Written by
Pam Ayres |
Dad took me to our local pub in 1953,
They had a television set, the first I’d ever see,
To watch a Coronation! I knew it sounded grand,
Although at six years old, the word was hard to understand.
But little kids like me, and others all around the world,
We saw the magic crown; we saw magnificence unfurled,
A brand new Queen created, the emergence and the birth,
And the Abbey seemed a place between the Heavens and the Earth.
Certain pictures linger when considering the reign,
Hauntingly in black and white, a platform and a train,
The saddest thing I ever saw, more sharp than any other,
Prince Charles. The little boy who had to shake hands with his mother.
I will stand up and be counted; I am for the monarchy,
And if they make mistakes, well they are frail like you and me,
I would not choose a president to posture and to preen,
Live in a republic? I would rather have the Queen.
A thousand boats are sailing, little ships among the large,
Close beside the splendour that bedecks the Royal Barge,
And as the pageant passes, I can see an image clear
Of the Royal Yacht Britannia; she should surely have been here.
I wish our Queen a genuinely joyful Jubilee,
Secure in the affection of the mute majority,
I hope she hears our voices as we thank her now as one,
Sixty years a Queen. A job immaculately done.
© Pam Ayres 2012
Official Website
http://pamayres.com/
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Written by
Percy Bysshe Shelley |
HAIL to thee, blithe spirit!
Bird thou never wert,
That from heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art.
Higher still and higher
From the earth thou springest,
Like a cloud of fire
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.
In the golden lightning
Of the sunken sun,
O'er which clouds are bright'ning,
Thou dost float and run,
Like an unbodied joy whose race is just begun.
The pale purple even
Melts around thy flight;
Like a star of heaven
In the broad daylight,
Thou art unseen, but yet I hear thy shrill delight
Keen as are the arrows
Of that silver sphere,
Whose intense lamp narrows
In the white dawn clear
Until we hardly see, we feel that it is there.
All the earth and air
With thy voice is loud¡ª
As, when night is bare,
From one lonely cloud
The moon rains out her beams, and heaven is overflow'd.
What thou art we know not;
What is most like thee?¡ª
From rainbow clouds there flow not
Drops so bright to see
As from thy presence showers a rain of melody:
Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:
Like a high-born maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:
Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aerial hue
Among the flowers and grass, which screen it from the view:
Like a rose embower'd
In its own green leaves,
By warm winds deflower'd,
Till the scent it gives
Makes faint with too much sweet these heavy-wing¨¨d thieves.
Sound of vernal showers
On the twinkling grass,
Rain-awaken'd flowers¡ª
All that ever was
Joyous, and clear, and fresh, thy music doth surpass.
Teach us, sprite or bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.
Chorus hymeneal,
Or triumphal chaunt,
Match'd with thine, would be all
But an empty vaunt¡ª
A thing wherein we feel there is some hidden want.
What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?
With thy clear keen joyance
Languor cannot be;
Shadow of annoyance
Never came near thee:
Thou lovest; but ne'er knew love's sad satiety.
Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?
We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.
Yet if we could scorn
Hate, and pride, and fear;
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.
Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!
Teach me half the gladness
That thy brain must know
Such harmonious madness
From my lips would flow,
The world should listen then, as I am listening now!
|
Written by
Pablo Neruda |
Tonight I can write the saddest lines.
Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.
'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her.
To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all.
In the distance someone is singing.
In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's.
She will be another's.
As she was before my kisses.
Her voice, her bright body.
Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.
translated by W.
S.
Merwin
|
Written by
Percy Bysshe Shelley |
The warm sun is falling, the bleak wind is wailing,
The bare boughs are sighing, the pale flowers are dying,
And the Year
On the earth is her death-bed, in a shroud of leaves dead,
Is lying.
Come, Months, come away,
From November to May,
In your saddest array;
Follow the bier
Of the dead cold Year,
And like dim shadows watch by her sepulchre.
The chill rain is falling, the nipped worm is crawling,
The rivers are swelling, the thunder is knelling
For the Year;
The blithe swallows are flown, and the lizards each gone
To his dwelling.
Come, Months, come away;
Put on white, black and gray;
Let your light sisters play--
Ye, follow the bier
Of the dead cold Year,
And make her grave green with tear on tear.
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Written by
William Cullen Bryant |
THE MELANCHOLY days have come the saddest of the year
Of wailing winds and naked woods and meadows brown and sere;
Heaped in the hollows of the grove the autumn leaves lie dead;
They rustle to the eddying gust and to the rabbit's tread;
The robin and the wren are flown and from the shrubs the jay 5
And from the wood-top calls the crow through all the gloomy day.
Where are the flowers the fair young flowers that lately sprang and stood
In brighter light and softer airs a beauteous sisterhood?
Alas! they all are in their graves the gentle race of flowers
Are lying in their lowly beds with the fair and good of ours.
10
The rain is falling where they lie but the cold November rain
Calls not from out the gloomy earth the lovely ones again.
The wind-flower and the violet they perished long ago
And the brier-rose and the orchis died amid the summer glow;
But on the hill the goldenrod and the aster in the wood 15
And the blue sunflower by the brook in autumn beauty stood
Till fell the frost from the clear cold heaven as falls the plague on men
And the brightness of their smile was gone from upland glade and glen.
And now when comes the calm mild day as still such days will come
To call the squirrel and the bee from out their winter home; 20
When the sound of dropping nuts is heard though all the trees are still
And twinkle in the smoky light the waters of the rill
The south wind searches for the flowers whose fragrance late he bore
And sighs to find them in the wood and by the stream no more.
And then I think of one who in her youthful beauty died 25
The fair meek blossom that grew up and faded by my side.
In the cold moist earth we laid her when the forests cast the leaf
And we wept that one so lovely should have a life so brief:
Yet not unmeet it was that one like that young friend of ours
So gentle and so beautiful should perish with the flowers.
30
|
Written by
Pablo Neruda |
I can write the saddest poem of all tonight.
Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance.
"
The night wind whirls in the sky and sings.
I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.
On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.
She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?
I can write the saddest poem of all tonight.
To think I don't have her.
To feel that I've lost her.
To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.
What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.
That's all.
Far away, someone sings.
Far away.
My soul is lost without her.
As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.
The same night that whitens the same trees.
We, we who were, we are the same no longer.
I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.
Someone else's.
She will be someone else's.
As she once
belonged to my kisses.
Her voice, her light body.
Her infinite eyes.
I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.
Because on nights like this I held her in my arms,
my soul is lost without her.
Although this may be the last pain she causes me,
and this may be the last poem I write for her.
|
Written by
Lewis Carroll |
With saddest music all day long
She soothed her secret sorrow:
At night she sighed "I fear 'twas wrong
Such cheerful words to borrow.
Dearest, a sweeter, sadder song
I'll sing to thee to-morrow.
"
I thanked her, but I could not say
That I was glad to hear it:
I left the house at break of day,
And did not venture near it
Till time, I hoped, had worn away
Her grief, for nought could cheer it!
My dismal sister! Couldst thou know
The wretched home thou keepest!
Thy brother, drowned in daily woe,
Is thankful when thou sleepest;
For if I laugh, however low,
When thou'rt awake, thou weepest!
I took my sister t'other day
(Excuse the slang expression)
To Sadler's Wells to see the play
In hopes the new impression
Might in her thoughts, from grave to gay
Effect some slight digression.
I asked three gay young dogs from town
To join us in our folly,
Whose mirth, I thought, might serve to drown
My sister's melancholy:
The lively Jones, the sportive Brown,
And Robinson the jolly.
The maid announced the meal in tones
That I myself had taught her,
Meant to allay my sister's moans
Like oil on troubled water:
I rushed to Jones, the lively Jones,
And begged him to escort her.
Vainly he strove, with ready wit,
To joke about the weather -
To ventilate the last 'ON DIT' -
To quote the price of leather -
She groaned "Here I and Sorrow sit:
Let us lament together!"
I urged "You're wasting time, you know:
Delay will spoil the venison.
"
"My heart is wasted with my woe!
There is no rest - in Venice, on
The Bridge of Sighs!" she quoted low
From Byron and from Tennyson.
I need not tell of soup and fish
In solemn silence swallowed,
The sobs that ushered in each dish,
And its departure followed,
Nor yet my suicidal wish
To BE the cheese I hollowed.
Some desperate attempts were made
To start a conversation;
"Madam," the sportive Brown essayed,
"Which kind of recreation,
Hunting or fishing, have you made
Your special occupation?"
Her lips curved downwards instantly,
As if of india-rubber.
"Hounds IN FULL CRY I like," said she:
(Oh how I longed to snub her!)
"Of fish, a whale's the one for me,
IT IS SO FULL OF BLUBBER!"
The night's performance was "King John.
"
"It's dull," she wept, "and so-so!"
Awhile I let her tears flow on,
She said they soothed her woe so!
At length the curtain rose upon
'Bombastes Furioso.
'
In vain we roared; in vain we tried
To rouse her into laughter:
Her pensive glances wandered wide
From orchestra to rafter -
"TIER UPON TIER!" she said, and sighed;
And silence followed after.
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Written by
Robert Frost |
I have been one acquainted with the night.
I have walked out in rain --and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
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Written by
Joyce Kilmer |
Whenever I walk to Suffern along the Erie track
I go by a poor old farmhouse with its shingles broken and black.
I suppose I've passed it a hundred times, but I always stop for
a minute
And look at the house, the tragic house, the house with nobody in
it.
I never have seen a haunted house, but I hear there
are such things;
That they hold the talk of spirits, their mirth and sorrowings.
I know this house isn't haunted, and I wish it were, I do;
For it wouldn't be so lonely if it had a ghost or two.
This house on the road to Suffern needs a dozen
panes of glass,
And somebody ought to weed the walk and take a scythe to the grass.
It needs new paint and shingles, and the vines should be trimmed
and tied;
But what it needs the most of all is some people living inside.
If I had a lot of money and all my debts were paid
I'd put a gang of men to work with brush and saw and spade.
I'd buy that place and fix it up the way it used to be
And I'd find some people who wanted a home and give it to them free.
Now, a new house standing empty, with staring window
and door,
Looks idle, perhaps, and foolish, like a hat on its block in the
store.
But there's nothing mournful about it; it cannot be sad and lone
For the lack of something within it that it has never known.
But a house that has done what a house should do,
a house that has sheltered life,
That has put its loving wooden arms around a man and his wife,
A house that has echoed a baby's laugh and held up his stumbling
feet,
Is the saddest sight, when it's left alone, that ever your eyes
could meet.
So whenever I go to Suffern along the Erie track
I never go by the empty house without stopping and looking back,
Yet it hurts me to look at the crumbling roof and the shutters fallen
apart,
For I can't help thinking the poor old house is a house with a broken
heart.
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Written by
William Carlos (WCW) Williams |
There they were
stuck
dog and *****
halving the compass
Then when with his yip
they parted
oh how frolicsome
she grew before him
playful
dancing and
how disconsolate
he retreated
hang-dog
she following
through the shrubbery
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