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Best Famous Paean Poems

Here is a collection of the all-time best famous Paean poems. This is a select list of the best famous Paean poetry. Reading, writing, and enjoying famous Paean poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of paean poems.

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Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
II Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And an in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells,bells, Bells, bells, bells- To the rhyming and the chiming of the bells! III Hear the loud alarum bells- Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now- now to sit or never, By the side of the pale-faced moon.
Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells- Of the bells- Of the bells, bells, bells,bells, Bells, bells, bells- In the clamor and the clangor of the bells! IV Hear the tolling of the bells- Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan.
And the people- ah, the people- They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone- They are neither man nor woman- They are neither brute nor human- They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells- Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells- Of the bells, bells, bells- To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells- Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells- To the moaning and the groaning of the bells.


Written by Edgar Allan Poe | Create an image from this poem

Lenore

 Ah, broken is the golden bowl! the spirit flown forever!
Let the bell toll!- a saintly soul floats on the Stygian river;
And, Guy de Vere, hast thou no tear?- weep now or nevermore!
See! on yon drear and rigid bier low lies thy love, Lenore!
Come! let the burial rite be read- the funeral song be sung!-
An anthem for the queenliest dead that ever died so young-
A dirge for her the doubly dead in that she died so young.
"Wretches! ye loved her for her wealth and hated her for her pride, And when she fell in feeble health, ye blessed her- that she died! How shall the ritual, then, be read?- the requiem how be sung By you- by yours, the evil eye,- by yours, the slanderous tongue That did to death the innocence that died, and died so young?" Peccavimus; but rave not thus! and let a Sabbath song Go up to God so solemnly the dead may feel no wrong.
The sweet Lenore hath "gone before," with Hope, that flew beside, Leaving thee wild for the dear child that should have been thy bride.
For her, the fair and debonair, that now so lowly lies, The life upon her yellow hair but not within her eyes The life still there, upon her hair- the death upon her eyes.
"Avaunt! avaunt! from fiends below, the indignant ghost is riven- From Hell unto a high estate far up within the Heaven- From grief and groan, to a golden throne, beside the King of Heaven! Let no bell toll, then,- lest her soul, amid its hallowed mirth, Should catch the note as it doth float up from the damned Earth! And I!- to-night my heart is light!- no dirge will I upraise, But waft the angel on her flight with a Paean of old days!"
Written by Gregory Corso | Create an image from this poem

Destiny

 1856 

Paris, from throats of iron, silver, brass, 
Joy-thundering cannon, blent with chiming bells, 
And martial strains, the full-voiced pæan swells.
The air is starred with flags, the chanted mass Throngs all the churches, yet the broad streets swarm With glad-eyed groups who chatter, laugh, and pass, In holiday confusion, class with class.
And over all the spring, the sun-floods warm! In the Imperial palace that March morn, The beautiful young mother lay and smiled; For by her side just breathed the Prince, her child, Heir to an empire, to the purple born, Crowned with the Titan's name that stirs the heart Like a blown clarion--one more Bonaparte.
1879 Born to the purple, lying stark and dead, Transfixed with poisoned spears, beneath the sun Of brazen Africa! Thy grave is one, Fore-fated youth (on whom were visited Follies and sins not thine), whereat the world, Heartless howe'er it be, will pause to sing A dirge, to breathe a sigh, a wreath to fling Of rosemary and rue with bay-leaves curled.
Enmeshed in toils ambitious, not thine own, Immortal, loved boy-Prince, thou tak'st thy stand With early doomed Don Carlos, hand in hand With mild-browed Arthur, Geoffrey's murdered son.
Louis the Dauphin lifts his thorn-ringed head, And welcomes thee, his brother, 'mongst the dead.
Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.
C.
the mace the flail the axe Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart And hath not St.
Michael a burning sword St.
George a lance David a sling Bomb you are as cruel as man makes you and you're no crueller than cancer All Man hates you they'd rather die by car-crash lightning drowning Falling off a roof electric-chair heart-attack old age old age O Bomb They'd rather die by anything but you Death's finger is free-lance Not up to man whether you boom or not Death has long since distributed its categorical blue I sing thee Bomb Death's extravagance Death's jubilee Gem of Death's supremest blue The flyer will crash his death will differ with the climbor who'll fall to die by cobra is not to die by bad pork Some die by swamp some by sea and some by the bushy-haired man in the night O there are deaths like witches of Arc Scarey deaths like Boris Karloff No-feeling deaths like birth-death sadless deaths like old pain Bowery Abandoned deaths like Capital Punishment stately deaths like senators And unthinkable deaths like Harpo Marx girls on Vogue covers my own I do not know just how horrible Bombdeath is I can only imagine Yet no other death I know has so laughable a preview I scope a city New York City streaming starkeyed subway shelter Scores and scores A fumble of humanity High heels bend Hats whelming away Youth forgetting their combs Ladies not knowing what to do with their shopping bags Unperturbed gum machines Yet dangerous 3rd rail Ritz Brothers from the Bronx caught in the A train The smiling Schenley poster will always smile Impish death Satyr Bomb Bombdeath Turtles exploding over Istanbul The jaguar's flying foot soon to sink in arctic snow Penguins plunged against the Sphinx The top of the Empire state arrowed in a broccoli field in Sicily Eiffel shaped like a C in Magnolia Gardens St.
Sophia peeling over Sudan O athletic Death Sportive Bomb the temples of ancient times their grand ruin ceased Electrons Protons Neutrons gathering Hersperean hair walking the dolorous gulf of Arcady joining marble helmsmen entering the final ampitheater with a hymnody feeling of all Troys heralding cypressean torches racing plumes and banners and yet knowing Homer with a step of grace Lo the visiting team of Present the home team of Past Lyre and tube together joined Hark the hotdog soda olive grape gala galaxy robed and uniformed commissary O the happy stands Ethereal root and cheer and boo The billioned all-time attendance The Zeusian pandemonium Hermes racing Owens The Spitball of Buddha Christ striking out Luther stealing third Planeterium Death Hosannah Bomb Gush the final rose O Spring Bomb Come with thy gown of dynamite green unmenace Nature's inviolate eye Before you the wimpled Past behind you the hallooing Future O Bomb Bound in the grassy clarion air like the fox of the tally-ho thy field the universe thy hedge the geo Leap Bomb bound Bomb frolic zig and zag The stars a swarm of bees in thy binging bag Stick angels on your jubilee feet wheels of rainlight on your bunky seat You are due and behold you are due and the heavens are with you hosanna incalescent glorious liaison BOMB O havoc antiphony molten cleft BOOM Bomb mark infinity a sudden furnace spread thy multitudinous encompassed Sweep set forth awful agenda Carrion stars charnel planets carcass elements Corpse the universe tee-hee finger-in-the-mouth hop over its long long dead Nor From thy nimbled matted spastic eye exhaust deluges of celestial ghouls From thy appellational womb spew birth-gusts of of great worms Rip open your belly Bomb from your belly outflock vulturic salutations Battle forth your spangled hyena finger stumps along the brink of Paradise O Bomb O final Pied Piper both sun and firefly behind your shock waltz God abandoned mock-nude beneath His thin false-talc's apocalypse He cannot hear thy flute's happy-the-day profanations He is spilled deaf into the Silencer's warty ear His Kingdom an eternity of crude wax Clogged clarions untrumpet Him Sealed angels unsing Him A thunderless God A dead God O Bomb thy BOOM His tomb That I lean forward on a desk of science an astrologer dabbling in dragon prose half-smart about wars bombs especially bombs That I am unable to hate what is necessary to love That I can't exist in a world that consents a child in a park a man dying in an electric-chair That I am able to laugh at all things all that I know and do not know thus to conceal my pain That I say I am a poet and therefore love all man knowing my words to be the acquainted prophecy of all men and my unwords no less an acquaintanceship That I am manifold a man pursuing the big lies of gold or a poet roaming in bright ashes or that which I imagine myself to be a shark-toothed sleep a man-eater of dreams I need not then be all-smart about bombs Happily so for if I felt bombs were caterpillars I'd doubt not they'd become butterflies There is a hell for bombs They're there I see them there They sit in bits and sing songs mostly German songs And two very long American songs and they wish there were more songs especially Russian and Chinese songs and some more very long American songs Poor little Bomb that'll never be an Eskimo song I love thee I want to put a lollipop in thy furcal mouth A wig of Goldilocks on thy baldy bean and have you skip with me Hansel and Gretel along the Hollywoodian screen O Bomb in which all lovely things moral and physical anxiously participate O fairylike plucked from the grandest universe tree O piece of heaven which gives both mountain and anthill a sun I am standing before your fantastic lily door I bring you Midgardian roses Arcadian musk Reputed cosmetics from the girls of heaven Welcome me fear not thy opened door nor thy cold ghost's grey memory nor the pimps of indefinite weather their cruel terrestial thaw Oppenheimer is seated in the dark pocket of Light Fermi is dry in Death's Mozambique Einstein his mythmouth a barnacled wreath on the moon-squid's head Let me in Bomb rise from that pregnant-rat corner nor fear the raised-broom nations of the world O Bomb I love you I want to kiss your clank eat your boom You are a paean an acme of scream a lyric hat of Mister Thunder O resound thy tanky knees BOOM BOOM BOOM BOOM BOOM BOOM ye skies and BOOM ye suns BOOM BOOM ye moons ye stars BOOM nights ye BOOM ye days ye BOOM BOOM BOOM ye winds ye clouds ye rains go BANG ye lakes ye oceans BING Barracuda BOOM and cougar BOOM Ubangi BOOM orangutang BING BANG BONG BOOM bee bear baboon ye BANG ye BONG ye BING the tail the fin the wing Yes Yes into our midst a bomb will fall Flowers will leap in joy their roots aching Fields will kneel proud beneath the halleluyahs of the wind Pinkbombs will blossom Elkbombs will perk their ears Ah many a bomb that day will awe the bird a gentle look Yet not enough to say a bomb will fall or even contend celestial fire goes out Know that the earth will madonna the Bomb that in the hearts of men to come more bombs will be born magisterial bombs wrapped in ermine all beautiful and they'll sit plunk on earth's grumpy empires fierce with moustaches of gold
Written by D. H. Lawrence | Create an image from this poem

Tortoise Shout

 I thought he was dumb, said he was dumb,
Yet I've heard him cry.
First faint scream, Out of life's unfathomable dawn, Far off, so far, like a madness, under the horizon's dawning rim, Far, far off, far scream.
Tortoise in extremis.
Why were we crucified into sex? Why were we not left rounded off, and finished in ourselves, As we began, As he certainly began, so perfectly alone? A far, was-it-audible scream, Or did it sound on the plasm direct? Worse than the cry of the new-born, A scream, A yell, A shout, A paean, A death-agony, A birth-cry, A submission, All tiny, tiny, far away, reptile under the first dawn.
War-cry, triumph, acute-delight, death-scream reptilian, Why was the veil torn? The silken shriek of the soul's torn membrane? The male soul's membrane Torn with a shriek half music, half horror.
Crucifixion.
Male tortoise, cleaving behind the hovel-wall of that dense female, Mounted and tense, spread-eagle, out-reaching out of the shell In tortoise-nakedness, Long neck, and long vulnerable limbs extruded, spreadeagle over her house-roof, And the deep, secret, all-penetrating tail curved beneath her walls, Reaching and gripping tense, more reaching anguish in uttermost tension Till suddenly, in the spasm of coition, tupping like a jerking leap, and oh! Opening its clenched face from his outstretched neck And giving that fragile yell, that scream, Super-audible, From his pink, cleft, old-man's mouth, Giving up the ghost, Or screaming in Pentecost, receiving the ghost.
His scream, and his moment's subsidence, The moment of eternal silence, Yet unreleased, and after the moment, the sudden, startling jerk of coition, and at once The inexpressible faint yell -- And so on, till the last plasm of my body was melted back To the primeval rudiments of life, and the secret.
So he tups, and screams Time after time that frail, torn scream After each jerk, the longish interval, The tortoise eternity, Age-long, reptilian persistence, Heart-throb, slow heart-throb, persistent for the next spasm.
I remember, when I was a boy, I heard the scream of a frog, which was caught with his foot in the mouth of an up-starting snake; I remember when I first heard bull-frogs break into sound in the spring; I remember hearing a wild goose out of the throat of night Cry loudly, beyond the lake of waters; I remember the first time, out of a bush in the darkness, a nightingale's piercing cries and gurgles startled the depths of my soul; I remember the scream of a rabbit as I went through a wood at midnight; I remember the heifer in her heat, blorting and blorting through the hours, persistent and irrepressible, I remember my first terror hearing the howl of weird, amorous cats; I remember the scream of a terrified, injured horse, the sheet-lightning, And running away from the sound of a woman in labour, something like an owl whooing, And listening inwardly to the first bleat of a lamb, The first wail of an infant, And my mother singing to herself, And the first tenor singing of the passionate throat of a young collier, who has long since drunk himself to death, The first elements of foreign speech On wild dark lips.
And more than all these, And less than all these, This last, Strange, faint coition yell Of the male tortoise at extremity, Tiny from under the very edge of the farthest far-off horizon of life.
The cross, The wheel on which our silence first is broken, Sex, which breaks up our integrity, our single inviolability, our deep silence, Tearing a cry from us.
Sex, which breaks us into voice, sets us calling across the deeps, calling, calling for the complement, Singing, and calling, and singing again, being answered, having found.
Torn, to become whole again, after long seeking for what is lost, The same cry from the tortoise as from Christ, the Osiris-cry of abandonment, That which is whole, torn asunder, That which is in part, finding its whole again throughout the universe.


Written by Algernon Charles Swinburne | Create an image from this poem

Mater Triumphalis

 Mother of man's time-travelling generations,
Breath of his nostrils, heartblood of his heart,
God above all Gods worshipped of all nations,
Light above light, law beyond law, thou art.
Thy face is as a sword smiting in sunder Shadows and chains and dreams and iron things; The sea is dumb before thy face, the thunder Silent, the skies are narrower than thy wings.
Angels and Gods, spirit and sense, thou takest In thy right hand as drops of dust or dew; The temples and the towers of time thou breakest, His thoughts and words and works, to make them new.
All we have wandered from thy ways, have hidden Eyes from thy glory and ears from calls they heard; Called of thy trumpets vainly, called and chidden, Scourged of thy speech and wounded of thy word.
We have known thee and have not known thee; stood beside thee, Felt thy lips breathe, set foot where thy feet trod, Loved and renounced and worshipped and denied thee, As though thou wert but as another God, "One hour for sleep," we said, "and yet one other; All day we served her, and who shall serve by night?" Not knowing of thee, thy face not knowing, O mother, O light wherethrough the darkness is as light.
Men that forsook thee hast thou not forsaken, Races of men that knew not hast thou known; Nations that slept thou hast doubted not to waken, Worshippers of strange Gods to make thine own.
All old grey histories hiding thy clear features, O secret spirit and sovereign, all men's tales, Creeds woven of men thy children and thy creatures, They have woven for vestures of thee and for veils.
Thine hands, without election or exemption, Feed all men fainting from false peace or strife, O thou, the resurrection and redemption, The godhead and the manhood and the life.
Thy wings shadow the waters; thine eyes lighten The horror of the hollows of the night; The depths of the earth and the dark places brighten Under thy feet, whiter than fire is white.
Death is subdued to thee, and hell's bands broken; Where thou art only is heaven; who hears not thee, Time shall not hear him; when men's names are spoken, A nameless sign of death shall his name be.
Deathless shall be the death, the name be nameless; Sterile of stars his twilight time of breath; With fire of hell shall shame consume him shameless, And dying, all the night darken his death.
The years are as thy garments, the world's ages As sandals bound and loosed from thy swift feet; Time serves before thee, as one that hath for wages Praise or shame only, bitter words or sweet.
Thou sayest "Well done," and all a century kindles; Again thou sayest "Depart from sight of me," And all the light of face of all men dwindles, And the age is as the broken glass of thee.
The night is as a seal set on men's faces, On faces fallen of men that take no light, Nor give light in the deeps of the dark places, Blind things, incorporate with the body of night.
Their souls are serpents winterbound and frozen, Their shame is as a tame beast, at their feet Couched; their cold lips deride thee and thy chosen, Their lying lips made grey with dust for meat.
Then when their time is full and days run over, The splendour of thy sudden brow made bare Darkens the morning; thy bared hands uncover The veils of light and night and the awful air.
And the world naked as a new-born maiden Stands virginal and splendid as at birth, With all thine heaven of all its light unladen, Of all its love unburdened all thine earth.
For the utter earth and the utter air of heaven And the extreme depth is thine and the extreme height; Shadows of things and veils of ages riven Are as men's kings unkingdomed in thy sight.
Through the iron years, the centuries brazen-gated, By the ages' barred impenetrable doors, From the evening to the morning have we waited, Should thy foot haply sound on the awful floors.
The floors untrodden of the sun's feet glimmer, The star-unstricken pavements of the night; Do the lights burn inside? the lights wax dimmer On festal faces withering out of sight.
The crowned heads lose the light on them; it may be Dawn is at hand to smite the loud feast dumb; To blind the torch-lit centuries till the day be, The feasting kingdoms till thy kingdom come.
Shall it not come? deny they or dissemble, Is it not even as lightning from on high Now? and though many a soul close eyes and tremble, How should they tremble at all who love thee as I? I am thine harp between thine hands, O mother! All my strong chords are strained with love of thee.
We grapple in love and wrestle, as each with other Wrestle the wind and the unreluctant sea.
I am no courtier of thee sober-suited, Who loves a little for a little pay.
Me not thy winds and storms nor thrones disrooted Nor molten crowns nor thine own sins dismay.
Sinned hast thou sometime, therefore art thou sinless; Stained hast thou been, who art therefore without stain; Even as man's soul is kin to thee, but kinless Thou, in whose womb Time sows the all-various grain.
I do not bid thee spare me, O dreadful mother! I pray thee that thou spare not, of thy grace.
How were it with me then, if ever another Should come to stand before thee in this my place? I am the trumpet at thy lips, thy clarion Full of thy cry, sonorous with thy breath; The graves of souls born worms and creeds grown carrion Thy blast of judgment fills with fires of death.
Thou art the player whose organ-keys are thunders, And I beneath thy foot the pedal prest; Thou art the ray whereat the rent night sunders, And I the cloudlet borne upon thy breast.
I shall burn up before thee, pass and perish, As haze in sunrise on the red sea-line; But thou from dawn to sunsetting shalt cherish The thoughts that led and souls that lighted mine.
Reared between night and noon and truth and error, Each twilight-travelling bird that trills and screams Sickens at midday, nor can face for terror The imperious heaven's inevitable extremes.
I have no spirit of skill with equal fingers At sign to sharpen or to slacken strings; I keep no time of song with gold-perched singers And chirp of linnets on the wrists of kings.
I am thy storm-thrush of the days that darken, Thy petrel in the foam that bears thy bark To port through night and tempest; if thou hearken, My voice is in thy heaven before the lark.
My song is in the mist that hides thy morning, My cry is up before the day for thee; I have heard thee and beheld thee and give warning, Before thy wheels divide the sky and sea.
Birds shall wake with thee voiced and feathered fairer, To see in summer what I see in spring; I have eyes and heart to endure thee, O thunder-bearer, And they shall be who shall have tongues to sing.
I have love at least, and have not fear, and part not From thine unnavigable and wingless way; Thou tarriest, and I have not said thou art not, Nor all thy night long have denied thy day.
Darkness to daylight shall lift up thy paean, Hill to hill thunder, vale cry back to vale, With wind-notes as of eagles AEschylean, And Sappho singing in the nightingale.
Sung to by mighty sons of dawn and daughters, Of this night's songs thine ear shall keep but one; That supreme song which shook the channelled waters, And called thee skyward as God calls the sun.
Come, though all heaven again be fire above thee; Though death before thee come to clear thy sky; Let us but see in his thy face who love thee; Yea, though thou slay us, arise and let us die.
Written by Aeschylus | Create an image from this poem

The Battle of Salamis

THE night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: "Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires' tombs! For all we now contend!"
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness' eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.
Written by Robert Browning | Create an image from this poem

The Wanderers

 OVER the sea our galleys went, 
With cleaving prows in order brave 
To a speeding wind and a bounding wave-- 
 A gallant armament: 
Each bark built out of a forest-tree 
 Left leafy and rough as first it grew, 
And nail'd all over the gaping sides, 
Within and without, with black bull-hides, 
Seethed in fat and suppled in flame, 
To bear the playful billows' game; 
So, each good ship was rude to see, 
Rude and bare to the outward view.
But each upbore a stately tent Where cedar pales in scented row Kept out the flakes of the dancing brine, And an awning droop'd the mast below, In fold on fold of the purple fine, That neither noontide nor star-shine Nor moonlight cold which maketh mad, Might pierce the regal tenement.
When the sun dawn'd, O, gay and glad We set the sail and plied the oar; But when the night-wind blew like breath, For joy of one day's voyage more, We sang together on the wide sea, Like men at peace on a peaceful shore; Each sail was loosed to the wind so free, Each helm made sure by the twilight star, And in a sleep as calm as death, We, the voyagers from afar, Lay stretch'd along, each weary crew In a circle round its wondrous tent Whence gleam'd soft light and curl'd rich scent, And with light and perfume, music too: So the stars wheel'd round, and the darkness past, And at morn we started beside the mast, And still each ship was sailing fast! Now, one morn, land appear'd--a speck Dim trembling betwixt sea and sky-- 'Avoid it,' cried our pilot, 'check The shout, restrain the eager eye!' But the heaving sea was black behind For many a night and many a day, And land, though but a rock, drew nigh; So we broke the cedar pales away, Let the purple awning flap in the wind, And a statue bright was on every deck! We shouted, every man of us, And steer'd right into the harbour thus, With pomp and paean glorious.
A hundred shapes of lucid stone! All day we built its shrine for each, A shrine of rock for ever one, Nor paused till in the westering sun We sat together on the beach To sing because our task was done; When lo! what shouts and merry songs! What laughter all the distance stirs! A loaded raft with happy throngs Of gentle islanders! 'Our isles are just at hand,' they cried, 'Like cloudlets faint in even sleeping; Our temple-gates are open'd wide, Our olive-groves thick shade are keeping For these majestic forms'--they cried.
O, then we awoke with sudden start From our deep dream, and knew, too late, How bare the rock, how desolate, Which had received our precious freight: Yet we call'd out--'Depart! Our gifts, once given, must here abide: Our work is done; we have no heart To mar our work,'--we cried.
Written by Algernon Charles Swinburne | Create an image from this poem

Hymn to Proserpine (After the Proclamation of the Christian

 Vicisti, Galilæe
I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep; For these give joy and sorrow; but thou, Proserpina, sleep.
Sweet is the treading of wine, and sweet the feet of the dove; But a goodlier gift is thine than foam of the grapes or love.
Yea, is not even Apollo, with hair and harpstring of gold, A bitter God to follow, a beautiful God to behold? I am sick of singing; the bays burn deep and chafe: I am fain To rest a little from praise and grievous pleasure and pain.
For the Gods we know not of, who give us our daily breath, We know they are cruel as love or life, and lovely as death.
O Gods dethroned and deceased, cast forth, wiped out in a day! From your wrath is the world released, redeemed from your chains, men say.
New Gods are crowned in the city; their flowers have broken your rods; They are merciful, clothed with pity, the young compassionate Gods.
But for me their new device is barren, the days are bare; Things long past over suffice, and men forgotten that were.
Time and the Gods are at strife; ye dwell in the midst thereof, Draining a little life from the barren breasts of love.
I say to you, cease, take rest; yea, I say to you all, be at peace, Till the bitter milk of her breast and the barren bosom shall cease.
Wilt thou take all, Galilean? but these thou shalt not take, The laurel, the palms and the paean, the breasts of the nymphs in the brake; Breasts more soft than a dove's, that tremble with tenderer breath; And all the wings of the Loves, and all the joy before death; All the feet of the hours that sound as a single lyre, Dropped and deep in the flowers, with strings that flicker like fire.
More than these wilt thou give, things fairer than all these things? Nay, for a little we live, and life hath mutable wings.
A little while and we die; shall life not thrive as it may? For no man under the sky lives twice, outliving his day.
And grief is a grievous thing, and a man hath enough of his tears: Why should he labour, and bring fresh grief to blacken his years? Thou hast conquered, O pale Galilean; the world has grown grey from thy breath; We have drunken of things Lethean, and fed on the fullness of death.
Laurel is green for a season, and love is sweet for a day; But love grows bitter with treason, and laurel outlives not May.
Sleep, shall we sleep after all? for the world is not sweet in the end; For the old faiths loosen and fall, the new years ruin and rend.
Fate is a sea without shore, and the soul is a rock that abides; But her ears are vexed with the roar and her face with the foam of the tides.
O lips that the live blood faints in, the leavings of racks and rods! O ghastly glories of saints, dead limbs of gibbeted Gods! Though all men abase them before you in spirit, and all knees bend, I kneel not neither adore you, but standing, look to the end.
All delicate days and pleasant, all spirits and sorrows are cast Far out with the foam of the present that sweeps to the surf of the past: Where beyond the extreme sea-wall, and between the remote sea-gates, Waste water washes, and tall ships founder, and deep death waits: Where, mighty with deepening sides, clad about with the seas as with wings, And impelled of invisible tides, and fulfilled of unspeakable things, White-eyed and poisonous-finned, shark-toothed and serpentine-curled, Rolls, under the whitening wind of the future, the wave of the world.
The depths stand naked in sunder behind it, the storms flee away; In the hollow before it the thunder is taken and snared as a prey; In its sides is the north-wind bound; and its salt is of all men's tears; With light of ruin, and sound of changes, and pulse of years: With travail of day after day, and with trouble of hour upon hour; And bitter as blood is the spray; and the crests are as fangs that devour: And its vapour and storm of its steam as the sighing of spirits to be; And its noise as the noise in a dream; and its depth as the roots of the sea: And the height of its heads as the height of the utmost stars of the air: And the ends of the earth at the might thereof tremble, and time is made bare.
Will ye bridle the deep sea with reins, will ye chasten the high sea with rods? Will ye take her to chain her with chains, who is older than all ye Gods? All ye as a wind shall go by, as a fire shall ye pass and be past; Ye are Gods, and behold, ye shall die, and the waves be upon you at last.
In the darkness of time, in the deeps of the years, in the changes of things, Ye shall sleep as a slain man sleeps, and the world shall forget you for kings.
Though the feet of thine high priests tread where thy lords and our forefathers trod, Though these that were Gods are dead, and thou being dead art a God, Though before thee the throned Cytherean be fallen, and hidden her head, Yet thy kingdom shall pass, Galilean, thy dead shall go down to thee dead.
Of the maiden thy mother men sing as a goddess with grace clad around; Thou art throned where another was king; where another was queen she is crowned.
Yea, once we had sight of another: but now she is queen, say these.
Not as thine, not as thine was our mother, a blossom of flowering seas, Clothed round with the world's desire as with raiment, and fair as the foam, And fleeter than kindled fire, and a goddess, and mother of Rome.
For thine came pale and a maiden, and sister to sorrow; but ours, Her deep hair heavily laden with odour and colour of flowers, White rose of the rose-white water, a silver splendour, a flame, Bent down unto us that besought her, and earth grew sweet with her name.
For thine came weeping, a slave among slaves, and rejected; but she Came flushed from the full-flushed wave, and imperial, her foot on the sea.
And the wonderful waters knew her, the winds and the viewless ways, And the roses grew rosier, and bluer the sea-blue stream of the bays.
Ye are fallen, our lords, by what token? we wise that ye should not fall.
Ye were all so fair that are broken; and one more fair than ye all.
But I turn to her still, having seen she shall surely abide in the end; Goddess and maiden and queen, be near me now and befriend.
O daughter of earth, of my mother, her crown and blossom of birth, I am also, I also, thy brother; I go as I came unto earth.
In the night where thine eyes are as moons are in heaven, the night where thou art, Where the silence is more than all tunes, where sleep overflows from the heart, Where the poppies are sweet as the rose in our world, and the red rose is white, And the wind falls faint as it blows with the fume of the flowers of the night, And the murmur of spirits that sleep in the shadow of Gods from afar Grows dim in thine ears and deep as the deep dim soul of a star, In the sweet low light of thy face, under heavens untrod by the sun, Let my soul with their souls find place, and forget what is done and undone.
Thou art more than the Gods who number the days of our temporal breath; Let these give labour and slumber; but thou, Proserpina, death.
Therefore now at thy feet I abide for a season in silence.
I know I shall die as my fathers died, and sleep as they sleep, even so.
For the glass of the years is brittle wherein we gaze for a span; A little soul for a little bears up this corpse which is man.
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.
Written by Aleister Crowley | Create an image from this poem

Linoz Isidoz

 Lo! I lament.
Fallen is the sixfold Star: Slain is Asar.
O twinned with me in the womb of Night! O son of my bowels to the Lord of Light! O man of mine that hast covered me From the shame of my virginity! Where art thou? Is it not Apep thy brother, The snake in my womb that am thy mother, That hath slain thee by violence girt with guile, And scattered thy limbs on the Nile? Lo! I lament.
I have forged a whirling Star: I seek Asar.
O Nepti, sister! Arise in the dusk From thy chamber of mystery and musk! Come with me, though weary the way, To bring back his life to the rended clay! See! are not these the hands that wove Delight, and these the arms that strove With me? And these the feet, the thighs That were lovely in mine eyes? Lo! IO lament.
I gather in my car Thine head, Asar.
And this -is this not the trunk he rended? But -oh! oh! oh! -the task transcended, Where is the holy idol that stood For the god of thy queen's beatitude? Here is the tent -but where is the pole? Here is the body -but where is the soul? Nepti, sister, the work is undone For lack of the needed One! Lo! I lament.
There is no god so far As mine Asar! There is no hope, none, in the corpse, in the tomb.
But these -what are these that war in my womb? There is vengeance and triumph at last of Maat In Ra-Hoor-Khut and in Hoor-pa-Kraat! Twins they shall rise; being twins they are one, The Lord of the Sword and the Son of the Sun! Silence, coeval colleague of the Voice, The plumes of Amoun -rejoice! Lo! I rejoice.
I heal the sanguine scar Of slain Asar.
I was the Past, Nature the Mother.
He was the Present, Man my brother.
Look to the Future, the Child -oh paean The Child that is crowned in the Lion-Aeon! The sea-dawns surge an billow and break Beneath the scourge of the Star and the Snake.
To my lord I have borne in my womb deep-vaulted This babe for ever exalted.

Book: Reflection on the Important Things