Written by
Richard Wilbur |
It is a cramped little state with no foreign policy,
Save to be thought inoffensive. The grammar of the language
Has never been fathomed, owing to the national habit
Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city,
Report that the railway-route from Schuldig passes
Through country best described as unrelieved.
Sheep are the national product. The faint inscription
Over the city gates may perhaps be rendered,
"I'm afraid you won't find much of interest here."
Census-reports which give the population
As zero are, of course, not to be trusted,
Save as reflecting the natives' flustered insistence
That they do not count, as well as their modest horror
Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence
Of churches or comfort-stations, have given observers
An odd impression of ostentatious meanness,
And it must be said of the citizens (muttering by
In their ratty sheepskins, shying at cracks in the sidewalk)
That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff
Unsmiling carelessness of the border-guards
And douaniers, who admit, whenever they can,
Not merely the usual carloads of deodorant
But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however,
For the hoped-for invasion, at which time the happy people
(Sniggering, ruddily naked, and shamelessly drunk)
Will stun the foe by their overwhelming submission,
Corrupt the generals, infiltrate the staff,
Usurp the throne, proclaim themselves to be sun-gods,
And bring about the collapse of the whole empire.
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Written by
Marilyn Hacker |
After Joseph Roth
Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië
The dream's forfeit was a night in jail
and now the slant light is crepuscular.
Papers or not, you are a foreigner
whose name is always difficult to spell.
You pack your one valise. You ring the bell.
Might it not be prudent to disappear
beneath that mauve-blue sky above the square
fronting your cosmopolitan hotel?
You know two short-cuts to the train station
which could get you there, on foot, in time.
The person who's apprised of your intention
and seems to be your traveling companion
is merely the detritus of a dream.
You cross the lobby and go out alone.
You crossed the lobby and went out alone
through the square, where two red-headed girls played
hopscotch on a chalk grid, now in the shade,
of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon
disarmed, uncoupled, shuffled and disarrayed
itself; despite itself, dismayed
you with your certainties, your visa, gone
from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired
if you'd be returning. Now you wonder why.
When the stout conductor comes down the aisle
mustached, red-faced, at first jovial,
and asks for your passport, what will you say?
When they ask for your passport, will you say
that town's name they'd find unpronounceable
which resonates, when uttered, like a bell
in your mind's tower, as it did the day
you carried your green schoolbag down the gray
fog-cobbled street, past church, bakery, shul
past farm women setting up market stalls
it was so early. "I am on my way
to school in ." You were part of the town
now, not the furnished rooms you shared
with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool
socks had inched down, so you stooped to pull
them up, a student and a citizen.
You are a student and a citizen
of whatever state is transient.
You are no more or less the resident
of a hotel than you were of that town
whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant
to merchants on that street a child walked down
whom you remember, in the corridors
of cities you inhabit, polyglot
as the distinguished scholar you were not
to be. A slight accent sets you apart,
but it would mark you on that peddlers'-cart
street now. Which language, after all, is yours?
Which language, after all these streets, is yours,
and why are you here, waiting for a train?
You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's
bolt have disturbed the nondescript interior's
familiarity, shadowed the plain
blue draperies? You reflect, you know no one
who would, of you, echo your author's
"Because it was he; because it was I,"
as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur
around the shoulders of a dowager
with no time for sentimentality.
With no time for sentimentality,
mulling a twice-postponed book-review,
you take an empty seat. Opposite you
a voluble immigrant family
is already unwrapping garlicky
sausages—an unshaven man and his two
red-eared sons.
You once wrote: it is true,
awful, and unimportant, finally
that if the opportunity occurs
some of the exiles become storm-troopers;
and you try, culpably, to project these three
into some torch-lit future, filtering out
their wrangling (one of your languages) about
the next canto in their short odyssey.
The next canto in your short odyssey
will open, you know this, in yet another
hotel room. They have become your mother
country: benevolent anonymity
of rough starched sheets, dim lamp, rickety
escritoire, one window. Your neighbors gather
up their crusts and rinds. Out of a leather
satchel, the man takes their frayed identity
cards, examines them. The sons watch, pale
and less talkative. A border, passport control,
draw near: rubber stamp or interrogation?
You hope the customs officer lunched well;
reflect on the recurrent implication
of the dream's forfeit. One night in jail?
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Written by
John Matthew |
He hangs on dangling handholds
As the train sways and careens
Endless nondescript buildings unfold
Their secrets as the tired warrior returns.
The day is over the night falls
Thickly through the barricaded windows
The man’s sleepy head lolls
On his shoulder in a dream disturbed.
The days are a hard white collar brawl
The sleepless night stretches ahead
There’s no space for a fly to crawl
The morning paper is still unread.
You who sleep standing
Don’t drool on his shirt
It will cost him a lot of spending
If you pour on him all your dirt.
Plastic bags, umbrellas, Tiffin
The rack is full and the seats overflow
What is that smell Peter Griffin?
Is it the Sewri sewers overflowing?
Beware of pickers of pockets
Who surround and slash with knife
Careful of your arm’s sockets
Lest they dislocate and misery make life.
Welcome to Bombay’s bustling trains
Hold on fast as if you are insane!
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Written by
Philip Larkin |
That Whitsun, I was late getting away:
Not till about
One-twenty on the sunlit Saturday
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence
The river's level drifting breadth began,
Where sky and Lincolnshire and water meet.
All afternoon, through the tall heat that slept
For miles inland,
A slow and stopping curve southwards we kept.
Wide farms went by, short-shadowed cattle, and
Canals with floatings of industrial froth;
A hothouse flashed uniquely: hedges dipped
And rose: and now and then a smell of grass
Displaced the reek of buttoned carriage-cloth
Until the next town, new and nondescript,
Approached with acres of dismantled cars.
At first, I didn't notice what a noise
The weddings made
Each station that we stopped at: sun destroys
The interest of what's happening in the shade,
And down the long cool platforms whoops and skirls
I took for porters larking with the mails,
And went on reading. Once we started, though,
We passed them, grinning and pomaded, girls
In parodies of fashion, heels and veils,
All posed irresolutely, watching us go,
As if out on the end of an event
Waving goodbye
To something that survived it. Struck, I leant
More promptly out next time, more curiously,
And saw it all again in different terms:
The fathers with broad belts under their suits
And seamy foreheads; mothers loud and fat;
An uncle shouting smut; and then the perms,
The nylon gloves and jewellery-substitutes,
The lemons, mauves, and olive-ochres that
Marked off the girls unreally from the rest.
Yes, from cafés
And banquet-halls up yards, and bunting-dressed
Coach-party annexes, the wedding-days
Were coming to an end. All down the line
Fresh couples climbed aboard: the rest stood round;
The last confetti and advice were thrown,
And, as we moved, each face seemed to define
Just what it saw departing: children frowned
At something dull; fathers had never known
Success so huge and wholly farcical;
The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding. Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem
Just long enough to settle hats and say
I nearly died,
A dozen marriages got under way.
They watched the landscape, sitting side by side
- An Odeon went past, a cooling tower, And
someone running up to bowl - and none
Thought of the others they would never meet
Or how their lives would all contain this hour.
I thought of London spread out in the sun,
Its postal districts packed like squares of wheat:
There we were aimed. And as we raced across
Bright knots of rail
Past standing Pullmans, walls of blackened moss
Came close, and it was nearly done, this frail
Travelling coincidence; and what it held
stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled
A sense of falling, like an arrow-shower
Sent out of sight, somewhere becoming rain.
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