Written by
Seamus Heaney |
As you plaited the harvest bow
You implicated the mellowed silence in you
In wheat that does not rust
But brightens as it tightens twist by twist
Into a knowable corona,
A throwaway love-knot of straw.
Hands that aged round ashplants and cane sticks
And lapped the spurs on a lifetime of game cocks
Harked to their gift and worked with fine intent
Until your fingers moved somnambulant:
I tell and finger it like braille,
Gleaning the unsaid off the palpable,
And if I spy into its golden loops
I see us walk between the railway slopes
Into an evening of long grass and midges,
Blue smoke straight up, old beds and ploughs in hedges,
An auction notice on an outhouse wall--
You with a harvest bow in your lapel,
Me with the fishing rod, already homesick
For the big lift of these evenings, as your stick
Whacking the tips off weeds and bushes
Beats out of time, and beats, but flushes
Nothing: that original townland
Still tongue-tied in the straw tied by your hand.
The end of art is peace
Could be the motto of this frail device
That I have pinned up on our deal dresser--
Like a drawn snare
Slipped lately by the spirit of the corn
Yet burnished by its passage, and still warm.
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Written by
Ted Hughes |
Freezing dusk is closing
Like a slow trap of steel
On trees and roads and hills and all
That can no longer feel.
But the carp is in its depth
Like a planet in its heaven.
And the badger in its bedding
Like a loaf in the oven.
And the butterfly in its mummy
Like a viol in its case.
And the owl in its feathers
Like a doll in its lace.
Freezing dusk has tightened
Like a nut screwed tight
On the starry aeroplane
Of the soaring night.
But the trout is in its hole
Like a chuckle in a sleeper.
The hare strays down the highway
Like a root going deeper.
The snail is dry in the outhouse
Like a seed in a sunflower.
The owl is pale on the gatepost
Like a clock on its tower.
Moonlight freezes the shaggy world
Like a mammoth of ice -
The past and the future
Are the jaws of a steel vice.
But the cod is in the tide-rip
Like a key in a purse.
The deer are on the bare-blown hill
Like smiles on a nurse.
The flies are behind the plaster
Like the lost score of a jig.
Sparrows are in the ivy-clump
Like money in a pig.
Such a frost
The flimsy moon
Has lost her wits.
A star falls.
The sweating farmers
Turn in their sleep
Like oxen on spits.
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Written by
Robert Francis |
backroad leafmold stonewall chipmunk
underbrush grapevine woodchuck shadblow
woodsmoke cowbarn honeysuckle woodpile
sawhorse bucksaw outhouse wellsweep
backdoor flagstone bulkhead buttermilk
candlestick ragrug firedog brownbread
hilltop outcrop cowbell buttercup
whetstone thunderstorm pitchfork steeplebush
gristmill millstone cornmeal waterwheel
watercress buckwheat firefly jewelweed
gravestone groundpine windbreak bedrock
weathercock snowfall starlight cockcrow
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Written by
Anne Sexton |
Anger,
as black as a hook,
overtakes me.
Each day,
each Nazi
took, at 8:00 A.M., a baby
and sauteed him for breakfast
in his frying pan.
And death looks on with a casual eye
and picks at the dirt under his fingernail.
Man is evil,
I say aloud.
Man is a flower
that should be burnt,
I say aloud.
Man
is a bird full of mud,
I say aloud.
And death looks on with a casual eye
and scratches his anus.
Man with his small pink toes,
with his miraculous fingers
is not a temple
but an outhouse,
I say aloud.
Let man never again raise his teacup.
Let man never again write a book.
Let man never again put on his shoe.
Let man never again raise his eyes,
on a soft July night.
Never. Never. Never. Never. Never.
I say those things aloud.
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Written by
Anne Sexton |
My doctor, the comedian
I called you every time
and made you laugh yourself
when I wrote this silly rhyme...
Each time I give lectures
or gather in the grants
you send me off to boarding school
in training pants.
God damn it, father-doctor,
I'm really thirty-six.
I see dead rats in the toilet.
I'm one of the lunatics.
Disgusted, mother put me
on the potty. She was good at this.
My father was fat on scotch.
It leaked from every orifice.
Oh the enemas of childhood,
reeking of outhouses and shame!
Yet you rock me in your arms
and whisper my nickname.
Or else you hold my hand
and teach me love too late.
And that's the hand of the arm
they tried to amputate.
Though I was almost seven
I was an awful brat.
I put it in the Easy Wringer.
It came out nice and flat.
I was an instant cripple
from my finger to my shoulder.
The laundress wept and swooned.
My mother had to hold her.
I know I was a cripple.
Of course, I'd known it from the start.
My father took the crowbar
and broke the wringer's heart.
The surgeons shook their heads.
They really didn't know--
Would the cripple inside of me
be a cripple that would show?
My father was a perfect man,
clean and rich and fat.
My mother was a brilliant thing.
She was good at that.
You hold me in your arms.
How strange that you're so tender!
Child-woman that I am,
you think that you can mend her.
As for the arm,
unfortunately it grew.
Though mother said a withered arm
would put me in Who's Who.
For years she has described it.
She sang it like a hymn.
By then she loved the shrunken thing,
my little withered limb.
My father's cells clicked each night,
intent on making money.
And as for my cells, they brooded,
little queens, on honey.
Oh boys too, as a matter of fact,
and cigarettes and cars.
Mother frowned at my wasted life.
My father smoked cigars.
My cheeks blossomed with maggots.
I picked at them like pearls.
I covered them with pancake.
I wound my hair in curls.
My father didn't know me
but you kiss me in my fever.
My mother knew me twice
and then I had to leave her.
But those are just two stories
and I have more to tell
from the outhouse, the greenhouse
where you draw me out of hell.
Father, I am thirty-six,
yet I lie here in your crib.
I'm getting born again, Adam,
as you prod me with your rib.
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