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Variations On the Malay Pantun: the Old Man and the Short Story
Variations on the Malay Pantun : The Old Man and the Short Story for Georges VOISSET, the "Master Keeper-Nurturer" of the Malay Pantun Check out: www.stateless.mysite.com/Pantouns-20-Aout-2017.pdf (The pantun line varies between 8 and 12 syllables and is most commonly found in the anonymous quatrain form. Cf " Poietics of the Pantun ", pp. 49-67 in T. Wignesan. Sporadic Striving amid Echoed Voices, Mirrored Images and Stereotypic Posturing in Malaysian-Singaporean Literatures. Allahabad : Cyberwit, 2008, xix-244p.) I The Old Man often stops by the hedge or dark bush His back to the World, the Youngster can hold his own The short story is written through spurts in a rush Not so the novel which calls for much breath word blown II The poem most write confines itself to the page Cousin brother to the short story told in a day Old Men take less time to leave the Wench in a rage Not so the Youngster whose novels always end gay III Plays are staged with intervals peer to the novel Essays take longer to read than the short story The Wench smokes cigarettes waiting to stoke yell Not so the Youngster whose next essay's more gory © T. Wignesan - Paris, November 9, 2018
Copyright © 2024 T Wignesan. All Rights Reserved

Book: Shattered Sighs