Written by
Dylan Thomas |
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry
To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.
First buy a hat, no Paris model
But one the Swiss wear when they yodel,
A bowler thing with one or two
Feathers to conceal the view;
And then in sandals walk the street
(All modern painters use their feet
For painting, on their canvas strips,
Their wives or mothers, minus hips).
Perhaps it would be best if you
Created something very new,
A dirty novel done in Erse
Or written backwards in Welsh verse,
Or paintings on the backs of vests,
Or Sanskrit psalms on lepers' chests.
But if this proved imposs-i-ble
Perhaps it would be just as well,
For you could then write what you please,
And modern verse is done with ease.
Do not forget that 'limpet' rhymes
With 'strumpet' in these troubled times,
And commas are the worst of crimes;
Few understand the works of Cummings,
And few James Joyce's mental slummings,
And few young Auden's coded chatter;
But then it is the few that matter.
Never be lucid, never state,
If you would be regarded great,
The simplest thought or sentiment,
(For thought, we know, is decadent);
Never omit such vital words
As belly, genitals and -----,
For these are things that play a part
(And what a part) in all good art.
Remember this: each rose is wormy,
And every lovely woman's germy;
Remember this: that love depends
On how the Gallic letter bends;
Remember, too, that life is hell
And even heaven has a smell
Of putrefying angels who
Make deadly whoopee in the blue.
These things remembered, what can stop
A poet going to the top?
A final word: before you start
The convulsions of your art,
Remove your brains, take out your heart;
Minus these curses, you can be
A genius like David G.
Take courage, aunt, and send your stuff
To Geoffrey Grigson with my luff,
And may I yet live to admire
How well your poems light the fire.
|
Written by
Ruth Padel |
Flamingo silk. New ruff,
the ivory ghost
of a halter. Chestnut curls,
*
commas behind the ear.
"Taller, by half a head,
than my Lord Walsingham."
*
His Devon-cream brogue,
malt eyes. New cloak
mussed in her mud.
*
The Queen leans forward,
a rosy envelope of civet.
A cleavage
*
whispering seed pearls.
Her own sleeve
rubs that speck of dirt
*
on his cheek. Three thousand
ornamental fruit baskets
swing in the smoke.
*
"It is our pleasure
to have our servant trained
some longer time
*
in Ireland." Stamp out
marks of the Irish.
Their saffron smocks.
*
All curroughs, bards
and rhymers. Desmonds
and Fitzgeralds
*
stuck on low spikes,
an avenue of heads to
the war tent.
*
Kerry timber
sold to the Canaries.
Pregnant girls
*
hung in their own hair
on city walls. Plague
crumpling gargoyles
*
through Munster. "They spoke
like ghosts crying
out of their graves."
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