Best Famous Memoir Poems
Here is a collection of the all-time best famous Memoir poems. This is a select list of the best famous Memoir poetry. Reading, writing, and enjoying famous Memoir poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of memoir poems.
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Written by
Carl Sandburg |
HE lived on the wings of storm.
The ashes are in Chihuahua.
Out of Ludlow and coal towns in Colorado
Sprang a vengeance of Slav miners, Italians, Scots, Cornishmen, Yanks.
Killings ran under the spoken commands of this boy
With eighty men and rifles on a hogback mountain.
They killed swearing to remember
The shot and charred wives and children
In the burnt camp of Ludlow,
And Louis Tikas, the laughing Greek,
Plugged with a bullet, clubbed with a gun butt.
As a home war
It held the nation a week
And one or two million men stood together
And swore by the retribution of steel.
It was all accidental.
He lived flecking lint off coat lapels
Of men he talked with.
He kissed the miners’ babies
And wrote a Denver paper
Of picket silhouettes on a mountain line.
He had no mother but Mother Jones
Crying from a jail window of Trinidad:
“All I want is room enough to stand
And shake my fist at the enemies of the human race.”
Named by a grand jury as a murderer
He went to Chihuahua, forgot his old Scotch name,
Smoked cheroots with Pancho Villa
And wrote letters of Villa as a rock of the people.
How can I tell how Don Magregor went?
Three riders emptied lead into him.
He lay on the main street of an inland town.
A boy sat near all day throwing stones
To keep pigs away.
The Villa men buried him in a pit
With twenty Carranzistas.
There is drama in that point…
…the boy and the pigs.
Griffith would make a movie of it to fetch sobs.
Victor Herbert would have the drums whirr
In a weave with a high fiddle-string’s single clamor.
“And the muchacho sat there all day throwing stones
To keep the pigs away,” wrote Gibbons to the Tribune.
Somewhere in Chihuahua or Colorado
Is a leather bag of poems and short stories.
|
Written by
Carl Sandburg |
We look on the shoulders filling the stage of the Chicago Auditorium.
A fat mayor has spoken much English and the mud of his speech is crossed with quicksilver hisses elusive and rapid from floor and gallery.
A neat governor speaks English and the listeners ring chimes to his clear thoughts.
Joffre speaks a few words in French; this is a voice of the long firing line that runs from the salt sea dunes of Flanders to the white spear crags of the Swiss mountains.
This is the man on whose yes and no has hung the death of battalions and brigades; this man speaks of the tricolor of his country now melted in a great resolve with the starred bunting of Lincoln and Washington.
This is the hero of the Marne, massive, irreckonable; he lets tears roll down his cheek; they trickle a wet salt off his chin onto the blue coat.
There is a play of American hands and voices equal to sea-breakers and a lift of white sun on a stony beach.
|
Written by
Johann Wolfgang von Goethe |
I have taken advantage of the publication of a Second Edition
of my translation of the Poems of Goethe (originally published in
1853), to add to the Collection a version of the much admired classical
Poem of Hermann and Dorothea, which was previously omitted by me
in consequence of its length. Its universal popularity, however,
and the fact that it exhibits the versatility of Goethe's talents
to a greater extent than, perhaps, any other of his poetical works,
seem to call for its admission into the present volume.
On the other hand I have not thought it necessary to include the
sketch of Goethe's Life that accompanied the First Edition. At the
time of its publication, comparatively little was known in this
country of the incidents of his career, and my sketch was avowedly
written as a temporary stop-gap, as it were, pending the production
of some work really deserving the tittle of a life of Goethe. Not
to mention other contributions to the literature of the subject,
Mr. Lewis's important volumes give the English reader all the information
he is likely to require respecting Goethe's career, and my short
memoir appeared to be no longer required.
I need scarcely add that I have availed myself of this opportunity
to make whatever improvements have suggested themselves to me in
my original version of these Poems.
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