Written by
Eavan Boland |
—and not simply by the fact that this shading of
forest cannot show the fragrance of balsam,
the gloom of cypresses,
is what I wish to prove.
When you and I were first in love we drove
to the borders of Connacht
and entered a wood there.
Look down you said: this was once a famine road.
I looked down at ivy and the scutch grass
rough-cast stone had
disappeared into as you told me
in the second winter of their ordeal, in
1847, when the crop had failed twice,
Relief Committees gave
the starving Irish such roads to build.
Where they died, there the road ended
and ends still and when I take down
the map of this island, it is never so
I can say here is
the masterful, the apt rendering of
the spherical as flat, nor
an ingenious design which persuades a curve
into a plane,
but to tell myself again that
the line which says woodland and cries hunger
and gives out among sweet pine and cypress,
and finds no horizon
will not be there.
|
Written by
W. E. B. Du Bois |
I am dead;
Yet somehow, somewhere,
In Time's weird contradiction, I
May tell of that dread deed, wherewith
I brought to Children of the Moon
Freedom and vast salvation.
I was a woman born,
And trod the streaming street,
That ebbs and flows from Harlem's hills,
Through caves and cañons limned in light,
Down to the twisting sea.
That night of nights,
I stood alone and at the End,
Until the sudden highway to the moon,
Golden in splendor,
Became too real to doubt.
Dimly I set foot upon the air,
I fled, I flew, through the thrills of light,
With all about, above, below, the whirring
Of almighty wings.
I found a twilight land,
Where, hardly hid, the sun
Sent softly-saddened rays of
Red and brown to burn the iron soil
And bathe the snow-white peaks
In mighty splendor.
Black were the men,
Hard-haired and silent-slow,
Moving as shadows,
Bending with face of fear to earthward;
And women there were none.
"Woman, woman, woman!"
I cried in mounting terror.
"Woman and Child!"
And the cry sang back
Through heaven, with the
Whirring of almighty wings.
Wings, wings, endless wings,—
Heaven and earth are wings;
Wings that flutter, furl, and fold,
Always folding and unfolding,
Ever folding yet again;
Wings, veiling some vast
And veiléd face,
In blazing blackness,
Behind the folding and unfolding,
The rolling and unrolling of
Almighty wings!
I saw the black men huddle,
Fumed in fear, falling face downward;
Vainly I clutched and clawed,
Dumbly they cringed and cowered,
Moaning in mournful monotone:
O Freedom, O Freedom,
O Freedom over me;
Before I'll be a slave,
I'll be buried in my grave,
And go home to my God,
And be free.
It was angel-music
From the dead,
And ever, as they sang,
Some wingéd thing of wings, filling all heaven,
Folding and unfolding, and folding yet again,
Tore out their blood and entrails,
'Til I screamed in utter terror;
And a silence came—
A silence and the wailing of a babe.
Then, at last, I saw and shamed;
I knew how these dumb, dark, and dusky things
Had given blood and life,
To fend the caves of underground,
The great black caves of utter night,
Where earth lay full of mothers
And their babes.
Little children sobbing in darkness,
Little children crying in silent pain,
Little mothers rocking and groping and struggling,
Digging and delving and groveling,
Amid the dying-dead and dead-in-life
And drip and dripping of warm, wet blood,
Far, far beneath the wings,—
The folding and unfolding of almighty wings.
I bent with tears and pitying hands,
Above these dusky star-eyed children,—
Crinkly-haired, with sweet-sad baby voices,
Pleading low for light and love and living—
And I crooned:
"Little children weeping there,
God shall find your faces fair;
Guerdon for your deep distress,
He shall send His tenderness;
For the tripping of your feet
Make a mystic music sweet
In the darkness of your hair;
Light and laughter in the air—
Little children weeping there,
God shall find your faces fair!"
I strode above the stricken, bleeding men,
The rampart 'ranged against the skies,
And shouted:
"Up, I say, build and slay;
Fight face foremost, force a way,
Unloose, unfetter, and unbind;
Be men and free!"
Dumbly they shrank,
Muttering they pointed toward that peak,
Than vastness vaster,
Whereon a darkness brooded,
"Who shall look and live," they sighed;
And I sensed
The folding and unfolding of almighty wings.
Yet did we build of iron, bricks, and blood;
We built a day, a year, a thousand years,
Blood was the mortar,—blood and tears,
And, ah, the Thing, the Thing of wings,
The wingéd, folding Wing of Things
Did furnish much mad mortar
For that tower.
Slow and ever slower rose the towering task,
And with it rose the sun,
Until at last on one wild day,
Wind-whirled, cloud-swept and terrible
I stood beneath the burning shadow
Of the peak,
Beneath the whirring of almighty wings,
While downward from my feet
Streamed the long line of dusky faces
And the wail of little children sobbing under earth.
Alone, aloft,
I saw through firmaments on high
The drama of Almighty God,
With all its flaming suns and stars.
"Freedom!" I cried.
"Freedom!" cried heaven, earth, and stars;
And a Voice near-far,
Amid the folding and unfolding of almighty wings,
Answered, "I am Freedom—
Who sees my face is free—
He and his."
I dared not look;
Downward I glanced on deep-bowed heads and closed eyes,
Outward I gazed on flecked and flaming blue—
But ever onward, upward flew
The sobbing of small voices,—
Down, down, far down into the night.
Slowly I lifted livid limbs aloft;
Upward I strove: the face! the face!
Onward I reeled: the face! the face!
To beauty wonderful as sudden death,
Or horror horrible as endless life—
Up! Up! the blood-built way;
(Shadow grow vaster!
Terror come faster!)
Up! Up! to the blazing blackness
Of one veiléd face.
And endless folding and unfolding,
Rolling and unrolling of almighty wings.
The last step stood!
The last dim cry of pain
Fluttered across the stars,
And then—
Wings, wings, triumphant wings,
Lifting and lowering, waxing and waning,
Swinging and swaying, twirling and whirling,
Whispering and screaming, streaming and gleaming,
Spreading and sweeping and shading and flaming—
Wings, wings, eternal wings,
'Til the hot, red blood,
Flood fleeing flood,
Thundered through heaven and mine ears,
While all across a purple sky,
The last vast pinion.
Trembled to unfold.
I rose upon the Mountain of the Moon,—
I felt the blazing glory of the Sun;
I heard the Song of Children crying, "Free!"
I saw the face of Freedom—
And I died.
|
Written by
Mark Doty |
Glassmakers,
at century's end,
compounded metallic lusters
in reference
to natural sheens (dragonfly
and beetle wings,
marbled light on kerosene)
and invented names
as coolly lustrous
as their products'
scarab-gleam: Quetzal,
Aurene, Favrile.
Suggesting,
respectively, the glaze
of feathers,
that sun-shot fog
of which halos
are composed,
and -- what?
What to make of Favrile,
Tiffany's term
for his coppery-rose
flushed with gold
like the alchemized
atmosphere of sunbeams
in a Flemish room?
Faux Moorish,
fake Japanese,
his lamps illumine
chiefly themselves,
copying waterlilies'
bronzy stems,
wisteria or trout scales;
surfaces burnished
like a tidal stream
on which an excitation
of minnows boils
and blooms, artifice
made to show us
the lavish wardrobe
of things, the world's
glaze of appearances
worked into the thin
and gleaming stuff
of craft. A story:
at the puppet opera
--where one man animated
the entire cast
while another ghosted
the voices, basso
to coloratura -- Jimmy wept
at the world of tiny gestures,
forgot, he said,
these were puppets,
forgot these wire
and plaster fabrications
were actors at all,
since their pretense
allowed the passions
released to be--
well, operatic.
It's too much,
to be expected to believe;
art's a mercuried sheen
in which we may discern,
because it is surface,
clear or vague
suggestions of our depths,
Don't we need a word
for the luster
of things which insist
on the fact they're made,
which announce
their maker's bravura?
Favrile, I'd propose,
for the perfect lamp,
too dim and strange
to help us read.
For the kimono woven,
dipped in dyes, unraveled
and loomed again
that the pattern might take on
a subtler shading
For the sonnet's
blown-glass sateen,
for bel canto,
for Faberge
For everything
which begins in limit
(where else might our work
begin?) and ends in grace,
or at least extravagance.
For the silk sleeves
of the puppet queen,
held at a ravishing angle
over her puppet lover slain,
for her lush vowels
mouthed by the plain man
hunched behind the stage.
|
Written by
Robert William Service |
Because my overcoat's in pawn,
I choose to take my glass
Within a little bistro on
The rue du Montparnasse;
The dusty bins with bottles shine,
The counter's lined with zinc,
And there I sit and drink my wine,
And think and think and think.
I think of hoary old Stamboul,
Of Moslem and of Greek,
Of Persian in coat of wool,
Of Kurd and Arab sheikh;
Of all the types of weal and woe,
And as I raise my glass,
Across Galata bridge I know
They pass and pass and pass.
I think of citron-trees aglow,
Of fan-palms shading down,
Of sailors dancing heel and toe
With wenches black and brown;
And though it's all an ocean far
From Yucatan to France,
I'll bet beside the old bazaar
They dance and dance and dance.
I think of Monte Carlo, where
The pallid croupiers call,
And in the gorgeous, guilty air
The gamblers watch the ball;
And as I flick away the foam
With which my beer is crowned,
The wheels beneath the gilded dome
Go round and round and round.
I think of vast Niagara,
Those gulfs of foam a-shine,
Whose mighty roar would stagger a
More prosy bean than mine;
And as the hours I idly spend
Against a greasy wall,
I know that green the waters bend
And fall and fall and fall.
I think of Nijni Novgorod
And Jews who never rest;
And womenfolk with spade and hod
Who slave in Buda-Pest;
Of squat and sturdy Japanese
Who pound the paddy soil,
And as I loaf and smoke at ease
They toil and toil and toil.
I think of shrines in Hindustan,
Of cloistral glooms in Spain,
Of minarets in Ispahan,
Of St. Sophia's fane,
Of convent towers in Palestine,
Of temples in Cathay,
And as I stretch and sip my wine
They pray and pray and pray.
And so my dreams I dwell within,
And visions come and go,
And life is passing like a Cin-
Ematographic Show;
Till just as surely as my pipe
Is underneath my nose,
Amid my visions rich and ripe
I doze and doze and doze.
|
Written by
Robert William Service |
I have some friends, some worthy friends,
And worthy friends are rare:
These carpet slippers on my feet,
That padded leather chair;
This old and shabby dressing-gown,
So well the worse of wear.
I have some friends, some honest friends,
And honest friends are few;
My pipe of briar, my open fire,
A book that's not too new;
My bed so warm, the nights of storm
I love to listen to.
I have some friends, some good, good friends,
Who faithful are to me:
My wrestling partner when I rise,
The big and burly sea;
My little boat that's riding there
So saucy and so free.
I have some friends, some golden friends,
Whose worth will not decline:
A tawny Irish terrier, a purple shading pine,
A little red-roofed cottage that
So proudly I call mine.
All other friends may come and go,
All other friendships fail;
But these, the friends I've worked to win,
Oh, they will never stale;
And comfort me till Time shall write
The finish to my tale.
|
Written by
Anne Killigrew |
NOt that thy Fair Hand
Should lead me from my deep Dispaire,
Or thy Love, Cloris, End my Care,
And back my Steps command:
But if hereafter thou Retire,
To quench with Tears, thy Wandring Fire,
This Clue I'll leave behinde,
By which thou maist untwine
The Saddest Way,
To shun the Day,
That ever Grief did find.
II.
First take thy Hapless Way
Along the Rocky Northern Shore,
Infamous for the Matchless Store
Of Wracks within that Bay.
None o're the Cursed Beach e're crost,
Unless the Robb'd, the Wrack'd, or Lost
Where on the Strand lye spread,
The Sculls of many Dead.
Their mingl'd Bones,
Among the Stones,
Thy Wretched Feet must tread.
III.
The Trees along the Coast,
Stretch forth to Heaven their blasted Arms,
As if they plaind the North-winds harms,
And Youthful Verdure lost.
There stands a Grove of Fatal Ewe,
Where Sun nere pierc't, nor Wind ere blew.
In it a Brooke doth fleet,
The Noise must guide thy Feet,
For there's no Light,
But all is Night,
And Darkness that you meet.
IV.
Follow th'Infernal Wave,
Until it spread into a Floud,
Poysoning the Creatures of the Wood,
There twice a day a Slave,
I know not for what Impious Thing,
Bears thence the Liquor of that Spring.
It adds to the sad Place,
To hear how at each Pace,
He curses God,
Himself, his Load,
For such his Forlorn Case.
V.
Next make no Noyse, nor talk,
Until th'art past a Narrow Glade,
Where Light does only break the Shade;
'Tis a Murderers Walk.
Observing this thou need'st not fear,
He sleeps the Day or Wakes elsewhere.
Though there's no Clock or Chime,
The Hour he did his Crime,
His Soul awakes,
His Conscience quakes
And warns him that's the Time.
VI.
Thy Steps must next advance,
Where Horrour, Sin, and Spectars dwell,
Where the Woods Shade seems turn'd Hell,
Witches here Nightly Dance,
And Sprights joyn with them when they call,
The Murderer dares not view the Ball.
For Snakes and Toads conspire,
To make them up a Quire.
And for their Light,
And Torches bright,
The Fiends dance all on fire.
VII.
Press on till thou descrie
Among the Trees sad, gastly, wan,
Thinne as the Shadow of a Man,
One that does ever crie,
She is not; and she ne're will be,
Despair and Death come swallow me,
Leave him; and keep thy way,
No more thou now canst stray
Thy Feet do stand,
In Sorrows Land,
It's Kingdomes every way.
VIII.
Here Gloomy Light will shew
Reard like a Castle to the Skie,
A Horrid Cliffe there standing nigh
Shading a Creek below.
In which Recess there lies a Cave,
Dreadful as Hell, still as the Grave.
Sea-Monsters there abide,
The coming of the Tide,
No Noise is near,
To make them fear,
God-sleep might there reside.
IX.
But when the Boysterous Seas,
With Roaring Waves resumes this Cell,
You'd swear the Thunders there did dwell.
So lowd he makes his Plea;
So Tempests bellow under ground,
And Ecchos multiply the Sound!
This is the place I chose,
Changeable like my Woes,
Now calmly Sad,
Then Raging Mad,
As move my Bitter Throwes.
X.
Such Dread besets this Part,
That all the Horrour thou hast past,
Are but Degrees to This at last.
The sight must break my Heart.
Here Bats and Owles that hate the Light
Fly and enjoy Eternal Night.
Scales of Serpents, Fish-bones,
Th'Adders Eye, and Toad-stones,
Are all the Light,
Hath blest my Sight,
Since first began my Groans.
XI.
When thus I lost the Sense,
Of all the heathful World calls Bliss,
And held it Joy, those Joys to miss,
When Beauty was Offence:
Celestial Strains did read the Aire,
Shaking these Mansions of Despaire;
A Form Divine and bright,
Stroke Day through all that Night
As when Heav'ns Queen
In Hell was seen,
With wonder and affright !
XII.
The Monsters fled for fear,
The Terrors of the Cursed Wood
Dismantl'd were, and where they stood,
No longer did appear.
The Gentle Pow'r, which wrought this thing,
Eudora was, who thus did sing.
Dissolv'd is Cloris spell,
From whence thy Evils fell,
Send her this Clue,
'Tis there most due
And thy Phantastick Hell.
|
Written by
Stephen Vincent Benet |
I shall go away
To the brown hills, the quiet ones,
The vast, the mountainous, the rolling,
Sun-fired and drowsy!
My horse snuffs delicately
At the strange wind;
He settles to a swinging trot; his hoofs tramp the dust.
The road winds, straightens,
Slashes a marsh,
Shoulders out a bridge,
Then --
Again the hills.
Unchanged, innumerable,
Bowing huge, round backs;
Holding secret, immense converse:
In gusty voices,
Fruitful, fecund, toiling
Like yoked black oxen.
The clouds pass like great, slow thoughts
And vanish
In the intense blue.
My horse lopes; the saddle creaks and sways.
A thousand glittering spears of sun slant from on high.
The immensity, the spaces,
Are like the spaces
Between star and star.
The hills sleep.
If I put my hand on one,
I would feel the vast heave of its breath.
I would start away before it awakened
And shook the world from its shoulders.
A cicada's cry deepens the hot silence.
The hills open
To show a slope of poppies,
Ardent, noble, heroic,
A flare, a great flame of orange;
Giving sleepy, brittle scent
That stings the lungs.
A creeping wind slips through them like a ferret; they bow and dance,
answering Beauty's voice . . .
The horse whinnies. I dismount
And tie him to the grey worn fence.
I set myself against the javelins of grass and sun;
And climb the rounded breast,
That flows like a sea-wave.
The summit crackles with heat, there is no shelter, no hollow from
the flagellating glare.
I lie down and look at the sky, shading my eyes.
My body becomes strange, the sun takes it and changes it, it does not feel,
it is like the body of another.
The air blazes. The air is diamond.
Small noises move among the grass . . .
Blackly,
A hawk mounts, mounts in the inane
Seeking the star-road,
Seeking the end . . .
But there is no end.
Here, in this light, there is no end. . .
|
Written by
Robert Burns |
STREAMS that glide in orient plains,
Never bound by Winter’s chains;
Glowing here on golden sands,
There immix’d with foulest stains
From Tyranny’s empurpled hands;
These, their richly gleaming waves,
I leave to tyrants and their slaves;
Give me the stream that sweetly laves
The banks by Castle Gordon.
Spicy forests, ever gray,
Shading from the burning ray
Hapless wretches sold to toil;
Or the ruthless native’s way,
Bent on slaughter, blood, and spoil:
Woods that ever verdant wave,
I leave the tyrant and the slave;
Give me the groves that lofty brave
The storms by Castle Gordon.
Wildly here, without control,
Nature reigns and rules the whole;
In that sober pensive mood,
Dearest to the feeling soul,
She plants the forest, pours the flood:
Life’s poor day I’ll musing rave
And find at night a sheltering cave,
Where waters flow and wild woods wave,
By bonie Castle Gordon.
|
Written by
Sir Philip Sidney |
In highest way of heav'n the Sun did ride,
Progressing then from fair twins' golden place:
Having no scarf of clouds before his face,
But shining forth of heat in his chief pride;
When some fair ladies by hard promise tied,
On horseback met him in his furious race,
Yet each prepar'd with fan's well-shading grace
From that foe's wounds their tender skins to hide.
Stella alone with face unarmed march'd.
Either to do like him which open shone,
Or careless of the wealth because her own:
Yet were the hid and meaner beauties parch'd,
Her daintiest bare went free; the cause was this,
The Sun, which others burn'd, did her but kiss.
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