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Best Famous Commentators Poems

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Written by Geoffrey Chaucer | Create an image from this poem

The Cooks Tale

 THE PROLOGUE.


THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.* *lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
*Well ought a man avised for to be* *a man should take good heed*
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware, *was called
Heard I a miller better *set a-work*; *handled
He had a jape* of malice in the derk. *trick
But God forbid that we should stinte* here, *stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city."

Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover<1> hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game*; *angry with my jesting*
A man may say full sooth in game and play."
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play,<2> as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here, *part company
Though that my tale be of an hostelere.* *innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis* thou shalt be quit."<3> *assuredly
And therewithal he laugh'd and made cheer,<4>
And told his tale, as ye shall after hear.


Notes to the Prologue to the Cook's Tale


1. Jack of Dover: an article of cookery. (Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)

2. Sooth play quad play: true jest is no jest.

3. It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.

4. Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.



THE TALE.


A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard* he was, as goldfinch in the shaw**, *lively **grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.* *daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,<1>
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie* of his sort, *company of fellows
To hop and sing, and make such disport:
And there they *sette steven* for to meet *made appointment*
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto *he was free *he spent money liberally
Of his dispence, in place of privity.* where he would not be seen*
That found his master well in his chaffare,* *merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie*, *suffer for
All* have he no part of the minstrelsy. *although
For theft and riot they be convertible,
All can they play on *gitern or ribible.* *guitar or rebeck*
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see. *at variance

This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed* both early and late, *rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper<2> sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace*, *pass, go
Than he shend* all the servants in the place. *corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve*: *desire
Now let him riot all the night, or leave*. *refrain
And, for there is no thief without a louke,<3>
That helpeth him to wasten and to souk* *spend
Of that he bribe* can, or borrow may, *steal
Anon he sent his bed and his array
Unto a compere* of his owen sort, *comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance* *for appearances*
A shop, and swived* for her sustenance. *prostituted herself
 . . . . . . . <4>


Notes to the Cook's Tale


1. Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.

2. His paper: his certificate of completion of his apprenticeship.

3. Louke: The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".

4. The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded. The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales. It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry."      


Written by Robert Burns | Create an image from this poem

68. The Holy Fair

 UPON 1 a simmer Sunday morn
 When Nature’s face is fair,
I walked forth to view the corn,
 An’ snuff the caller air.
The rising sun owre Galston muirs
 Wi’ glorious light was glintin;
The hares were hirplin down the furrs,
 The lav’rocks they were chantin
 Fu’ sweet that day.


As lightsomely I glowr’d abroad,
 To see a scene sae gay,
Three hizzies, early at the road,
 Cam skelpin up the way.
Twa had manteeles o” dolefu’ black,
 But ane wi’ lyart lining;
The third, that gaed a wee a-back,
 Was in the fashion shining
 Fu’ gay that day.


The twa appear’d like sisters twin,
 In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
 An’ sour as only slaes:
The third cam up, hap-stap-an’-lowp,
 As light as ony lambie,
An’ wi’a curchie low did stoop,
 As soon as e’er she saw me,
 Fu’ kind that day.


Wi’ bonnet aff, quoth I, “Sweet lass,
 I think ye seem to ken me;
I’m sure I’ve seen that bonie face
 But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
 An’ taks me by the han’s,
“Ye, for my sake, hae gien the feck
 Of a’ the ten comman’s
 A screed some day.”


“My name is Fun—your cronie dear,
 The nearest friend ye hae;
An’ this is Superstitution here,
 An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
 To spend an hour in daffin:
Gin ye’ll go there, yon runkl’d pair,
 We will get famous laughin
 At them this day.”


Quoth I, “Wi’ a’ my heart, I’ll do’t;
 I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
 Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time,
 An’ soon I made me ready;
For roads were clad, frae side to side,
 Wi’ mony a weary body
 In droves that day.


Here farmers gash, in ridin graith,
 Gaed hoddin by their cotters;
There swankies young, in braw braid-claith,
 Are springing owre the gutters.
The lasses, skelpin barefit, thrang,
 In silks an’ scarlets glitter;
Wi’ sweet-milk cheese, in mony a whang,
 An’ farls, bak’d wi’ butter,
 Fu’ crump that day.


When by the plate we set our nose,
 Weel heaped up wi’ ha’pence,
A greedy glowr black-bonnet throws,
 An’ we maun draw our tippence.
Then in we go to see the show:
 On ev’ry side they’re gath’rin;
Some carrying dails, some chairs an’ stools,
 An’ some are busy bleth’rin
 Right loud that day.


Here stands a shed to fend the show’rs,
 An’ screen our countra gentry;
There “Racer Jess, 2 an’ twa-three whores,
 Are blinkin at the entry.
Here sits a raw o’ tittlin jads,
 Wi’ heaving breast an’ bare neck;
An’ there a batch o’ wabster lads,
 Blackguarding frae Kilmarnock,
 For fun this day.


Here, some are thinkin on their sins,
 An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
 Anither sighs an’ prays:
On this hand sits a chosen swatch,
 Wi’ screwed-up, grace-proud faces;
On that a set o’ chaps, at watch,
 Thrang winkin on the lasses
 To chairs that day.


O happy is that man, an’ blest!
 Nae wonder that it pride him!
Whase ain dear lass, that he likes best,
 Comes clinkin down beside him!
Wi’ arms repos’d on the chair back,
 He sweetly does compose him;
Which, by degrees, slips round her neck,
 An’s loof upon her bosom,
 Unkend that day.


Now a’ the congregation o’er
 Is silent expectation;
For Moodie 3 speels the holy door,
 Wi’ tidings o’ damnation:
Should Hornie, as in ancient days,
 ’Mang sons o’ God present him,
The vera sight o’ Moodie’s face,
 To ’s ain het hame had sent him
 Wi’ fright that day.


Hear how he clears the point o’ faith
 Wi’ rattlin and wi’ thumpin!
Now meekly calm, now wild in wrath,
 He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turned-up snout,
 His eldritch squeel an’ gestures,
O how they fire the heart devout,
 Like cantharidian plaisters
 On sic a day!


But hark! the tent has chang’d its voice,
 There’s peace an’ rest nae langer;
For a’ the real judges rise,
 They canna sit for anger,
Smith 4 opens out his cauld harangues,
 On practice and on morals;
An’ aff the godly pour in thrangs,
 To gie the jars an’ barrels
 A lift that day.


What signifies his barren shine,
 Of moral powers an’ reason?
His English style, an’ gesture fine
 Are a’ clean out o’ season.
Like Socrates or Antonine,
 Or some auld pagan heathen,
The moral man he does define,
 But ne’er a word o’ faith in
 That’s right that day.


In guid time comes an antidote
 Against sic poison’d nostrum;
For Peebles, 5 frae the water-fit,
 Ascends the holy rostrum:
See, up he’s got, the word o’ God,
 An’ meek an’ mim has view’d it,
While Common-sense has taen the road,
 An’ aff, an’ up the Cowgate 6
 Fast, fast that day.


Wee Miller 7 neist the guard relieves,
 An’ Orthodoxy raibles,
Tho’ in his heart he weel believes,
 An’ thinks it auld wives’ fables:
But faith! the birkie wants a manse,
 So, cannilie he hums them;
Altho’ his carnal wit an’ sense
 Like hafflins-wise o’ercomes him
 At times that day.


Now, butt an’ ben, the change-house fills,
 Wi’ yill-caup commentators;
Here ’s cryin out for bakes and gills,
 An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
 Wi’ logic an’ wi’ scripture,
They raise a din, that in the end
 Is like to breed a rupture
 O’ wrath that day.


Leeze me on drink! it gies us mair
 Than either school or college;
It kindles wit, it waukens lear,
 It pangs us fou o’ knowledge:
Be’t whisky-gill or penny wheep,
 Or ony stronger potion,
It never fails, or drinkin deep,
 To kittle up our notion,
 By night or day.


The lads an’ lasses, blythely bent
 To mind baith saul an’ body,
Sit round the table, weel content,
 An’ steer about the toddy:
On this ane’s dress, an’ that ane’s leuk,
 They’re makin observations;
While some are cozie i’ the neuk,
 An’ forming assignations
 To meet some day.


But now the L—’s ain trumpet touts,
 Till a’ the hills are rairin,
And echoes back return the shouts;
 Black Russell is na sparin:
His piercin words, like Highlan’ swords,
 Divide the joints an’ marrow;
His talk o’ Hell, whare devils dwell,
 Our vera “sauls does harrow”
 Wi’ fright that day!


A vast, unbottom’d, boundless pit,
 Fill’d fou o’ lowin brunstane,
Whase raging flame, an’ scorching heat,
 Wad melt the hardest whun-stane!
The half-asleep start up wi’ fear,
 An’ think they hear it roarin;
When presently it does appear,
 ’Twas but some neibor snorin
 Asleep that day.


’Twad be owre lang a tale to tell,
 How mony stories past;
An’ how they crouded to the yill,
 When they were a’ dismist;
How drink gaed round, in cogs an’ caups,
 Amang the furms an’ benches;
An’ cheese an’ bread, frae women’s laps,
 Was dealt about in lunches
 An’ dawds that day.


In comes a gawsie, gash guidwife,
 An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
 The lasses they are shyer:
The auld guidmen, about the grace
 Frae side to side they bother;
Till some ane by his bonnet lays,
 An’ gies them’t like a tether,
 Fu’ lang that day.


Waesucks! for him that gets nae lass,
 Or lasses that hae naething!
Sma’ need has he to say a grace,
 Or melvie his braw claithing!
O wives, be mindfu’ ance yoursel’
 How bonie lads ye wanted;
An’ dinna for a kebbuck-heel
 Let lasses be affronted
 On sic a day!


Now Clinkumbell, wi’ rattlin tow,
 Begins to jow an’ croon;
Some swagger hame the best they dow,
 Some wait the afternoon.
At slaps the billies halt a blink,
 Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
 They’re a’ in famous tune
 For crack that day.


How mony hearts this day converts
 O’ sinners and o’ lasses!
Their hearts o’ stane, gin night, are gane
 As saft as ony flesh is:
There’s some are fou o’ love divine;
 There’s some are fou o’ brandy;
An’ mony jobs that day begin,
 May end in houghmagandie
 Some ither day.


 Note 1. “Holy Fair” is a common phrase in the west of Scotland for a sacramental occasion.—R. B. [back]
Note 2. Racer Jess (d. 1813) was a half-witted daughter of Poosie Nansie. She was a great pedestrian. [back]
Note 3. Rev. Alexander Moodie of Riccarton. [back]
Note 4. Rev. George Smith of Galston. [back]
Note 5. Rev. Wm. Peebles of Newton-upon-Ayr. [back]
Note 6. A street so called which faces the tent in Mauchline.—R. B. [back]
Note 7. Rev. Alex. Miller, afterward of Kilmaurs. [back]
Written by Emily Dickinson | Create an image from this poem

Dew -- is the Freshet in the Grass --

 Dew -- is the Freshet in the Grass --
'Tis many a tiny Mill
Turns unperceived beneath our feet
And Artisan lies still --

We spy the Forests and the Hills
The Tents to Nature's Show
Mistake the Outside for the in
And mention what we saw.

Could Commentators on the Sign
Of Nature's Caravan
Obtain "Admission" as a Child
Some Wednesday Afternoon.
Written by Rg Gregory | Create an image from this poem

that precise moment

 however foul the times or difficult the ways are
through those personal morasses this change of age
won’t let a single being (rich or poor) be free from
come spring the trees get on with their blossoming
you’d think they didn’t read the newspapers

you’d think the media hadn’t yet found a way
of getting to them conveying the miserable truths
this creaking into a new century has been unleashing
come this spring (like any other) the ignorant trees
still feel compelled to get on with their blossoming

see all the journalists commentators politicians
shaking their fists from within closed windows
and choking on the fug of their smoke-filled rooms
with all this bitterness about – what are trees doing
getting on with their blossoming – bringing beauty out

that’s a dead word – beauty – no time or place for it
(except on page threes where people go to leer
to forget the miserable world sitting on their doorstep)
come spring how shocking to find trees don’t agree
a bad habit that – to get on with their blossoming

of course it won’t last – three weeks or so it’ll be gone
then we can all go back indoors and forget trees
and how they get on with their blossoming spring in
and bad spring out – there’s no such thing nowadays
as the natural law – blossom on trees – a thing of the past

luckily for each one there’s a small corner in the dark
where a light is stored and a gasp of delight survives
and a song is on the point of again bursting into hearing
at the mere thought of a one-time blossoming tree
come spring – at that precise moment when the tree

decides the winter’s been enough and its light side
should now be burgeoned to the world – then in the quick
of each denying being (wilfully or reluctantly or what)
a blossoming takes place also – is noted and then
put aside – its hope is not forsaken – spring survives

Book: Radiant Verses: A Journey Through Inspiring Poetry