfied
that at least there
is something more to want
Since i can't go
where i need
to go . . . then i must . . . go
where the signs point
through always understanding
parallel movement
isn't lateral
When i can't express
what i really feel
i practice feeling
what i can express
and none of it is equal
I know
but that's why mankind
alone among the animals
learns to cry
|
Written by
Walt Whitman |
1
TO think of time—of all that retrospection!
To think of to-day, and the ages continued henceforward!
Have you guess’d you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear’d the future would be nothing to you?
Is to-day nothing? Is the beginningless past nothing?
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive!
that
everything was alive!
To think that you and I did not see, feel, think, nor bear our part!
To think that we are now here, and bear our part!
2
Not a day passes—not a minute or second, without an accouchement!
Not a day passes—not a minute or second, without a corpse!
The dull nights go over, and the dull days also,
The soreness of lying so much in bed goes over,
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for,
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,)
The faithful hand of the living does not desert the hand of the dying,
The twitching lips press lightly on the forehead of the dying,
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it,
It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight,
But without eye-sight lingers a different living, and looks curiously on the corpse.
3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
others as
upon us now—yet not act upon us!
To think of all these wonders of city and country, and others taking great interest in
them—and we taking no interest in them!
To think how eager we are in building our houses!
To think others shall be just as eager, and we quite indifferent!
(I see one building the house that serves him a few years, or seventy or eighty years at
most,
I see one building the house that serves him longer than that.)
Slow-moving and black lines creep over the whole earth—they never cease—they are
the
burial lines,
He that was President was buried, and he that is now President shall surely be buried.
4
A reminiscence of the vulgar fate,
A frequent sample of the life and death of workmen,
Each after his kind:
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
the
streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month,
A hearse and stages—other vehicles give place—the funeral of an old Broadway
stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
new-dug grave is halted at, the living alight, the hearse uncloses,
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
the
earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence,
A minute—no one moves or speaks—it is done,
He is decently put away—is there anything more?
He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
take his
own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
women,
gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
toward
the last, sicken’d, was help’d by a contribution, died, aged forty-one
years—and
that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
on
somebody, headway, man before and man behind, good day’s work, bad day’s work,
pet
stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
interest in them!
5
The markets, the government, the working-man’s wages—to think what account they
are
through our nights and days!
To think that other working-men will make just as great account of them—yet we make
little
or no account!
The vulgar and the refined—what you call sin, and what you call goodness—to
think how
wide a difference!
To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is!
Have you pleasure from looking at the sky? have you pleasure from poems?
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
election? or with your wife and family?
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?
—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are!
To think there will still be farms, profits, crops—yet for you, of what avail?
6
What will be, will be well—for what is, is well,
To take interest is well, and not to take interest shall be well.
The sky continues beautiful,
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
nor
the pleasure from poems,
The domestic joys, the daily housework or business, the building of houses—these are
not
phantasms—they have weight, form, location;
Farms, profits, crops, markets, wages, government, are none of them phantasms,
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself;
Yourself! Yourself! Yourself, forever and ever!
7
It is not to diffuse you that you were born of your mother and father—it is to
identify
you;
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you,
You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is
systematic.
The preparations have every one been justified,
The orchestra have sufficiently tuned their instruments—the baton has given the
signal.
The guest that was coming—he waited long, for reasons—he is now housed,
He is one of those who are beautiful and happy—he is one of those that to look upon
and be
with is enough.
The law of the past cannot be eluded,
The law of the present and future cannot be eluded,
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded,
The law of heroes and good-doers cannot be eluded,
The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8
Slow moving and black lines go ceaselessly over the earth,
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
they
on the Pacific, and they between, and all through the Mississippi country, and all over
the
earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well,
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
be
well,
But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing,
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing,
The infected in the immigrant hospital are not nothing—the murderer or mean person is
not
nothing,
The perpetual successions of shallow people are not nothing as they go,
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
goes.
9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed,
I have dream’d that heroes and good-doers shall be under the present and past law,
And that murderers, drunkards, liars, shall be under the present and past law,
For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d!
Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now,
Do you think I could walk pleasantly and well-suited toward annihilation?
10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good,
The whole universe indicates that it is good,
The past and the present indicate that it is good.
How beautiful and perfect are the animals!
How perfect the earth, and the minutest thing upon it!
What is called good is perfect, and what is called bad is just as perfect,
The vegetables and minerals are all perfect, and the imponderable fluids are perfect;
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
on.
11
I swear I think now that everything without exception has an eternal Soul!
The trees have, rooted in the ground! the weeds of the sea have! the animals!
I swear I think there is nothing but immortality!
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
for
it;
And all preparation is for it! and identity is for it! and life and materials are
altogether
for it
|
Written by
Richard Aldington |
I
The bitterness. the misery, the wretchedness of childhood
Put me out of love with God.
I can't believe in God's goodness;
I can believe
In many avenging gods.
Most of all I believe
In gods of bitter dullness,
Cruel local gods
Who scared my childhood.
II
I've seen people put
A chrysalis in a match-box,
"To see," they told me, "what sort of moth would come."
But when it broke its shell
It slipped and stumbled and fell about its prison
And tried to climb to the light
For space to dry its wings.
That's how I was.
Somebody found my chrysalis
And shut it in a match-box.
My shrivelled wings were beaten,
Shed their colours in dusty scales
Before the box was opened
For the moth to fly.
III
I hate that town;
I hate the town I lived in when I was little;
I hate to think of it.
There wre always clouds, smoke, rain
In that dingly little valley.
It rained; it always rained.
I think I never saw the sun until I was nine --
And then it was too late;
Everything's too late after the first seven years.
The long street we lived in
Was duller than a drain
And nearly as dingy.
There were the big College
And the pseudo-Gothic town-hall.
There were the sordid provincial shops --
The grocer's, and the shops for women,
The shop where I bought transfers,
And the piano and gramaphone shop
Where I used to stand
Staring at the huge shiny pianos and at the pictures
Of a white dog looking into a gramaphone.
How dull and greasy and grey and sordid it was!
On wet days -- it was always wet --
I used to kneel on a chair
And look at it from the window.
The dirty yellow trams
Dragged noisily along
With a clatter of wheels and bells
And a humming of wires overhead.
They threw up the filthy rain-water from the hollow lines
And then the water ran back
Full of brownish foam bubbles.
There was nothing else to see --
It was all so dull --
Except a few grey legs under shiny black umbrellas
Running along the grey shiny pavements;
Sometimes there was a waggon
Whose horses made a strange loud hollow sound
With their hoofs
Through the silent rain.
And there was a grey museum
Full of dead birds and dead insects and dead animals
And a few relics of the Romans -- dead also.
There was a sea-front,
A long asphalt walk with a bleak road beside it,
Three piers, a row of houses,
And a salt dirty smell from the little harbour.
I was like a moth --
Like one of those grey Emperor moths
Which flutter through the vines at Capri.
And that damned little town was my match-box,
Against whose sides I beat and beat
Until my wings were torn and faded, and dingy
As that damned little town.
IV
At school it was just as dull as that dull High Street.
The front was dull;
The High Street and the other street were dull --
And there was a public park, I remember,
And that was damned dull, too,
With its beds of geraniums no one was allowed to pick,
And its clipped lawns you weren't allowed to walk on,
And the gold-fish pond you mustn't paddle in,
And the gate made out of a whale's jaw-bones,
And the swings, which were for "Board-School children,"
And its gravel paths.
And on Sundays they rang the bells,
From Baptist and Evangelical and Catholic churches.
They had a Salvation Army.
I was taken to a High Church;
The parson's name was Mowbray,
"Which is a good name but he thinks too much of it --"
That's what I heard people say.
I took a little black book
To that cold, grey, damp, smelling church,
And I had to sit on a hard bench,
Wriggle off it to kneel down when they sang psalms
And wriggle off it to kneel down when they prayed,
And then there was nothing to do
Except to play trains with the hymn-books.
There was nothing to see,
Nothing to do,
Nothing to play with,
Except that in an empty room upstairs
There was a large tin box
Containing reproductions of the Magna Charta,
Of the Declaration of Independence
And of a letter from Raleigh after the Armada.
There were also several packets of stamps,
Yellow and blue Guatemala parrots,
Blue stags and red baboons and birds from Sarawak,
Indians and Men-of-war
From the United States,
And the green and red portraits
Of King Francobello
Of Italy.
V
I don't believe in God.
I do believe in avenging gods
Who plague us for sins we never sinned
But who avenge us.
That's why I'll never have a child,
Never shut up a chrysalis in a match-box
For the moth to spoil and crush its brght colours,
Beating its wings against the dingy prison-wall.
|
Written by
Bertolt Brecht |
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II
You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:
Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.
Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.
And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
|
Written by
Walt Whitman |
AMERICA always!
Always our own feuillage!
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
cotton-fields of Alabama and Texas!
Always California’s golden hills and hollows—and the silver mountains of New
Mexico!
Always soft-breath’d Cuba!
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
drain’d
by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
square
miles;
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
thousand
miles of
river navigation,
The seven millions of distinct families, and the same number of dwellings—Always
these,
and
more, branching forth into numberless branches;
Always the free range and diversity! always the continent of Democracy!
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
oval
lakes;
Always the West, with strong native persons—the increasing density there—the
habitans,
friendly, threatening, ironical, scorning invaders;
All sights, South, North, East—all deeds, promiscuously done at all times,
All characters, movements, growths—a few noticed, myriads unnoticed,
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up;
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
Rappahannock, and the valleys of the Roanoke and Delaware;
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
lapping
the
Saginaw waters to drink;
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
silently;
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around;
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
crystalline, open, beyond the floes;
White drift spooning ahead, where the ship in the tempest dashes;
On solid land, what is done in cities, as the bells all strike midnight together;
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
of the
panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
clear
waters, the great trout swimming;
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
slowly,
high
beyond the tree tops,
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
out
of the
white sand that spreads far and flat;
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
flowers
and
berries, enveloping huge trees,
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
eating
by
whites and *******,
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs,
The shadows, gleams, up under the leaves of the old sycamore-trees—the
flames—with
the
black smoke from the pitch-pine, curling and rising;
Southern fishermen fishing—the sounds and inlets of North Carolina’s
coast—the
shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
shore
work’d by horses—the clearing, curing, and packing-houses;
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
trees—There
are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
cover’d
with
pine straw:
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
furnace-blaze, or
at the corn-shucking;
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
and
kiss’d by the aged mulatto nurse;
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
banks,
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
gunwale,
smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
cypress
tree,
and the juniper tree;
—Northward, young men of Mannahatta—the target company from an excursion
returning
home at
evening—the musket-muzzles all bear bunches of flowers presented by women;
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
move! how
he smiles in his sleep!)
The scout riding on horseback over the plains west of the Mississippi—he ascends a
knoll
and
sweeps his eye around;
California life—the miner, bearded, dress’d in his rude costume—the stanch
California
friendship—the sweet air—the graves one, in passing, meets, solitary, just
aside the
horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
before
rude
carts—cotton bales piled on banks and wharves;
Encircling all, vast-darting, up and wide, the American Soul, with equal
hemispheres—one
Love,
one Dilation or Pride;
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
pipe
of
good-will, arbitration, and indorsement,
The sachem blowing the smoke first toward the sun and then toward the earth,
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march,
The single-file—the swinging hatchets—the surprise and slaughter of enemies;
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
all
institutions,
All These States, compact—Every square mile of These States, without excepting a
particle—you also—me also,
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
other,
ascending high in the air;
The darting swallow, the destroyer of insects—the fall traveler southward, but
returning
northward early in the spring;
The country boy at the close of the day, driving the herd of cows, and shouting to them as
they
loiter to browse by the road-side;
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
Francisco,
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun,
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
balancing
in the air in the centre of the room, darting athwart, up and down, casting swift shadows
in
specks
on the opposite wall, where the shine is;
The athletic American matron speaking in public to crowds of listeners;
Males, females, immigrants, combinations—the copiousness—the individuality of
The
States,
each for itself—the money-makers;
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
certainties,
The certainty of space, increase, freedom, futurity,
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
lands, my
lands;
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
whatever it
is;
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
wintering
along
the coasts of Florida—or in Louisiana, with pelicans breeding;
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
Brazos, the
Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
laughing
and
skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
wading in
the wet to seek worms and aquatic plants;
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
for
amusement—And I triumphantly twittering;
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
of
the
flock feed—the sentinels outside move around with erect heads watching, and are from
time
to
time reliev’d by other sentinels—And I feeding and taking turns with the rest;
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
desperately on
his
hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
plunging
at the
hunters, corner’d and desperate;
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
working in
the
shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
the
Mannahatta in itself,
Singing the song of These, my ever united lands—my body no more inevitably united,
part to
part, and made one identity, any more than my lands are inevitably united, and made ONE
IDENTITY;
Nativities, climates, the grass of the great Pastoral Plains;
Cities, labors, death, animals, products, war, good and evil—these me,
These affording, in all their particulars, endless feuillage to me and to America, how can
I do
less
than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?
How can I but, as here, chanting, invite you for yourself to collect bouquets of the
incomparable
feuillage of These States?
|
Written by
Kathleen Raine |
Earth no longer
hymns the Creator,
the seven days of wonder,
the Garden is over —
all the stories are told,
the seven seals broken
all that begins
must have its ending,
our striving, desiring,
our living and dying,
for Time, the bringer
of abundant days
is Time the destroyer —
In the Iron Age
the Kali Yuga
To whom can we pray
at the end of an era
but the Lord Shiva,
the Liberator, the purifier?
Our forests are felled,
our mountains eroded,
the wild places
where the beautiful animals
found food and sanctuary
we have desolated,
a third of our seas,
a third of our rivers
we have polluted
and the sea-creatures dying.
Our civilization’s
blind progress
in wrong courses
through wrong choices
has brought us to nightmare
where what seems,
is, to the dreamer,
the collective mind
of the twentieth century —
this world of wonders
not divine creation
but a big bang
of blind chance,
purposeless accident,
mother earth’s children,
their living and loving,
their delight in being
not joy but chemistry,
stimulus, reflex,
valueless, meaningless,
while to our machines
we impute intelligence,
in computers and robots
we store information
and call it knowledge,
we seek guidance
by dialling numbers,
pressing buttons,
throwing switches,
in place of family
our companions are shadows,
cast on a screen,
bodiless voices, fleshless faces,
where was the Garden
a Disney-land
of virtual reality,
in place of angels
the human imagination
is peopled with foot-ballers
film-stars, media-men,
experts, know-all
television personalities,
animated puppets
with cartoon faces —
To whom can we pray
for release from illusion,
from the world-cave,
but Time the destroyer,
the liberator, the purifier?
The curse of Midas
has changed at a touch,
a golden handshake
earthly paradise
to lifeless matter,
where once was seed-time,
summer and winter,
food-chain, factory farming,
monocrops for supermarkets,
pesticides, weed-killers
birdless springs,
endangered species,
battery-hens, hormone injections,
artificial insemination,
implants, transplants, sterilization,
surrogate births, contraception,
cloning, genetic engineering, abortion,
and our days shall be short
in the land we have sown
with the Dragon’s teeth
where our armies arise
fully armed on our killing-fields
with land-mines and missiles,
tanks and artillery,
gas-masks and body-bags,
our air-craft rain down
fire and destruction,
our space-craft broadcast
lies and corruption,
our elected parliaments
parrot their rhetoric
of peace and democracy
while the truth we deny
returns in our dreams
of Armageddon,
the death-wish, the arms-trade,
hatred and slaughter
profitable employment
of our thriving cities,
the arms-race
to the end of the world
of our postmodern,
post-Christian,
post-human nations,
progress to the nihil
of our spent civilization.
But cause and effect,
just and inexorable
law of the universe
no fix of science,
nor amenable god
can save from ourselves
the selves we have become —
At the end of history
to whom can we pray
but to the destroyer,
the liberator, the purifier?
In the beginning
the stars sang together
the cosmic harmony,
but Time, imperceptible
taker-away
of all that has been,
all that will be,
our heart-beat your drum,
our dance of life
your dance of death
in the crematorium,
our high-rise dreams,
Valhalla, Utopia,
Xanadu, Shangri-la, world revolution
Time has taken, and soon will be gone
Cambridge, Princeton and M.I.T.,
Nalanda, Athens and Alexandria
all for the holocaust
of civilization —
To whom shall we pray
when our vision has faded
but the world-destroyer,
the liberator, the purifier?
But great is the realm
of the world-creator,
the world-sustainer
from whom we come,
in whom we move
and have our being,
about us, within us
the wonders of wisdom,
the trees and the fountains,
the stars and the mountains,
all the children of joy,
the loved and the known,
the unknowable mystery
to whom we return
through the world-destroyer, —
Holy, holy
at the end of the world
the purging fire
of the purifier, the liberator!
|
Written by
Anne Sexton |
"You speak to me of narcissism but I reply that it is
a matter of my life" - Artaud
"At this time let me somehow bequeath all the leftovers
to my daughters and their daughters" - Anonymous
Better,
despite the worms talking to
the mare's hoof in the field;
better,
despite the season of young girls
dropping their blood;
better somehow
to drop myself quickly
into an old room.
Better (someone said)
not to be born
and far better
not to be born twice
at thirteen
where the boardinghouse,
each year a bedroom,
caught fire.
Dear friend,
I will have to sink with hundreds of others
on a dumbwaiter into hell.
I will be a light thing.
I will enter death
like someone's lost optical lens.
Life is half enlarged.
The fish and owls are fierce today.
Life tilts backward and forward.
Even the wasps cannot find my eyes.
Yes,
eyes that were immediate once.
Eyes that have been truly awake,
eyes that told the whole story—
poor dumb animals.
Eyes that were pierced,
little nail heads,
light blue gunshots.
And once with
a mouth like a cup,
clay colored or blood colored,
open like the breakwater
for the lost ocean
and open like the noose
for the first head.
Once upon a time
my hunger was for Jesus.
O my hunger! My hunger!
Before he grew old
he rode calmly into Jerusalem
in search of death.
This time
I certainly
do not ask for understanding
and yet I hope everyone else
will turn their heads when an unrehearsed fish jumps
on the surface of Echo Lake;
when moonlight,
its bass note turned up loud,
hurts some building in Boston,
when the truly beautiful lie together.
I think of this, surely,
and would think of it far longer
if I were not… if I were not
at that old fire.
I could admit
that I am only a coward
crying me me me
and not mention the little gnats, the moths,
forced by circumstance
to suck on the electric bulb.
But surely you know that everyone has a death,
his own death,
waiting for him.
So I will go now
without old age or disease,
wildly but accurately,
knowing my best route,
carried by that toy donkey I rode all these years,
never asking, “Where are we going?”
We were riding (if I'd only known)
to this.
Dear friend,
please do not think
that I visualize guitars playing
or my father arching his bone.
I do not even expect my mother's mouth.
I know that I have died before—
once in November, once in June.
How strange to choose June again,
so concrete with its green breasts and bellies.
Of course guitars will not play!
The snakes will certainly not notice.
New York City will not mind.
At night the bats will beat on the trees,
knowing it all,
seeing what they sensed all day.
|
Written by
Walt Whitman |
RESPONDEZ! Respondez!
(The war is completed—the price is paid—the title is settled beyond recall;)
Let every one answer! let those who sleep be waked! let none evade!
Must we still go on with our affectations and sneaking?
Let me bring this to a close—I pronounce openly for a new distribution of roles;
Let that which stood in front go behind! and let that which was behind advance to the
front and
speak;
Let murderers, bigots, fools, unclean persons, offer new propositions!
Let the old propositions be postponed!
Let faces and theories be turn’d inside out! let meanings be freely criminal, as well
as
results!
Let there be no suggestion above the suggestion of drudgery!
Let none be pointed toward his destination! (Say! do you know your destination?)
Let men and women be mock’d with bodies and mock’d with Souls!
Let the love that waits in them, wait! let it die, or pass stillborn to other spheres!
Let the sympathy that waits in every man, wait! or let it also pass, a dwarf, to other
spheres!
Let contradictions prevail! let one thing contradict another! and let one line of my poems
contradict another!
Let the people sprawl with yearning, aimless hands! let their tongues be broken! let their
eyes
be discouraged! let none descend into their hearts with the fresh lusciousness of love!
(Stifled, O days! O lands! in every public and private corruption!
Smother’d in thievery, impotence, shamelessness, mountain-high;
Brazen effrontery, scheming, rolling like ocean’s waves around and upon you, O my
days! my
lands!
For not even those thunderstorms, nor fiercest lightnings of the war, have purified the
atmosphere;)
—Let the theory of America still be management, caste, comparison! (Say! what other
theory
would you?)
Let them that distrust birth and death still lead the rest! (Say! why shall they not lead
you?)
Let the crust of hell be neared and trod on! let the days be darker than the nights! let
slumber bring less slumber than waking time brings!
Let the world never appear to him or her for whom it was all made!
Let the heart of the young man still exile itself from the heart of the old man! and let
the
heart of the old man be exiled from that of the young man!
Let the sun and moon go! let scenery take the applause of the audience! let there be
apathy
under the stars!
Let freedom prove no man’s inalienable right! every one who can tyrannize, let him
tyrannize to his satisfaction!
Let none but infidels be countenanced!
Let the eminence of meanness, treachery, sarcasm, hate, greed, indecency, impotence, lust,
be
taken for granted above all! let writers, judges, governments, households, religions,
philosophies, take such for granted above all!
Let the worst men beget children out of the worst women!
Let the priest still play at immortality!
Let death be inaugurated!
Let nothing remain but the ashes of teachers, artists, moralists, lawyers, and
learn’d and
polite persons!
Let him who is without my poems be assassinated!
Let the cow, the horse, the camel, the garden-bee—let the mudfish, the lobster, the
mussel, eel, the sting-ray, and the grunting pig-fish—let these, and the like of
these, be
put on a perfect equality with man and woman!
Let churches accommodate serpents, vermin, and the corpses of those who have died of the
most
filthy of diseases!
Let marriage slip down among fools, and be for none but fools!
Let men among themselves talk and think forever obscenely of women! and let women among
themselves talk and think obscenely of men!
Let us all, without missing one, be exposed in public, naked, monthly, at the peril of our
lives! let our bodies be freely handled and examined by whoever chooses!
Let nothing but copies at second hand be permitted to exist upon the earth!
Let the earth desert God, nor let there ever henceforth be mention’d the name of God!
Let there be no God!
Let there be money, business, imports, exports, custom, authority, precedents, pallor,
dyspepsia, smut, ignorance, unbelief!
Let judges and criminals be transposed! let the prison-keepers be put in prison! let those
that
were prisoners take the keys! Say! why might they not just as well be transposed?)
Let the slaves be masters! let the masters become slaves!
Let the reformers descend from the stands where they are forever bawling! let an idiot or
insane person appear on each of the stands!
Let the Asiatic, the African, the European, the American, and the Australian, go armed
against
the murderous stealthiness of each other! let them sleep armed! let none believe in good
will!
Let there be no unfashionable wisdom! let such be scorn’d and derided off from the
earth!
Let a floating cloud in the sky—let a wave of the sea—let growing mint, spinach,
onions, tomatoes—let these be exhibited as shows, at a great price for admission!
Let all the men of These States stand aside for a few smouchers! let the few seize on what
they
choose! let the rest gawk, giggle, starve, obey!
Let shadows be furnish’d with genitals! let substances be deprived of their genitals!
Let there be wealthy and immense cities—but still through any of them, not a single
poet,
savior, knower, lover!
Let the infidels of These States laugh all faith away!
If one man be found who has faith, let the rest set upon him!
Let them affright faith! let them destroy the power of breeding faith!
Let the she-harlots and the he-harlots be prudent! let them dance on, while seeming lasts!
(O
seeming! seeming! seeming!)
Let the preachers recite creeds! let them still teach only what they have been taught!
Let insanity still have charge of sanity!
Let books take the place of trees, animals, rivers, clouds!
Let the daub’d portraits of heroes supersede heroes!
Let the manhood of man never take steps after itself!
Let it take steps after eunuchs, and after consumptive and genteel persons!
Let the white person again tread the black person under his heel! (Say! which is trodden
under
heel, after all?)
Let the reflections of the things of the world be studied in mirrors! let the things
themselves
still continue unstudied!
Let a man seek pleasure everywhere except in himself!
Let a woman seek happiness everywhere except in herself!
(What real happiness have you had one single hour through your whole life?)
Let the limited years of life do nothing for the limitless years of death! (What do you
suppose
death will do, then?)
|
Written by
Margaret Atwood |
All those times I was bored
out of my mind. Holding the log
while he sawed it. Holding
the string while he measured, boards,
distances between things, or pounded
stakes into the ground for rows and rows
of lettuces and beets, which I then (bored)
weeded. Or sat in the back
of the car, or sat still in boats,
sat, sat, while at the prow, stern, wheel
he drove, steered, paddled. It
wasn't even boredom, it was looking,
looking hard and up close at the small
details. Myopia. The worn gunwales,
the intricate twill of the seat
cover. The acid crumbs of loam, the granular
pink rock, its igneous veins, the sea-fans
of dry moss, the blackish and then the graying
bristles on the back of his neck.
Sometimes he would whistle, sometimes
I would. The boring rhythm of doing
things over and over, carrying
the wood, drying
the dishes. Such minutiae. It's what
the animals spend most of their time at,
ferrying the sand, grain by grain, from their tunnels,
shuffling the leaves in their burrows. He pointed
such things out, and I would look
at the whorled texture of his square finger, earth under
the nail. Why do I remember it as sunnier
all the time then, although it more often
rained, and more birdsong?
I could hardly wait to get
the hell out of there to
anywhere else. Perhaps though
boredom is happier. It is for dogs or
groundhogs. Now I wouldn't be bored.
Now I would know too much.
Now I would know.
|