Best Famous Displeased Poems

Here is a collection of the all-time best famous Displeased poems. This is a select list of the best famous Displeased poetry. Reading, writing, and enjoying famous Displeased poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of displeased poems.

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Written by Nikki Giovanni | Create an image from this poem

Life Cycles

Life Cycles

she realized she wasn't one of life's winners when she wasn't sure life to her was some dark dirty secret that like some unwanted child too late for an abortion was to be borne alone

she had so many private habits she would masturbate sometimes she always picked her nose when upset she liked to sit with silence in the dark sadness is not an unusual state for the black woman or writers

she took to sneaking drinks a habit which displeased her both for its effects and taste yet eventually sleep would wrestle her in triumph onto the bed


Written by Denise Duhamel | Create an image from this poem

Yes

 According to Culture Shock:
A Guide to Customs and Etiquette 
of Filipinos, when my husband says yes,
he could also mean one of the following:
a.) I don't know.
b.) If you say so.
c.) If it will please you.
d.) I hope I have said yes unenthusiastically enough
for you to realize I mean no.
You can imagine the confusion 
surrounding our movie dates, the laundry,
who will take out the garbage
and when. I remind him 
I'm an American, that all has yeses sound alike to me. 
I tell him here in America we have shrinks 
who can help him to be less of a people-pleaser. 
We have two-year-olds who love to scream "No!" 
when they don't get their way. I tell him, 
in America we have a popular book,
When I Say No I Feel Guilty.
"Should I get you a copy?" I ask.
He says yes, but I think he means
"If it will please you," i.e. "I won't read it."
"I'm trying," I tell him, "but you have to try too."
"Yes," he says, then makes tampo,
a sulking that the book Culture Shock describes as
"subliminal hostility . . . withdrawal of customary cheerfulness
in the presence of the one who has displeased" him.
The book says it's up to me to make things all right,
"to restore goodwill, not by talking the problem out,
but by showing concern about the wounded person's
well-being." Forget it, I think, even though I know
if I'm not nice, tampo can quickly escalate into nagdadabog--
foot stomping, grumbling, the slamming
of doors. Instead of talking to my husband, I storm off
to talk to my porcelain Kwan Yin,
the Chinese goddess of mercy
that I bought on Canal Street years before
my husband and I started dating.
"The real Kwan Yin is in Manila,"
he tells me. "She's called Nuestra Señora de Guia.
Her Asian features prove Christianity
was in the Philippines before the Spanish arrived."
My husband's telling me this
tells me he's sorry. Kwan Yin seems to wink,
congratulating me--my short prayer worked.
"Will you love me forever?" I ask,
then study his lips, wondering if I'll be able to decipher
what he means by his yes.
Written by Charles Bukowski | Create an image from this poem

Eulogy To A Hell Of A Dame

 some dogs who sleep ay night
must dream of bones
and I remember your bones
in flesh
and best
in that dark green dress
and those high-heeled bright
black shoes,
you always cursed when you drank,
your hair coimng down you
wanted to explode out of 
what was holding you:
rotten memories of a 
rotten 
past, and
you finally got
out
by dying,
leaving me with the
rotten
present;
you've been dead
28 years
yet I remember you
better than any of
the rest;
you were the only one
who understood
the futility of the
arrangement of
life;
all the others were only
displeased with
trivial segments,
carped
nonsensically about
nonsense;
Jane, you were 
killed by
knowing too much.
here's a drink
to your bones
that
this dog
still
dreams about.
Written by Ben Jonson | Create an image from this poem

To Elizabeth, Countess of Rutland

LXXIX. — TO ELIZABETH, COUNTESS OF RUTLAND. That poets are far rarer births than king,     Your noblest father proved; like whom, before, Or then, or since, about our Muses' springs,     Came not that soul exhausted so their store. Hence was it, that the Destinies decreed     (Save that most masculine issue of his brain) No male unto him; who could so exceed     Nature, they thought, in all that he would feign, At which, she happily displeased, made you:     On whom, if he were living now, to look, He should those rare, and absolute numbers view,     As he would burn, or better far his book.
Written by Katherine Philips | Create an image from this poem

La Solitude de St. Amant

 1

O! Solitude, my sweetest choice
Places devoted to the night,
Remote from tumult, and from noise,
How you my restless thoughts delight!
O Heavens! what content is mine,
To see those trees which have appear'd
From the nativity of Time,
And which hall ages have rever'd,
To look to-day as fresh and green,
As when their beauties first were seen!


2

A cheerful wind does court them so,
And with such amorous breath enfold,
That we by nothing else can know,
But by their hieght that they are old.
Hither the demi-gods did fly
To seek the sanctuary, when
Displeased Jove once pierc'd the sky,
To pour a deluge upon men,
And on these boughs themselves did save,
When they could hardly see a wave.


3

Sad Philomel upon this thorn,
So curiously by Flora dress'd,
In melting notes, her case forlorn,
To entertain me, hath confess'd.
O! how agreeable a sight
These hanging mountains do appear,
Which the unhappy would invite
To finish all their sorrows here,
When their hard fate makes them endure
Such woes, as only death can cure.


4

What pretty desolations make
These torrents vagabond and fierce,
Who in vast leaps their springs forsake,
This solitary Vale to pierce.
Then sliding just as serpents do
Under the foot of every tree,
Themselves are changed to rivers too,
Wherein some stately Nayade,
As in her native bed, is grown
A queen upon a crystal throne.


5

This fen beset with river-plants,
O! how it does my sense charm!
Nor elders, reeds, nor willows want,
Which the sharp steel did never harm.
Here Nymphs which come to take the air,
May with such distaffs furnish'd be,
As flags and rushes can prepare,
Where we the nimble frogs may see,
Who frighted to retreat do fly
If an approaching man they spy.


6

Here water-flowl repose enjoy,
Without the interrupting care,
Lest Fortune should their bliss destroy
By the malicious fowler's snare.
Some ravish'd with so bright a day,
Their feathers finely prune and deck;
Others their amorous heats allay,
Which yet the waters could not check:
All take their innocent content
In this their lovely element.


7

Summer's, nor Winter's bold approach,
This stream did never entertain;
Nor ever felt a boat or coach,
Whilst either season did remain.
No thirsty traveller came near,
And rudely made his hand his cup;
Nor any hunted hind hath here
Her hopeless life resigned up;
Nor ever did the treacherous hook
Intrude to empty any brook.


8

What beauty is there in the sight
Of these old ruin'd castle-walls
Of which the utmost rage and spight
Of Time's worst insurrection falls?
The witches keep their Sabbath here,
And wanton devils make retreat.
Who in malicious sport appear,
Our sense both to afflict and cheat;
And here within a thousand holes
Are nest of adders and of owls.


9

The raven with his dismal cries,
That mortal augury of Fate,
Those ghastly goblins ratifies,
Which in these gloomy places wait.
On a curs'd tree the wind does move
A carcase which did once belong
To one that hang'd himself for love
Of a fair Nymph that did him wrong,
Who thought she saw his love and truth,
With one look would not save the youth.


10

But Heaven which judges equally,
And its own laws will still maintain,
Rewarded soon her cruelty
With a deserv'd and mighty pain:
About this squalid heap of bones,
Her wand'ring and condemned shade,
Laments in long and piercing groans
The destiny her rigour made,
And the more to augment her right,
Her crime is ever in her sight.


11

There upon antique marbles trac'd,
Devices of past times we see,
Here age ath almost quite defac'd,
What lovers carv'd on every tree.
The cellar, here, the highest room
Receives when its old rafters fail,
Soil'd with the venom and the foam
Of the spider and the snail:
And th'ivy in the chimney we
Find shaded by a walnut tree.


12

Below there does a cave extend,
Wherein there is so dark a grot,
That should the Sun himself descend,
I think he could not see a jot.
Here sleep within a heavy lid
In quiet sadness locks up sense,
And every care he does forbid,
Whilst in arms of negligence,
Lazily on his back he's spread,
And sheaves of poppy are his bed.


13

Within this cool and hollow cave,
Where Love itself might turn to ice,
Poor Echo ceases not to rave
On her Narcissus wild and nice:
Hither I softly steal a thought,
And by the softer music made
With a sweet lute in charms well taught,
Sometimes I flatter her sad shade,
Whilst of my chords I make such choice,
They serve as body to her voice.


14

When from these ruins I retire,
This horrid rock I do invade,
Whose lofty brow seems to inquire
Of what materials mists are made:
From thence descending leisurely
Under the brow of this steep hill
It with great pleasure I descry
By waters undermin'd, until
They to Palaemon's seat did climb,
Compos'd of sponges and of slime.


15

How highly is the fancy pleas'd
To be upon the Ocean's shore,
When she begins to be appeas'd
And her fierce billows cease to roar!
And when the hairy Tritons are
Riding upon the shaken wave,
With what strange sounds they strike the air
Of their trumpets hoarse and brave,
Whose shrill reports does every wind
Unto his due submission bind!


16

Sometimes the sea dispels the sand,
Trembling and murmuring in the bay,
And rolls itself upon the shells
Which it both brings and takes away.
Sometimes exposed on the strand,
Th'effect of Neptune's rage and scorn,
Drown'd men, dead monsters cast on land,
And ships that were in tempests torn,
With diamonds and ambergreece,
And many more such things as these.


17

Sometimes so sweetly she does smile,
A floating mirror she might be,
And you would fancy all that while
New Heavens in her face to see:
The Sun himself is drawn so well,
When there he would his picture view,
That our eye can hardly tell
Which is the false Sun, which the true;
And lest we give our sense the lie,
We think he's fallen from the sky.


18

Bernieres! for whose beloved sake
My thoughts are at a noble strife,
This my fantastic landskip take,
Which I have copied from the life.
I only seek the deserts rough,
Where all alone I love to walk,
And with discourse refin'd enough,
My Genius and the Muses talk;
But the converse most truly mine,
Is the dear memory of thine.


19

Thou mayst in this Poem find,
So full of liberty and heat,
What illustrious rays have shin'd
To enlighten my conceit:
Sometimes pensive, sometimes gay,
Just as that fury does control,
And as the object I survey
The notions grow up in my soul,
And are as unconcern'd and free
As the flame which transported me.


20

O! how I Solitude adore,
That element of noblest wit,
Where I have learnt Apollo's lore,
Without the pains to study it:
For thy sake I in love am grown
With what thy fancy does pursue;
But when I think upon my own, 
I hate it for that reason too.
Because it needs must hinder me
From seeing, and from serving thee.

Written by George (Lord) Byron | Create an image from this poem

Siege and Conquest of Alhama The

 The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!

Letters to the monarch tell 
How Alhama's city fell: 
In the fire the scroll he threw, 
And the messenger he slew.
Woe is me, Albamal

He quits his mule, and mounts his horse, 
And through the street directs his course; 
Through the street of Zacatin 
To the Alhambra spurring in.
Woe is me, Alhama!

When the Alhambra walls he gain'd, 
On the moment he ordain'd
That the trumpet straight should sound 
With the silver clarion round.
Woe is me, Alhamal

And when the hollow drums of war 
Beat the loud alarm afar, 
That the Moors of town and plain 
Might answer to the martial strain.
Woe is me, Alhama!

Then the Moors, by this aware, 
That bloody Mars recall'd them there, 
One by one, and two by two, 
To a mighty squadron grew.
Woe is me, Alhama!

Out then spake an aged Moor 
In these words the king before, 
'Wherefore call on us, oh King? 
What may mean this gathering?'
Woe is me, Alhama!

'Friends! ye have, alas! to know 
Of a most disastrous blow; 
That the Christians, stern and bold, 
Have obtain'd Albania's hold.'
Woe is me, Alhama!

Out then spake old Alfaqui, 
With his beard so white to see, 
'Good King! thou art justly served, 
Good King! this thou hast deserved.
Woe is me, Alhama!

'By thee were slain, in evil hour, 
The Abencerrage, Granada's flower; 
And strangers were received by thee 
Of Cordova the Chivalry.
Woe is me, Alhama!

'And for this, oh King! is sent 
On thee a double chastisement: 
Thee and thine, thy crown and realm, 
One last wreck shall overwhelm.
Woe is me, Alhama!

'He who holds no laws in awe, 
He must perish by the law; 
And Granada must be won, 
And thyself with her undone.'
Woe is me, Alhama!

Fire crashed from out the old Moor's eyes, 
The Monarch's wrath began to rise, 
Because he answer'd, and because 
He spake exceeding well of laws.
Woe is me, Alhama!

'There is no law to say such things 
As may disgust the ear of kings:
'Thus, snorting with his choler, said 
The Moorish King, and doom'd him dead.
Woe is me, Alhama!

Moor Alfaqui! Moor Alfaqui! 
Though thy beard so hoary be, 
The King hath sent to have thee seized, 
For Alhama's loss displeased.
Woe is me, Alhama!

And to fix thy head upon 
High Alhambra's loftiest stone; 
That thus for thee should be the law, 
And others tremble when they saw.
Woe is me, Alhama!

'Cavalier, and man of worth! 
Let these words of mine go forth! 
Let the Moorish Monarch know,
That to him I nothing owe.
Woe is me, Alhama!

'But on my soul Alhama weighs, 
And on my inmost spirit preys;
And if the King his land hath lost, 
Yet others may have lost the most.
Woe is me, Alhama!

'Sires have lost their children, wives 
Their lords, and valiant men their lives! 
One what best his love might claim 
Hath lost, another wealth, or fame.
Woe is me, Alhama!

'I lost a damsel in that hour, 
Of all the land the loveliest flower; 
Doubloons a hundred I would pay, 
And think her ransom cheap that day.'
Woe is me, Alhama!

And as these things the old Moor said, 
They sever'd from the trunk his head; 
And to the Alhambra's wall with speed 
'Twas carried, as the King decreed.
Woe is me, Alhama!

And men and infants therein weep 
Their loss, so heavy and so deep; 
Granada's ladies, all she rears 
Within her walls, burst into tears.
Woe is me, Alhama!

And from the windows o'er the walls 
The sable web of mourning falls; 
The King weeps as a woman o'er 
His loss, for it is much and sore.
Woe is me, Alhama!
Written by Thomas Carew | Create an image from this poem

A Cruel Mistress

 We read of kings and gods that kindly took 
A pitcher fill'd with water from the brook ; 
But I have daily tender'd without thanks 
Rivers of tears that overflow their banks. 
A slaughter'd bull will appease angry Jove, 
A horse the Sun, a lamb the god of love, 
But she disdains the spotless sacrifice 
Of a pure heart, that at her altar lies. 
Vesta is not displeased, if her chaste urn 
Do with repaired fuel ever burn ; 
But my saint frowns, though to her honour'd name 
I consecrate a never-dying flame. 
Th' Assyrian king did none i' th' furnace throw 
But those that to his image did not bow ; 
With bended knees I daily worship her, 
Yet she consumes her own idolater. 
Of such a goddess no times leave record, 
That burnt the temple where she was adored.
Written by George (Lord) Byron | Create an image from this poem

The Siege and Conquest of Alhama

 The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!

Letters to the monarch tell 
How Alhama's city fell: 
In the fire the scroll he threw, 
And the messenger he slew.
Woe is me, Albamal

He quits his mule, and mounts his horse, 
And through the street directs his course; 
Through the street of Zacatin 
To the Alhambra spurring in.
Woe is me, Alhama!

When the Alhambra walls he gain'd, 
On the moment he ordain'd
That the trumpet straight should sound 
With the silver clarion round.
Woe is me, Alhamal

And when the hollow drums of war 
Beat the loud alarm afar, 
That the Moors of town and plain 
Might answer to the martial strain.
Woe is me, Alhama!

Then the Moors, by this aware, 
That bloody Mars recall'd them there, 
One by one, and two by two, 
To a mighty squadron grew.
Woe is me, Alhama!

Out then spake an aged Moor 
In these words the king before, 
'Wherefore call on us, oh King? 
What may mean this gathering?'
Woe is me, Alhama!

'Friends! ye have, alas! to know 
Of a most disastrous blow; 
That the Christians, stern and bold, 
Have obtain'd Alhama's hold.'
Woe is me, Alhama!

Out then spake old Alfaqui, 
With his beard so white to see, 
'Good King! thou art justly served, 
Good King! this thou hast deserved.
Woe is me, Alhama!

'By thee were slain, in evil hour, 
The Abencerrage, Granada's flower; 
And strangers were received by thee 
Of Cordova the Chivalry.
Woe is me, Alhama!

'And for this, oh King! is sent 
On thee a double chastisement: 
Thee and thine, thy crown and realm, 
One last wreck shall overwhelm.
Woe is me, Alhama!

'He who holds no laws in awe, 
He must perish by the law; 
And Granada must be won, 
And thyself with her undone.'
Woe is me, Alhama!

Fire crashed from out the old Moor's eyes, 
The Monarch's wrath began to rise, 
Because he answer'd, and because 
He spake exceeding well of laws.
Woe is me, Alhama!

'There is no law to say such things 
As may disgust the ear of kings:
'Thus, snorting with his choler, said 
The Moorish King, and doom'd him dead.
Woe is me, Alhama!

Moor Alfaqui! Moor Alfaqui! 
Though thy beard so hoary be, 
The King hath sent to have thee seized, 
For Alhama's loss displeased.
Woe is me, Alhama!

And to fix thy head upon 
High Alhambra's loftiest stone; 
That thus for thee should be the law, 
And others tremble when they saw.
Woe is me, Alhama!

'Cavalier, and man of worth! 
Let these words of mine go forth! 
Let the Moorish Monarch know,
That to him I nothing owe.
Woe is me, Alhama!

'But on my soul Alhama weighs, 
And on my inmost spirit preys;
And if the King his land hath lost, 
Yet others may have lost the most.
Woe is me, Alhama!

'Sires have lost their children, wives 
Their lords, and valiant men their lives! 
One what best his love might claim 
Hath lost, another wealth, or fame.
Woe is me, Alhama!

'I lost a damsel in that hour, 
Of all the land the loveliest flower; 
Doubloons a hundred I would pay, 
And think her ransom cheap that day.'
Woe is me, Alhama!

And as these things the old Moor said, 
They sever'd from the trunk his head; 
And to the Alhambra's wall with speed 
'Twas carried, as the King decreed.
Woe is me, Alhama!

And men and infants therein weep 
Their loss, so heavy and so deep; 
Granada's ladies, all she rears 
Within her walls, burst into tears.
Woe is me, Alhama!

And from the windows o'er the walls 
The sable web of mourning falls; 
The King weeps as a woman o'er 
His loss, for it is much and sore.
Woe is me, Alhama!
Written by Constantine P Cavafy | Create an image from this poem

Envoys From Alexandria

 They had not seen, for ages, such beautiful gifts in Delphi
as these that had been sent by the two brothers,
the rival Ptolemaic kings. After they had received them
however, the priests were uneasy about the oracle. They will need
all their experience to compose it with astuteness,
which of the two, which of such two will be displeased.
And they hold secret councils at night
and discuss the family affairs of the Lagidae.

But see, the envoys have returned. They are bidding farewell.
They are returning to Alexandria, they say. And they do not ask
for any oracle. And the priests hear this with joy
(of course they will keep the marvellous gifts),
but they also are utterly perplexed,
not understanding what this sudden indifference means.
For they are unaware that yesterday the envoys received grave news.
The oracle was given in Rome; the division took place there.
Written by Edward Lear | Create an image from this poem

There was an Old Person of Chester

There was an Old Person of Chester,Whom several small children did pester;They threw some large stones, which broke most of his bones,And displeased that Old Person of Chester. 
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