Written by
Oscar Wilde |
I am weary of lying within the chase
When the knights are meeting in market-place.
Nay, go not thou to the red-roofed town
Lest the hoofs of the war-horse tread thee down.
But I would not go where the Squires ride,
I would only walk by my Lady's side.
Alack! and alack! thou art overbold,
A Forester's son may not eat off gold.
Will she love me the less that my Father is seen
Each Martinmas day in a doublet green?
Perchance she is sewing at tapestrie,
Spindle and loom are not meet for thee.
Ah, if she is working the arras bright
I might ravel the threads by the fire-light.
Perchance she is hunting of the deer,
How could you follow o'er hill and mere?
Ah, if she is riding with the court,
I might run beside her and wind the morte.
Perchance she is kneeling in St. Denys,
(On her soul may our Lady have gramercy!)
Ah, if she is praying in lone chapelle,
I might swing the censer and ring the bell.
Come in, my son, for you look sae pale,
The father shall fill thee a stoup of ale.
But who are these knights in bright array?
Is it a pageant the rich folks play?
'T is the King of England from over sea,
Who has come unto visit our fair countrie.
But why does the curfew toll sae low?
And why do the mourners walk a-row?
O 't is Hugh of Amiens my sister's son
Who is lying stark, for his day is done.
Nay, nay, for I see white lilies clear,
It is no strong man who lies on the bier.
O 't is old Dame Jeannette that kept the hall,
I knew she would die at the autumn fall.
Dame Jeannette had not that gold-brown hair,
Old Jeannette was not a maiden fair.
O 't is none of our kith and none of our kin,
(Her soul may our Lady assoil from sin!)
But I hear the boy's voice chaunting sweet,
'Elle est morte, la Marguerite.'
Come in, my son, and lie on the bed,
And let the dead folk bury their dead.
O mother, you know I loved her true:
O mother, hath one grave room for two?
|
Written by
Rudyard Kipling |
Primitive
I ate my fill of a whale that died
And stranded after a month at sea. . . .
There is a pain in my inside.
Why have the Gods afflicted me?
Ow! I am purged till I am a wraith!
Wow! I am sick till I cannot see!
What is the sense of Religion and Faith :
Look how the Gods have afflicted me!
Pagan
How can the skin of rat or mouse hold
Anything more than a harmless flea?. . .
The burning plague has taken my household.
Why have my Gods afflicted me?
All my kith and kin are deceased,
Though they were as good as good could be,
I will out and batter the family priest,
Because my Gods have afflicted me!
Medi/Eval
My privy and well drain into each other
After the custom of Christendie. . . .
Fevers and fluxes are wasting my mother.
Why has the Lord afflicted me?
The Saints are helpless for all I offer--
So are the clergy I used to fee.
Henceforward I keep my cash in my coffer,
Because the Lord has afflicted me.
Material
I run eight hundred hens to the acre
They die by dozens mysteriously. . . .
I am more than doubtful concerning my Maker,
Why has the Lord afflicted me?
What a return for all my endeavour--
Not to mention the L. S. D!
I am an atheist now and for ever,
Because this God has afflicted me!
Progressive
Money spent on an Army or Fleet
Is homicidal lunacy. . . .
My son has been killed in the Mons retreat,
Why is the Lord afflicting me?
Why are murder, pillage and arson
And rape allowed by the Deity?
I will write to the Times, deriding our parson
Because my God has afflicted me.
Chorus
We had a kettle: we let it leak:
Our not repairing it made it worse.
We haven't had any tea for a week. . .
The bottom is out of the Universe!
Conclusion
This was none of the good Lord's pleasure,
For the Spirit He breathed in Man is free;
But what comes after is measure for measure,
And not a God that afflicteth thee.
As was the sowing so the reaping
Is now and evermore shall be.
Thou art delivered to thine own keeping.
Only Thyself hath afflicted thee!
|
Written by
Paul Muldoon |
Even as we speak, there's a smoker's cough
from behind the whitethorn hedge: we stop dead in our tracks;
a distant tingle of water into a trough.
In the past half-hour—since a cattle truck
all but sent us shuffling off this mortal coil—
we've consoled ourselves with the dregs
of a bottle of Redbreast. Had Hawthorne been a Gael,
I insist, the scarlet A on Hester Prynne
would have stood for "Alcohol."
This must be the same truck whose taillights burn
so dimly, as if caked with dirt,
three or four hundred yards along the boreen
(a diminutive form of the Gaelic bóthar, "a road,"
from bó, "a cow," and thar
meaning, in this case, something like "athwart,"
"boreen" has entered English "through the air"
despite the protestations of the O.E.D.):
why, though, should one taillight flash and flare
then flicker-fade
to an afterimage of tourmaline
set in a dark part-jet, part-jasper or -jade?
That smoker's cough again: it triggers off from drumlin
to drumlin an emphysemantiphon
of cows. They hoist themselves onto their trampoline
and steady themselves and straight away divine
water in some far-flung spot
to which they then gravely incline. This is no Devon
cow-coterie, by the way, whey-faced, with Spode
hooves and horns: nor are they the metaphysicattle of Japan
that have merely to anticipate
scoring a bull's-eye and, lo, it happens;
these are earth-flesh, earth-blood, salt of the earth,
whose talismans are their own jawbones
buried under threshold and hearth.
For though they trace themselves to the kith and kine
that presided over the birth
of Christ (so carry their calves a full nine
months and boast liquorice
cachous on their tongues), they belong more to the line
that's tramped these cwms and corries
since Cuchulainn tramped Aoife.
Again the flash. Again the fade. However I might allegorize
some oscaraboscarabinary bevy
of cattle there's no getting round this cattle truck,
one light on the blink, laden with what? Microwaves? Hi-fis?
Oscaraboscarabinary: a twin, entwined, a tree, a Tuareg;
a double dung-beetle; a plain
and simple hi-firing party; an off-the-back-of-a-lorry drogue?
Enough of Colette and Céline, Céline and Paul Celan:
enough of whether Nabokov
taught at Wellesley or Wesleyan.
Now let us talk of slaughter and the slain,
the helicopter gunship, the mighty Kalashnikov:
let's rest for a while in a place where a cow has lain.
|
Written by
Ogden Nash |
One would be in less danger
From the wiles of a stranger
If one's own kin and kith
Were more fun to be with.
|
Written by
Thomas Hardy |
In Memory of one of the Writer's Family who was a Volunteer during the War
with Napoleon
In a ferny byway
Near the great South-Wessex Highway,
A homestead raised its breakfast-smoke aloft;
The dew-damps still lay steamless, for the sun had made no sky-way,
And twilight cloaked the croft.
'Twas hard to realize on
This snug side the mute horizon
That beyond it hostile armaments might steer,
Save from seeing in the porchway a fair woman weep with eyes on
A harnessed Volunteer.
In haste he'd flown there
To his comely wife alone there,
While marching south hard by, to still her fears,
For she soon would be a mother, and few messengers were known there
In these campaigning years.
'Twas time to be Good-bying,
Since the assembly-hour was nighing
In royal George's town at six that morn;
And betwixt its wharves and this retreat were ten good miles of hieing
Ere ring of bugle-horn.
"I've laid in food, Dear,
And broached the spiced and brewed, Dear;
And if our July hope should antedate,
Let the char-wench mount and gallop by the halterpath and wood, Dear,
And fetch assistance straight.
"As for Buonaparte, forget him;
He's not like to land! But let him,
Those strike with aim who strike for wives and sons!
And the war-boats built to float him; 'twere but wanted to upset him
A slat from Nelson's guns!
"But, to assure thee,
And of creeping fears to cure thee,
If he should be rumored anchoring in the Road,
Drive with the nurse to Kingsbere; and let nothing thence allure thee
Till we've him safe-bestowed.
"Now, to turn to marching matters:--
I've my knapsack, firelock, spatters,
Crossbelts, priming-horn, stock, bay'net, blackball, clay,
Pouch, magazine, flints, flint-box that at every quick-step clatters;
...My heart, Dear; that must stay!"
--With breathings broken
Farewell was kissed unspoken,
And they parted there as morning stroked the panes;
And the Volunteer went on, and turned, and twirled his glove for
token,
And took the coastward lanes.
When above He'th Hills he found him,
He saw, on gazing round him,
The Barrow-Beacon burning--burning low,
As if, perhaps, uplighted ever since he'd homeward bound him;
And it meant: Expect the Foe!
Leaving the byway,
And following swift the highway,
Car and chariot met he, faring fast inland;
"He's anchored, Soldier!" shouted some:
"God save thee, marching thy way,
Th'lt front him on the strand!"
He slowed; he stopped; he paltered
Awhile with self, and faltered,
"Why courting misadventure shoreward roam?
To Molly, surely! Seek the woods with her till times have altered;
Charity favors home.
"Else, my denying
He would come she'll read as lying--
Think the Barrow-Beacon must have met my eyes--
That my words were not unwareness, but deceit of her, while trying
My life to jeopardize.
"At home is stocked provision,
And to-night, without suspicion,
We might bear it with us to a covert near;
Such sin, to save a childing wife, would earn it Christ's remission,
Though none forgive it here!"
While thus he, thinking,
A little bird, quick drinking
Among the crowfoot tufts the river bore,
Was tangled in their stringy arms, and fluttered, well-nigh sinking,
Near him, upon the moor.
He stepped in, reached, and seized it,
And, preening, had released it
But that a thought of Holy Writ occurred,
And Signs Divine ere battle, till it seemed him Heaven had pleased it
As guide to send the bird.
"O Lord, direct me!...
Doth Duty now expect me
To march a-coast, or guard my weak ones near?
Give this bird a flight according, that I thence know to elect me
The southward or the rear."
He loosed his clasp; when, rising,
The bird--as if surmising--
Bore due to southward, crossing by the Froom,
And Durnover Great-Field and Fort, the soldier clear advising--
Prompted he wist by Whom.
Then on he panted
By grim Mai-Don, and slanted
Up the steep Ridge-way, hearkening betwixt whiles,
Till, nearing coast and harbor, he beheld the shore-line planted
With Foot and Horse for miles.
Mistrusting not the omen,
He gained the beach, where Yeomen,
Militia, Fencibles, and Pikemen bold,
With Regulars in thousands, were enmassed to meet the Foemen,
Whose fleet had not yet shoaled.
Captain and Colonel,
Sere Generals, Ensigns vernal,
Were there, of neighbor-natives, Michel, Smith,
Meggs, Bingham, Gambier, Cunningham, roused by the hued nocturnal
Swoop on their land and kith.
But Buonaparte still tarried;
His project had miscarried;
At the last hour, equipped for victory,
The fleet had paused; his subtle combinations had been parried
By British strategy.
Homeward returning
Anon, no beacons burning,
No alarms, the Volunteer, in modest bliss,
Te Deum sang with wife and friends: "We praise Thee, Lord, discerning
That Thou hast helped in this!"
|
Written by
Henry Wadsworth Longfellow |
In those days said Hiawatha,
"Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
"Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
"On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
"Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others."
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
Was the meaning of this symbol.
Gitche Manito the Mighty,
He the dreadful Spirit of Evil,
As a serpent was depicted,
As Kenabeek, the great serpent.
Very crafty, very cunning,
Is the creeping Spirit of Evil,
Was the meaning of this symbol.
Life and Death he drew as circles,
Life was white, but Death was darkened;
Sun and moon and stars he painted,
Man and beast, and fish and reptile,
Forests, mountains, lakes, and rivers.
For the earth he drew a straight line,
For the sky a bow above it;
White the space between for daytime,
Filled with little stars for night-time;
On the left a point for sunrise,
On the right a point for sunset,
On the top a point for noontide,
And for rain and cloudy weather
Waving lines descending from it.
Footprints pointing towards a wigwam
Were a sign of invitation,
Were a sign of guests assembling;
Bloody hands with palms uplifted
Were a symbol of destruction,
Were a hostile sign and symbol.
All these things did Hiawatha
Show unto his wondering people,
And interpreted their meaning,
And he said: "Behold, your grave-posts
Have no mark, no sign, nor symbol,
Go and paint them all with figures;
Each one with its household symbol,
With its own ancestral Totem;
So that those who follow after
May distinguish them and know them."
And they painted on the grave-posts
On the graves yet unforgotten,
Each his own ancestral Totem,
Each the symbol of his household;
Figures of the Bear and Reindeer,
Of the Turtle, Crane, and Beaver,
Each inverted as a token
That the owner was departed,
That the chief who bore the symbol
Lay beneath in dust and ashes.
And the Jossakeeds, the Prophets,
The Wabenos, the Magicians,
And the Medicine-men, the Medas,
Painted upon bark and deer-skin
Figures for the songs they chanted,
For each song a separate symbol,
Figures mystical and awful,
Figures strange and brightly colored;
And each figure had its meaning,
Each some magic song suggested.
The Great Spirit, the Creator,
Flashing light through all the heaven;
The Great Serpent, the Kenabeek,
With his bloody crest erected,
Creeping, looking into heaven;
In the sky the sun, that listens,
And the moon eclipsed and dying;
Owl and eagle, crane and hen-hawk,
And the cormorant, bird of magic;
Headless men, that walk the heavens,
Bodies lying pierced with arrows,
Bloody hands of death uplifted,
Flags on graves, and great war-captains
Grasping both the earth and heaven!
Such as these the shapes they painted
On the birch-bark and the deer-skin;
Songs of war and songs of hunting,
Songs of medicine and of magic,
All were written in these figures,
For each figure had its meaning,
Each its separate song recorded.
Nor forgotten was the Love-Song,
The most subtle of all medicines,
The most potent spell of magic,
Dangerous more than war or hunting!
Thus the Love-Song was recorded,
Symbol and interpretation.
First a human figure standing,
Painted in the brightest scarlet;
`T Is the lover, the musician,
And the meaning is, "My painting
Makes me powerful over others."
Then the figure seated, singing,
Playing on a drum of magic,
And the interpretation, "Listen!
`T Is my voice you hear, my singing!"
Then the same red figure seated
In the shelter of a wigwam,
And the meaning of the symbol,
"I will come and sit beside you
In the mystery of my passion!"
Then two figures, man and woman,
Standing hand in hand together
With their hands so clasped together
That they seemed in one united,
And the words thus represented
Are, "I see your heart within you,
And your cheeks are red with blushes!"
Next the maiden on an island,
In the centre of an Island;
And the song this shape suggested
Was, "Though you were at a distance,
Were upon some far-off island,
Such the spell I cast upon you,
Such the magic power of passion,
I could straightway draw you to me!"
Then the figure of the maiden
Sleeping, and the lover near her,
Whispering to her in her slumbers,
Saying, "Though you were far from me
In the land of Sleep and Silence,
Still the voice of love would reach you!"
And the last of all the figures
Was a heart within a circle,
Drawn within a magic circle;
And the image had this meaning:
"Naked lies your heart before me,
To your naked heart I whisper!"
Thus it was that Hiawatha,
In his wisdom, taught the people
All the mysteries of painting,
All the art of Picture-Writing,
On the smooth bark of the birch-tree,
On the white skin of the reindeer,
On the grave-posts of the village.
|
Written by
Eugene Field |
Away down East where I was reared amongst my Yankee kith,
There used to live a pretty girl whose name was Mary Smith;
And though it's many years since last I saw that pretty girl,
And though I feel I'm sadly worn by Western strife and whirl;
Still, oftentimes, I think about the old familiar place,
Which, someway, seemed the brighter for Miss Mary's pretty face,
And in my heart I feel once more revivified the glow
I used to feel in those old times when I was Mary's beau.
I saw her home from singing school--she warbled like a bird.
A sweeter voice than hers for song or speech I never heard.
She was soprano in the choir, and I a solemn bass,
And when we unisoned our voices filled that holy place;
The tenor and the alto never had the slightest chance,
For Mary's upper register made every heart-string dance;
And, as for me, I shall not brag, and yet I'd have you know
I sung a very likely bass when I was Mary's beau.
On Friday nights I'd drop around to make my weekly call,
And though I came to visit her, I'd have to see 'em all.
With Mary's mother sitting here and Mary's father there,
The conversation never flagged so far as I'm aware;
Sometimes I'd hold her worsted, sometimes we'd play at games,
Sometimes dissect the apples which we'd named each other's names.
Oh how I loathed the shrill-toned clock that told me when to go--
'Twas ten o'clock at half-past eight when I was Mary's beau.
Now there was Luther Baker--because he'd come of age
And thought himself some pumpkins because he drove the stage--
He fancied he could cut me out; but Mary was my friend--
Elsewise I'm sure the issue had had a tragic end.
For Luther Baker was a man I never could abide,
And, when it came to Mary, either he or I had died.
I merely cite this instance incidentally to show
That I was quite in earnest when I was Mary's beau.
How often now those sights, those pleasant sights, recur again:
The little township that was all the world I knew of then--
The meeting-house upon the hill, the tavern just beyond,
Old deacon Packard's general store, the sawmill by the pond,
The village elms I vainly sought to conquer in my quest
Of that surpassing trophy, the golden oriole's nest.
And, last of all those visions that come back from long ago,
The pretty face that thrilled my soul when I was Mary's beau.
Hush, gentle wife, there is no need a pang should vex your heart--
'T is many years since fate ordained that she and I should part;
To each a true, maturer love came in good time, and yet
It brought not with its nobler grace the power to forget.
And would you fain begrudge me now the sentimental joy
That comes of recollections of my sparkings when a boy?
I warrant me that, were your heart put to the rack,'t would show
That it had predilections when I was Mary's beau.
And, Mary, should these lines of mine seek out your biding place,
God grant they bring the old sweet smile back to your pretty face--
God grant they bring you thoughts of me, not as I am to-day,
With faltering step and brimming eyes and aspect grimly gray;
But thoughts that picture me as fair and full of life and glee
As we were in the olden times--as you shall always be.
Think of me ever, Mary, as the boy you used to know
When time was fleet, and life was sweet, and I was Mary's beau.
Dear hills of old New England, look down with tender eyes
Upon one little lonely grave that in your bosom lies;
For in that cradle sleeps a child who was so fair to see
God yearned to have unto Himself the joy she brought to me;
And bid your winds sing soft and low the song of other days,
When, hand in hand and heart to heart, we went our pleasant ways--
Ah me! but could I sing again that song of long ago,
Instead of this poor idle song of being Mary's beau.
|
Written by
G K Chesterton |
Are they clinging to their crosses,
F. E. Smith,
Where the Breton boat-fleet tosses,
Are they, Smith?
Do they, fasting, trembling, bleeding,
Wait the news from this our city?
Groaning "That's the Second Reading!"
Hissing "There is still Committee!"
If the voice of Cecil falters,
If McKenna's point has pith,
Do they tremble for their altars?
Do they, Smith?
Russian peasants round their pope
Huddled, Smith,
Hear about it all, I hope,
Don't they, Smith?
In the mountain hamlets clothing
Peaks beyond Caucasian pales,
Where Establishment means nothing
And they never heard of Wales,
Do they read it all in Hansard --
With a crib to read it with --
"Welsh Tithes: Dr. Clifford answered."
Really, Smith?
In the lands where Christians were,
F. E. Smith,
In the little lands laid bare,
Smith, O Smith!
Where the Turkish bands are busy
And the Tory name is blessed
Since they hailed the Cross of Dizzy
On the banners from the West!
Men don't think it half so hard if
Islam burns their kin and kith,
Since a curate lives in Cardiff
Saved by Smith.
It would greatly, I must own,
Soothe me, Smith!
If you left this theme alone,
Holy Smith!
For your legal cause or civil
You fight well and get your fee;
For your God or dream or devil
You will answer, not to me.
Talk about the pews and steeples
And the cash that goes therewith!
But the souls of Christian peoples...
Chuck it, Smith!
|
Written by
Robert William Service |
There's a race of men that don't fit in,
A race that can't stay still;
So they break the hearts of kith and kin,
And they roam the world at will.
They range the field and they rove the flood,
And they climb the mountain's crest;
Theirs is the curse of the gypsy blood,
And they don't know how to rest.
If they just went straight they might go far;
They are strong and brave and true;
But they're always tired of the things that are,
And they want the strange and new.
They say: "Could I find my proper groove,
What a deep mark I would make!"
So they chop and change, and each fresh move
Is only a fresh mistake.
And each forgets, as he strips and runs
With a brilliant, fitful pace,
It's the steady, quiet, plodding ones
Who win in the lifelong race.
And each forgets that his youth has fled,
Forgets that his prime is past,
Till he stands one day, with a hope that's dead,
In the glare of the truth at last.
He has failed, he has failed; he has missed his chance;
He has just done things by half.
Life's been a jolly good joke on him,
And now is the time to laugh.
Ha, ha! He is one of the Legion Lost;
He was never meant to win;
He's a rolling stone, and it's bred in the bone;
He's a man who won't fit in.
|
Written by
Dorothy Parker |
The day that I was christened-
It's a hundred years, and more!-
A hag came and listened
At the white church door,
A-hearing her that bore me
And all my kith and kin
Considerately, for me,
Renouncing sin.
While some gave me corals,
And some gave me gold,
And porringers, with morals
Agreeably scrolled,
The hag stood, buckled
In a dim gray cloak;
Stood there and chuckled,
Spat, and spoke:
"There's few enough in life'll
Be needing my help,
But I've got a trifle
For your fine young whelp.
I give her sadness,
And the gift of pain,
The new-moon madness,
And the love of rain."
And little good to lave me
In their holy silver bowl
After what she gave me-
Rest her soul!
|