Written by
John Keats |
As Hermes once took to his feathers light,
When lulled Argus, baffled, swooned and slept,
So on a Delphic reed, my idle spright
So played, so charmed, so conquered, so bereft
The dragon-world of all its hundred eyes;
And seeing it asleep, so fled away,
Not to pure Ida with its snow-cold skies,
Nor unto Tempe, where Jove grieved a day;
But to that second circle of sad Hell,
Where in the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows.
Pale were the sweet lips I saw,
Pale were the lips I kissed, and fair the form
I floated with, about that melancholy storm.
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Written by
Marilyn Hacker |
You happened to me.
I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I've ever been.
You were inside me like my pulse.
A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.
I don't want to remember you as that
four o'clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.
S.
dollar dived since you happened to me.
You've grown into your skin since then; you've grown
into the space you measure with someone
you can love back without a caveat.
While I love somebody I learn to live
with through the downpulled winter days' routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She'll never be a story I make up.
You were the one I didn't know where to stop.
If I had blamed you, now I could forgive
you, but what made my cold hand, back in prox-
imity to your hair, your mouth, your mind,
want where it no way ought to be, defined
by where it was, and was and was until
the whole globed swelling liquefied and spilled
through one cheek's nap, a syllable, a tear,
was never blame, whatever I wished it were.
You were the weather in my neighborhood.
You were the epic in the episode.
You were the year poised on the equinox.
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Written by
Ogden Nash |
O all ye exorcizers come and exorcize now, and ye clergymen draw nigh and clerge, For I wish to be purged of an urge.
It is an irksome urge, compounded of nettles and glue, And it is turning all my friends back into acquaintances, and all my acquaintances into people who look the other way when I heave into view.
It is an indication that my mental buttery is butterless and my mental larder lardless, And it consists not of "Stop me if you've heard this one," but of "I know you've heard this one because I told it to you myself, but I'm going to tell it to you again regardless," Yes I fear I am living beyond my mental means.
When I realize that it is not only anecdotes that I reiterate but what is far worse, summaries of radio programs and descriptions of caroons in newspapers and magazines.
I want to resist but I cannot resist recounting the bright sayins of celebrities that everybody already is familiar with every word of; I want to refrain but cannot refrain from telling the same audience on two successive evenings the same little snatches of domestic gossip about people I used to know that they have never heard of.
When I remember some titlating episode of my childhood I figure that if it's worth narrating once it's worth narrating twice, in spite of lackluster eyes and dropping jaws, And indeed I have now worked my way backward from titllating episodes in my own childhood to titillating episodes in the childhood of my parents or even my parents-in-laws, And what really turns my corpuscles to ice, I carry around clippings and read them to people twice.
And I know what I am doing while I am doing it and I don't want to do it but I can't help doing it and I am just another Ancient Mariner, And the prospects for my future social life couldn't possibly be barrener.
Did I tell you that the prospects for my future social life couldn't be barrener?
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Written by
Eugene Field |
The Blue Horizon wuz a mine us fellers all thought well uv,
And there befell the episode I now perpose to tell uv;
'T wuz in the year uv sixty-nine,--somewhere along in summer,--
There hove in sight one afternoon a new and curious comer;
His name wuz Silas Pettibone,--a' artist by perfession,--
With a kit of tools and a big mustache and a pipe in his possession.
He told us, by our leave, he 'd kind uv like to make some sketches
Uv the snowy peaks, 'nd the foamin' crick, 'nd the distant mountain
stretches;
"You're welkim, sir," sez we, although this scenery dodge seemed to us
A waste uv time where scenery wuz already sooper-floo-us.
All through the summer Pettibone kep' busy at his sketchin',--
At daybreak off for Eagle Pass, and home at nightfall, fetchin'
That everlastin' book uv his with spider-lines all through it;
Three-Fingered Hoover used to say there warn't no meanin' to it.
"Gol durn a man," sez he to him, "whose shif'less hand is sot at
A-drawin' hills that's full uv quartz that's pinin' to be got at!"
"Go on," sez Pettibone, "go on, if joshin' gratifies ye;
But one uv these fine times I'll show ye sumthin' will surprise ye!"
The which remark led us to think--although he didn't say it--
That Pettibone wuz owin' us a gredge 'nd meant to pay it.
One evenin' as we sat around the Restauraw de Casey,
A-singin' songs 'nd tellin' yarns the which wuz sumwhat racy,
In come that feller Pettibone, 'nd sez, "With your permission,
I'd like to put a picture I have made on exhibition.
"
He sot the picture on the bar 'nd drew aside its curtain,
Sayin', "I reckon you'll allow as how that's art, f'r certain!"
And then we looked, with jaws agape, but nary word wuz spoken,
And f'r a likely spell the charm uv silence wuz unbroken--
Till presently, as in a dream, remarked Three-Fingered Hoover:
"Onless I am mistaken, this is Pettibone's shef doover!"
It wuz a face--a human face--a woman's, fair 'nd tender--
Sot gracefully upon a neck white as a swan's, and slender;
The hair wuz kind uv sunny, 'nd the eyes wuz sort uv dreamy,
The mouth wuz half a-smilin', 'nd the cheeks wuz soft 'nd creamy;
It seemed like she wuz lookin' off into the west out yonder,
And seemed like, while she looked, we saw her eyes grow softer, fonder,--
Like, lookin' off into the west, where mountain mists wuz fallin',
She saw the face she longed to see and heerd his voice a-callin';
"Hooray!" we cried,--"a woman in the camp uv Blue Horizon!
Step right up, Colonel Pettibone, 'nd nominate your pizen!"
A curious situation,--one deservin' uv your pity,--
No human, livin', female thing this side of Denver City!
But jest a lot uv husky men that lived on sand 'nd bitters,--
Do you wonder that that woman's face consoled the lonesome critters?
And not a one but what it served in some way to remind him
Of a mother or a sister or a sweetheart left behind him;
And some looked back on happier days, and saw the old-time faces
And heerd the dear familiar sounds in old familiar places,--
A gracious touch of home.
"Look here," sez Hoover, "ever'body
Quit thinkin' 'nd perceed at oncet to name his favorite toddy!"
It wuzn't long afore the news had spread the country over,
And miners come a-flockin' in like honey-bees to clover;
It kind uv did 'em good, they said, to feast their hungry eyes on
That picture uv Our Lady in the camp uv Blue Horizon.
But one mean cuss from ****** Crick passed criticisms on 'er,--
Leastwise we overheerd him call her Pettibone's madonner,
The which we did not take to be respectful to a lady,
So we hung him in a quiet spot that wuz cool 'nd dry 'nd shady;
Which same might not have been good law, but it wuz the right manoeuvre
To give the critics due respect for Pettibone's shef doover.
Gone is the camp,--yes, years ago the Blue Horizon busted,
And every mother's son uv us got up one day 'nd dusted,
While Pettibone perceeded East with wealth in his possession,
And went to Yurrup, as I heerd, to study his perfession;
So, like as not, you'll find him now a-paintin' heads 'nd faces
At Venus, Billy Florence, and the like I-talyun places.
But no sech face he'll paint again as at old Blue Horizon,
For I'll allow no sweeter face no human soul sot eyes on;
And when the critics talk so grand uv Paris 'nd the Loover,
I say, "Oh, but you orter seen the Pettibone shef doover!"
|
Written by
Conrad Aiken |
THE HOUSE OF DUST
A Symphony
BY
CONRAD AIKEN
To Jessie
NOTE
.
.
.
Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review".
.
.
.
I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.
This text comes from the source available at
Project Gutenberg, originally prepared by Judy Boss
of Omaha, NE.
|
Written by
Ellis Parker Butler |
Whenas—(I love that “whenas” word—
It shows I am a poet, too,)
Q.
Horace Flaccus gaily stirred
The welkin with his tra-la-loo,
He little thought one donkey’s back
Would carry thus a double load—
Father and son upon one jack,
Galumphing down the Tibur Road.
II
Old is the tale—Aesop’s, I think—
Of that famed miller and his son
Whose fortunes were so “on the blink”
They had one donk, and only one;
You know the tale—the critic’s squawk
(As pater that poor ass bestrode)—
“Selfish! To make thy fine son walk!”
Perhaps that was on Tibur Road?
III
You will recall how dad got down
And made the son the ass bestride:—
The critics shouted with a frown:
“Shame, boy! pray let thy father ride!”
Up got the dad beside the son;
The donkey staggered with the load
“Poor donk! For shame!” cried every one
That walked the (was it?) Tibur Road.
IV
You know the end! Upon their backs
Daddy and son with much ado
Boosted that most surprised of jacks,—
He kicked, and off the bridge he flew;
“He! haw!” A splash! A gurgling sound—
A long, last watery abode—
In Anio’s stream the donk was drowned—
(If this occurred on Tibur Road.
)
V
Let Donkey represent the Odes;
The Miller represent G.
M.
;
The Son stand for G.
F.
; the loads
Of Critics—I will do for them.
Now, then, this proposition made,
(And my bum verses “Ah’d” and “Oh’d!”).
What Q.
E.
D.
can be displayed
Anent this “On the Tibur Road”?
VI
First, Horry’s dead and he don’t care,
So cancel him, and let him snore;
His Donkey has been raised in air
So oft he’s tough and calloused o’er;
Our Miller—dusty-headed man—
Follows the best donk-boosting code:
Our Son—dispute it no one can—
Sings gaily down the Tibur Road.
VII
This, then, must be this Critic’s scream:—
The donk was boosted well and high,
And, ergo! falling in the stream,
Isn’t and ain’t and can’t be dry;
Nor is your book.
Which is to say
It is no gloomy episode—
You’ve made a dead donk sweetly bray,
And joyful is the Tibur Road.
|
Written by
Andrew Barton Paterson |
The sun strikes down with a blinding glare;
The skies are blue and the plains are wide,
The saltbush plains that are burnt and bare
By Walgett out on the Barwon side --
The Barwon River that wanders down
In a leisurely manner by Walgett Town.
There came a stranger -- a "Cockatoo" --
The word means farmer, as all men know,
Who dwell in the land where the kangaroo
Barks loud at dawn, and the white-eyed crow
Uplifts his song on the stock-yard fence
As he watches the lambkins passing hence.
The sunburnt stranger was gaunt and brown,
But it soon appeared that he meant to flout
The iron law of the country town,
Which is -- that the stranger has got to shout:
"If he will not shout we must take him down,"
Remarked the yokels of Walgett Town.
They baited a trap with a crafty bait,
With a crafty bait, for they held discourse
Concerning a new chum who there of late
Had bought such a thoroughly lazy horse;
They would wager that no one could ride him down
The length of the city of Walgett Town.
The stranger was born on a horse's hide;
So he took the wagers, and made them good
With his hard-earned cash -- but his hopes they died,
For the horse was a clothes-horse, made of wood! --
'Twas a well-known horse that had taken down
Full many a stranger in Walgett Town.
The stranger smiled with a sickly smile --
'Tis a sickly smile that the loser grins --
And he said he had travelled for quite a while
A-trying to sell some marsupial skins.
"And I thought that perhaps, as you've took me down,
You would buy them from me, in Walgett Town!"
He said that his home was at Wingalee,
At Wingalee, where he had for sale
Some fifty skins and would guarantee
They were full-sized skins, with the ears and tail
Complete; and he sold them for money down
To a venturesome buyer in Walgett Town.
Then he smiled a smile as he pouched the pelf,
"I'm glad that I'm quit of them, win or lose:
You can fetch them in when it suits yourself,
And you'll find the skins -- on the kangaroos!"
Then he left -- and the silence settled down
Like a tangible thing upon Walgett Town.
|
Written by
Eugene Field |
Little All-Aloney's feet
Pitter-patter in the hall,
And his mother runs to meet
And to kiss her toddling sweet,
Ere perchance he fall.
He is, oh, so weak and small!
Yet what danger shall he fear
When his mother hovereth near,
And he hears her cheering call:
"All-Aloney"?
Little All-Aloney's face
It is all aglow with glee,
As around that romping-place
At a terrifying pace
Lungeth, plungeth he!
And that hero seems to be
All unconscious of our cheers -
Only one dear voice he hears
Calling reassuringly:
"All-Aloney!"
Though his legs bend with their load,
Though his feet they seem so small
That you cannot help forebode
Some disastrous episode
In that noisy hall,
Neither threatening bump nor fall
Little All-Aloney fears,
But with sweet bravado steers
Whither comes that cheery call:
"All-Aloney!"
Ah, that in the years to come,
When he shares of Sorrow's store, -
When his feet are chill and numb,
When his cross is burdensome,
And his heart is sore:
Would that he could hear once more
The gentle voice he used to hear -
Divine with mother love and cheer -
Calling from yonder spirit shore:
"All, all alone!"
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