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Best Famous Meadows Poems

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Written by John Keats | Create an image from this poem

Ode to a Nightingale

MY heart aches, and a drowsy numbness pains 
My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 
One minute past, and Lethe-wards had sunk: 
'Tis not through envy of thy happy lot, 5 
But being too happy in thine happiness, 
That thou, light-wing¨¨d Dryad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease. 10 

O for a draught of vintage! that hath been 
Cool'd a long age in the deep-delv¨¨d earth, 
Tasting of Flora and the country-green, 
Dance, and Proven?al song, and sunburnt mirth! 
O for a beaker full of the warm South! 15 
Full of the true, the blushful Hippocrene, 
With beaded bubbles winking at the brim, 
And purple-stain¨¨d mouth; 
That I might drink, and leave the world unseen, 
And with thee fade away into the forest dim: 20 

Fade far away, dissolve, and quite forget 
What thou among the leaves hast never known, 
The weariness, the fever, and the fret 
Here, where men sit and hear each other groan; 
Where palsy shakes a few, sad, last grey hairs, 25 
Where youth grows pale, and spectre-thin, and dies; 
Where but to think is to be full of sorrow 
And leaden-eyed despairs; 
Where beauty cannot keep her lustrous eyes, 
Or new Love pine at them beyond to-morrow. 30 

Away! away! for I will fly to thee, 
Not charioted by Bacchus and his pards, 
But on the viewless wings of Poesy, 
Though the dull brain perplexes and retards: 
Already with thee! tender is the night, 35 
And haply the Queen-Moon is on her throne, 
Cluster'd around by all her starry Fays 
But here there is no light, 
Save what from heaven is with the breezes blown 
Through verdurous glooms and winding mossy ways. 40 

I cannot see what flowers are at my feet, 
Nor what soft incense hangs upon the boughs, 
But, in embalm¨¨d darkness, guess each sweet 
Wherewith the seasonable month endows 
The grass, the thicket, and the fruit-tree wild; 45 
White hawthorn, and the pastoral eglantine; 
Fast-fading violets cover'd up in leaves; 
And mid-May's eldest child, 
The coming musk-rose, full of dewy wine, 
The murmurous haunt of flies on summer eves. 50 

Darkling I listen; and, for many a time 
I have been half in love with easeful Death, 
Call'd him soft names in many a mus¨¨d rhyme, 
To take into the air my quiet breath; 
Now more than ever seems it rich to die, 55 
To cease upon the midnight with no pain, 
While thou art pouring forth thy soul abroad 
In such an ecstasy! 
Still wouldst thou sing, and I have ears in vain¡ª 
To thy high requiem become a sod. 60 

Thou wast not born for death, immortal Bird! 
No hungry generations tread thee down; 
The voice I hear this passing night was heard 
In ancient days by emperor and clown: 
Perhaps the self-same song that found a path 65 
Through the sad heart of Ruth, when, sick for home, 
She stood in tears amid the alien corn; 
The same that ofttimes hath 
Charm'd magic casements, opening on the foam 
Of perilous seas, in faery lands forlorn. 70 

Forlorn! the very word is like a bell 
To toll me back from thee to my sole self! 
Adieu! the fancy cannot cheat so well 
As she is famed to do, deceiving elf. 
Adieu! adieu! thy plaintive anthem fades 75 
Past the near meadows, over the still stream, 
Up the hill-side; and now 'tis buried deep 
In the next valley-glades: 
Was it a vision, or a waking dream? 
Fled is that music:¡ªdo I wake or sleep? 80 


Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
Written by Henry Wadsworth Longfellow | Create an image from this poem

Paul Revere's Ride

Listen, my children, and you shall hear 
Of the midnight ride of Paul Revere, 
On the eighteenth of April, in Seventy-Five: 
Hardly a man is now alive 
Who remembers that famous day and year. 

He said to his friend, "If the British march 
By land or sea from the town to-night, 
Hang a lantern aloft in the belfry-arch 
Of the North-Church-tower, as a signal-light,-- 
One if by land, and two if by sea; 
And I on the opposite shore will be, 
Ready to ride and spread the alarm 
Through every Middlesex village and farm, 
For the country-folk to be up and to arm." 

Then he said "Good night!" and with muffled oar 
Silently rowed to the Charlestown shore, 
Just as the moon rose over the bay, 
Where swinging wide at her moorings lay 
The Somerset, British man-of-war: 
A phantom ship, with each mast and spar 
Across the moon, like a prison-bar, 
And a huge black hulk, that was magnified 
By its own reflection in the tide. 

Meanwhile, his friend, through alley and street 
Wanders and watches with eager ears, 
Till in the silence around him he hears 
The muster of men at the barrack door, 
The sound of arms, and the tramp of feet, 
And the measured tread of the grenadiers 
Marching down to their boats on the shore. 

Then he climbed to the tower of the church, 
Up the wooden stairs, with stealthy tread, 
To the belfry-chamber overhead, 
And startled the pigeons from their perch 
On the sombre rafters, that round him made 
Masses and moving shapes of shade,-- 
By the trembling ladder, steep and tall, 
To the highest window in the wall, 
Where he paused to listen and look down 
A moment on the roofs of the town, 
And the moonlight flowing over all. 

Beneath, in the churchyard, lay the dead, 
In their night-encampment on the hill, 
Wrapped in silence so deep and still 
That he could hear, like a sentinel's tread, 
The watchful night-wind, as it went 
Creeping along from tent to tent, 
And seeming to whisper, "All is well!" 
A moment only he feels the spell 
Of the place and the hour, and the secret dread 
Of the lonely belfry and the dead; 
For suddenly all his thoughts are bent 
On a shadowy something far away, 
Where the river widens to meet the bay, -- 
A line of black, that bends and floats 
On the rising tide, like a bridge of boats. 

Meanwhile, impatient to mount and ride, 
Booted and spurred, with a heavy stride, 
On the opposite shore walked Paul Revere. 
Now he patted his horse's side, 
Now gazed on the landscape far and near, 
Then impetuous stamped the earth, 
And turned and tightened his saddle-girth; 
But mostly he watched with eager search 
The belfry-tower of the old North Church, 
As it rose above the graves on the hill, 
Lonely and spectral and sombre and still. 
And lo! as he looks, on the belfry's height, 
A glimmer, and then a gleam of light! 
He springs to the saddle, the bridle he turns, 
But lingers and gazes, till full on his sight 
A second lamp in the belfry burns! 

A hurry of hoofs in a village-street, 
A shape in the moonlight, a bulk in the dark, 
And beneath from the pebbles, in passing, a spark 
Struck out by a steed that flies fearless and fleet: 
That was all! And yet, through the gloom and the light, 
The fate of a nation was riding that night; 
And the spark struck out by that steed, in his flight, 
Kindled the land into flame with its heat. 

He has left the village and mounted the steep, 
And beneath him, tranquil and broad and deep, 
Is the Mystic, meeting the ocean tides; 
And under the alders, that skirt its edge, 
Now soft on the sand, now load on the ledge, 
Is heard the tramp of his steed as he rides. 

It was twelve by the village clock 
When he crossed the bridge into Medford town. 
He heard the crowing of the cock, 
And the barking of the farmer's dog, 
And felt the damp of the river-fog, 
That rises when the sun goes down. 

It was one by the village clock, 
When he galloped into Lexington. 
He saw the gilded weathercock 
Swim in the moonlight as he passed, 
And the meeting-house windows, blank and bare, 
Gaze at him with a spectral glare, 
As if they already stood aghast 
At the bloody work they would look upon. 

It was two by the village clock, 
When be came to the bridge in Concord town. 
He heard the bleating of the flock, 
And the twitter of birds among the trees, 
And felt the breath of the morning breeze 
Blowing over the meadows brown. 
And one was safe and asleep in his bed 
Who at the bridge would be first to fall, 
Who that day would be lying dead, 
Pierced by a British musket-ball. 

You know the rest. In the books you have read, 
How the British Regulars fired and fled,-- 
How the farmers gave them ball for ball, 
From behind each fence and farmyard-wall, 
Chasing the red-coats down the lane, 
Then crossing the fields to emerge again 
Under the trees at the turn of the road, 
And only pausing to fire and load. 

So through the night rode Paul Revere; 
And so through the night went his cry of alarm 
To every Middlesex village and farm,-- 
A cry of defiance, and not of fear, 
A voice in the darkness, a knock at the door, 
And a word that shall echo forevermore! 
For, borne on the night-wind of the Past, 
Through all our history, to the last, 
In the hour of darkness and peril and need, 
The people will waken and listen to hear 
The hurrying hoof-beats of that steed, 
And the midnight message of Paul Revere. 
Written by Siegfried Sassoon | Create an image from this poem

Haunted

EVENING was in the wood, louring with storm. 
A time of drought had sucked the weedy pool 
And baked the channels; birds had done with song. 
Thirst was a dream of fountains in the moon, 
Or willow-music blown across the water 5 
Leisurely sliding on by weir and mill. 

Uneasy was the man who wandered, brooding, 
His face a little whiter than the dusk. 
A drone of sultry wings flicker¡¯d in his head. 
The end of sunset burning thro¡¯ the boughs 10 
Died in a smear of red; exhausted hours 
Cumber¡¯d, and ugly sorrows hemmed him in. 

He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove 
To shake off dread; he dared not look behind him, 
But stood, the sweat of horror on his face. 15 

He blunder¡¯d down a path, trampling on thistles, 
In sudden race to leave the ghostly trees. 
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought, 
And half remembered starlight on the meadows, 
Scent of mown grass and voices of tired men, 20 
Fading along the field-paths; home and sleep 
And cool-swept upland spaces, whispering leaves, 
And far off the long churring night-jar¡¯s note. 

But something in the wood, trying to daunt him, 
Led him confused in circles through the thicket. 25 
He was forgetting his old wretched folly, 
And freedom was his need; his throat was choking. 
Barbed brambles gripped and clawed him round his legs, 
And he floundered over snags and hidden stumps. 
Mumbling: ¡®I will get out! I must get out!¡¯ 30 
Butting and thrusting up the baffling gloom, 
Pausing to listen in a space ¡¯twixt thorns, 
He peers around with peering, frantic eyes. 

An evil creature in the twilight looping, 
Flapped blindly in his face. Beating it off, 35 
He screeched in terror, and straightway something clambered 
Heavily from an oak, and dropped, bent double, 
To shamble at him zigzag, squat and bestial. 

Headlong he charges down the wood, and falls 
With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40 
And blots of green and purple in his eyes. 
Then the slow fingers groping on his neck, 
And at his heart the strangling clasp of death. 
Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with 
 your presence, I roar your Lion Roar with mortal
 mouth.
One microgram inspired to one lung, ten pounds of 
 heavy metal dust adrift slow motion over grey
 Alps
the breadth of the planet, how long before your radiance
 speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
 Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
 sciousness to six worlds
I chant your absolute Vanity. Yeah monster of Anger
 birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
 of metal empires!
Destroyer of lying Scientists! Devourer of covetous
 Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful 
 nations, Molester of Presidents, Death-Scandal of
 Capital politics! Ah civilizations stupidly indus-
 trious!
Canker-Hex on multitudes learned or illiterate! Manu-
 factured Spectre of human reason! O solidified
 imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I 
 publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
 Your name enters mankind's ear! I embody your
 ultimate powers!
My oratory advances on your vaunted Mystery! This 
 breath dispels your braggart fears! I sing your 
 form at last
behind your concrete & iron walls inside your fortress
 of rubber & translucent silicon shields in filtered
 cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot 
 cans and echoes in electric vaults inert of atmo-
 sphere,
I enter with spirit out loud into your fuel rod drums
 underground on soundless thrones and beds of
 lead
O density! This weightless anthem trumpets transcendent 
 through hidden chambers and breaks through 
 iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony 
 floats audible, these jubilant tones are honey and 
 milk and wine-sweet water
Poured on the stone black floor, these syllables are
 barley groats I scatter on the Reactor's core, 
I call your name with hollow vowels, I psalm your Fate
 close by, my breath near deathless ever at your
 side
to Spell your destiny, I set this verse prophetic on your
 mausoleum walls to seal you up Eternally with
 Diamond Truth! O doomed Plutonium.

 II

The Bar surveys Plutonian history from midnight 
 lit with Mercury Vapor streetlamps till in dawn's 
 early light
he contemplates a tranquil politic spaced out between 
 Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
 with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
 Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in 
 United States of North America, Western Hemi-
 sphere
of planet Earth six months and fourteen days around
 our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen 
 hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
 Denver city white below
Blue sky transparent rising empty deep & spacious to a 
 morning star high over the balcony 
above some autos sat with wheels to curb downhill 
 from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
 cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
 summer green leafed trees.

 III

This ode to you O Poets and Orators to come, you
 father Whitman as I join your side, you Congress
 and American people,
you present meditators, spiritual friends & teachers,
 you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and 
 consonants to breath's end
take this inhalation of black poison to your heart, breath
 out this blessing from your breast on our creation 
forests cities oceans deserts rocky flats and mountains 
 in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
 through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
 this mountain of Plutonium with ordinary mind
 and body speech,
thus empower this Mind-guard spirit gone out, gone
 out, gone beyond, gone beyond me, Wake space,
 so Ah!

 July 14, 1978


Written by Rudyard Kipling | Create an image from this poem

The Land

 When Julius Fabricius, Sub-Prefect of the Weald,
In the days of Diocletian owned our Lower River-field,
He called to him Hobdenius-a Briton of the Clay,
Saying: "What about that River-piece for layin'' in to hay?"

And the aged Hobden answered: "I remember as a lad
My father told your father that she wanted dreenin' bad.
An' the more that you neeglect her the less you'll get her clean.
Have it jest as you've a mind to, but, if I was you, I'd dreen."

So they drained it long and crossways in the lavish Roman style--
Still we find among the river-drift their flakes of ancient tile,
And in drouthy middle August, when the bones of meadows
 show,
We can trace the lines they followed sixteen hundred years ago.

Then Julius Fabricius died as even Prefects do,
And after certain centuries, Imperial Rome died too.
Then did robbers enter Britain from across the Northern main
And our Lower River-field was won by Ogier the Dane.

Well could Ogier work his war-boat --well could Ogier wield his
 brand--
Much he knew of foaming waters--not so much of farming land.
So he called to him a Hobden of the old unaltered blood,
Saying: "What about that River-piece; she doesn't look no good?"

And that aged Hobden answered "'Tain't for me not interfere.
But I've known that bit o' meadow now for five and fifty year.
Have it jest as you've a mind to, but I've proved it time on ' time,
If you want to change her nature you have got to give her lime!"

Ogier sent his wains to Lewes, twenty hours' solemn walk,
And drew back great abundance of the cool, grey, healing chalk.
And old Hobden spread it broadcast, never heeding what was
 in't.--
Which is why in cleaning ditches, now and then we find a flint.

Ogier died. His sons grew English-Anglo-Saxon was their name--
Till out of blossomed Normandy another pirate came;
For Duke William conquered England and divided with his men,
And our Lower River-field he gave to William of Warenne.

But the Brook (you know her habit) rose one rainy autumn night 
And tore down sodden flitches of the bank to left and right.
So, said William to his Bailiff as they rode their dripping rounds:
"Hob, what about that River-bit--the Brook's got up no bounds? "

 And that aged Hobden answered: "'Tain't my business to advise,
But ye might ha' known 'twould happen from the way the valley
 lies.
 Where ye can't hold back the water you must try and save the
 sile.
 Hev it jest as you've a mind to, but, if I was you, I'd spile!"

 They spiled along the water-course with trunks of willow-trees,
 And planks of elms behind 'em and immortal oaken knees.
 And when the spates of Autumn whirl the gravel-beds away
 You can see their faithful fragments, iron-hard in iron clay.
. . . . . . . . . . 
 Georgii Quinti Anno Sexto, I, who own the River-field,
 Am fortified with title-deeds, attested, signed and sealed, 
 Guaranteeing me, my assigns, my executors and heirs
 All sorts of powers and profits which-are neither mine nor theirs,

 I have rights of chase and warren, as my dignity requires.
 I can fish-but Hobden tickles--I can shoot--but Hobden wires.
 I repair, but he reopens, certain gaps which, men allege,
 Have been used by every Hobden since a Hobden swapped a
 hedge.

Shall I dog his morning progress o'er the track-betraying dew?
Demand his dinner-basket into which my pheasant flew?
Confiscate his evening ****** under which my conies ran,
And summons him to judgment? I would sooner summons Pan.

His dead are in the churchyard--thirty generations laid.
Their names were old in history when Domesday Book was made;
 And the passion and the piety and prowess of his line
 Have seeded, rooted, fruited in some land the Law calls mine.

 Not for any beast that burrows, not for any bird that flies,
 Would I lose his large sound council, miss his keen amending
 eyes.
 He is bailiff, woodman, wheelwright, field-surveyor, engineer,
 And if flagrantly a poacher--'tain't for me to interfere.

 "Hob, what about that River-bit?" I turn to him again,
 With Fabricius and Ogier and William of Warenne.
 "Hev it jest as you've a mind to, but"-and here he takes com-
 mand.
 For whoever pays the taxes old Mus' Hobden owns the land.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Flowers

 Spake full well, in language quaint and olden,
One who dwelleth by the castled Rhine,
When he called the flowers, so blue and golden,
Stars, that in earth's firmament do shine.

Stars they are, wherein we read our history,
As astrologers and seers of eld;
Yet not wrapped about with awful mystery,
Like the burning stars, which they beheld.

Wondrous truths, and manifold as wondrous,
God hath written in those stars above;
But not less in the bright flowerets under us
Stands the revelation of his love.

Bright and glorious is that revelation,
Written all over this great world of ours;
Making evident our own creation,
In these stars of earth, these golden flowers.

And the Poet, faithful and far-seeing,
Sees, alike in stars and flowers, a part
Of the self-same, universal being,
Which is throbbing in his brain and heart.

Gorgeous flowerets in the sunlight shining,
Blossoms flaunting in the eye of day,
Tremulous leaves, with soft and silver lining,
Buds that open only to decay;

Brilliant hopes, all woven in gorgeous tissues,
Flaunting gayly in the golden light;
Large desires, with most uncertain issues,
Tender wishes, blossoming at night!


These in flowers and men are more than seeming;
Workings are they of the self-same powers,
Which the Poet, in no idle dreaming,
Seeth in himself and in the flowers.

Everywhere about us are they glowing,
Some like stars, to tell us Spring is born;
Others, their blue eyes with tears o'er-flowing,
Stand like Ruth amid the golden corn;

Not alone in Spring's armorial bearing,
And in Summer's green-emblazoned field,
But in arms of brave old Autumn's wearing,
In the centre of his brazen shield;

Not alone in meadows and green alleys,
On the mountain-top, and by the brink
Of sequestered pools in woodland valleys,
Where the slaves of nature stoop to drink;

Not alone in her vast dome of glory,
Not on graves of bird and beast alone,
But in old cathedrals, high and hoary,
On the tombs of heroes, carved in stone;

In the cottage of the rudest peasant,
In ancestral homes, whose crumbling towers,
Speaking of the Past unto the Present,
Tell us of the ancient Games of Flowers;

In all places, then, and in all seasons,
Flowers expand their light and soul-like wings,
Teaching us, by most persuasive reasons,
How akin they are to human things.

And with childlike, credulous affection
We behold their tender buds expand;
Emblems of our own great resurrection,
Emblems of the bright and better land.
Written by Walt Whitman | Create an image from this poem

To You

 WHOEVER you are, I fear you are walking the walks of dreams, 
I fear these supposed realities are to melt from under your feet and hands; 
Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume,
 crimes, dissipate away from you, 
Your true Soul and Body appear before me, 
They stand forth out of affairs—out of commerce, shops, law, science, work, forms,
 clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you be my poem; 
I whisper with my lips close to your ear, 
I have loved many women and men, but I love none better than you. 

O I have been dilatory and dumb; 
I should have made my way straight to you long ago;
I should have blabb’d nothing but you, I should have chanted nothing but you. 

I will leave all, and come and make the hymns of you; 
None have understood you, but I understand you; 
None have done justice to you—you have not done justice to yourself; 
None but have found you imperfect—I only find no imperfection in you;
None but would subordinate you—I only am he who will never consent to subordinate
 you; 
I only am he who places over you no master, owner, better, God, beyond what waits
 intrinsically
 in yourself. 

Painters have painted their swarming groups, and the centre figure of all; 
From the head of the centre figure spreading a nimbus of gold-color’d light; 
But I paint myriads of heads, but paint no head without its nimbus of gold-color’d
 light;
From my hand, from the brain of every man and woman it streams, effulgently flowing
 forever. 

O I could sing such grandeurs and glories about you! 
You have not known what you are—you have slumber’d upon yourself all your life; 
Your eye-lids have been the same as closed most of the time; 
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries, what is their
 return?) 

The mockeries are not you; 
Underneath them, and within them, I see you lurk; 
I pursue you where none else has pursued you; 
Silence, the desk, the flippant expression, the night, the accustom’d routine, if
 these
 conceal you from others, or from yourself, they do not conceal you from me;
The shaved face, the unsteady eye, the impure complexion, if these balk others, they do
 not
 balk me, 
The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all
 these I
 part aside. 

There is no endowment in man or woman that is not tallied in you; 
There is no virtue, no beauty, in man or woman, but as good is in you; 
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you. 

As for me, I give nothing to any one, except I give the like carefully to you; 
I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory
 of
 you. 

Whoever you are! claim your own at any hazard! 
These shows of the east and west are tame, compared to you;
These immense meadows—these interminable rivers—you are immense and interminable
 as
 they; 
These furies, elements, storms, motions of Nature, throes of apparent dissolution—you
 are
 he or she who is master or mistress over them, 
Master or mistress in your own right over Nature, elements, pain, passion, dissolution. 

The hopples fall from your ankles—you find an unfailing sufficiency; 
Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges
 itself;
Through birth, life, death, burial, the means are provided, nothing is scanted; 
Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields. 

A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; 
A song tasting of new wheat, and of fresh-husk’d maize.

2
For the lands, and for these passionate days, and for myself, 
Now I awhile return to thee, O soil of Autumn fields, 
Reclining on thy breast, giving myself to thee, 
Answering the pulses of thy sane and equable heart, 
Tuning a verse for thee.

O Earth, that hast no voice, confide to me a voice! 
O harvest of my lands! O boundless summer growths! 
O lavish, brown, parturient earth! O infinite, teeming womb! 
A verse to seek, to see, to narrate thee. 

3
Ever upon this stage,
Is acted God’s calm, annual drama, 
Gorgeous processions, songs of birds, 
Sunrise, that fullest feeds and freshens most the soul, 
The heaving sea, the waves upon the shore, the musical, strong waves, 
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass, 
The heat, the showers, the measureless pasturages, 
The scenery of the snows, the winds’ free orchestra, 
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
 silvery
 fringes, 
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows, 
The shows of all the varied lands, and all the growths and products. 

4
Fecund America! To-day, 
Thou art all over set in births and joys! 
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions! 
A myriad-twining life, like interlacing vines, binds all thy vast demesne! 
As some huge ship, freighted to water’s edge, thou ridest into port! 
As rain falls from the heaven, and vapors rise from earth, so have the precious values
 fallen
 upon thee, and risen out of thee! 
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty! 
Thou lucky Mistress of the tranquil barns! 
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
 East,
 and lookest West! 
Dispensatress, that by a word givest a thousand miles—that giv’st a million
 farms,
 and missest nothing! 
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
 hospitable.)

5
When late I sang, sad was my voice; 
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; 
In the midst of the armies, the Heroes, I stood, 
Or pass’d with slow step through the wounded and dying. 

But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps, 
Nor the regiments hastily coming up, deploying in line of battle. 

No more the dead and wounded; 
No more the sad, unnatural shows of War. 

Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d. 

6
(Pass—pass, ye proud brigades! 
So handsome, dress’d in blue—with your tramping, sinewy legs; 
With your shoulders young and strong—with your knapsacks and your muskets; 
—How elate I stood and watch’d you, where, starting off, you march’d!

Pass;—then rattle, drums, again! 
Scream, you steamers on the river, out of whistles loud and shrill, your salutes! 
For an army heaves in sight—O another gathering army! 
Swarming, trailing on the rear—O you dread, accruing army! 
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! 
Lo! your pallid army follow’d!) 

7
But on these days of brightness, 
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
 farm-wagons, and
 the fruits and barns, 
Shall the dead intrude?

Ah, the dead to me mar not—they fit well in Nature; 
They fit very well in the landscape, under the trees and grass, 
And along the edge of the sky, in the horizon’s far margin. 

Nor do I forget you, departed; 
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
 phantoms, 
Your dear memories, rising, glide silently by me. 

8
I saw the day, the return of the Heroes; 
(Yet the Heroes never surpass’d, shall never return; 
Them, that day, I saw not.)

I saw the interminable Corps—I saw the processions of armies, 
I saw them approaching, defiling by, with divisions, 
Streaming northward, their work done, camping awhile in clusters of mighty camps. 

No holiday soldiers!—youthful, yet veterans; 
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march, 
Inured on many a hard-fought, bloody field. 

9
A pause—the armies wait; 
A million flush’d, embattled conquerors wait; 
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear. 

Exult, indeed, O lands! victorious lands! 
Not there your victory, on those red, shuddering fields; 
But here and hence your victory. 

Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms; 
Other the arms, the fields henceforth for you, or South or North, or East or West, 
With saner wars—sweet wars—life-giving wars. 

10
Loud, O my throat, and clear, O soul! 
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility. 

All till’d and untill’d fields expand before me; 
I see the true arenas of my race—or first, or last, 
Man’s innocent and strong arenas. 

I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons. 

11
I see where America, Mother of All, 
Well-pleased, with full-spanning eye, gazes forth, dwells long, 
And counts the varied gathering of the products. 

Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North, 
Cotton and rice of the South, and Louisianian cane; 
Open, unseeded fallows, rich fields of clover and timothy, 
Kine and horses feeding, and droves of sheep and swine, 
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes, 
And the good green grass—that delicate miracle, the ever-recurring grass. 

12
Toil on, Heroes! harvest the products! 
Not alone on those warlike fields, the Mother of All, 
With dilated form and lambent eyes, watch’d you.

Toil on, Heroes! toil well! Handle the weapons well! 
The Mother of All—yet here, as ever, she watches you. 

Well-pleased, America, thou beholdest, 
Over the fields of the West, those crawling monsters, 
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, 
The steam-power reaping-machines, and the horse-power machines, 
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
 nimble work of the patent pitch-fork; 
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser. 

Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest. 

All gather, and all harvest; 
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security; 
Not a maize-stalk dangle, as now, its silken tassels in peace.) 

13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; 
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
 sheath, 
Gather the hay to its myriad mows, in the odorous, tranquil barns, 
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; 
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
 potato of
 Georgia and the Carolinas,
Clip the wool of California or Pennsylvania, 
Cut the flax in the Middle States, or hemp, or tobacco in the Borders, 
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
 vines, 
Or aught that ripens in all These States, or North or South, 
Under the beaming sun, and under Thee.
Written by Oscar Wilde | Create an image from this poem

Panthea

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion - youth's first fiery glow, -
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune, -
Mark how she wreathes each horn with mist, yon late and labouring
moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water, - are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others' mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion's arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance - O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure's paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps: and heaven is high:
One fiery-coloured moment: one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death's river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart's blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth's giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent breasts of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death's despite.

The boy's first kiss, the hyacinth's first bell,
The man's last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover's eyes, - these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life's conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet's throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle! How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth's earliest conqueror becomes earth's last great
prey.

O think of it! We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature's mysteries, for we shall hear

The thrush's heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers' lips that kiss, the poets' lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature's heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World's throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.

Book: Radiant Verses: A Journey Through Inspiring Poetry