Written by
Anne Sexton |
Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us—
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.
Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
sucking with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracle--
forgetting its knife.
The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it all--
the twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in me--
the legal rift--
as on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.
I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.
I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.
I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceiling--
as twenty-five years split from my side
like a growth that I sliced off like a melanoma.
It is six P.
M.
as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.
For me it was love found
like a diamond
where carrots grow--
the glint of diamond on a plane wing,
meaning: DANGER! THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.
You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!
Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun--
the quick wonder of its yellow lap--
and became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowing--
an invisible purchase--
that inhabits our house forever.
We were
blessed by the House-Die
by the altar of the color T.
V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me! Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right now--
we are in the process of it.
The empty process of it.
I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of loss--
I say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.
There sit two deaths on November 5th, 1973.
Let one be forgotten--
Bury it! Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.
For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.
Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.
|
Written by
Jack Prelutsky |
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
there are flavors in my freezer
you have never seen before,
twenty-eight divine creations
too delicious to resist,
why not do yourself a favor,
try the flavors on my list:
COCOA MOCHA MACARONI
TAPIOCA SMOKED BALONEY
CHECKERBERRY CHEDDAR CHEW
CHICKEN CHERRY HONEYDEW
TUTTI-FRUTTI STEWED TOMATO
TUNA TACO BAKED POTATO
LOBSTER LITCHI LIMA BEAN
MOZZARELLA MANGOSTEEN
ALMOND HAM MERINGUE SALAMI
YAM ANCHOVY PRUNE PASTRAMI
SASSAFRAS SOUVLAKI HASH
SUKIYAKI SUCCOTASH
BUTTER BRICKLE PEPPER PICKLE
POMEGRANATE PUMPERNICKEL
PEACH PIMENTO PIZZA PLUM
PEANUT PUMPKIN BUBBLEGUM
BROCCOLI BANANA BLUSTER
CHOCOLATE CHOP SUEY CLUSTER
AVOCADO BRUSSELS SPROUT
PERIWINKLE SAUERKRAUT
COTTON CANDY CARROT CUSTARD
CAULIFLOWER COLA MUSTARD
ONION DUMPLING DOUBLE DIP
TURNIP TRUFFLE TRIPLE FLIP
GARLIC GUMBO GRAVY GUAVA
LENTIL LEMON LIVER LAVA
ORANGE OLIVE BAGEL BEET
WATERMELON WAFFLE WHEAT
I am Ebenezer Bleezer,
I run BLEEZER'S ICE CREAM STORE,
taste a flavor from my freezer,
you will surely ask for more.
|
Written by
Pablo Neruda |
The artichoke
of delicate heart
erect
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it,
demoniac vegetables
bristle their thicknesses,
devise
tendrils and belfries,
the bulb's agitations;
while under the subsoil
the carrot
sleeps sound in its
rusty mustaches.
Runner and filaments
bleach in the vineyards,
whereon rise the vines.
The sedulous cabbage
arranges its petticoats;
oregano
sweetens a world;
and the artichoke
dulcetly there in a gardenplot,
armed for a skirmish,
goes proud
in its pomegranate
burnishes.
Till, on a day,
each by the other,
the artichoke moves
to its dream
of a market place
in the big willow
hoppers:
a battle formation.
Most warlike
of defilades-
with men
in the market stalls,
white shirts
in the soup-greens,
artichoke field marshals,
close-order conclaves,
commands, detonations,
and voices,
a crashing of crate staves.
And
Maria
come
down
with her hamper
to
make trial
of an artichoke:
she reflects, she examines,
she candles them up to the light like an egg,
never flinching;
she bargains,
she tumbles her prize
in a market bag
among shoes and a
cabbage head,
a bottle
of vinegar; is back
in her kitchen.
The artichoke drowns in a pot.
So you have it:
a vegetable, armed,
a profession
(call it an artichoke)
whose end
is millennial.
We taste of that
sweetness,
dismembering scale after scale.
We eat of a halcyon paste:
it is green at the artichoke heart.
|
Written by
Marianne Moore |
Fanaticism?No.
Writing is exciting
and baseball is like writing.
You can never tell with either
how it will go
or what you will do;
generating excitement--
a fever in the victim--
pitcher, catcher, fielder, batter.
Victim in what category?
Owlman watching from the press box?
To whom does it apply?
Who is excited?Might it be I?
It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
puma paw, Elston Howard lumbers lightly
back to plate.
(His spring
de-winged a bat swing.
)
They have that killer instinct;
yet Elston--whose catching
arm has hurt them all with the bat--
when questioned, says, unenviously,
"I'm very satisfied.
We won.
"
Shorn of the batting crown, says, "We";
robbed by a technicality.
When three players on a side play three positions
and modify conditions,
the massive run need not be everything.
"Going, going .
.
.
"Is
it?Roger Maris
has it, running fast.
You will
never see a finer catch.
Well .
.
.
"Mickey, leaping like the devil"--why
gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
one-handing the souvenir-to-be
meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
He is no feather.
"Strike! .
.
.
Strike two!"
Fouled back.
A blur.
It's gone.
You would infer
that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit.
"
All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which
won the pennant?Each.
It was he.
Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
like Whitey's three kinds of pitch and pre-
diagnosis
with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to
catch your corners--even trouble
Mickey Mantle.
("Grazed a Yankee!
My baby pitcher, Montejo!"
With some pedagogy,
you'll be tough, premature prodigy.
)
They crowd him and curve him and aim for the knees.
Trying
indeed!The secret implying:
"I can stand here, bat held steady.
"
One may suit him;
none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds
require food, rest, respite from ruffians.
(Drat it!
Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
brewer's yeast (high-potency--
concentrates presage victory
sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.
And "Yes,
it's work; I want you to bear down,
but enjoy it
while you're doing it.
"
Mr.
Houk and Mr.
Sain,
if you have a rummage sale,
don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown,
the Stadium is an adastrium.
O flashing Orion,
your stars are muscled like the lion.
|
Written by
Pablo Neruda |
The artichoke
With a tender heart
Dressed up like a warrior,
Standing at attention, it built
A small helmet
Under its scales
It remained
Unshakeable,
By its side
The crazy vegetables
Uncurled
Their tendrills and leaf-crowns,
Throbbing bulbs,
In the sub-soil
The carrot
With its red mustaches
Was sleeping,
The grapevine
Hung out to dry its branches
Through which the wine will rise,
The cabbage
Dedicated itself
To trying on skirts,
The oregano
To perfuming the world,
And the sweet
Artichoke
There in the garden,
Dressed like a warrior,
Burnished
Like a proud
Pomegrante.
And one day
Side by side
In big wicker baskets
Walking through the market
To realize their dream
The artichoke army
In formation.
Never was it so military
Like on parade.
The men
In their white shirts
Among the vegetables
Were
The Marshals
Of the artichokes
Lines in close order
Command voices,
And the bang
Of a falling box.
But
Then
Maria
Comes
With her basket
She chooses
An artichoke,
She's not afraid of it.
She examines it, she observes it
Up against the light like it was an egg,
She buys it,
She mixes it up
In her handbag
With a pair of shoes
With a cabbage head and a
Bottle
Of vinegar
Until
She enters the kitchen
And submerges it in a pot.
Thus ends
In peace
This career
Of the armed vegetable
Which is called an artichoke,
Then
Scale by scale,
We strip off
The delicacy
And eat
The peaceful mush
Of its green heart.
|
Written by
Allen Ginsberg |
I hope my good old ******* holds out
60 years it's been mostly OK
Tho in Bolivia a fissure operation
survived the altiplano hospital--
a little blood, no polyps, occasionally
a small hemorrhoid
active, eager, receptive to phallus
coke bottle, candle, carrot
banana & fingers -
Now AIDS makes it shy, but still
eager to serve -
out with the dumps, in with the condom'd
orgasmic friend -
still rubbery muscular,
unashamed wide open for joy
But another 20 years who knows,
old folks got troubles everywhere -
necks, prostates, stomachs, joints--
Hope the old hole stays young
till death, relax
March 15, 1986, 1:00 PM
|
Written by
John Wilmot |
You ladies of merry England
Who have been to kiss the Duchess's hand,
Pray, did you not lately observe in the show
A noble Italian called Signior *****?
This signior was one of the Duchess's train
And helped to conduct her over the main;
But now she cries out, 'To the Duke I will go,
I have no more need for Signior *****.
'
At the Sign of the Cross in St James's Street,
When next you go thither to make yourselves sweet
By buying of powder, gloves, essence, or so,
You may chance to get a sight of Signior *****.
You would take him at first for no person of note,
Because he appears in a plain leather coat,
But when you his virtuous abilities know,
You'll fall down and worship Signior *****.
My Lady Southesk, heaven prosper her for't,
First clothed him in satin, then brought him to court;
But his head in the circle he scarcely durst show,
So modest a youth was Signior *****.
The good Lady Suffolk, thinking no harm,
Had got this poor stranger hid under her arm.
Lady Betty by chance came the secret to know
And from her own mother stole Signior *****.
The Countess of Falmouth, of whom people tell
Her footmen wear shirts of a guinea an ell,
Might save that expense, if she did but know
How lusty a swinger is Signior *****.
By the help of this gallant the Countess of Rafe
Against the fierce Harris preserved herself safe;
She stifled him almost beneath her pillow,
So closely she embraced Signior *****.
The pattern of virtue, Her Grace of Cleveland,
Has swallowed more pricks than the ocean has sand;
But by rubbing and scrubbing so wide does it grow,
It is fit for just nothing but Signior *****.
Our dainty fine duchesses have got a trick
To dote on a fool for the sake of his prick,
The fops were undone did their graces but know
The discretion and vigour of Signior *****.
The Duchess of Modena, though she looks so high,
With such a gallant is content to lie,
And for fear that the English her secrets should know,
For her gentleman usher took Signior *****.
The Countess o'th'Cockpit (who knows not her name?
She's famous in story for a killing dame),
When all her old lovers forsake her, I trow,
She'll then be contented with Signior *****.
Red Howard, red Sheldon, and Temple so tall
Complain of his absence so long from Whitehall.
Signior Barnard has promised a journey to go
And bring back his countryman, Signior *****.
Doll Howard no longer with His Highness must range,
And therefore is proferred this civil exchange:
Her teeth being rotten, she smells best below,
And needs must be fitted for Signior *****.
St Albans with wrinkles and smiles in his face,
Whose kindness to strangers becomes his high place,
In his coach and six horses is gone to Bergo
To take the fresh air with Signior *****.
Were this signior but known to the citizen fops,
He'd keep their fine wives from the foremen o'their shops;
But the rascals deserve their horns should still grow
For burning the Pope and his nephew, *****.
Tom Killigrew's wife, that Holland fine flower,
At the sight of this signior did fart and belch sour,
And her Dutch breeding the further to show,
Says, 'Welcome to England, Mynheer Van *****.
'
He civilly came to the Cockpit one night,
And proferred his service to fair Madam Knight.
Quoth she, 'I intrigue with Captain Cazzo;
Your nose in mine ****, good Signior *****.
'
This signior is sound, safe, ready, and dumb
As ever was candle, carrot, or thumb;
Then away with these nasty devices, and show
How you rate the just merit of Signior *****.
Count Cazzo, who carries his nose very high,
In passion he swore his rival should die;
Then shut himself up to let the world know
Flesh and blood could not bear it from Signior *****.
A rabble of pricks who were welcome before,
Now finding the porter denied them the door,
Maliciously waited his coming below
And inhumanly fell on Signior *****.
Nigh wearied out, the poor stranger did fly,
And along the Pall Mall they followed full cry;
The women concerned from every window
Cried, 'For heaven's sake, save Signior *****.
'
The good Lady Sandys burst into a laughter
To see how the ballocks came wobbling after,
And had not their weight retarded the foe,
Indeed't had gone hard with Signior *****.
|
Written by
Elizabeth Bishop |
Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens
ravish my eyes.
You edge
the beds of silver cabbages
with red carnations, and lettuces
mix with alyssum.
And then
umbrella ants arrive,
or it rains for a solid week
and the whole thing's ruined again
and I buy you more pounds of seeds,
imported, guaranteed,
and eventually you bring me
a mystic thee-legged carrot,
or a pumpkin "bigger than the baby.
"
I watch you through the rain,
trotting, light, on bare feet,
up the steep paths you have made—
or your father and grandfather made—
all over my property,
with your head and back inside
a sodden burlap bag,
and feel I can't endure it
another minute; then,
indoors, beside the stove,
keep on reading a book.
You steal my telephone wires,
or someone does.
You starve
your horse and yourself
and your dogs and family.
among endless variety,
you eat boiled cabbage stalks.
And once I yelled at you
so loud to hurry up
and fetch me those potatoes
your holey hat flew off,
you jumped out of your clogs,
leaving three objects arranged
in a triangle at my feet,
as if you'd been a gardener
in a fairy tale all this time
and at the word "potatoes"
had vanished to take up your work
of fairy prince somewhere.
The strangest things happen to you.
Your cows eats a "poison grass"
and drops dead on the spot.
Nobody else's does.
And then your father dies,
a superior old man
with a black plush hat, and a moustache
like a white spread-eagled sea gull.
The family gathers, but you,
no, you "don't think he's dead!
I look at him.
He's cold.
They're burying him today.
But you know, I don't think he's dead.
"
I give you money for the funeral
and you go and hire a bus
for the delighted mourners,
so I have to hand over some more
and then have to hear you tell me
you pray for me every night!
And then you come again,
sniffing and shivering,
hat in hand, with that wistful
face, like a child's fistful
of bluets or white violets,
improvident as the dawn,
and once more I provide
for a shot of penicillin
down at the pharmacy, or
one more bottle of
Electrical Baby Syrup.
Or, briskly, you come to settle
what we call our "accounts,"
with two old copybooks,
one with flowers on the cover,
the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger,
honeycombed with zeros.
You whisper conspiratorially;
the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together
how the meek shall inherit the earth—
or several acres of mine.
With blue sugar bags on their heads,
carrying your lunch,
your children scuttle by me
like little moles aboveground,
or even crouch behind bushes
as if I were out to shoot them!
—Impossible to make friends,
though each will grab at once
for an orange or a piece of candy.
Twined in wisps of fog,
I see you all up there
along with Formoso, the donkey,
who brays like a pump gone dry,
then suddenly stops.
—All just standing, staring
off into fog and space.
Or coming down at night,
in silence, except for hoofs,
in dim moonlight, the horse
or Formoso stumbling after.
Between us float a few
big, soft, pale-blue,
sluggish fireflies,
the jellyfish of the air.
.
.
Patch upon patch upon patch,
your wife keeps all of you covered.
She has gone over and over
(forearmed is forewarned)
your pair of bright-blue pants
with white thread, and these days
your limbs are draped in blueprints.
You paint—heaven knows why—
the outside of the crown
and brim of your straw hat.
Perhaps to reflect the sun?
Or perhaps when you were small,
your mother said, "Manuelzinho,
one thing; be sure you always
paint your straw hat.
"
One was gold for a while,
but the gold wore off, like plate.
One was bright green.
Unkindly,
I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man,
I love you all I can,
I think.
Or I do?
I take off my hat, unpainted
and figurative, to you.
Again I promise to try.
|
Written by
Erica Jong |
On the first night
of the full moon,
the primeval sack of ocean
broke,
& I gave birth to you
little woman,
little carrot top,
little turned-up nose,
pushing you out of myself
as my mother
pushed
me out of herself,
as her mother did,
& her mother's mother before her,
all of us born
of woman.
I am the second daughter
of a second daughter
of a second daughter,
but you shall be the first.
You shall see the phrase
"second sex"
only in puzzlement,
wondering how anyone,
except a madman,
could call you "second"
when you are so splendidly
first,
conferring even on your mother
firstness, vastness, fullness
as the moon at its fullest
lights up the sky.
Now the moon is full again
& you are four weeks old.
Little lion, lioness,
yowling for my breasts,
rowling at the moon,
how I love your lustiness,
your red face demanding,
your hungry mouth howling,
your screams, your cries
which all spell life
in large letters
the color of blood.
You are born a woman
for the sheer glory of it,
little redhead, beautiful screamer.
You are no second sex,
but the first of the first;
& when the moon's phases
fill out the cycle
of your life,
you will crow
for the joy
of being a woman,
telling the pallid moon
to go drown herself
in the blue ocean,
& glorying, glorying, glorying
in the rosy wonder
of your sunshining wondrous
self.
|
Written by
William Cowper |
Here lies, whom hound did ne’er pursue,
Nor swiftewd greyhound follow,
Whose foot ne’er tainted morning dew,
Nor ear heard huntsman’s hallo’,
Old Tiney, surliest of his kind,
Who, nurs’d with tender care,
And to domestic bounds confin’d,
Was still a wild Jack-hare.
Though duly from my hand he took
His pittance ev’ry night,
He did it with a jealous look,
And, when he could, would bite.
His diet was of wheaten bread,
And milk, and oats, and straw,
Thistles, or lettuces instead,
With sand to scour his maw.
On twigs of hawthorn he regal’d,
On pippins’ russet peel;
And, when his juicy salads fail’d,
Slic’d carrot pleas’d him well.
A Turkey carpet was his lawn,
Whereon he lov’d to bound,
To skip and gambol like a fawn,
And swing his rump around.
His frisking wa at evening hours,
For then he lost his fear;
But most before approaching show’rs,
Or when a storm drew near.
Eight years and five round rolling moons
He thus saw steal away,
Dozing out all his idle noons,
And ev’ry night at play.
I kept him for his humour’s sake,
For he would oft beguile
My heart of thoughts that made it ache,
And force me to a smile.
But now, beneath this walnut-shade
He finds his long, last home,
And waits inn snug concealment laid,
‘Till gentler puss shall come.
He, still more aged, feels the shocks
From which no care can save,
And, partner once of Tiney’s box,
Must soon partake his grave.
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