Written by
Gerard Manley Hopkins |
Elected Silence, sing to me
And beat upon my whorlèd ear,
Pipe me to pastures still and be
The music that I care to hear.
Shape nothing, lips; be lovely-dumb:
It is the shut, the curfew sent
From there where all surrenders come
Which only makes you eloquent.
Be shellèd, eyes, with double dark
And find the uncreated light:
This ruck and reel which you remark
Coils, keeps, and teases simple sight.
Palate, the hutch of tasty lust,
Desire not to be rinsed with wine:
The can must be so sweet, the crust
So fresh that come in fasts divine!
Nostrils, your careless breath that spend
Upon the stir and keep of pride,
What relish shall the censers send
Along the sanctuary side!
O feel-of-primrose hands, O feet
That want the yield of plushy sward,
But you shall walk the golden street
And you unhouse and house the Lord.
And, Poverty, be thou the bride
And now the marriage feast begun,
And lily-coloured clothes provide
Your spouse not laboured-at nor spun.
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Written by
Sidney Lanier |
I.
The storm that snapped our fate's one ship in twain
Hath blown my half o' the wreck from thine apart.
O Love! O Love! across the gray-waved main
To thee-ward strain my eyes, my arms, my heart.
I ask my God if e'en in His sweet place,
Where, by one waving of a wistful wing,
My soul could straightway tremble face to face
With thee, with thee, across the stellar ring --
Yea, where thine absence I could ne'er bewail
Longer than lasts that little blank of bliss
When lips draw back, with recent pressure pale,
To round and redden for another kiss --
Would not my lonesome heart still sigh for thee
What time the drear kiss-intervals must be?
II.
So do the mottled formulas of Sense
Glide snakewise through our dreams of Aftertime;
So errors breed in reeds and grasses dense
That bank our singing rivulets of rhyme.
By Sense rule Space and Time; but in God's Land
Their intervals are not, save such as lie
Betwixt successive tones in concords bland
Whose loving distance makes the harmony.
Ah, there shall never come 'twixt me and thee
Gross dissonances of the mile, the year;
But in the multichords of ecstasy
Our souls shall mingle, yet be featured clear,
And absence, wrought to intervals divine,
Shall part, yet link, thy nature's tone and mine.
III.
Look down the shining peaks of all my days
Base-hidden in the valleys of deep night,
So shalt thou see the heights and depths of praise
My love would render unto love's delight;
For I would make each day an Alp sublime
Of passionate snow, white-hot yet icy-clear,
-- One crystal of the true-loves of all time
Spiring the world's prismatic atmosphere;
And I would make each night an awful vale
Deep as thy soul, obscure as modesty,
With every star in heaven trembling pale
O'er sweet profounds where only Love can see.
Oh, runs not thus the lesson thou hast taught? --
When life's all love, 'tis life: aught else, 'tis naught.
IV.
Let no man say, `He at his lady's feet
Lays worship that to Heaven alone belongs;
Yea, swings the incense that for God is meet
In flippant censers of light lover's songs.'
Who says it, knows not God, nor love, nor thee;
For love is large as is yon heavenly dome:
In love's great blue, each passion is full free
To fly his favorite flight and build his home.
Did e'er a lark with skyward-pointing beak
Stab by mischance a level-flying dove?
Wife-love flies level, his dear mate to seek:
God-love darts straight into the skies above.
Crossing, the windage of each other's wings
But speeds them both upon their journeyings.
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Written by
Amy Lowell |
First Movement
Thin-voiced, nasal pipes
Drawing sound out and out
Until it is a screeching thread,
Sharp and cutting, sharp and cutting,
It hurts.
Whee-e-e!
Bump! Bump! Tong-ti-bump!
There are drums here,
Banging,
And wooden shoes beating the round, grey stones
Of the market-place.
Whee-e-e!
Sabots slapping the worn, old stones,
And a shaking and cracking of dancing bones;
Clumsy and hard they are,
And uneven,
Losing half a beat
Because the stones are slippery.
Bump-e-ty-tong! Whee-e-e! Tong!
The thin Spring leaves
Shake to the banging of shoes.
Shoes beat, slap,
Shuffle, rap,
And the nasal pipes squeal with their pigs' voices,
Little pigs' voices
Weaving among the dancers,
A fine white thread
Linking up the dancers.
Bang! Bump! Tong!
Petticoats,
Stockings,
Sabots,
Delirium flapping its thigh-bones;
Red, blue, yellow,
Drunkenness steaming in colours;
Red, yellow, blue,
Colours and flesh weaving together,
In and out, with the dance,
Coarse stuffs and hot flesh weaving together.
Pigs' cries white and tenuous,
White and painful,
White and --
Bump!
Tong!
Second Movement
Pale violin music whiffs across the moon,
A pale smoke of violin music blows over the moon,
Cherry petals fall and flutter,
And the white Pierrot,
Wreathed in the smoke of the violins,
Splashed with cherry petals falling, falling,
Claws a grave for himself in the fresh earth
With his finger-nails.
Third Movement
An organ growls in the heavy roof-groins of a church,
It wheezes and coughs.
The nave is blue with incense,
Writhing, twisting,
Snaking over the heads of the chanting priests.
`Requiem aeternam dona ei, Domine';
The priests whine their bastard Latin
And the censers swing and click.
The priests walk endlessly
Round and round,
Droning their Latin
Off the key.
The organ crashes out in a flaring chord,
And the priests hitch their chant up half a tone.
`Dies illa, dies irae,
Calamitatis et miseriae,
Dies magna et amara valde.'
A wind rattles the leaded windows.
The little pear-shaped candle flames leap and flutter,
`Dies illa, dies irae;'
The swaying smoke drifts over the altar,
`Calamitatis et miseriae;'
The shuffling priests sprinkle holy water,
`Dies magna et amara valde;'
And there is a stark stillness in the midst of them
Stretched upon a bier.
His ears are stone to the organ,
His eyes are flint to the candles,
His body is ice to the water.
Chant, priests,
Whine, shuffle, genuflect,
He will always be as rigid as he is now
Until he crumbles away in a dust heap.
`Lacrymosa dies illa,
Qua resurget ex favilla
Judicandus *****reus.'
Above the grey pillars the roof is in darkness.
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Written by
Vachel Lindsay |
A BROADSIDE DISTRIBUTED IN SPRINGFIELD, ILLINOIS
Censers are swinging,
Over the town;
Censers are swinging,
Look overhead!
Censers are swinging,
Heaven comes down.
City, dead city,
Awake from the dead!
Censers, tremendous,
Gleam overhead.
Wind-harps are ringing,
Wind-harps unseen—
Calling and calling:—
"Wake from the dead.
Rise, little city,
Shine like a queen."
Soldiers of Christ
For battle grow keen.
Heaven-sent winds
Haunt alley and lane.
Singing of life
In town-meadows green
After the toil
And battle and pain.
Incense is pouring
Like the spring rain
Down on the mob
That moil through the street.
Blessed are they
Who behold it and gain
Power made more mighty
Thro' every defeat.
Builders, toil on.
Make all complete.
Make Springfield wonderful.
Make her renown
Worthy this day,
Till, at God's feet,
Tranced, saved forever,
Waits the white town.
Censers are swinging
Over the town,
Censers gigantic!
Look overhead!
Hear the winds singing:—
"Heaven comes down.
City, dead city,
Awake from the dead."
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Written by
Paul Laurence Dunbar |
Men may sing of their Havanas, elevating to the stars
The real or fancied virtues of their foreign-made cigars;[Pg 130]
But I worship Nicotina at a different sort of shrine,
And she sits enthroned in glory in this corn-cob pipe of mine.
It 's as fragrant as the meadows when the clover is in bloom;
It 's as dainty as the essence of the daintiest perfume;
It 's as sweet as are the orchards when the fruit is hanging ripe,
With the sun's warm kiss upon them—is this corn-cob pipe.
Thro' the smoke about it clinging, I delight its form to trace,
Like an oriental beauty with a veil upon her face;
And my room is dim with vapour as a church when censers sway,
As I clasp it to my bosom—in a figurative way.
It consoles me in misfortune and it cheers me in distress,
And it proves a warm partaker of my pleasures in success;
So I hail it as a symbol, friendship's true and worthy type,
And I press my lips devoutly to my corn-cob pipe.
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Written by
Robert Herrick |
When with the virgin morning thou dost rise,
Crossing thyself come thus to sacrifice;
First wash thy heart in innocence; then bring
Pure hands, pure habits, pure, pure every thing.
Next to the altar humbly kneel, and thence
Give up thy soul in clouds of frankincense.
Thy golden censers fill'd with odours sweet
Shall make thy actions with their ends to meet.
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