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Best Famous Cleaned Out Poems

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Written by Philip Larkin | Create an image from this poem

Church Going

Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone 
and little books; sprawlings of flowers cut
For Sunday brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense musty unignorable silence 
Brewed God knows how long. Hatless I take off
My cylce-clips in awkward revrence 

Move forward run my hand around the font.
From where i stand the roof looks almost new--
Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few
hectoring large-scale verses and pronouce
Here endeth much more loudly than I'd meant
The echoes snigger briefly. Back at the door
I sign the book donate an Irish sixpence 
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do 
And always end much at a loss like this 
Wondering what to look for; wondering too
When churches fall completely out of use
What we shall turn them into if we shall keep
A few cathedrals chronically on show 
Their parchment plate and pyx in locked cases 
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or after dark will dubious women come
To make their children touvh a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games in riddles seemingly at random;
But superstition like belief must die 
And what remains when disbelief has gone?
Grass weedy pavement brambles butress sky.

A shape less recognisable each week 
A purpose more obscure. I wonder who
Will be the last the very last to seek
This place for whta it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber randy for antique 
Or Christmas-addict counting on a whiff
Of grown-and-bands and organ-pipes and myrrh?
Or will he be my representative 

Bored uninformed knowing the ghostly silt
Dispersed yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation--marriage and birth 
And death and thoughts of these--for which was built
This special shell? For though I've no idea
What this accoutred frowsty barn is worth 
It pleases me to stand in silence here;

A serious house on serious earth it is 
In whose blent air all our compulsions meet 
Are recognisd and robed as destinies.
And that much never can be obsolete 
Since someone will forever be surprising
A hunger in himself to be more serious 
And gravitating with it to this ground 
Which he once heard was proper to grow wise in 
If only that so many dead lie round.

1955


Written by Philip Levine | Create an image from this poem

Late Light

 Rain filled the streets 
once a year, rising almost 
to door and window sills, 
battering walls and roofs 
until it cleaned away the mess 
we'd made. My father told 
me this, he told me it ran 
downtown and spilled into 
the river, which in turn 
emptied finally into the sea. 
He said this only once 
while I sat on the arm 
of his chair and stared out 
at the banks of gray snow 
melting as the March rain 
streaked past. All the rest 
of that day passed on 
into childhood, into nothing, 
or perhaps some portion hung 
on in a tiny corner of thought. 
Perhaps a clot of cinders 
that peppered the front yard 
clung to a spar of old weed 
or the concrete lip of the curb 
and worked its way back under 
the new growth spring brought 
and is a part of that yard 
still. Perhaps light falling 
on distant houses becomes 
those houses, hunching them 
down at dusk like sheep 
browsing on a far hillside, 
or at daybreak gilds 
the roofs until they groan 
under the new weight, or 
after rain lifts haloes 
of steam from the rinsed, 
white aluminum siding, 
and those houses and all 
they contain live that day 
in the sight of heaven. 

II 

In the blue, winking light 
of the International Institute 
of Social Revolution 
I fell asleep one afternoon 
over a book of memoirs 
of a Spanish priest who'd 
served his own private faith 
in a long forgotten war. 
An Anarchist and a Catholic, 
his remembrances moved 
inexplicably from Castilian 
to Catalan, a language I 
couldn't follow. That dust, 
fine and gray, peculiar 
to libraries, slipped 
between the glossy pages 
and my sight, a slow darkness 
calmed me, and I forgot 
the agony of those men 
I'd come to love, forgot 
the battles lost and won, 
forgot the final trek 
over hopeless mountain roads, 
defeat, surrender, the vows 
to live on. I slept until 
the lights came on and off. 
A girl was prodding my arm, 
for the place was closing. 
A slender Indonesian girl 
in sweater and American jeans, 
her black hair falling 
almost to my eyes, she told 
me in perfect English 
that I could come back, 
and she swept up into a folder 
the yellowing newspaper stories 
and photos spilled out before 
me on the desk, the little 
chronicles of death themselves 
curling and blurring 
into death, and took away 
the book still unfinished 
of a man more confused 
even than I, and switched off 
the light, and left me alone. 

III 

In June of 1975 I wakened 
one late afternoon in Amsterdam 
in a dim corner of a library. 
I had fallen asleep over a book 
and was roused by a young girl 
whose hand lay on my hand. 
I turned my head up and stared 
into her brown eyes, deep 
and gleaming. She was crying. 
For a second I was confused 
and started to speak, to offer 
some comfort or aid, but I 
kept still, for she was crying 
for me, for the knowledge 
that I had wakened to a life 
in which loss was final. 
I closed my eyes a moment. 
When I opened them she'd gone, 
the place was dark. I went 
out into the golden sunlight; 
the cobbled streets gleamed 
as after rain, the street cafes 
crowded and alive. Not 
far off the great bell 
of the Westerkirk tolled 
in the early evening. I thought 
of my oldest son, who years 
before had sailed from here 
into an unknown life in Sweden, 
a life which failed, of how 
he'd gone alone to Copenhagen, 
Bremen, where he'd loaded trains, 
Hamburg, Munich, and finally 
-- sick and weary -- he'd returned 
to us. He slept in a corner 
of the living room for days, 
and woke gaunt and quiet, 
still only seventeen, his face 
in its own shadows. I thought 
of my father on the run 
from an older war, and wondered 
had he passed through Amsterdam, 
had he stood, as I did now, 
gazing up at the pale sky, 
distant and opaque, for the sign 
that never comes. Had he drifted 
in the same winds of doubt 
and change to another continent, 
another life, a family, some 
years of peace, an early death. 
I walked on by myself for miles 
and still the light hung on 
as though the day would 
never end. The gray canals 
darkened slowly, the sky 
above the high, narrow houses 
deepened into blue, and one 
by one the stars began 
their singular voyages.
Written by Carolyn Kizer | Create an image from this poem

American Beauty

 For Ann London 

As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said. "What an
Amazon you are."

When we were girls we climbed Mt. Tamalpais
chewing bay leaves we had plucked
along the way;
we got high all right, from animal pleasure in each other,
shouting to the sky.

On your houseboat we tried to ignore the impossible guy
you had married to enrage your family,
a typical ploy.
We were great fools let loose in the No Name bar
on Sausalito's bay.

In San Francisco we'd perch on a waterfront pier
chewing sourdough and cheese, swilling champagne,
kicking our heels;
crooning lewd songs, hooting like seagulls,
we bayed with the seals.

Then you married someone in Mexico,
broke up in two weeks, didn't bother to divorce,
claimed it didn't count.
You dumped number three, fled to Albany
to become a pedant.

Averse to domesticity, you read for your Ph.D.
Your four-year-old looked like a miniature
John Lennon.
You fed him peanut butter from your jar and raised him
on Beowulf and Grendal.

Much later in New York we reunited;
in an elevator at Sak's a woman asked for
your autograph.
You glowed like a star, like Anouk Aimee
at forty, close enough.

Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star;
wrote the ERA
found the right man at last, a sensitive artist;
flying too high

not to crash. When the cancer caught you
you went on talk shows to say you had no fear
or faith.
In Baltimore we joked on your bed as you turned into
a witty wraith.

When you died I cleaned out your bureau drawers:
your usual disorder; an assortment of gorgeous wigs
and prosthetic breasts
tossed in garbage bags, to spare your gentle spouse.
Then the bequests

you had made to every friend you had!
For each of us a necklace or a ring.
A snapshot for me:
We two, barefoot in chiffon, laughing amid blossoms
your last wedding day.
Written by Robert Frost | Create an image from this poem

The Code

 There were three in the meadow by the brook 
Gathering up windrows, piling cocks of hay, 
With an eye always lifted toward the west 
Where an irregular sun-bordered cloud 
Darkly advanced with a perpetual dagger 
Flickering across its bosom. Suddenly 
One helper, thrusting pitchfork in the ground, 
Marched himself off the field and home. One stayed. 
The town-bred farmer failed to understand. 
"What is there wrong?" 
"Something you just now said." 
"What did I say?" 
"About our taking pains." 
"To cock the hay?--because it's going to shower? 
I said that more than half an hour ago. 
I said it to myself as much as you." 
"You didn't know. But James is one big fool. 
He thought you meant to find fault with his work. 
That's what the average farmer would have meant. 
James would take time, of course, to chew it over 
Before he acted: he's just got round to act." 
"He is a fool if that's the way he takes me." 
"Don't let it bother you. You've found out something. 
The hand that knows his business won't be told 
To do work better or faster--those two things. 
I'm as particular as anyone: 
Most likely I'd have served you just the same. 
But I know you don't understand our ways. 
You were just talking what was in your mind, 
What was in all our minds, and you weren't hinting. 
Tell you a story of what happened once: 
I was up here in Salem at a man's 
Named Sanders with a gang of four or five 
Doing the haying. No one liked the boss. 
He was one of the kind sports call a spider, 
All wiry arms and legs that spread out wavy 
From a humped body nigh as big's a biscuit. 
But work! that man could work, especially 
If by so doing he could get more work 
Out of his hired help. I'm not denying 
He was hard on himself. I couldn't find 
That he kept any hours--not for himself. 
Daylight and lantern-light were one to him: 
I've heard him pounding in the barn all night. 
But what he liked was someone to encourage. 
Them that he couldn't lead he'd get behind 
And drive, the way you can, you know, in mowing-- 
Keep at their heels and threaten to mow their legs off. 
I'd seen about enough of his bulling tricks 
(We call that bulling). I'd been watching him. 
So when he paired off with me in the hayfield 
To load the load, thinks I, Look out for trouble. 
I built the load and topped it off; old Sanders 
Combed it down with a rake and says, 'O. K.' 
Everything went well till we reached the barn 
With a big catch to empty in a bay. 
You understand that meant the easy job 
For the man up on top of throwing down 
The hay and rolling it off wholesale, 
Where on a mow it would have been slow lifting. 
You wouldn't think a fellow'd need much urging 
Under these circumstances, would you now? 
But the old fool seizes his fork in both hands, 
And looking up bewhiskered out of the pit, 
Shouts like an army captain, 'Let her come!' 
Thinks I, D'ye mean it? 'What was that you said?' 
I asked out loud, so's there'd be no mistake, 
'Did you say, Let her come?' 'Yes, let her come.' 
He said it over, but he said it softer. 
Never you say a thing like that to a man, 
Not if he values what he is. God, I'd as soon 
Murdered him as left out his middle name. 
I'd built the load and knew right where to find it. 
Two or three forkfuls I picked lightly round for 
Like meditating, and then I just dug in 
And dumped the rackful on him in ten lots. 
I looked over the side once in the dust 
And caught sight of him treading-water-like, 
Keeping his head above. 'Damn ye,' I says, 
'That gets ye!' He squeaked like a squeezed rat. 
That was the last I saw or heard of him. 
I cleaned the rack and drove out to cool off. 
As I sat mopping hayseed from my neck, 
And sort of waiting to be asked about it, 
One of the boys sings out, 'Where's the old man?' 
'I left him in the barn under the hay. 
If ye want him, ye can go and dig him out.' 
They realized from the way I swobbed my neck 
More than was needed something must be up. 
They headed for the barn; I stayed where I was. 
They told me afterward. First they forked hay, 
A lot of it, out into the barn floor. 
Nothing! They listened for him. Not a rustle. 
I guess they thought I'd spiked him in the temple 
Before I buried him, or I couldn't have managed. 
They excavated more. 'Go keep his wife 
Out of the barn.' Someone looked in a window, 
And curse me if he wasn't in the kitchen 
Slumped way down in a chair, with both his feet 
Stuck in the oven, the hottest day that summer. 
He looked so clean disgusted from behind 
There was no one that dared to stir him up, 
Or let him know that he was being looked at. 
Apparently I hadn't buried him 
(I may have knocked him down); but my just trying 
To bury him had hurt his dignity. 
He had gone to the house so's not to meet me. 
He kept away from us all afternoon. 
We tended to his hay. We saw him out 
After a while picking peas in his garden: 
He couldn't keep away from doing something." 
"Weren't you relieved to find he wasn't dead?" 
"No! and yet I don't know--it's hard to say. 
I went about to kill him fair enough." 
"You took an awkward way. Did he discharge you?" 
"Discharge me? No! He knew I did just right."
Written by Charles Bukowski | Create an image from this poem

Metamorphosis

 a girlfriend came in
built me a bed
scrubbed and waxed the kitchen floor
scrubbed the walls
vacuumed
cleaned the toilet
the bathtub
scrubbed the bathroom floor
and cut my toenails and 
my hair.
then
all on the same day
the plumber came and fixed the kitchen faucet
and the toilet
and the gas man fixed the heater
and the phone man fixed the phone.
noe I sit in all this perfection.
it is quiet.
I have broken off with all 3 of my girlfriends.
I felt better when everything was in 
disorder.
it will take me some months to get back to normal:
I can't even find a roach to commune with.
I have lost my rythm.
I can't sleep.
I can't eat.
I have been robbed of
my filth.


Written by Maggie Estep | Create an image from this poem

Scab Maids On Speed

 My first job was when I was about 15. I had met
a girl named Hope who became my best friend. Hope and I were flunking math
class so we became speed freaks. This honed our algebra skills and we quickly
became whiz kids. For about 5 minutes. Then, our brains started to fry
and we were just teenage speed freaks.

Then, we decided to to seek gainful employment.

We got hired on as part time maids at the Holiday Inn while a maid strike
was happening. We were scab maids on speed and we were coming to clean
your room.

We were subsequently fired for pilfering a Holiday Inn guest's quaalude
stash which we did only because we never thought someone would have the
nerve to call the front desk and say; THE MAIDS STOLE MY LUUDES MAN. But
someone did - or so we surmised - because we were fired. 

I supppose maybe we were fired because we never actually CLEANED but rather
just turned on the vacuum so it SOUNDED like we were cleaning as we picked
the pubic hairs off the sheets and out of the tub then passed out on the
bed and caught up on the sleep we'd missed from being up all night speeding.


When we got fired, we became waitresses at an International House of Pancakes.


We were much happier there.
Written by Andrew Barton Paterson | Create an image from this poem

An Idyll of Dandaloo

 On Western plains, where shade is not, 
'Neath summer skies of cloudless blue, 
Where all is dry and all is hot, 
There stands the town of Dandaloo -- 
A township where life's total sum 
Is sleep, diversified with rum. 
Its grass-grown streets with dust are deep; 
'Twere vain endeavour to express 
The dreamless silence of its sleep, 
Its wide, expansive drunkenness. 
The yearly races mostly drew 
A lively crowd at Dandaloo. 

There came a sportsman from the East, 
The eastern land where sportsmen blow, 
And brought with him a speedy beast -- 
A speedy beast as horses go. 
He came afar in hope to "do" 
The little town of Dandaloo. 

Now this was weak of him, I wot -- 
Exceeding weak, it seemed to me -- 
For we in Dandaloo were not 
The Jugginses we seemed to be; 
In fact, we rather thought we knew 
Our book by heart in Dandaloo. 

We held a meeting at the bar, 
And met the question fair and square -- 
"We've stumped the country near and far 
To raise the cash for races here; 
We've got a hundred pounds or two -- 
Not half so bad for Dandaloo. 

"And now, it seems we have to be 
Cleaned out by this here Sydney bloke, 
With his imported horse; and he 
Will scoop the pool and leave us broke. 
Shall we sit still, and make no fuss 
While this chap climbs all over us?" 

* 

The races came to Dandaloo, 
And all the cornstalks from the West 
On every kind of moke and screw 
Come forth in all their glory drest. 
The stranger's horse, as hard as nails, 
Look'd fit to run for New South Wales. 

He won the race by half a length -- 
Quite half a length, it seemed to me -- 
But Dandaloo, with all its strength, 
Roared out "Dead heat!" most fervently; 
And, sfter hesitation meet, 
The judge's verdict was "Dead heat!" 

And many men there were could tell 
What gave the verdict extra force. 
The stewards -- and the judge as well -- 
They all had backed the second horse. 
For things like this they sometimes do 
In larger towns than Dandaloo. 

They ran it off, the stranger won, 
Hands down, by near a hundred yards. 
He smiled to think his troubles done; 
But Dandaloo held all the cards. 
They went to scale and -- cruel fate -- 
His jockey turned out under weight. 

Perhaps they's tampered with the scale! 
I cannot tell. I only know 
It weighed him out all right. I fail 
To paint that Sydney sportsman's woe. 
He said the stewards were a crew 
Of low-lived thieves in Dandaloo. 

He lifted up his voice, irate, 
And swore till all the air was blue; 
So then we rose to vindicate 
The dignity of Dandaloo. 
"Look here," said we, "you must not poke 
Such oaths at us poor country folk." 

We rode him softly on a rail, 
We shied at him, in careless glee, 
Some large tomatoes, rank and stale, 
And eggs of great antiquity -- 
Their wild, unholy fregrance flew 
About the town of Dandaloo. 

He left the town at break of day, 
He led his racehorse through the streets, 
And now he tells the tale, they say, 
To every racing man he meets. 
And Sydney sportsmen all eschew 
The atmosphere of Dandaloo.
Written by Natasha Trethewey | Create an image from this poem

Domestic Work 1937

 All week she's cleaned
someone else's house,
stared down her own face
in the shine of copper--
bottomed pots, polished
wood, toilets she'd pull
the lid to--that look saying

Let's make a change, girl.

But Sunday mornings are hers--
church clothes starched
and hanging, a record spinning
on the console, the whole house
dancing. She raises the shades,
washes the rooms in light,
buckets of water, Octagon soap.

Cleanliness is next to godliness ...

Windows and doors flung wide,
curtains two-stepping
forward and back, neck bones
bumping in the pot, a choir
of clothes clapping on the line.

Nearer my God to Thee ...

She beats time on the rugs,
blows dust from the broom
like dandelion spores, each one
a wish for something better.
Written by Ted Kooser | Create an image from this poem

Selecting A Reader

 First, I would have her be beautiful,
and walking carefully up on my poetry
at the loneliest moment of an afternoon,
her hair still damp at the neck
from washing it. She should be wearing
a raincoat, an old one, dirty
from not having money enough for the cleaners.
She will take out her glasses, and there
in the bookstore, she will thumb
over my poems, then put the book back
up on its shelf. She will say to herself,
"For that kind of money, I can get
my raincoat cleaned." And she will.
Written by Hilaire Belloc | Create an image from this poem

George

 Who played with a Dangerous Toy, and suffered a Catastrophe of considerable Dimensions

When George's Grandmamma was told
That George had been as good as gold,
She promised in the afternoon
To buy him an Immense BALLOON.
And so she did; but when it came,
It got into the candle flame,
And being of a dangerous sort
Exploded with a loud report!
The lights went out! The windows broke!
The room was filled with reeking smoke.
And in the darkness shrieks and yells
Were mingled with electric bells,
And falling masonry and groans,
And crunching, as of broken bones,
And dreadful shrieks, when, worst of all,
The house itself began to fall!
It tottered, shuddering to and fro,
Then crashed into the street below-
Which happened to be Savile Row.

When help arrived, among the dead
Were Cousin Mary, Little Fred,
The Footmen (both of them), the Groom,
The man that cleaned the Billiard-Room,
The Chaplain, and the Still-Room Maid.
And I am dreadfully afraid
That Monsieur Champignon, the Chef,
Will now be permanently deaf-
And both his aides are much the same;
While George, who was in part to blame,
Received, you will regret to hear,
A nasty lump behind the ear.

Moral:
The moral is that little boys
Should not be given dangerous toys.

Book: Reflection on the Important Things