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Best Famous Injustice Poems

Here is a collection of the all-time best famous Injustice poems. This is a select list of the best famous Injustice poetry. Reading, writing, and enjoying famous Injustice poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of injustice poems.

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Written by Bertolt Brecht | Create an image from this poem

To Those Born After

 To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles, I lay down to sleep among the murderers, I didn't care for much for love And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time, My speech betrayed me to the butchers.
I could do only little But without me those that ruled could not sleep so easily: That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small, Our goal lay in the far distance Clearly in our sights, If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II You who will come to the surface From the flood that's overwhelmed us and drowned us all Must think, when you speak of our weakness in times of darkness That you've not had to face: Days when we were used to changing countries More often than shoes, Through the war of the classes despairing That there was only injustice and no outrage.
Even so we realised Hatred of oppression still distorts the features, Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness, Could never be friendly ourselves.
And in the future when no longer Do human beings still treat themselves as animals, Look back on us with indulgence.


Written by Kenneth Koch | Create an image from this poem

One Train May Hide Another

 (sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross The tracks, wait to do it for one moment at Least after the first train is gone.
And so when you read Wait until you have read the next line— Then it is safe to go on reading.
In a family one sister may conceal another, So, when you are courting, it's best to have them all in view Otherwise in coming to find one you may love another.
One father or one brother may hide the man, If you are a woman, whom you have been waiting to love.
So always standing in front of something the other As words stand in front of objects, feelings, and ideas.
One wish may hide another.
And one person's reputation may hide The reputation of another.
One dog may conceal another On a lawn, so if you escape the first one you're not necessarily safe; One lilac may hide another and then a lot of lilacs and on the Appia Antica one tomb May hide a number of other tombs.
In love, one reproach may hide another, One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another, One blaring red uniform another, and another, a whole column.
One bath may hide another bath As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple Hide Life is incredibly complex, as in the prose of Gertrude Stein One sentence hides another and is another as well.
And in the laboratory One invention may hide another invention, One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting By someone after Matisse.
One waits at the tracks until they pass, These hidden doubles or, sometimes, likenesses.
One identical twin May hide the other.
And there may be even more in there! The obstetrician Gazes at the Valley of the Var.
We used to live there, my wife and I, but One life hid another life.
And now she is gone and I am here.
A vivacious mother hides a gawky daughter.
The daughter hides Her own vivacious daughter in turn.
They are in A railway station and the daughter is holding a bag Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by the mother's And has to carry that one, too.
So one hitchhiker May deliberately hide another and one cup of coffee Another, too, until one is over-excited.
One love may hide another love or the same love As when "I love you" suddenly rings false and one discovers The better love lingering behind, as when "I'm full of doubts" Hides "I'm certain about something and it is that" And one dream may hide another as is well known, always, too.
In the Garden of Eden Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass So you can see what else is there.
At home, no matter where, Internal tracks pose dangers, too: one memory Certainly hides another, that being what memory is all about, The eternal reverse succession of contemplated entities.
Reading A Sentimental Journey look around When you have finished, for Tristram Shandy, to see If it is standing there, it should be, stronger And more profound and theretofore hidden as Santa Maria Maggiore May be hidden by similar churches inside Rome.
One sidewalk May hide another, as when you're asleep there, and One song hide another song; a pounding upstairs Hide the beating of drums.
One friend may hide another, you sit at the foot of a tree With one and when you get up to leave there is another Whom you'd have preferred to talk to all along.
One teacher, One doctor, one ecstasy, one illness, one woman, one man May hide another.
Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one.
It can be important To have waited at least a moment to see what was already there.
Written by A E Housman | Create an image from this poem

Be Still My Soul Be Still

 Be still, my soul, be still; the arms you bear are brittle, 
Earth and high heaven are fixt of old and founded strong.
Think rather,-- call to thought, if now you grieve a little, The days when we had rest, O soul, for they were long.
Men loved unkindness then, but lightless in the quarry I slept and saw not; tears fell down, I did not mourn; Sweat ran and blood sprang out and I was never sorry: Then it was well with me, in days ere I was born.
Now, and I muse for why and never find the reason, I pace the earth, and drink the air, and feel the sun.
Be still, be still, my soul; it is but for a season: Let us endure an hour and see injustice done.
Ay, look: high heaven and earth ail from the prime foundation; All thoughts to rive the heart are here, and all are vain: Horror and scorn and hate and fear and indignation-- Oh why did I awake? when shall I sleep again?
Written by Bertolt Brecht | Create an image from this poem

To Posterity

 Indeed I live in the dark ages!
A guileless word is an absurdity.
A smooth forehead betokens A hard heart.
He who laughs Has not yet heard The terrible tidings.
Ah, what an age it is When to speak of trees is almost a crime For it is a kind of silence about injustice! And he who walks calmly across the street, Is he not out of reach of his friends In trouble? It is true: I earn my living But, believe me, it is only an accident.
Nothing that I do entitles me to eat my fill.
By chance I was spared.
(If my luck leaves me I am lost.
) They tell me: eat and drink.
Be glad you have it! But how can I eat and drink When my food is snatched from the hungry And my glass of water belongs to the thirsty? And yet I eat and drink.
I would gladly be wise.
The old books tell us what wisdom is: Avoid the strife of the world Live out your little time Fearing no one Using no violence Returning good for evil -- Not fulfillment of desire but forgetfulness Passes for wisdom.
I can do none of this: Indeed I live in the dark ages! 2.
I came to the cities in a time of disorder When hunger ruled.
I came among men in a time of uprising And I revolted with them.
So the time passed away Which on earth was given me.
I ate my food between massacres.
The shadow of murder lay upon my sleep.
And when I loved, I loved with indifference.
I looked upon nature with impatience.
So the time passed away Which on earth was given me.
In my time streets led to the quicksand.
Speech betrayed me to the slaughterer.
There was little I could do.
But without me The rulers would have been more secure.
This was my hope.
So the time passed away Which on earth was given me.
3.
You, who shall emerge from the flood In which we are sinking, Think -- When you speak of our weaknesses, Also of the dark time That brought them forth.
For we went,changing our country more often than our shoes.
In the class war, despairing When there was only injustice and no resistance.
For we knew only too well: Even the hatred of squalor Makes the brow grow stern.
Even anger against injustice Makes the voice grow harsh.
Alas, we Who wished to lay the foundations of kindness Could not ourselves be kind.
But you, when at last it comes to pass That man can help his fellow man, Do no judge us Too harshly.
translated by H.
R.
Hays
Written by Rainer Maria Rilke | Create an image from this poem

DUINO ELEGIES

The First Elegy


Who if I cried out would hear me among the angels'
hierarchies? and even if one of them pressed me 
suddenly against his heart: I would be consumed
I that overwhelming existence.
For beauty is nothing but the beginning of terror which we still are just able to endure and we are so awed because it serenely disdains to annihilate us.
Every angel is terrifying.
And so I hold myself back and swallow the call-note Of my dark sobbing.
Ah whom can we ever turn to in our need? Not angels not humans and already the knowing animals are aware that we are not really at home in our interpreted world.
Perhaps there remains for us some tree on a hillside which every day we can take into our vision; there remains for us yesterday's street and the loyalty of a habit so much at ease when it stayed with us that it moved in and never left.
Oh and night: there is night when a wind full of infinite space gnaws at out faces.
Whom would it not remain for-that longed-after mildly disillusioning presence which the solitary heart so painfully meets.
Is it any less difficult for lovers? But they keep on using each other to hide their own fate.
Don't you know yet? Fling the emptiness out of your arms Into the spaces we breathe; perhaps the birds will feel the expanded air with more passionate flying.
Yes-the springtime needed you.
Often a star was waiting for you to notice it.
A wave rolled toward you out of the distant past or as you walked under an open window a violin yielded itself to your hearing.
All this was mission.
But could you accomplish it? Weren't you always Distracted by expectation as if every event announced a beloved? (Where can you find a place to keep her with all the huge strange thoughts inside you going and coming and often staying all night.
) But when you feel longing sing of women in love; for their famous passion is still not immortal.
Sing of women abandoned and desolate (you envy them almost) who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising; remember: the hero lives on; even his downfall was merely a pretext for achieving his final birth.
But Nature spent and exhausted takes lovers back into herself as if there were not enough strength to create them a second time.
Have you imagined Gaspara Stampa intensely enough so that any girl deserted by her beloved might be inspired by that fierce example of soaring objectless love and might say to herself Perhaps I can be like her ? Shouldn't this most ancient suffering finally grow more fruitful for us? Isn't it time that we lovingly freed ourselves from the beloved and quivering endured: as the arrow endures the bowstring's tension so that gathered in the snap of release it can be more than itself.
For there is no place where we can remain.
Voices.
Voices.
Listen my heart as only Saints have listened: until the gigantic call lifted them off the ground; yet they kept on impossibly kneeling and didn't notice at all: so complete was their listening.
Not that you could endure God's voice-far from it.
But listen to the voice of the wind and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate whenever you stepped into a church In Naples or Rome quietly come to address you? Or high up some eulogy entrusted you with a mission as last year on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance of injustice about their death-which at times slightly hinders their souls from proceeding onward.
Of course it is strange to inhabit the earth no longer to give up customs one barely had time to learn not to see roses and other promising Things in terms of a human future; no longer to be what one was in infinitely anxious hands; to leave even one's own first name behind forgetting it as easily as a child abandons a broken toy.
Strange to no longer desire one's desires.
Strange to see meanings that clung together once floating away in every direction.
And being dead is hard work and full of retrieval before one can gradually feel a trace of eternity.
-Though the living are wrong to believe in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living they are moving among or the dead.
The eternal torrent whirls all ages along in it through both realms forever and their voices are drowned out in its thunderous roar.
In the end those who were carried off early no longer need us: they are weaned from earth's sorrows and joys as gently as children outgrow the soft breasts of their mothers.
But we who do need such great mysteries we for whom grief is so often the source of our spirit's growth-: could we exist without them? Is the legend meaningless that tells how in the lament for Linus the daring first notes of song pierced through the barren numbness; and then in the startled space which a youth as lovely as a god had suddenly left forever the Void felt for the first time that harmony which now enraptures and comforts and helps us.


Written by Yehuda Amichai | Create an image from this poem

Temporary Poem Of My Time

 Hebrew writing and Arabic writing go from east to west,
Latin writing, from west to east.
Languages are like cats: You must not stroke their hair the wrong way.
The clouds come from the sea, the hot wind from the desert, The trees bend in the wind, And stones fly from all four winds, Into all four winds.
They throw stones, Throw this land, one at the other, But the land always falls back to the land.
They throw the land, want to get rid of it.
Its stones, its soil, but you can't get rid of it.
They throw stones, throw stones at me In 1936, 1938, 1948, 1988, Semites throw at Semites and anti-Semites at anti-Semites, Evil men throw and just men throw, Sinners throw and tempters throw, Geologists throw and theologists throw, Archaelogists throw and archhooligans throw, Kidneys throw stones and gall bladders throw, Head stones and forehead stones and the heart of a stone, Stones shaped like a screaming mouth And stones fitting your eyes Like a pair of glasses, The past throws stones at the future, And all of them fall on the present.
Weeping stones and laughing gravel stones, Even God in the Bible threw stones, Even the Urim and Tumim were thrown And got stuck in the beastplate of justice, And Herod threw stones and what came out was a Temple.
Oh, the poem of stone sadness Oh, the poem thrown on the stones Oh, the poem of thrown stones.
Is there in this land A stone that was never thrown And never built and never overturned And never uncovered and never discovered And never screamed from a wall and never discarded by the builders And never closed on top of a grave and never lay under lovers And never turned into a cornerstone? Please do not throw any more stones, You are moving the land, The holy, whole, open land, You are moving it to the sea And the sea doesn't want it The sea says, not in me.
Please throw little stones, Throw snail fossils, throw gravel, Justice or injustice from the quarries of Migdal Tsedek, Throw soft stones, throw sweet clods, Throw limestone, throw clay, Throw sand of the seashore, Throw dust of the desert, throw rust, Throw soil, throw wind, Throw air, throw nothing Until your hands are weary And the war is weary And even peace will be weary and will be.
Written by Matthew Arnold | Create an image from this poem

Mycerinus

 'Not by the justice that my father spurn'd,
Not for the thousands whom my father slew,
Altars unfed and temples overturn'd,
Cold hearts and thankless tongues, where thanks are due;
Fell this dread voice from lips that cannot lie,
Stern sentence of the Powers of Destiny.
'I will unfold my sentence and my crime.
My crime--that, rapt in reverential awe, I sate obedient, in the fiery prime Of youth, self-govern'd, at the feet of Law; Ennobling this dull pomp, the life of kings, By contemplation of diviner things.
'My father loved injustice, and lived long; Crown'd with grey hairs he died, and full of sway.
I loved the good he scorn'd, and hated wrong-- The Gods declare my recompense to-day.
I look'd for life more lasting, rule more high; And when six years are measured, lo, I die! 'Yet surely, O my people, did I deem Man's justice from the all-just Gods was given; A light that from some upper fount did beam, Some better archetype, whose seat was heaven; A light that, shining from the blest abodes, Did shadow somewhat of the life of Gods.
'Mere phantoms of man's self-tormenting heart, Which on the sweets that woo it dares not feed! Vain dreams, which quench our pleasures, then depart When the duped soul, self-master'd, claims its meed; When, on the strenuous just man, Heaven bestows, Crown of his struggling life, an unjust close! 'Seems it so light a thing, then, austere Powers, To spurn man's common lure, life's pleasant things? Seems there no joy in dances crown'd with flowers, Love, free to range, and regal banquetings? Bend ye on these, indeed, an unmoved eye, Not Gods but ghosts, in frozen apathy? 'Or is it that some Force, too wise, too strong, Even for yourselves to conquer or beguile, Sweeps earth, and heaven, and men, and Gods along, Like the broad volume of the insurgent Nile? And the great powers we serve, themselves may be Slaves of a tyrannous necessity? 'Or in mid-heaven, perhaps, your golden cars, Where earthly voice climbs never, wing their flight, And in wild hunt, through mazy tracts of stars, Sweep in the sounding stillness of the night? Or in deaf ease, on thrones of dazzling sheen, Drinking deep draughts of joy, ye dwell serene? 'Oh, wherefore cheat our youth, if thus it be, Of one short joy, one lust, one pleasant dream? Stringing vain words of powers we cannot see, Blind divinations of a will supreme; Lost labour! when the circumambient gloom But hides, if Gods, Gods careless of our doom? 'The rest I give to joy.
Even while I speak, My sand runs short; and--as yon star-shot ray, Hemm'd by two banks of cloud, peers pale and weak, Now, as the barrier closes, dies away-- Even so do past and future intertwine, Blotting this six years' space, which yet is mine.
'Six years--six little years--six drops of time! Yet suns shall rise, and many moons shall wane, And old men die, and young men pass their prime, And languid pleasure fade and flower again, And the dull Gods behold, ere these are flown, Revels more deep, joy keener than their own.
'Into the silence of the groves and woods I will go forth; though something would I say-- Something--yet what, I know not; for the Gods The doom they pass revoke not, nor delay; And prayers, and gifts, and tears, are fruitless all, And the night waxes, and the shadows fall.
'Ye men of Egypt, ye have heard your king! I go, and I return not.
But the will Of the great Gods is plain; and ye must bring Ill deeds, ill passions, zealous to fulfil Their pleasure, to their feet; and reap their praise, The praise of Gods, rich boon! and length of days.
' --So spake he, half in anger, half in scorn; And one loud cry of grief and of amaze Broke from his sorrowing people; so he spake, And turning, left them there; and with brief pause, Girt with a throng of revellers, bent his way To the cool region of the groves he loved.
There by the river-banks he wander'd on, From palm-grove on to palm-grove, happy trees, Their smooth tops shining sunward, and beneath Burying their unsunn'd stems in grass and flowers; Where in one dream the feverish time of youth Might fade in slumber, and the feet of joy Might wander all day long and never tire.
Here came the king, holding high feast, at morn, Rose-crown'd; and ever, when the sun went down, A hundred lamps beam'd in the tranquil gloom, From tree to tree all through the twinkling grove, Revealing all the tumult of the feast-- Flush'd guests, and golden goblets foam'd with wine; While the deep-burnish'd foliage overhead Splinter'd the silver arrows of the moon.
It may be that sometimes his wondering soul From the loud joyful laughter of his lips Might shrink half startled, like a guilty man Who wrestles with his dream; as some pale shape Gliding half hidden through the dusky stems, Would thrust a hand before the lifted bowl, Whispering: A little space, and thou art mine! It may be on that joyless feast his eye Dwelt with mere outward seeming; he, within, Took measure of his soul, and knew its strength, And by that silent knowledge, day by day, Was calm'd, ennobled, comforted, sustain'd.
It may be; but not less his brow was smooth, And his clear laugh fled ringing through the gloom, And his mirth quail'd not at the mild reproof Sigh'd out by winter's sad tranquillity; Nor, pall'd with its own fulness, ebb'd and died In the rich languor of long summer-days; Nor wither'd when the palm-tree plumes, that roof'd With their mild dark his grassy banquet-hall, Bent to the cold winds of the showerless spring; No, nor grew dark when autumn brought the clouds.
So six long years he revell'd, night and day.
And when the mirth wax'd loudest, with dull sound Sometimes from the grove's centre echoes came, To tell his wondering people of their king; In the still night, across the steaming flats, Mix'd with the murmur of the moving Nile.
Written by William Butler Yeats | Create an image from this poem

The Cold Heaven

 Suddenly I saw the cold and rook-delighting heaven
That seemed as though ice burned and was but the more ice,
And thereupon imagination and heart were driven
So wild that every casual thought of that and this
Vanished, and left but memories, that should be out of season
With the hot blood of youth, of love crossed long ago;
And I took all thc blame out of all sense and reason,
Until I cried and trembled and rocked to and fro,
Riddled with light.
Ah! when the ghost begins to quicken, Confusion of the death-bed over, is it sent Out naked on the roads, as the books say, and stricken By the injustice of the skies for punishment?
Written by William Topaz McGonagall | Create an image from this poem

Womens Suffrage

 Fellow men! why should the lords try to despise
And prohibit women from having the benefit of the parliamentary Franchise?
When they pay the same taxes as you and me,
I consider they ought to have the same liberty.
And I consider if they are not allowed the same liberty, From taxation every one of them should be set free; And if they are not, it is really very unfair, And an act of injustice I most solemnly declare.
Women, farmers, have no protection as the law now stands; And many of them have lost their property and lands, And have been turned out of their beautiful farms By the unjust laws of the land and the sheriffs' alarms.
And in my opinion, such treatment is very cruel; And fair play, 'tis said, is a precious jewel; But such treatment causes women to fret and to dote, Because they are deprived of the parliamentary Franchise vote.
In my opinion, what a man pays for he certainly should get; And if he does not, he will certainly fret; And why wouldn't women do the very same? Therefore, to demand the parliamentary Franchise they are not to blame.
Therefore let them gather, and demand the parliamentary Franchise; And I'm sure no reasonable man will their actions despise, For trying to obtain the privileges most unjustly withheld from them; Which Mr.
Gladstone will certainly encourage and never condemn.
And as for the working women, many are driven to the point of starvation, All through the tendency of the legislation; Besides, upon members of parliament they have no claim As a deputation, which is a very great shame.
Yes, the Home Secretary of the present day, Against working women's deputations, has always said- nay; Because they haven't got the parliamentary Franchise-, That is the reason why he does them despise.
And that, in my opinion, is really very unjust; But the time is not far distant, I most earnestly trust, When women will have a parliamentary vote, And many of them, I hope, will wear a better petticoat.
And I hope that God will aid them in this enterprise, And enable them to obtain the parliamentary Franchise; And rally together, and make a bold stand, And demand the parliamentary Franchise throughout Scotland.
And do not rest day nor night- Because your demands are only right In the eyes of reasonable men, and God's eyesight; And Heaven, I'm sure, will defend the right.
Therefore go on brave women! and never fear, Although your case may seem dark and drear, And put your trust in God, for He is strong; And ye will gain the parliamentary Franchise before very long.
Written by Jane Austen | Create an image from this poem

Of A Ministry Pitiful Angry Mean

 Of a Ministry pitiful, angry, mean,
A gallant commander the victim is seen.
For promptitude, vigour, success, does he stand Condemn'd to receive a severe reprimand! To his foes I could wish a resemblance in fate: That they, too, may suffer themselves, soon or late, The injustice they warrent.
But vain is my spite They cannot so suffer who never do right.

Book: Reflection on the Important Things