Written by
T S (Thomas Stearns) Eliot |
'A cold coming we had of it,
Just the worst time of the year
For a journey, and such a journey:
The ways deep and the weather sharp,
The very dead of winter.
'
And the camels galled, sore-footed,
refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the
terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and
grumbling
And running away, and wanting their
liquor and women,
And the night-fires going out, and the
lack of shelters,
And the cities hostile and the towns
unfriendly
And the villages dirty and charging high
prices:
A hard time we had of it.
At the end we preferred to travel all
night,
Sleeping in snatches,
With the voices singing in our ears,
saying
That this was all folly.
Then at dawn we came down to a
temperate valley,
Wet, below the snow line, smelling of
vegetation;
With a running stream and a water-mill
beating the darkness,
And three trees on the low sky,
And an old white horse galloped in
away in the meadow.
Then we came to a tavern with
vine-leaves over the lintel,
Six hands at an open door dicing for
pieces of silver,
And feet kicking the empty wine-skins.
But there was no imformation, and so
we continued
And arrived at evening, not a moment
too soon
Finding the place; it was (you may say)
satisfactory.
All this was a long time ago, I
remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth,
certainly,
We had evidence and no doubt.
I had
seen birth and death,
But had thought they were different;
this Birth was
Hard and bitter agony for us, like
Death, our death.
We returned to our places, these
Kingdoms,
But no longer at ease here, in the old
dispensation,
With an alien people clutching their
gods.
I should be glad of another death.
|
Written by
Mark Doty |
Because the road to our house
is a back road, meadowlands punctuated
by gravel quarry and lumberyard,
there are unexpected travelers
some nights on our way home from work.
Once, on the lawn of the Tool
and Die Company, a swan;
the word doesn't convey the shock
of the thing, white architecture
rippling like a pond's rain-pocked skin,
beak lifting to hiss at my approach.
Magisterial, set down in elegant authority,
he let us know exactly how close we might come.
After a week of long rains
that filled the marsh until it poured
across the road to make in low woods
a new heaven for toads,
a snapping turtle lumbered down the center
of the asphalt like an ambulatory helmet.
His long tail dragged, blunt head jutting out
of the lapidary prehistoric sleep of shell.
We'd have lifted him from the road
but thought he might bend his long neck back
to snap.
I tried herding him; he rushed,
though we didn't think those blocky legs
could hurry-- then ambled back
to the center of the road, a target
for kids who'd delight in the crush
of something slow with the look
of primeval invulnerability.
He turned
the blunt spear point of his jaws,
puffing his undermouth like a bullfrog,
and snapped at your shoe,
vising a beakful of-- thank God--
leather.
You had to shake him loose.
We left him
to his own devices, talked on the way home
of what must lead him to new marsh
or old home ground.
The next day you saw,
one town over, remains of shell
in front of the little liquor store.
I argued
it was too far from where we'd seen him,
too small to be his.
.
.
though who could tell
what the day's heat might have taken
from his body.
For days he became a stain,
a blotch that could have been merely
oil.
I did not want to believe that
was what we saw alive in the firm center
of his authority and right
to walk the center of the road,
head up like a missionary moving certainly
into the country of his hopes.
In the movies in this small town
I stopped for popcorn while you went ahead
to claim seats.
When I entered the cool dark
I saw straight couples everywhere,
no single silhouette who might be you.
I walked those two aisles too small
to lose anyone and thought of a book
I read in seventh grade, "Stranger Than Science,"
in which a man simply walked away,
at a picnic, and was,
in the act of striding forward
to examine a flower, gone.
By the time the previews ended
I was nearly in tears-- then realized
the head of one-half the couple in the first row
was only your leather jacket propped in the seat
that would be mine.
I don't think I remember
anything of the first half of the movie.
I don't know what happened to the swan.
I read
every week of some man's lover showing
the first symptoms, the night sweat
or casual flu, and then the wasting begins
and the disappearance a day at a time.
I don't know what happened to the swan;
I don't know if the stain on the street
was our turtle or some other.
I don't know
where these things we meet and know briefly,
as well as we can or they will let us,
go.
I only know that I do not want you
--you with your white and muscular wings
that rise and ripple beneath or above me,
your magnificent neck, eyes the deep mottled autumnal colors
of polished tortoise-- I do not want you ever to die.
|
Written by
W. E. B. Du Bois |
Dark daughter of the lotus leaves that watch the Southern Sea!
Wan spirit of a prisoned soul a-panting to be free!
The muttered music of thy streams, the whisper of the deep,
Have kissed each other in God's name and kissed a world to sleep.
The will of the world is a whistling wind, sweeping a cloud-swept sky,
And not from the East and not from the West knelled that
soul-waking cry,
But out of the South,—the sad, black South—it screamed from
the top of the sky,
Crying: "Awake, O ancient race!" Wailing, "O woman, arise!"
And crying and sighing and crying again as a voice in the
midnight cries,—
But the burden of white men bore her back and the white world
stifled her sighs.
The white world's vermin and filth:
All the dirt of London,
All the scum of New York;
Valiant spoilers of women
And conquerers of unarmed men;
Shameless breeders of bastards,
Drunk with the greed of gold,
Baiting their blood-stained hooks
With cant for the souls of the simple;
Bearing the white man's burden
Of liquor and lust and lies!
Unthankful we wince in the East,
Unthankful we wail from the westward,
Unthankfully thankful, we curse,
In the unworn wastes of the wild:
I hate them, Oh!
I hate them well,
I hate them, Christ!
As I hate hell!
If I were God,
I'd sound their knell
This day!
Who raised the fools to their glory,
But black men of Egypt and Ind,
Ethiopia's sons of the evening,
Indians and yellow Chinese,
Arabian children of morning,
And mongrels of Rome and Greece?
Ah, well!
And they that raised the boasters
Shall drag them down again,—
Down with the theft of their thieving
And murder and mocking of men;
Down with their barter of women
And laying and lying of creeds;
Down with their cheating of childhood
And drunken orgies of war,—
down
down
deep down,
Till the devil's strength be shorn,
Till some dim, darker David, a-hoeing of his corn,
And married maiden, mother of God,
Bid the black Christ be born!
Then shall our burden be manhood,
Be it yellow or black or white;
And poverty and justice and sorrow,
The humble, and simple and strong
Shall sing with the sons of morning
And daughters of even-song:
Black mother of the iron hills that ward the blazing sea,
Wild spirit of a storm-swept soul, a-struggling to be free,
Where 'neath the bloody finger-marks thy riven bosom quakes,
Thicken the thunders of God's Voice and lo! a world awakes!
|
Written by
Jonathan Swift |
As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,
Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.
|
Written by
Sir Thomas Wyatt |
MY mother's maids, when they did sew and spin,
They sang sometime a song of the field mouse,
That for because her livelood was but thin [livelihood]
Would needs go seek her townish sister's house.
She thought herself endured to much pain:
The stormy blasts her cave so sore did souse
That when the furrows swimmed with the rain
She must lie cold and wet in sorry plight,
And, worse than that, bare meat there did remain
To comfort her when she her house had dight:
Sometime a barleycorn, sometime a bean,
For which she labored hard both day and night
In harvest time, whilst she might go and glean.
And when her store was 'stroyed with the flood,
Then well away, for she undone was clean.
Then was she fain to take, instead of food,
Sleep if she might, her hunger to beguile.
"My sister," qoth she, "hath a living good,
And hence from me she dwelleth not a mile.
In cold and storm she lieth warm and dry
In bed of down, and dirt doth not defile
Her tender foot, she laboreth not as I.
Richly she feedeth and at the rich man's cost,
And for her meat she needs not crave nor cry.
By sea, by land, of the delicates the most
Her cater seeks and spareth for no peril.
She feedeth on boiled, baken meat, and roast,
And hath thereof neither charge nor travail.
And, when she list, the liquor of the grape
Doth goad her heart till that her belly swell.
"
And at this journey she maketh but a jape: [joke]
So forth she goeth, trusting of all this wealth
With her sister her part so for to shape
That, if she might keep herself in health,
To live a lady while her life doth last.
And to the door now is she come by stealth,
And with her foot anon she scrapeth full fast.
The other for fear durst not well scarce appear,
Of every noise so was the wretch aghast.
"Peace," quoth the town mouse, "why speakest thou so loud?"
And by the hand she took her fair and well.
"Welcome," quoth she, "my sister, by the rood.
"
She feasted her that joy is was to tell
The fare they had; they drank the wine so clear;
And as to purpose now and then it fell
She cheered her with: "How, sister, what cheer?"
Amids this joy there fell a sorry chance,
That, wellaway, the stranger bought full dear
The fare she had.
For as she looks, askance,
Under a stool she spied two steaming eyes
In a round head with sharp ears.
In France
was never mouse so feared, for though the unwise [afraid]
Had not yseen such a beast before,
Yet had nature taught her after her guise
To know her foe and dread him evermore.
The town mouse fled; she knew whither to go.
The other had no shift, but wondrous sore
Feared of her life, at home she wished her, though.
And to the door, alas, as she did skip
(Th' heaven it would, lo, and eke her chance was so)
At the threshold her silly foot did trip,
And ere she might recover it again
The traitor cat had caught her by the hip
And made her there against her will remain
That had forgotten her poor surety, and rest,
For seeming wealth wherein she thought to reign.
Alas, my Poynz, how men do seek the best [a friend of Wyatt]
And find the worst, by error as they stray.
And no marvel, when sight is so opprest
And blind the guide.
Anon out of the way
Goeth guide and all in seeking quiet life.
O wretched minds, there is no gold that may
Grant that ye seek, no war, no peace, no strife,
No, no, although thy head was hoopt with gold, [crowned]
Sergeant with mace, haubert, sword, nor knife
Cannot repulse the care that follow should.
Each kind of life hath with him his disease:
Live in delight even as thy lust would, [as you would desire]
And thou shalt find when lust doth most thee please
It irketh strait and by itself doth fade.
A small thing it is that may thy mind appease.
None of ye all there is that is so mad
To seek grapes upon brambles or breers, [briars]
Not none I trow that hath his wit so bad
To set his hay for conies over rivers, [snares for rabbits]
Ne ye set not a drag net for an hare.
[nor]
And yet the thing that most is your desire
Ye do misseek with more travail and care.
Make plain thine heart, that it be not notted
With hope or dread, and see thy will be bare
>From all effects whom vice hath ever spotted.
Thyself content with that is thee assigned,
And use it well that is to thee allotted,
Then seek no more out of thyself to find
The thing that thou hast sought so long before,
For thou shalt find it sitting in thy mind.
Mad, if ye list to continue your sore,
Let present pass, and gape on time to come,
And deep yourself in travail more and more.
Henceforth, my Poynz, this shall be all and some:
These wretched fools shall have nought else of me.
But to the great God and to His high doom* [judgment]
None other pain pray I for them to be
But, when the rage doth lead them from the right,
That, looking backward, Virtue they may see
Even as She is, so goodly fair and bright.
And whilst they clasp their lusts in arms across
Grant them, good Lord, as Thou mayst of Thy might,
To fret inward for losing such a loss.
|
Written by
Andrew Barton Paterson |
Bring me a quart of colonial beer
And some doughy damper to make good cheer,
I must make a heavy dinner;
Heavily dine and heavily sup,
Of indigestible things fill up,
Next month they run the Melbourne Cup,
And I have to dream the winner.
Stoke it in, boys! the half-cooked ham,
The rich ragout and the charming cham.
,
I've got to mix my liquor;
Give me a gander's gaunt hind leg,
Hard and tough as a wooden peg,
And I'll keep it down with a hard-boiled egg,
'Twill make me dream the quicker.
Now that I'm full of fearful feed,
Oh, but I'll dream of a winner indeed
In my restless, troubled slumber;
While the night-mares race through my heated brain
And their devil-riders spur amain,
The trip for the Cup will reward my pain,
And I'll spot the winning number.
Thousands and thousands and thousands more,
Like sands on the white Pacific shore,
The crowding people cluster;
For evermore is the story old,
While races are bought and backers are sold,
Drawn by the greed of the gain of gold,
In their thousands still they muster.
* * * * *
And the bookies' cries grow fierce and hot,
"I'll lay the Cup! The double, if not!"
"Five monkeys, Little John, sir!"
"Here's fives bar one, I lay, I lay!"
And so they shout through the livelong day,
And stick to the game that is sure to pay,
While fools put money on, sir!
And now in my dream I seem to go
And bet with a "book" that I seem to know --
A Hebrew money-lender;
A million to five is the price I get --
Not bad! but before I book the bet
The horse's name I clean forgret,
Its number and even gender.
Now for the start, and here they come,
And the hoof-strokes roar like a mighty drum
Beat by a hand unsteady;
They come like a rushing, roaring flood,
Hurrah for the speed of the Chester blood;
For Acme is making the pace so good
They are some of 'em done already.
But round the track she begins to tire,
And a mighty shout goes up "Crossfire!"
The magpie jacket's leading;
And Crossfire challenges fierce and bold,
And the lead she'll have and the lead she'll hold,
But at length gives way to the black and gold,
Which right to the front is speeding.
Carry them on and keep it up --
A flying race is the Melbourne Cup,
You must race and stay to win it;
And old Commotion, Victoria's pride,
Now takes the lead with his raking stride,
And a mighty roar goes far and wide --
"There's only Commotion in it!"
But one draws out from the beaten ruck
And up on the rails by a piece of luck
He comes in a style that's clever;
"It's Trident! Trident! Hurrah for Hales!"
"Go at 'em now while their courage fails;"
"Trident! Trident! for New South Wales!"
"The blue and white for ever!"
Under the whip! with the ears flat back,
Under the whip! though the sinews crack,
No sign of the base white feather:
Stick to it now for your breeding's sake,
Stick to it now though your hearts should break,
While the yells and roars make the grand-stand shake,
They come down the straignt together.
Trident slowly forges ahead,
The fierce whips cut and the spurs are red,
The pace is undiminished
Now for the Panics that never fail!
But many a backer's face grows pale
As old Commotion swings his tail
And swerves -- and the Cup is finished.
* * * * *
And now in my dream it all comes back:
I bet my coin on the Sydney crack,
A million I've won, no question!
"Give me my money, you hook-nosed hog!
Give me my money, bookmaking dog!"
But he disappeared in a kind of fog,
And I woke with "the indigestion".
|
Written by
Raymond Carver |
October.
Here in this dank, unfamiliar kitchen
I study my father's embarrassed young man's face.
Sheepish grin, he holds in one hand a string
of spiny yellow perch, in the other
a bottle of Carlsbad Beer.
In jeans and denim shirt, he leans
against the front fender of a 1934 Ford.
He would like to pose bluff and hearty for his posterity,
Wear his old hat cocked over his ear.
All his life my father wanted to be bold.
But the eyes give him away, and the hands
that limply offer the string of dead perch
and the bottle of beer.
Father, I love you,
yet how can I say thank you, I who can't hold my liquor either,
and don't even know the places to fish?
|
Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then.
As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn.
Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan.
.
.
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side.
She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close.
.
.
.
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody.
.
.
And she'd smile as she let him
Kiss her hand.
For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I.
.
.
Oh Baby I Love.
.
.
I Love You.
.
.
And she'd be gone, those little mermaid tears
Running down her cheeks.
Maestro
Was always cool.
He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes.
.
.
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door.
He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into.
.
.
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club.
He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan.
.
.
Goodbye.
|
Written by
Etheridge Knight |
(or Blues for a Mississippi Black Boy)
I was born in Mississippi;
I walked barefooted thru the mud.
Born black in Mississippi,
Walked barefooted thru the mud.
But, when I reached the age of twelve
I left that place for good.
My daddy chopped cotton
And he drank his liquor straight.
Said my daddy chopped cotton
And he drank his liquor straight.
When I left that Sunday morning
He was leaning on the barnyard gate.
Left my mama standing
With the sun shining in her eyes.
Left her standing in the yard
With the sun shining in her eyes.
And I headed North
As straight as the Wild Goose Flies,
I been to Detroit & Chicago
Been to New York city too.
I been to Detroit & Chicago
Been to New York city too.
Said I done strolled all those funky avenues
I'm still the same old black boy with the same old blues.
Going back to Mississippi
This time to stay for good
Going back to Mississippi
This time to stay for good-
Gonna be free in Mississippi
Or dead in the Mississippi mud.
|
Written by
Robert William Service |
This is the yarn he told me
As we sat in Casey's Bar,
That Rooshun mug who scammed from the jug
In the Land of the Crimson Star;
That Soviet guy with the single eye,
And the face like a flaming scar.
Where Lenin lies the red flag flies, and the rat-grey workers wait
To tread the gloom of Lenin's Tomb, where the Comrade lies in state.
With lagging pace they scan his face, so weary yet so firm;
For years a score they've laboured sore to save him from the worm.
The Kremlin walls are grimly grey, but Lenin's Tomb is red,
And pilgrims from the Sour Lands say: "He sleeps and is not dead.
"
Before their eyes in peace he lies, a symbol and a sign,
And as they pass that dome of glass they see - a God Divine.
So Doctors plug him full of dope, for if he drops to dust,
So will collapse their faith and hope, the whole combine will bust.
But say, Tovarich; hark to me .
.
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a secret I'll disclose,
For I did see what none did see; I know what no one knows.
I was a Cheko terrorist - Oh I served the Soviets well,
Till they put me down on the bone-yard list, for the fear that I might tell;
That I might tell the thing I saw, and that only I did see,
They held me in quod with a firing squad to make a corpse of me.
But I got away, and here today I'm telling my tale to you;
Though it may sound weird, by Lenin's beard, so help me God it's true.
I slouched across that great Red Square, and watched the waiting line.
The mongrel sons of Marx were there, convened to Lenin's shrine;
Ten thousand men of Muscovy, Mongol and Turkoman,
Black-bonnets of the Aral Sea and Tatars of Kazan.
Kalmuck and Bashkir, Lett and Finn, Georgian, Jew and Lapp,
Kirghiz and Kazakh, crowding in to gaze at Lenin's map.
Aye, though a score of years had run I saw them pause and pray,
As mourners at the Tomb of one who died but yesterday.
I watched them in a bleary daze of bitterness and pain,
For oh, I missed the cheery blaze of vodka in my brain.
I stared, my eyes were hypnotized by that saturnine host,
When with a start that shook my heart I saw - I saw a ghost.
As in foggèd glass I saw him pass, and peer at me and grin -
A man I knew, a man I slew, Prince Boris Mazarin.
Now do not think because I drink I love the flowing bowl;
But liquor kills remorse and stills the anguish of the soul.
And there's so much I would forget, stark horrors I have seen,
Faces and forms that haunt me yet, like shadows on a screen.
And of these sights that mar my nights the ghastliest by far
Is the death of Boris Mazarin, that soldier of the Czar.
A mighty nobleman was he; we took him by surprise;
His mother, son and daughters three we slew before his eyes.
We tortured him, with jibes and threats; then mad for glut of gore,
Upon our reeking bayonets we nailed him to the door.
But he defied us to the last, crying: "O carrion crew!
I'd die with joy could I destroy a hundred dogs like you.
"
I thrust my sword into his throat; the blade was gay with blood;
We flung him to his castle moat, and stamped him in its mud.
That mighty Cossack of the Don was dead with all his race.
.
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.
And now I saw him coming on, dire vengeance in his face.
(Or was it some fantastic dream of my besotted brain?)
He looked at me with eyes a-gleam, the man whom I had slain.
He looked and bade me follow him; I could not help but go;
I joined the throng that passed along, so sorrowful and slow.
I followed with a sense of doom that shadow gaunt and grim;
Into the bowels of the Tomb I followed, followed him.
The light within was weird and dim, and icy cold the air;
My brow was wet with bitter sweat, I stumbled on the stair.
I tried to cry; my throat was dry; I sought to grip his arm;
For well I knew this man I slew was there to do us harm.
Lo! he was walking by my side, his fingers clutched my own,
This man I knew so well had died, his hand was naked bone.
His face was like a skull, his eyes were caverns of decay .
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.
And so we came to the crystal frame where lonely Lenin lay.
Without a sound we shuffled round> I sought to make a sign,
But like a vice his hand of ice was biting into mine.
With leaden pace around the place where Lenin lies at rest,
We slouched, I saw his bony claw go fumbling to his breast.
With ghastly grin he groped within, and tore his robe apart,
And from the hollow of his ribs he drew his blackened heart.
.
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Ah no! Oh God! A bomb, a BOMB! And as I shrieked with dread,
With fiendish cry he raised it high, and .
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swung at Lenin's head.
Oh I was blinded by the flash and deafened by the roar,
And in a mess of bloody mash I wallowed on the floor.
Then Alps of darkness on me fell, and when I saw again
The leprous light 'twas in a cell, and I was racked with pain;
And ringèd around by shapes of gloom, who hoped that I would die;
For of the crowd that crammed the Tomb the sole to live was I.
They told me I had dreamed a dream that must not be revealed,
But by their eyes of evil gleam I knew my doom was sealed.
I need not tell how from my cell in Lubianka gaol,
I broke away, but listen, here's the point of all my tale.
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Outside the "Gay Pay Oo" none knew of that grim scene of gore;
They closed the Tomb, and then they threw it open as before.
And there was Lenin, stiff and still, a symbol and a sign,
And rancid races come to thrill and wonder at his Shrine;
And hold the thought: if Lenin rot the Soviets will decay;
And there he sleeps and calm he keeps his watch and ward for aye.
Yet if you pass that frame of glass, peer closely at his phiz,
So stern and firm it mocks the worm, it looks like wax .
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and is.
They tell you he's a mummy - don't you make that bright mistake:
I tell you - he's a dummy; aye, a fiction and a fake.
This eye beheld the bloody bomb that bashed him on the bean.
I heard the crash, I saw the flash, yet .
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there he lies serene.
And by the roar that rocked the Tomb I ask: how could that be?
But if you doubt that deed of doom, just go yourself and see.
You think I'm mad, or drunk, or both .
.
.
Well, I don't care a damn:
I tell you this: their Lenin is a waxen, show-case SHAM.
Such was the yarn he handed me,
Down there in Casey's Bar,
That Rooshun bug with the scrambled mug
From the land of the Commissar.
It may be true, I leave it you
To figger out how far.
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