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Variations On the Malay Pantun: the Old Man and the Short Story - Vii-Ix
Variations on the Malay Pantun : The Old Man and the Short Story - VII-IX Continued for Georges VOISSET, the "Master Keeper-Nurturer" of the Malay Pantun Check out: www.stateless.mysite.com/Pantouns-20-Aout-2017.pdf (The pantun line varies between 8 and 12 syllables and is most commonly found in the anonymous quatrain form. Cf " Poietics of the Pantun ", pp. 49-67 in T. Wignesan. Sporadic Striving amid Echoed Voices, Mirrored Images and Stereotypic Posturing in Malaysian-Singaporean Literatures. Allahabad : Cyberwit, 2008, xix-244p.) VII The One-Act Play's the favourite Old Men's roman fleuve Experience shows Old Men how to keep the Wench in hell They know how to stoke the Imagination with love They need no how-to softwares to write a novel VIII The One-Act Play they say is still Old Men's mainstay Though on Freytag's Triangle they slip down climax The Wench cannot make Old Men still come up their way Not so the Youngster his horns gore Wench's false syntax IX The Wench always seeks to milk Old Men in side-burns Old Men know One-Act Plays don't box-office burgeon Nor drips invested in banks ensure big returns Not so the Youngster who banks his bit in oven © T. Wignesan - Paris, November 11, 2018
Copyright © 2024 T Wignesan. All Rights Reserved

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