Elinor Wylie Short Poems
Famous Short Elinor Wylie Poems. Short poetry by famous poet Elinor Wylie. A collection of the all-time best Elinor Wylie short poems
by
Elinor Wylie
Man, the egregious egoist
(In mystery the twig is bent)
Imagines, by some mental twist,
That he alone is sentient
Of the intolerable load
That on all living creatures lies,
Nor stoops to pity in the toad
The speechless sorrow of his eyes.
He asks no questions of the snake,
Nor plumbs the phosphorescent gloom
Where lidless fishes, broad awake,
Swim staring at a nightmare doom.
by
Elinor Wylie
Why should my sleepy heart be taught
To whistle mocking-bird replies?
This is another bird you've caught,
Soft-feathered, with a falcon's eyes.
The bird Imagination,
That flies so far, that dies so soon;
Her wings are coloured like the sun,
Her breast is coloured like the moon.
Weave her a chain of silver twist,
And a little hood of scarlet wool,
And let her perch upon your wrist,
And tell her she is beautiful.
by
Elinor Wylie
Now let no charitable hope
Confuse my mind with images
Of eagle and of antelope:
I am by nature none of these.
I was, being human, born alone;
I am, being woman, hard beset;
I live by squeezing from a stone
What little nourishment I get.
In masks outrageous and austere
The years go by in single file;
But none has merited my fear,
And none has quite escaped my smile.
by
Elinor Wylie
Liza, go steep your long white hands
In the cool waters of that spring
Which bubbles up through shiny sands
The colour of a wild-dove's wing.
Dabble your hands, and steep them well
Until those nails are pearly white
Now rosier than a laurel bell;
Then come to me at candlelight.
Lay your cold hands across my brows,
And I shall sleep, and I shall dream
Of silver-pointed willow boughs
Dipping their fingers in a stream.
by
Elinor Wylie
When foxes eat the last gold grape,
And the last white antelope is killed,
I shall stop fighting and escape
Into a little house I'll build.
But first I'll shrink to fairy size,
With a whisper no one understands,
Making blind moons of all your eyes,
And muddy roads of all your hands.
And you may grope for me in vain
In hollows under the mangrove root,
Or where, in apple-scented rain,
The silver wasp-nests hang like fruit.
by
Elinor Wylie
This is the bricklayer; hear the thud
Of his heavy load dumped down on stone.
His lustrous bricks are brighter than blood,
His smoking mortar whiter than bone.
Set each sharp-edged, fire-bitten brick
Straight by the plumb-line's shivering length;
Make my marvelous wall so thick
Dead nor living may shake its strength.
Full as a crystal cup with drink
Is my cell with dreams, and quiet, and cool. . . .
Stop, old man! You must leave a chink;
How can I breathe? You can't, you fool!
by
Elinor Wylie
Lovers eminent in love
Ever diversities combine;
The vocal chords of the cushat-dove,
The snake's articulated spine.
Such elective elements
Educate the eye and lip
With one's refreshing innocence,
The other's claim to scholarship.
The serpent's knowledge of the world
Learn, and the dove's more naïve charm;
Whether your ringlets should be curled,
And why he likes his claret warm.
by
Elinor Wylie
All that I dream
By day or night
Lives in that stream
Of lovely light.
Here is the earth,
And there is the spire;
This is my hearth,
And that is my fire.
From the sun's dome
I am shouted proof
That this is my home,
And that is my roof.
Here is my food,
And here is my drink,
And I am wooed
From the moon's brink.
And the days go over,
And the nights end;
Here is my lover,
Here is my friend.
All that I
Can ever ask
Wears that sky
Like a thin gold mask.
by
Elinor Wylie
Sleep falls, with limpid drops of rain,
Upon the steep cliffs of the town.
Sleep falls; men are at peace again
While the small drops fall softly down.
The bright drops ring like bells of glass
Thinned by the wind, and lightly blown;
Sleep cannot fall on peaceful grass
So softly as it falls on stone.
Peace falls unheeded on the dead
Asleep; they have had deep peace to drink;
Upon a live man's bloody head
It falls most tenderly, I think.
by
Elinor Wylie
A white well
In a black cave;
A bright shell
In a dark wave.
A white rose
Black brambles hood;
Smooth bright snows
In a dark wood.
A flung white glove
In a dark fight;
A white dove
On a wild black night.
A white door
In a dark lane;
A bright core
To bitter black pain.
A white hand
Waved from dark walls;
In a burnt black land
Bright waterfalls.
A bright spark
Where black ashes are;
In the smothering dark
One white star.
by
Elinor Wylie
Upbroke the sun
In red-gold foam;
Thus spoke the gun
At the Soldier's Home:
"Whenever I hear
Blue thunder speak
My voice sounds clear
But little and weak.
"And when the proud
Young cockerels crow
My voice sounds loud,
But gentle and low.
"When the mocking-bird
Prolongs his note
I cannot be heard
Though I split my throat."
by
Elinor Wylie
My locks are shorn for sorrow
Of love which may not be;
Tomorrow and tomorrow
Are plotting cruelty.
The winter wind tangles
These ringlets half-grown,
The sun sprays with spangles
And rays like his own.
Oh, quieter and colder
Is the stream; he will wait;
When my curls touch my shoulder
He will comb them straight.
by
Elinor Wylie
The icicles wreathing
On trees in festoon
Swing, swayed to our breathing:
They're made of the moon.
She's a pale, waxen taper;
And these seem to drip
Transparent as paper
From the flame of her tip.
Molten, smoking a little,
Into crystal they pass;
Falling, freezing, to brittle
And delicate glass.
Each a sharp-pointed flower,
Each a brief stalactite
Which hangs for an hour
In the blue cave of night.
by
Elinor Wylie
She has danced for leagues and leagues,
Over thorns and thistles,
Prancing to a tune of Griegg's
Performed on willow whistles.
Antelopes behold her, dazed,
Velvet-eyed, and furry;
Polar flowers, crackle-glazed,
Snap beneath her hurry.
In a wig of copper wire,
A gown of scalloped gauzes,
She capers like a flame of fire
Over Arctic mosses.
All her tears have turned to birds,
All her thoughts of dolour
Paint the snow with scarlet words
And traceries of colour.
by
Elinor Wylie
Once upon a time I heard
That the flying moon was a Phoenix bird;
Thus she sails through windy skies,
Thus in the willow's arms she lies;
Turn to the East or turn to the West
In many trees she makes her nest.
When she's but a pearly thread
Look among birch leaves overhead;
When she dies in yellow smoke
Look in a thunder-smitten oak;
But in May when the moon is full,
Bright as water and white as wool,
Look for her where she loves to be,
Asleep in a high magnolia tree.
by
Elinor Wylie
My land is bare of chattering folk;
The clouds are low along the ridges,
And sweet's the air with curly smoke
From all my burning bridges.
by
Elinor Wylie
I shall die hidden in a hut
In the middle of an alder wood,
With the back door blind and bolted shut,
And the front door locked for good.
I shall lie folded like a saint,
Lapped in a scented linen sheet,
On a bedstead striped with bright-blue paint,
Narrow and cold and neat.
The midnight will be glassy black
Behind the panes, with wind about
To set his mouth against a crack
And blow the candle out.
by
Elinor Wylie
It is not heaven: bitter seed
Leavens its entrails with despair
It is a star where dragons breed:
Devils have a footing there.
The sky has bent it out of shape;
The sun has strapped it to his wheel;
Its course is crooked to escape
Traps and gins of stone and steel.
It balances on air, and spins
Snared by strong transparent space;
I forgive it all its sins;
I kiss the scars upon its face.
by
Elinor Wylie
BARCAROLE ON THE STYX
Fair youth with the rose at your lips,
A riddle is hid in your eyes;
Discard conversational quips,
Give over elaborate disguise.
The rose's funeral breath
Confirms by intuitive fears;
To prove your devotion, Sir Death,
Avaunt for a dozen of years.
But do not forget to array
Your terror in juvenile charms;
I shall deeply regret my delay
If I sleep in a skeleton's arms.
by
Elinor Wylie
For a picture
This Pekingese, that makes the sand-grains spin,
Is digging little tunnels to Pekin:
Dream him emerging in a porcelain cave
Where wounded dragons stain a pearly wave.
by
Elinor Wylie
Better to see your cheek grown hollow,
Better to see your temple worn,
Than to forget to follow, follow,
After the sound of a silver horn.
Better to bind your brow with willow
And follow, follow until you die,
Than to sleep with your head on a golden pillow,
Nor lift it up when the hunt goes by.
Better to see your cheek grow sallow
And your hair grown gray, so soon, so soon,
Than to forget to hallo, hallo,
After the milk-white hounds of the moon.
by
Elinor Wylie
When my eyes are weeds,
And my lips are petals, spinning
Down the wind that has beginning
Where the crumpled beeches start
In a fringe of salty reeds;
When my arms are elder-bushes,
And the rangy lilac pushes
Upward, upward through my heart;
Summer, do your worst!
Light your tinsel moon, and call on
Your performing stars to fall on
Headlong through your paper sky;
Nevermore shall I be cursed
By a flushed and amorous slattern,
With her dusty laces' pattern
Trailing, as she straggles by.
by
Elinor Wylie
How can I keep my soul in me, so that
it doesn't touch your soul? How can I raise
it high enough, past you, to other things?
I would like to shelter it, among remote
lost objects, in some dark and silent place
that doesn't resonate when your depths resound.
Yet everything that touches us, me and you,
takes us together like a violin's bow,
which draws one voice out of two seperate strings.
Upon what instrument are we two spanned?
And what musician holds us in his hand?
Oh sweetest song.
by
Elinor Wylie
The sailorman's child
And the girl of the witch--
They can't be defiled
By touching pitch.
The sailorman's son
Had a ship for a nursery;
The other one
Was baptised by sorcery.
Although he's shipped
To the Persian Gulf, her
Body's been dipped
In burning sulphur.
by
Elinor Wylie
Stripping an almond tree in flower
The wise apothecary's skill
A single drop of lethal power
From perfect sweetness can distill
From bitterness in efflorescence,
With murderous poisons packed therein;
The poet draws pellucid essence
Pure as a drop of metheglin.