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The Untold Story of a Sitar 3
The Untold story of a Sitar Part 3 Concluded . A soothing musical note Was coming out and floating In the air In that White coated Old auditorium Of a different era Which was so alive before me As if I was a guest listener Of its vibrant musical lore’s Now being produced for the Listeners of that gathering By Tan In her exclusive style I have never witnessed before. 22 . And the girl Tan Was playing and playing Forgetting everything Which was there in the surrounding of her With many gazing eyes and eager ears Who were too keen to feast their eyes Whenever they get any chance to see her face To relish the sparking beauty of that artist Tan. 23 . These listeners were restlessly waiting For the climax Of that classical Raga Bholali* She was playing On her charming Sitar With a flute to accompany her In its heart fetching melodious voice. 24 . That beautiful young girl Tan Was still creating in the air A magical effect For all those melody hungry ears And the music listeners Were listening that performance In a pin drop silence. 25 . The strings of Sitar With the sound of Flute were creating Their enchanting notes Making the listeners almost Drowsy as if they had drank An intoxicating drink Which was dear to Lord Shiva* Or the heavenly wine Prepared by Bacchus. 26 . She kept on playing And producing that magic Among the galaxy of music lovers Who used to gather quite often To enjoy the enchanting voices and instruments Of singers and musicians In that wonderful small auditorium Which was created only For listening The music performances Of artists like Tan and others . 27 In that era when When the world was not So close to each other When hearts were more endowed With love and passion For music, songs and sightseeing and knowledge Which was dwelling in almost every Vibrant heart I was watching that grand show As an unknown and invisible spectator. 28 . Suddenly a strange fellow Came on the Dias Who was dressed very elegantly But behaved like a rustic He made almost a hit On the neck of that Sitar And caught and almost pulled The right arm of Tan all of a sudden. In doing so he not only broken The delicate upper wooden stem And strings of Sitar But even wounded The soft and beautiful right hand of Tan While damaging the Sitar And many of its strings. 29 That tall and good looking man In his beastly stroke Not only gave a jolt to that Beautiful girl But he even spoiled The evening of all those Who had gathered there To relish the beauty and magic Of her performances As the target of this young intruder Was the innocent lady Tan only Who was the main attraction and charm Of that pleasant and wonderful evening. 30 . Before Even anyone could have understood What was the intension Of that decent looking rustic He dragged the musician To the other side gate of that hall While leaving the Sitar In that broken condition On the floor of that small auditorium. 31 . Everyone was shocked and bewildered By that sudden jolt and break Which had destroyed completely The rhythms and flow of that great musical evening. 32 . It was like depriving suddenly Someone very thirsty When only a part of some cool and refreshing water Had gone down his throat In the form of that music magic Which she was creating on the Dias. 33 . The strange thing was The more she played on Sitar with Flute A deeper thirst was awakening among listeners For that music and all those sounds She and her flute partner were creating In everyone’s heart. 34 Watching that scene As an uncalled and unseen visitor I tried to knew by listening The voices of the people Who were enjoying that music In a pin drop scilence I had never witnessed before. 35 . One of them was saying “Oh He is the Prince of our State The young Raja Saheb* He seems to have returned From his foreign trip After nearly a year And appears to be not in his senses When he dragged his young and beautiful wife From the Dias Like she was not human But a toy of his Palace. 36 . “Everyone knows here That he never tolerates His wife giving any stage performances Among the gathering Of common men and women” And his earlier wife too had to commit suicide For these reasons only. 37 . A lady of that gathering was saying “He is an insane fellow He would take the life Of his charming wife once again Only because She had given a public performance Of her music in his absence.” 38 . I was stunned to hear all that When suddenly I felt, as if I had awakened from a nap And whatever I saw was only a dream As there was no girl like Tan And no auditorium which was breathing so alive Only few minutes ago in my dream And the girl Tan too was not visible anywhere. 39 . The only thing I could see and feel Was my Sitar With its new rejuvenated look Which was still lying before me Inviting me to play its strings To produce once again Some simple basic Surs* Like SA RE GA MA PA DHA NI SA Or Do Ray Me Fa La Ti Doe . 40 Ravindra Kanpur 25th April 2016 Raag* A raga uses a series of five to nine musical notes upon which a melody is constructed. However, the way the notes are approached and rendered in musical phrases and the mood they convey are more important in defining a raga than the notes themselves. In the Indian musical tradition, ragas are associated with different times of the day, or with seasons.
Copyright © 2024 Ravindra K Kapoor. All Rights Reserved

Book: Shattered Sighs